Today, in celebration of the birthday of Patrick Swayze, our song of the day is one that he wrote for Dirty Dancing. Enjoy She’s Like The Wind.
Today, in celebration of the birthday of Patrick Swayze, our song of the day is one that he wrote for Dirty Dancing. Enjoy She’s Like The Wind.
This song was written for the soundtrack of the 1995 film, Kids, and the video if made up of scenes from the Larry Clark-directed film (along with another story about space exploration). Oddly enough, the song itself doesn’t actually appear in the film.
Enjoy!
Seeing as how today is Robert De Niro’s birthday, this 1984 tune seems like an obvious pick for song of the day!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell. The entire show is currently streaming on Prime!
This week, Miss Bliss almost becomes Zach’s stepmother.
Episode 1.5 “Parents and Teachers”
(Dir by Gary Shimokawa, originally aired on December 28th, 1988)
It’s parent-teacher week! Lisa worries that her parents are going to find out that she wears makeup to school. Miss Bliss promises not to tell them. Mr. Belding worries that the parents are going to start telling principal jokes so, when he hears a few, he apparently tells a ribald joke about Gumby. (We don’t get the full details. Milo says that it involved a side of Pokey that he’d rather not think about …. GOOD GOD, WHAT THE HELL DID BELDING SAY!?)
Miss Bliss is shocked when one of the parents turns out to be Peter (Robert Pine, the sergeant from CHiPs and Chris’s father), a charming man that she met during a singles retreat. It turns out that Peter is Zach’s father….
Wait, what? Anyone who has ever watched Saved By The Bell knows that Zach’s parents are not divorced and that his father is Derek Morris, a bearded computer salesman who played baseball in college and who grounded Zach for drinking too much at a senior party. Who the Hell is this Peter Morris character? I guess, when Zach moved to California, he got a new father as well. Maybe Derek Morris was actually his stepfather and the whole reason he moved to California was because his mother remarried. But why would he bring Lisa. Screech, and Belding with him?
I don’t know. It’s questions like this that haunt me about the Miss Bliss episodes of Saved By The Bell. Maybe I’m overthinking this. Afterall, the only reason why the Good Morning Miss Bliss episodes are considered canon is because they were later added to the Saved By The Bell syndication package with newly shot scenes of Zach saying, “I remember when I was in junior high….” Really, the simplest answer to all of my questions is that the producers of Saved By The Bell just didn’t care. They didn’t care about continuity or anything else. In those pre-Internet days, they thought they could get away with forcing the Miss Bliss episodes into the SBTB universe. That’s the solution that makes the most sense but I’m a continuity person. This is going to bother me for the rest of my life, I can tell already.
Anyway, Zach is not happy that Miss Bliss is dating his father. Quite frankly, I’m not happy about it either. As a condescending know-it-all, Miss Bliss is already annoying enough without having an active social life. Fortunately, the relationship doesn’t last. Zach skips school and, when Miss Bliss catches him, she realizes that it’s simply unethical to date the father of one of her students.
“What if I send Zach to Switzerland?” Peter asks.
Gee, Peter, what if we call Child Protective Services on your ass? How would you like that? Seriously, the main message of this episode seems to be that Zach has a terrible father and Miss Bliss has terrible judgment.
Zach is really lucky he got out of Indiana.
Big Brother 27 (CBS, Parmounht+, Pluto TV, 24/7)
With my aunt in the hospital this week, Big Brother didn’t really interest me that much. I wrote about it over at the Big Brother Blog but there’s a part of me that no longer cares about shows like this. All of the fake drama and all of the crocodile tears don’t add up to much when you’re dealing with real drama and shedding real tears.
The Simpsons (Disney+)
Jeff and I watched a few episodes this week, out of the hope that they might cheer me up and give me a break from worrying. And they did. I enjoyed the episode with Mr, Burns’s son. I enjoyed the episode with Poochie. There was also an episode in which Homer enrolled in clown college. That made me smile.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981. The entire show can be purchased on Prime and found on YouTube and Tubi.
This week, Eric Roberts appears in an adaptation of a Willa Cather short story.
Episode #11: “Paul’s Case”
(Dir by Lamont Johnson, originally aired in 1980)
At the turn of the century, Paul (Eric Roberts) is a young man from Philadelphia who struggles academically and who just doesn’t seem to fit in anywhere. He comes from a poor family but he wants people to think of him as being rich and worry-free. He gets a job working at a theater and finally experiences a life other than the dreary one forced on him by his father. But eventually, Paul steals money from his job and uses it to go to New York. In New York, he lives out his fantasy of being rich and free but, after a few days, he realizes that the fantasy is only temporary. With his father coming to the city to claim him, Paul throws himself in front of train.
Based on a story by Willa Cather, Paul’s Case is an effective and heart-breaking entry in The American Short Story series. It feature a very early performance from Eric Roberts. Roberts was only 24 years old when he played Paul and he gives a poignantly vulnerable performance as a young man who simply does not fit in with the world in which he’s been born. He’s too delicate, too much of a “dandy,” for his father’s unimaginative (and homophobic) world but he’s also not rich enough to truly be a part of the exciting world that he discovers in the theater and in New York.
Perfectly capturing the tone of the source material and featuring an excellent turn from Eric Roberts, Paul’s Case is The American Short Story at its best.
Previous Eric Roberts Films That We Have Reviewed:
Today’s music video of the day invites you to take a walk through the city with Demi Lovato.
Enjoy!
This just happened to come up on my YouTube recommendations. Before anyone yells at me, I realize the song is not from 2025. But the video was just uploaded by the band 3 weeks ago so that’s why I’m going with the 2025 date.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Amazon Prime, Tubi and other services!

Episode 4.9 “Why Punish the Children?”
(Dir. by Michael Landon, originally aired on November 25th, 1987)
In this Thanksgiving episode, Jonathan Smith (Michael Landon) and Mark Gordon (Victor French) take on roles as history teachers in a women’s prison. It seems a compassionate social worker named Melanie Canner (Sally Spencer) has been fighting hard to improve the lives of the women on the inside and has been getting close to nowhere with prison warden Thomas Inman (Bruce French). The first positive step that Melanie has been able to secure for the inmates from the warden are these history classes. Once on the inside, we meet inmates like Maria Rojas (Tasia Valenza), a young woman who’s just about to have her first baby, and Reba Williams (Bebe Drake), a mother of five. Both women want to straighten out their lives in order to give their children a better chance in life. It soon becomes clear that Jonathan, Mark, and Melanie are on a mission to convince the warden to open up more opportunities for the women to improve their lives and spend more quality time with their kids. The warden isn’t an easy case, as he seems convinced that the women shouldn’t be given any real favors as they pay their debts to society. As you might imagine, Jonathan has a couple of divine tricks up his sleeve.
I liked this episode of HIGHWAY TO HEAVEN even if it’s not the most realistic story you’ll ever see. Each woman we meet has 100% accepted the error of their ways and are determined to be a productive member of society if they can get just one more chance. The cynical part of me has to overcome this unrealistic element of the story, and the “women in prison” movie lover in me would have enjoyed a couple of good catfights. Alas, this is HIGHWAY TO HEAVEN and director Michael Landon is not in the business of going for complete realism or providing B Movie fan service! Rather, Landon is interested in creating a world where basically good people have done wrong, honestly regret how their choices negatively impact those they love, and vow to do better for their children. This series built its five seasons on the prospect of people turning their lives around, and I’ll admit I got pretty emotional again with this one. This episode really focuses in on a mother’s love for her children, and I certainly want to believe that these women would do anything for theirs. Each mother is given a beautiful moment, at Thanksgiving no less, and the chance that they need to be the mom their children deserve. I’m getting a little misty just thinking about it as I type these words. The character of the warden is there to learn the lesson that we all need to learn, which is to try to see situations from different points of view. He gets a little angelic help in this area, which is quite heavy handed and completely in line with the show’s expectations.
Overall, I again enjoyed this episode as a nostalgic trip down memory lane with a series I grew up watching with my mom. The fact that I got a little emotional is also no surprise because the older I get the more I cry when watching movies and TV shows. The fact that I was bawling in my office while I watched the show at work could have been a little hard to explain… luckily, nobody came by during those waterworks moments.