Film Review: Stay Hungry (dir by Bob Rafelson)


In the 1976 film Stay Hungry, Jeff Bridges plays Craig Blake.

When we first meet Craig, he doesn’t have much of a personality, though we still like him because he’s played by Jeff Bridges.  Living in Alabama, he’s a young rich kid who, after the death of his parents, divides his time between his nearly empty mansion and his country club.  Craig suffers from a good deal of ennui and seems to spend a lot of time writing letters to his uncle in which he promises that he’s going to eventually get his life together.  Craig eventually gets a job at a real estate firm that is managed by Jabo (Joe Spinell).  We know that the real estate firm is shady because Joe Spinell works there.

Craig is assigned to handle the purchase of a small gym so that he can eventually close the place and allow it to be torn down to make room for an office building.  However, Craig soon falls for the gang of colorful eccentrics whose lives revolve around the gym and bodybuilder Joe Santo (Arnold Schwarzenegger, who gets an “introducing” credit, even though this was his fourth film).  The friendly Franklin (Robert Englund) is Santo’s “grease” man.  Anita (Helena Kallianiotes) is tough and can kick anyone’s ass.  The receptionist, Mary Tate (Sally Field), is a free spirit with whom Craig soon falls in love.  In fact, the only less than likable person at the gym is the former owner, Thor Erickson (R.G. Armstrong), a heavy-drinking perv who has a hole in the floor of his office that he uses to peek down at the women’s locker room.

There’s not much of a plot here.  Instead, the film plays out in a rather laid back manner, with Santo befriending Craig and showing him the joy of embracing life.  Arnold Schwarzenegger actually won an award (well, a Golden Globe) for his performance here and it must be said that he’s very good as the gentle and easy-going Santo.  Because he’s huge and he’s Schwarzenegger, we expect him to be intimidating.  Instead, he’s a soft-spoken guy who is quick to smile and who doesn’t even get upset when he finds out that Mary Tate and Craig are now involved.  There’s even a surprising scene where Joe Santo picks up a fiddle and starts playing with a bluegrass band.  Schwarzenegger is so likable here that it’s easy to wonder where his career might have gone if he hadn’t become an action star.  Even early in his career (and when he was still speaking with a very thick accent), Schwarzenegger shows off a natural comic timing.  He’s fun to watch.

In fact, he’s so much fun that the rest of the film suffers whenever he’s not onscreen.  The cast is full of talented people but the film’s loose, plotless structure keeps us from truly getting too invested in any of them.  (Santo is training for Mr. Universe so at least he gets an actual storyline.)  Sally Field and Jeff Bridges are cute together but their romance is never quite as enchanting as it seems like it should be.  The main problem with the film is that, when it ends, one still feels like Craig will eventually get bored with the gym and return back to his mansion and his country club.  One doesn’t get the feeling that Craig has been changed so much as Craig just seems to be slumming for the heck of it.

There are charming moments in Stay Hungry.  I’m a Southern girl so I can attest that the film captured the feel of the South better than most films.  If you’re a Schwarzenegger fan, you have to see this film because it really does feature Arnie at his most charming and natural.  Unfortunately, despite all that, the film itself never really comes together.

Song of the Day: Can You Hear The Music by Hans Zimmer


Today, we wish a happy birthday to director Christopher Nolan.  Our song of the day comes from the soundtrack of Nolan’s Oscar-winning epic, Oppenheimer.

From Hans Zimmer, here is today’s song of the day.

Late Night Retro Television Review: Pacific Blue 2.13 “Outlaw Blues”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, there’s way too much happening on the Boardwalk.

Episode 2.13 “Outlaw Express”

(Dir by Michael Levine, originally aired on December 8th, 1996)

Mahmoud (Shaun Toub) is selling cheap jewelry on the boardwalk.  He gives Chris a “silver” necklace that makes her neck turn green.  Uh-oh, someone’s allergic to tin!

Palermo’s daughter is hanging out with some extreme athletes who are pressuring her to take part in increasingly dangerous pranks on the boardwalk so that they can film them for their web site!

Two criminals are hijacking trucks and then forcing merchants to sell stolen goods!  When they see that one truck driver is wearing a tie-dyed t-shirt, they shoot him in the back and then tell him, “Say hi to Jerry for me.”  (I’m guessing they were referring to Jerry Garcia and not Jerry Springer but who knows with this show.)

Finally, Victor’s mother is staying at his apartment which means Victor can’t get laid!

Wow, there’s a lot to deal with this week.  When a show tries to juggle this many plots, it really does remind you of the importance of having clearly defined and compelling characters.  Pacific Blue doesn’t have any of that so this episode kind of sucked.  We are 24 episodes into this stupid show and I still can’t tell the difference between Victor, TC, and Palermo whenever they’re riding their bikes.  That’s a problem.  24 episodes in and Chris still doesn’t have a personality beyond being annoyed by everyone she talks to.  That’s another problem.

(“I didn’t catch your first name Officer Kelly,” Mahmoud says.  “Officer,” Chris replies, deploying the power glare.)

Seriously, just think about how much it would suck to be a victim of the crime, call 911, and then have these douchebags show up.

Retro Television Review: Fantasy Island 7.3 “Nurses Night Out”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, three nurses are brought to the Island by one grateful benefactor.

Episode 7.3 “Nurses Night Out”

(Dir by Philip Leacock, originally aired on October 22nd, 1983)

Wealthy George Galloway (Peter Graves) has recently been discharged from the hospital and he wants to give a present to the three nurses that took care of him.  He pays for all of them to come to Fantasy Island and experience a fantasy.

Christine Donavon (Joanna Cassidy) wants the capable but abrasive Dr. Mark Reed (Monte Markham) to experience what it’s like to be a patient so that he might understand what it’s like having to deal with the uncertainty of being in a hospital.  However, Christine comes to discover that Dr. Reed isn’t that bad and Dr. Reed comes to realize that perhaps he could be a bit kinder.  Love is in the air!

Tracy Freemont (Pat Klous) wants to hook up with quarterback Crash McGowan (Brodie Greer, who I’m also currently watching as Officer Barizca on CHiPs).  Crash was a patient at the hospital and Tracy was his night nurse.  Crash likes Tracy but, as he explains it to Mr. Roarke, he’s currently under a lot of pressure to win football game  and, as a result, he’s impotent.  Maybe Crash should just ask for a fantasy where he’s not impotent for the weekend.  Fear not, things work out.  Love is in the air!

At first, Alice Green (Eleanor Parker) just wants to spend her time on the Island doing nothing.  That’s her fantasy.  Lawrence may think that an odd fantasy but I actually understand Alice’s point.  She’s on vacation.  Why should she have to do anything?  However, when Alice discovers that George is her benefactor, she decides she does have a fantasy.  She wants to tell George that she loves him.  George’s fantasy is for Alice to love him.  Hey, that works out!  The only problem is that George only has three months to live!  Love is in the air …. but for how long!?

This episode wasn’t that bad, especially when compared to the previous two episodes.  I like Peter Graves and I liked the three nurses and I was happy that they all ultimately found love on the Island.  Admittedly, Tracy and Christine’s fantasies didn’t do much for me.  But the Peter Graves/Eleanor Parker fantasy was nicely done and I appreciated the fact that the show didn’t come up with some miracle cure for George’s terminal illness.  Instead, with the gentle encouragement of Mr. Roarke, George and Alice decided to make the best of the time they had left.  Good work, Mr. Roarke!

Tattoo is very much missed but this was still a good trip to the Island.

Late Night Retro Television Review: CHiPs 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we have a two-hour episode of CHiPs!

Episodes 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”

(Dir by Gordon Hessler, originally aired on December 7th, 1980)

There’s a big boulder sitting on a mountain and it’s threatening to roll down onto the highway, where it could not only damage cars but also destroy the home of comedian Milton Berle.  Berle calls the cops and generally gets annoyed with everyone who comes by his house.  They all want to make jokes while the boulder hangs over him like death from above.  I would be annoyed as well!

Ponch and Baker arrange for a demolition crew to come in and try to destroy the boulder.  As Ponch is also in charge of the annual CHP charity fundraiser, Ponch recruits Berle to be a part of it.  Ponch wants a bunch of celebs to take part in a bicycle race.  Berle motions with his cigar and says he’ll play touch football instead.

This two-part episode attempts to recapture the fun of the previous season’s Roller Disco.  A lot of celebrities show up for the fundraiser and Harlan provides a breathless commentary that basically amounts to continually repeating, “There’s George Peppard talking to Johnnie Ray!  Nancy Kulp’s standing in a doorway!  There’s Robert Mandan!  Conrad Bain’s wearing an ascot!  Look at Todd Bridges get down!”  It’s not as much fun this time because there’s no roller skating and there’s no disco music.  Instead, it’s celebs playing the type of dreary games that high schools and church youth groups have used for years to build up team work.  You know that terrible game where people try to move an orange down a line without using their hands?  They play that game.  (My speech and debate coach had us play the game at a sleepover and I’ll just say that having an orange fall into your cleavage is not as much fun as it sounds, especially when you’re the only girl standing in the line.)  An ascot-wearing Conrad Bain runs around in circles while balancing a wine bottle on a tray.  The crowd loves it but I think it would be kind of boring to watch.  There’s also a dunking booth so that the celebrities can send the members of the CHP into a tub of water.  Baker does not participate but Ponch does and you better believe he flashes the biggest smile in the world after he goes down.

There are some other storylines going on, of course.  Alex Rocco and Ken Berry are two racers who supplement their income by robbing homes and trucks.  There’s a freeway pileup that features some slow motion car jumps.  Hey, that truck has “EXPLOSIVES” written on it!  Do you think it will explode!?  Baker helps a kid who needs better parents.  It’s typical CHiPs stuff but the majority of the episode is just a collection of television actors participating in silly games.  “There’s Marcia Wallace talking to Chuck Woolery, having a good time!”  It needed more disco.

 

Retro Television Review: Miami Vice 4.13 “Vote of Confidence”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett and Tubbs are not looking for bull semen.

Episode 4.13 “Vote of Confidence”

(Dir by Randy Roberts, originally aired on February 12th, 1988)

After spending last week trying to retrieve a cannister of bull semen, this episode finds Crockett, Tubbs, and Switek actually doing Vice work for once.  At the start of this episode, they stop a train that doubles as a rolling bordello.  They arrest a man named Tom Pierce (Larry Pine), a congressman who just happens to be running for governor!

(Tubbs thinks that Pierce has some good ideas.  Crockett doesn’t believe in voting.  Try to get away with that on a television show in today’s hyperpartisan climate.)

Tubbs and Crockett are frustrated when the district attorney declines to prosecute Pierce.  The D.A. says that they can’t prove that Pierce was actually on the train to hook up with a prostitute.  He could have just been passing out campaign literature.  Crockett and Tubbs are outraged, wondering why the prostitutes should be arrested but not the people who keep them in business.  Crockett and Tubbs see it as another example of the rich and powerful being let off the hook and they’re probably right about that.

Still, Pierce’s campaign is rocked by the news of his arrest and, when he withdraws from the election, Internal Affairs investigates to make sure that Crockett and Tubbs didn’t set him up.  While Crockett and Tubbs are definitely innocent, they still suspect that someone may have indeed set Pierce up.  When Pierce disappears, they wonder if maybe he’s been abducted or murdered.  Their investigation leads them to a notorious political prankster (Barry Lynch) and a shady press operative (Jonathan Hadary).

This episode was apparently based on the same scandal that, decades later, would inspire The Front Runner.  It was an improvement on last week’s but then again, anything would have been an improvement on last week’s episode.  Just the fact that Crockett and Tubbs were actually doing police work as opposed to stifling laughs every time someone mentioned “bull semen” guaranteed that this episode would shine compared to last week’s episode.  On the plus side, this episode features a return of the cynical Crockett and Tubbs that we all know and love.  On the negative side, the story itself is so bland that it fades from the memory as soon as the episode ends.  This episode was competently done but bland.  That’s the problem with episodes that are meant to be “ripped from the headlines.”  Headlines eventually fade.