Retro Television Review: Homicide: Life On The Street 3.9 “Nothing Personal”

Posted on April 27, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Felton again proves himself to be the most incompetent cop in Baltimore.

Episode 3.9 “Nothing Personal”

(Dir by Timothy Van Patten, originally aired on April 21st, 1995)

Woe be anyone whose murder is investigating by Detective Beau Felton.

Felton (played by Daniel Baldwin) shambles his way through this episode, his hair a greasy mess and his eyes bloodshot. The episode takes place over the course of several days and Felton doesn’t change his clothes once. Just looking at him, one can smell the pungent mix of sweat, cigarettes, and booze. Felton is searching for his wife and his son. In this episode, his mother-in-law tells him that his wife is planning on coming home, just for her to change her mind at the last moment. On the one hand, I do feel a bit bad for Felton, even if he was an absolutely terrible husband. On the other hand, he’s got an important job and, right now, he sucks at it. His decision to go back to Megan Russert’s place after he talks to his mother-in-law definitely does not make him in any way extra sympathetic.

Poor Kay! She has been just been assigned the Chilton murder, which was one of Crosetti’s unsolved cases and now her 100% clearance rate is threatened. The case is considered to be unsolvable. Someone strangled Erica Chilton. Her husband (Dean Winters) gives Kay and Felton a stack of letters that were sent by Erica’s secret lover. Alcoholic Felton loses the letters. The episode ends with Kay reluctantly accepting that she might never solve the case. Personally, I think Kay should consider that the victim’s husband is played by Dean Winters. With the exception of Law & Order: SVU, I have never seen Dean Winters appear on a show like this without eventually turning out to be the murderer and the fact that he had a huge stack of letters from Erica’s boyfriend would give him a motive. See, Kay? I solved your case for you!

Meanwhile, Giardello goes out to lunch with Megan Russert and one of her friends. Russert wants to set them up. Giardello is interested but Russert’s friend isn’t. Giardello, in a wonderfully performed moment (all hail Yaphet Kotto), tells Russert that he feels that light-skinned black women always reject him because he’s “too black.” Russert says that’s ridiculous, just for Giardello to reply that, as a “white woman,” she wouldn’t understand. Giardello spends the rest of the episode depressed. It’s always interesting whenever Giardello, who is usually so imposing, let’s down his guard a bit and reveals his emotions. Kotto always did a great job playing Giardello, regardless of whether Giardello was ordering Pembleton to work with Bayliss or just trying to avoid doing his laundry with Munch.

Speaking of Munch, the Waterfront Bar continues to be a headache. Lewis, Bayliss, and Munch have finally purchased their bar but it turns out that the former owner is not allowed to leave behind any of the liquor that she previously had at the bar. So, the three partners are going to have to pay for all their liquor themselves. The Waterfront Bar storyline has been dragged out a bit but it is a storyline that shows just how difficult it is to start a business in an overregulated state. So, it appeals to be my libertarian side.

There were a lot of good moments in this episode, even if I am getting a bit tired of Felton and his incompetence. One thing that I’ve really enjoyed about this season is how much Kay and Russert seem to sincerely dislike each other. This episode featured Russet calling Kay out for obsessing over her perfect clearance rate and Kay’s barely pent up irritation was entertaining to watch. Still, I do find myself wondering why Russet is always at the station, even though her shift is over. Seriously, Russert, spend some time with your child and tell Felton to get off your damn couch! There’s murders that need to be solved.

Music Video of the Day: 77 by Billy Idol, featuring Avril Lavigne (2025, dir by Spencer Ramsey)

Posted on April 27, 2025 by Lisa Marie Bowman

In this song, Billy Idol remembers the year 1977, fighting in the streets and upsetting the establishment. A time traveling Avril Lavigne helps out.

Enjoy!

Late Night Retro Television Review: Check It Out 3.14 “Marlene For Hire”

Posted on April 26, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

It’s Christmas in Canada!

Episode 3.14 “Marlene For Hire”

(Dir by Alan Erlich, originally aired on December 12th, 1987)

A married couple who shops at C0bb’s — Cindy (Lynne Cormack) and Ron (Hal Eisen) — ask Marlene is she’ll be a surrogate mother for them. Once Marlene figures out that they’re not asking her to become a swinger, she agrees. But then, during a doctor’s visit, Marlene is told that she’s “not a good candidate” to be a surrogate mother. It’s a bit of an odd storyline because the biggest part of the story — the visit with the doctor — occurs totally off-screen. We only hear about it when Marlene talks to Edna about it.

Still, Marlene does confess that she is somewhat relieved because she doesn’t think she would have been able to actually give the baby up. Edna, who has been in a loveless relationship with Howard for what seems like a decade, starts to cry. Awwww! It’s a sad scene, really. It’s also the type of scene that would not have worked during the first or second seasons of the show, when all of the characters were a bit too cartoonish to really touch the viewer’s heart. The third season has been a marked improvement. Kathleen Laskey and Dinah Christie both gave good performances in their scene together, making it far more poignant than I would ever expect an episode of Check It Out! to be.

As for the other storyline, there’s a contest to see which store can build the best Holiday display. (It’s a Christmas episode.) Howard goes with a manger scene, which would probably get the store sued nowadays. Leslie wants to make a manger out of bread but Howard says that’s a foolish idea. In the end, the judge says that he loves Howard’s display but the winner is another Cobb’s that made their manger out of …. wait for it! …. bread!

As I said, it’s a bit of an odd episode but it actually worked because of the — and I can’t believe I’m saying this — strength of the ensemble. After two seasons of everyone acting as if they were all appearing in different shows, the third season has found the cast really clicking. Kathleen Laskey and Dinah Christie handled the em0tional part of the show while Jeff Pustil, Aaron Schwartz, and Don Adams handled the comedy as they bickered over the best way to build a manger.

In other words, this was a good epioode. It’s a Christmas miracle!

The Eric Roberts Collection: Dawn (dir by Nicholas Ryan)

Posted on April 26, 2025 by Lisa Marie Bowman

2022’s Dawn has a running time of 78 minutes. Eric Roberts is in the film but unfortunately, his nameless character is killed off at the four minute mark. It’s a bit of a pointless cameo, even by Eric Roberts’s standards. If you’re going to get Eric Roberts in your film, do something more than just have him pathetically beg for his life. Is it worth watching a 78-minute Eric Roberts film if you already know that Roberts is going to be in at least 74 of those minutes?

Eric Roberts’s character is killed by Dawn (Jackie Moore), a serial killer who drives around and pretends to be an Uber driver and who makes her victim play various games before killing them. Dawn is a celebrity on the Dark Web. It’s always funny to me how movies like this pretty much use the Dark Web as their go-to plot device. If someone needs a motivation …. hey, Dark Web! If a plot twist doesn’t make any sense, just say it’s somehow connected to the Dark Web or a Russian troll farm. It’s not difficult. Since the entire film is pretty much just Dawn tormenting a couple (played by Sarah French and Jared Cohn), it’s important that Dawn be such a charismatic and witty killer that we’re willing to put up with antisocial actions. Unfortunately, as played by Moore, she’s just annoying.

Roberts is not the only celebrity to make an appearance as Dawn. In one of the film’s few effective moments, Nicholas Brendon shows up as a man at a gas station who is a huge fan of Dawn’s and who wants her to murder him. Later, Michael Pare shows up as a cop who pulls over the car. How many times has Pare played a cop in movies like this? He always seems to be pulling someone over.

Anyway, it didn’t take me long to get bored with this, despite the fact that both French and Cohn gave better performances than the film deserved. There’s only so much that can be explained away by saying, “Dark Web.”

Previous Eric Roberts Films That We Have Reviewed:

Song of the Day: Irena’s Theme by Giorgio Moroder

Posted on April 26, 2025 by Lisa Marie Bowman

Happy birthday to musician and composer Giorgio Moroder. Today’s song of the day comes from his score for 1982’s Cat People. Here is Irena’s Theme!

Music Video of the Day: Down To Be Wrong by Haim (2025, dir by Bradley & Pablo)

Posted on April 26, 2025 by Lisa Marie Bowman

Yay! We’ve got a new video from Haim. That’s always a good thing.

Enjoy!

Late Night Retro Television Review: Friday the 13th: The Series 3.10 “Mightier Than The Sword”

Posted on April 25, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

Another Friday, another cursed antique….

Episode 3.10 “Mightier Than The Sword”

(Dir by Armand Mastroianni, originally aired on January 8th, 1990)

Micki’s been possessed again!

This time, it’s the result of a writer named Alex Dent (Colm Feore, who appeared in quite a few episodes of this show, always as a different villain) using his cursed pen to write about Micki becoming a serial killer. That’s how Alex makes his money. He writes about people becoming serial killers and then, when they do exactly what he has written, Alex publishes a true crime book about them.

Johnny is a huge fan of Alex’s books. Micki says that she’s seen enough death in real life without having to read about it. Johnny doesn’t seem to take her seriously, which is odd. Sometimes, Johnny seems to forget that he and Micki spend all of their time dealing with cursed antiques and battling the Devil. I mean, has Johnny forgotten about the time that he spent in prison after he was wrongly convicted of murdering his father? Johnny seems to go from being streetwise to naive rather abruptly, all depending on what the episode’s story requires of him. It’s also a bit of an odd coincidence that Johnny would just happen to be a fan of someone who has one of the cursed antiques but, then again, this wasn’t the first time this happened on Friday the 13th and I imagine it will happen a few more times as well.

This episode had an interesting premise, though I do have to wonder how Alex found out about the curse in the first place. It doesn’t seem like the most practical of curses. Alex must write, sell, and publish his books in record time. Micki always seems to be getting possessed, which usually leads to her posing in a doorway and delivering her lines like a 40s noir heroine. (In this episode, she also takes up smoking.) Fortunately, Robey always did a good job pulling off the whole suddenly possessed thing. I imagine it must have been pretty traumatic for Micki but at least Johnny learned a lesson about reading trashy true crime paperbacks.

As for this episode, Colm Feore was a good villain, there was plenty of noirish atmosphere, and the episode didn’t take itself particularly seriously. It kept me entertained! Really, what more can you ask from a show?

Song of the Day: Main Title Theme From Scarface by Giorgio Moroder

Posted on April 25, 2025 by Lisa Marie Bowman

Why not? It is Al Pacino’s birthday, after all!

Retro Television Review: St. Elsewhere 1.19 “Working”

Posted on April 25, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, someone’s getting sued!

Episode 1.19 “Working”

(Dir by Bruce Paltrow, originally aired on April 5th, 1983)

Dr. Morrison becomes upset when he deduces that a patient (Ed Lauter) is trying to drink himself to death so that his family can collect his life insurance. Dr. Chandler becomes upset when one of his patients dies while being admitted to the hospital and the family ends up suing for malpractice. For once, Dr. Craig is not upset because he’s been charmed by a visiting surgeon (Rita Zohar) from Hungary. And, finally, Dr. White continues to be Dr. White as he obsesses over his separation, pops pills, and screws up even the simplest of medical tasks.

It’s just another day at St. Eligius!

This was a pretty good episode. Dr. Craig’s storyline was probably the weakest but William Daniels is such a good actor and Dr. Craig was such an interesting character that even a weak Craig storyline is still better than average. (That said, the visiting surgeon’s amazement at visiting at actual McDonald’s was a bit heavy handed.)

What really made this episode stand out is that Denzel Washington finally got to do something more than just stand in the background and nod. For most of the first season, Dr. Chandler has been portrayed as being perhaps the most perfect and ultra-competent resident in the history of medical residences so it was interesting to see him not having all the answers for once. Washington did a wonderful job portraying Chandler’s transformation from being almost cocky to being worried that he actually was, in some way, responsible for his patient’s death. (The fact that the other doctors just shrugged off the man’s death made Chandler even more determined to figure things out.) In the past, Chandler has always been quick to call out other people’s errors and this episode actually features him nearly coming to blows with White over White’s terrible job performance. Seeing Chandler having to critically examine his own job performance brought a bit more depth to the character.

Speaking of Dr. White …. WHAT A JERK! The first season is nearly over and it seems like the show is building up to something terrible happening to Dr. White. Whatever it may be, it’s hard not to feel that he brought it on himself. In a hospital full of dedicated doctors, Dr. White is the guy you never want to see come in your room. I have no idea what’s going to happen with this doctor but I can’t imagine it will be a good thing.

Finally, Morrison’s storyline left me wondering why Morrison always ends up with the most melodramatic patients. That said, Ed Lauter was one of the best and his scenes with Norman Lloyd’s Dr. Auschlander were wonderfully acted by both men.

This was a good episode. We’re approaching the end of season one and I can’t wait to see how things are going to wrap up with the doctors at Boston’s most underrated hospital.

The Eric Roberts Collection: Doc Holliday’s Revenge (dir by David DeCoteau)

Posted on April 25, 2025 by Lisa Marie Bowman

2014’s Doc Holliday’s Revenge takes place in late 1800s, just outside of the town of Tombstone. Following the murder of Morgan Earp, the legendary Doc Holliday (William McNamara) is seeking revenge and hoping to kill every suspected members of the Clanton gang before he himself is killed by tuberculosis. When a suspected Clanton gang member named Indian Charlie (Oliver Rayon) stumbles wounded into the homestead of Elizabeth (Ashley Hayes) and Joseph Cooley (Bart Voitilla), Holliday comes looking for him. Elizabeth stands up to the gunslinging dentist.

This is a bit of an odd viewing experience. Much like David DeCoteau’s earlier Bonnie and Clyde film, it’s an attempt to do a historical film on a budget. As such, there’s a lot of narration and sepia-toned stock footage. Newspaper headlines flash across the screen. Tom Berenger, as Judge Wells, narrates the story and is filmed in extreme close-up and with a greenscreen behind him. Strangely, the same thing seems to have been done with William McNamara, who spends most of the film sitting on his horse and talking to people who are clearly off-camera. It also appears that the majority of McNamara’s scenes were also done with a greenscreen. It’s a weird effect, one that leaves the viewer wondering if both Berenger and McNamara are meant to be playing ghosts. That said, it’s oddly effective. At the very least, it reinforces the idea of Holliday being a mythical figure, a ghostly spirit of Americana. Eric Roberts also shows up very briefly at the beginning and the end of the film, playing Elizabeth’s estranged father. Unlike McNamara and Berenger, it’s clear that Roberts actually was on the set when he filmed his scenes.

Doc Holliday’s Revenge feels like a companion piece to David DeCoteau’s Bonnie and Clyde: Justified. (Ashley Hayes was in that film as well, playing Bonnie Parker.) The budget is low and the dialogue is far too modern for a historical film but the cast at least seems to be trying and the film holds your interest while you’re watching it. (Good luck remembering much about it afterwards, though.) If nothing else, it’s better than Bigfoot vs DB Cooper.

Previous Eric Roberts Films That We Have Reviewed: