Retro Television Review: Miami Vice 5.8 “Hard Knocks”

Posted on December 1, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Switek takes center stage!

Episode 5.8 “Hard Knocks”

(Dir by Vern Gillum, originally aired on January 20th, 1989)

Stan Switek has a gambling problem!

That’s right. The lovable Stan Switek, played by Michael Talbott, finally gets to be the center of another episode and it’s a pretty dark one. It’s not as dark as the one where Stan discovered that his partner and best friend had been given a heroin overdose but it’s still pretty depressing.

There are a lot of things that lead to Switek becoming both an alcoholic and a gambling addict. The death of Larry Zito still haunts him. The job haunts him. The fact that he’s continually stuck in “the black box,” and doing surveillance on terrible people haunts him. At the start of the episode, he learns that he’s been turned down for a promotion and it will be another two years before he can apply again. Castillo says it’s about money. The Miami PD doesn’t have the money to pay Switek a sergeant’s salary. “You’re the best at what you do,” Castillo tells Switek. That’s of little help.

Switek is best friends with Mac Mulhern (Jordan Clarke), the father of a hotshot college quarterback named Kevin Mulhern (Richard Joseph Paul). When Switek’s former bookie (Ismael “East” Carlo) is murdered by Goodman (Richard Jenkins, who apparently always looked like he was in his late 50s, even 40 years ago), Goodman orders Switek to tell Kevin to throw his upcoming game. In order to make sure that it happens, Goodman kidnaps Mac and threatens to kill him.

Switek snaps. Switek sets out to get his own justice against Goodman and to rescue Mac. Fortunately, Crockett and Tubbs realize what’s happening and they show up in time to help Switek out. Once Goodman is dead and Mac is free, Kevin is able to win the game.

Later, Crockett confronts Switek. He says that Switek’s name is all over Goodman’s books. What’s Crockett going to do? Given that Crockett spent months as Miami’s biggest drug lord, I’m not sure that Crockett is in a position to judge anyone. Fortunately, Crockett seems to understand that as well. Crockett hands the evidence over to Switek and promises to keep quiet. Switek — who has spent almost the entire series as comedic relief — breaks down and starts to cry.

That’s one dark episode! It’s also a very well-done episode. Michael Talbott gave an excellent performance as Switek, revealing the character’s dark side while still remaining true to who Switek has been since the series began. Don Johnson and Philip Michael Thomas didn’t do much in this episode but the final scene between Switek and Crockett was wonderfully acted by both Talbott and Johnson.

This was a good episode but I’m worried about Switek now. I hope everything works out because there’s only a few episodes left!

Speaking of which, Retro Television Review will be going on break for the holidays at the end of this week. Miami Vice will return on January 5th!

Retro Television Review: Miami Vice 5.7 “Asian Cut”

Posted on November 24, 2025 by Lisa Marie Bowman

There’s another serial killer haunting the streets of Miami. We all know what that means. It’s time to put either Trudy or Gina in harm’s way again.

Episode 5.7 “Asian Cut”

(Dir by James Contner, originally aired on January 13th, 1989)

Someone is murdering prostitutes and carving symbols into their skin. The seemingly friendly Prof. Halliwell (David Schramm) confirms that the symbols are Asian in origin. Crockett and Castillo suspect that the murderer might be a knife-obsessed Japanese gangster named Tegoro (Cary-Hiroyui Tagawa) but it turns out that they’re wrong. Gina and Trudy work undercover as escort and Trudy meets Carlos (Alfredo Alvarez Calderon), a man with a kink for being beaten. Carlos wants to introduce Trudy to a friend of his, someone who is something of an expert on torture and who learned the majority of his techniques while he was serving in the CIA during the Vietnam War….

Yep, the murderer is Prof. Halliwell!

This episode was thoroughly unpleasant. That’s not necessarily a bad thing when it comes to episodes about serial killers and David Schramm did a good job of switching from being goofy to deadly. However, in this case, it was hard not to think about the fact that, in five seasons, Gina and Trudy haven’t really gotten to do much other than pretend to be escorts and get threatened by serial killers. For once, Gina was the one providing support while Trudy was the one put in jeopardy but it still otherwise felt very, very familiar. Even the twist that the killer was a former CIA agent who specialized in torturing enemy combatants felt just a bit too predictable. (On Miami Vice, anyone who is former CIA and not named Castillo always turns out to be a murderer.) The torture scenes were so drawn out that they ultimately felt a bit gratuitous.

This episode ultimately just felt icky,

Retro Television Review: Miami Vice 5.6 “Line of Fire”

Posted on November 17, 2025 by Lisa Marie Bowman

This week, Crockett and Tubbs are assigned to protect a witness.

Episode 5.6 “Line Of Fire”

(Dir by Richard Compton, originally aired on December 16th, 1988)

Carlos Cantero (Aharon Ipalé) is on trial for murdering Ian Sims, one of Crockett’s confidential informants. Crockett is the number one witness against him, which is a problem because Crockett just spent the last few months under the impression that he was Sonny Burnett, one of Miami’s biggest drug dealers. Cantero’s defense attorney dismantles Crockett’s testimony by pointing out that Crockett had a “psychotic breakdown.”

(And you know what? The attorney is actually very correct about that. Crockett acts shocked when his mental health history is brought up but why wouldn’t it be?)

Luckily, there is an eyewitness to the murder of Ian Sims. The FBI asks Crockett and Tubbs to keep an eye on Keith (Justin Lazard), a heavy metal fan who is willing to testify against Cantero.

I have to admit that I nearly gave up on this episode because my first impression of Keith was that he was the most annoying character to ever appear on a television show. However, I’m glad that I didn’t because this episode actually introduced a very clever twist. Keith is not actually Keith. Instead, he’s DEA agent Joey Hardin, who has been assigned to pretend to be Keith to keep Cantero from going after the real Keith. It turns out that FBI Agent Bates (Kevyn Major Howard, the “Do you believe in Jesus?” guy from Death Wish II) is crooked and he’s giving information to Cantero.

Unfortunately, Crockett doesn’t find out the truth until Joey has already been shot multiple times by Bates. (Tubbs and Crockett proceed to gun down Bates.) Joey nearly dies while the prosecutor chortles about how all of this is actually going to help him get a conviction. It turns out that the prosecutor doesn’t know what he’s talking about. The real Keith is now too terrified to testify against Cantero, leading to Cantero going free. Joey does recover from being shot but, at the end of this episode, it’s hard not to feel that it was all for nothing.

This is one cynical episode! But that’s okay. Miami Vice was always at its best when it was being cynical and this episode is a throwback to old school Vice, back when the emphasis was on how no one could trust anyone and the government was often its own worst enemy. Miami Vice was definitely a left-wing show but occasionally, it did reveal a libertarian streak. That was certainly the case with this episode, in which the war on drugs is portrayed as being unwinnable because the government is naturally incompetent. Young idealists like Joey Hardin are sent off to battle and are ultimately abandoned once they’re no longer needed.

This was a good episode. I’m still having a hard time buying that Crockett could just go back to being a cop after being Miami’s top drug lord but whatever. It’s the final season. I’ll suspend my disbelief a little.

Retro Television Review: Miami Vice 5.4 “Bad Timing”

Posted on October 27, 2025 by Lisa Marie Bowman

This week, Crockett tries to find himself.

Episode 5.4 “Bad Timing”

(Dir by Virgil W. Vogel, originally aired on December 2nd, 1988)

With the case against him still unresolved, Crockett goes on vacation. He doesn’t tell anyone where he’s going, which is a bit unfortunate as he ends up being taken hostage in the Bayous by a group of cartoonishly evil escaped convicts. (Pruitt Taylor Vince plays one of the hostage-takers but is fairly forgettable. A young Melissa Leo appears as a fellow hostage and shows none of the grit that made her so memorable as Sgt. Kay Howard on Homicide.) Somehow, Tubbs still shows up at the last moment and, looking resplendent in a white suit, he shoots the final convict before the latter shoots Crockett. Crockett doesn’t even ask Tubbs how he knew where Crockett was. (If Tubbs had been following Crockett the entire time, why would he have allowed Crockett to have been taken hostage to begin with?) This episode might as well have been called Dues Ex Tubbs.

Watching this episode, it occurred to me that, as a character, Crockett really doesn’t have anywhere left to go. By having him turn into Burnett and become one of Miami’s most powerful drug dealers, the show pretty much pushed the character as far as possible. It’s impossible for Crockett to come back from that and it’s equally impossible to watch an episode like this one and not wonder why Crockett wasn’t in prison. He’s suspected of committing four murders. He was witnessed shooting a cop. He attempted to kill his own partner, twice. The episode begins with several high-ranking cops saying that they don’t buy Crockett’s excuse that he had amnesia. And yet, Crockett is allowed to leave Miami while the department tries to figure out what to do with him.

Really, the whole idea that Crockett — a minor celebrity due to his college football career — could maintain his Burnett cover for five seasons was already pretty hard to believe. Crockett and Tubbs’s cover got blown in nearly every episode during the first three seasons. Having Sonny “Burnett” marry a world-famous singer without anyone noting that Burnett looked just like Crockett was probably this show’s true shark jumping moment. Once that happened, it became increasingly difficult to take Miami Vice seriously. The whole arc of Sonny thinking he was Burnett was fun to watch and Don Johnson gave a good performance as a conflicted bad guy but it’s also left the show with nowhere to go. With this episode, Crockett has been reduced to being taken hostage by a group of backwoods yokels and waiting for Tubbs to materialize from out of nowhere.

In short, it’s time for Sonny to move on. And seeing as how this is the final season …. well, we’ll see what happens!

Retro Television Review: Miami Vice 5.3 “Heart of Night”

Posted on October 20, 2025 by Lisa Marie Bowman

This week, Castillo gets an adventure of his own.

Episode 5.3 “Heart of Night”

(Dir by Paul Krasny, originally aired on November 18th, 1988)

This is season 5’s Castillo episode.

Castillo got to be at the center of one episode per season. Usually, it involved someone from his past resurfacing and Castillo having to go full samurai (or ninja, as the case may be) to protect them. That’s certainly the case here, in which Castillo’s ex-wife (Rosalind Chao, replacing Joan Chen) approaches Castillo because she and her husband (James Saito) are being targeted by Rivas (Bob Gunton), an Ecuadorian drug dealer who — *sigh* — has connections to the CIA.

This episode wasn’t really bad. It just felt awfully familiar. Even Edward James Olmos, who usually shined whenever he got a solo adventure, seems kind of bored in this episode. At this point in the series, there was really nothing surprising about the revelation that a South American drug lord was working with the CIA. Just about every drug lord on the show was portrayed as working for the CIA. It’s also not a surprise when Castillo’s ex’s new husband turns out to be corrupt. The episode ends with Castillo watching as the women he still loves walk away from him and, again, been there done that. Almost this entire episode felt like Miami Vice on autopilot.

Crockett appeared for about two minutes in this episode. He has his memory back and he’s working for the Vice Squad again. Castillo points out that Crockett is still being investigated for numerous murders and he suggests that Crockett take some time off. Crockett reluctantly agrees. Shouldn’t Crockett be in prison right now? The man was the biggest drug lord in Miami. He killed a cop (albeit in self-defense). I’m surprised he would be allowed back into the Vice Squad with all that hanging over him. If not sitting in jail, Crockett should at least be under suspension.

It’s just another weird day in Miami.

Retro Television Review: Miami Vice 5.2 “Redemption In Blood”

Posted on October 13, 2025 by Lisa Marie Bowman

This week, Sonny Burnett continues his reign of terror!

Episode 5.2 “Redemption in Blood”

(DIr by Paul Krasny, originally aired on November 11th, 1988)

When last we checked in with Miami Vice, Sonny thought he was a drug lord named Sonny Burnett and he was firing his gun at Tubbs, who he had just recognized as a cop. This episode reveals that Sonny didn’t shoot Tubbs. Instead, he aimed at a wall, firing while Tubbs made his escape.

Working with the psychotic Cliff King (Matt Frewer), Sonny takes over his late boss’s drug empire and continue to fight a war against El Gato (Jon Polito). El Gato is meant to be a “flamboyant” drug dealer, which is a polite way of saying that Polito overacts through the entire episode.

The show hedges its bets by having Cliff commit all of the murders while Sonny rises to power. In fact, when Sonny catches Cliff torturing two of El Gato’s men, Sonny orders Cliff to stop and then offers them jobs in the Burnett operation. Amazingly, over the course of the entire three-episode Burnett arc, Sonny manages to get through the whole thing only killing people in self-defense. Even the cop that he killed at the end of the previous season was a dirty cop who had been sent to kill him. I get that the show couldn’t take Sonny totally over to the dark side but it’s still hard to believe that Burnett took over the Miami underworld without getting his hands a bit more dirty than he did.

A car bomb (courtesy of El Gato) knocks Sonny unconscious and, when he wakes up, he suddenly starts to remember who he actually is. Finally realizing that his name is Crockett, Sonny turns himself into the Vice Squad and is promptly arrested while Kate Bush sings, “Don’t give up.” Sonny tells Castillo, Switek, and Tubbs that he’s ready to acccept the consequences of whatever he did during his previous bout of amnesia. But then Sonny escapes custody and sets up both Cliff and El Gato for a great fall so I guess he wasn’t totally ready to turn himself in and head off to prison.

Tubbs, who now trusts Sonny, helps him take out Cliff King and the Burnett organization. Sonny shoots Cliff to save Tubbs. With Tubbs dangling off of a walkway, Sonny pulls him back up to safety. Sonny then goes back to his mansion where he and his girlfriend (Debra Feuer) are taking hostage by a gun-wielding El Gato. “Where is the safe?” El Gato demands. Sonny tricks El Gato into thinking the safe is in the room where he keeps his pet panther. (Apparently, all drug lords were given either a tiger, a panther, a cheetah, or a leopard.) El Gato gets mauled to death as the episode ends.

This episode suggests that Sonny is going to be let off the hook because he finally remembered he was. I don’t really think that it would really work like that. Sonny has multiple warrants out and he also killed a cop, albeit a corrupt one. If Sonny isn’t on trial in next week’s episode, I’m going to be a little annoyed.

This episode ended the Burnett trilogy about as well as it could be ended. The idea that all Sonny needed was to survive a second near-fatal explosion made me smile. What if El Gato hadn’t tried to blow him up? I guess it’s a good thing that he did! While Polito went overboard, Matt Frewer gave a very good performance as the villainous Cliff King. It’s a bit of a shame that he died so dramatically because Cliff would have made a good recurring villain.

This episode was definitely better than anything from season 4. It’ll be interesting to see how the rest of season 5 plays out.

Retro Television Review: Miami Vice 5.1 “Hostile Takeover”

Posted on October 6, 2025 by Lisa Marie Bowman

This week, we start the fifth and final season of Miami Vice.

Episode 5.1 “Hostile Takeover”

(Dir by Don Johnson, originally aired on November 4th, 1988)

The fifth and final season of Miami Vice gets off to a good start with this episode. After opening with some appropriately glitzy scenes of the drug-fueled Miami nightlife, the episode then shows us that Sonny Crockett is still convinced that he’s Sonny Burnett. He has now returned to Miami and, along with Cliff King (Matt Frewer), he is one of the key advisors to drug lord Oscar Carrera (Joe Santos).

Carrera is at war with El Gato (Jon Polito), the brother of Sonny Burnett’s former employer, Miguel Manolo. El Gato, who wears gold lamé, cries over the body of one of his henchmen, and flinches when forced to deal with direct sunlight, is a flamboyant figure. In fact, he’s so flamboyant that it’s initially easy to overlook how determined he is to get revenge for the death of his brother. That means taking down the Carreras family and Sonny Burnett as well.

The Vice Squad knows that Sonny is moving up in the drug underworld but Castillo is firm when asked what they should do about it. Sonny has an active warrant out for murdering a corrupt cop. “Sonny’s not Sonny anymore,” Tubbs says at one point and Castillo seems to agree.

Tubbs goes undercover, making contact with the Carreras cartel. When Sonny meets Tubbs, Tubbs introduces himself as “Ricardo Cooper” and starts speaking in his terribly unconvincing Jamaican accent and that was when I said, “Miami Vice is back!” Sonny doesn’t trust Cooper from the start. “Maybe you’re a cop,” Sonny says. “Not I, mon,” Tubbs replies.

People are dying and, while Sonny doesn’t have a problem with that, the show is also careful to show that Sonny only shoots in self-defense. (It appears the most of the cold-blooded murders are farmed out to Cliff King.) When Oscar Carreras dies, it’s because his poofy-haired son (Anthony Crivello) accidentally shot him when Oscar discovered him with his stepmother. When the son dies, it’s because he was about to shoot Sonny after he caught Sonny with …. his stepmother, again. The Carreras family is so dysfunctional that it shouldn’t come as a surprise that Sonny steps up to take it over.

After promising Castillo that he’ll take out Sonny if necessary, Tubbs meets up with Sonny at beach-side tower. Tubbs looks at Sonny and suddenly says, “Sonny, it’s me, Rico.” Sonny stare at Tubbs. “Do you remember me?” Tubbs asks.

“Sure,” Sonny suddenly says, “You’re Tubbs.”

Three gunshots ring out as the episode ends.

OH MY GOD, DID SONNY KILLS TUBBS!?

We’ll find out next week. For now, I’ll say that — after a disappointing fourth season — this was exactly how Miami Vice needed to start things off for Season 5. Seriously, if you’re going to have Sonny get hit with amnesia, you might as well just go for it and take things to their logical extreme.

Next week …. is Tubbs dead? I hope not, mon.

Retro Television Review: Miami Vice 4.20 “A Bullet For Crockett”

Posted on September 15, 2025 by Lisa Marie Bowman

This week, in honor episode 4.20, Cockett and Tubbs get high.

Just kidding! Instead, Crockett takes a bullet and Phil Collins sings Something In The Air tonight.

Episode 4.20 “A Bullet For Crockett”

(Dir by Donald L. Gold, originally aired on April 15th, 1988)

After Crockett is shot by a drug dealer’s girlfriend, he fights for his life while the other members of the Vice Squad hover nearby. Crockett remembers past moments. The other members of the Vice Squad remember past moments….

Hey, it a clip show!

Usually. I hate clip shows but I’ll defend this one because it was well-edited and it reminded me of how good this show was before season 4 started. Plus, the episode made good use of Something In The Air Tonight.

The important thing is that, after all the memories were shared, Tubbs took down the shooter and Crockett woke up. Let’s not worry too much about why Crockett’s new wife never came to the hospital. She at least appeared in flashback.

What doe it say about Season 4 that the best episode was probably the clip show?

Retro Television Review: Miami Vice 4.19 “Blood & Roses”

Posted on September 8, 2025 by Lisa Marie Bowman

This week, Gina’s in trouble again!

Episode 4.19 “Blood & Roses”

(Dir by George Mendeluk, originally aired on April 1st, 1988)

Frank Mosca (Stanley Tucci) is back!

In case you’ve forgotten, Mosca was the villain from the fourth season premiere, Contempt of Court. That episode ended with Mosca getting away with everything. This episode finds him killing a rival drug lord (Michael Wincott) and trying to kill Crockett. Because Mosca knows who Crockett and Tubbs are, it falls on Gina to go undercover. This becomes yet another episode where Gina starts to fall for the bad guy and ends up having sex with the target of a Vice investigation. As often happens with these type of episodes, Gina ends up shooting Mosca to keep him from shooting Sonny. Mosca’s body plummets down an air shaft and it’s hard not to notice that Stanley Tucci has suddenly become a mannequin with painted hair.

Stanley Tucci gave a magnetic performance as the charismatic but evil Frank Mosca. Watching Tucci, it’s easy to see why the show brought him but Mosca was such a memorable character that it’s shame that he was given a standard Miami Vice death scene. Mosca deserved to go out with a bit more style. Saundra Santiago gave a good performance as Gina but it’s hard not to notice that every time she’s at the center of an episode, it’s pretty much the same basic plot. As a character, Gina deserved better than to constantly be used as a sex toy by every bad guy she went undercover to investigate.

Watching this episode, I found myself wondering if the show’s writers remembered that Crockett was supposed to be married. Between his jealousy over Gina getting close to Mosco and a scene where he and Gina shared a brief but intense kiss, it was hard not to notice that Crockett didn’t seem to be thinking about his wife. Perhaps this episode was originally meant to air earlier in the season, before Crockett’s somewhat improbable wedding. Who knows? It’s been a while since anyone asked Crockett about Caitlin. Maybe they got a quickie divorce offscreen.

This episode was typical of season 4. It was well-made but everything just felt a bit too familiar. to be effective.

Retro Television Review: Miami Vice 4.18 “Badge of Dishonor”

Posted on September 1, 2025 by Lisa Marie Bowman

This week, Crockett and Tubbs battle some corrupt cops.

Episode 4.18 “Badge of Dishonor”

(Dir by Richard Compton, originally aired on March 18th, 1988)

Badge of Dishonor opens with Underworld’s Glory, Glory playing on the soundtrack. It’s an early electronic tune, one that isn’t quite EDM but still definitely shows hints of what Underworld and a lot of other synth-pop bands would eventually become. Usually, that would be pretty cool but, unfortunately, the song also has a gospel music feel and I personally gospel music to be excruciatingly dull.

That’s certainly the case here, where the music is played over the opening teaser and the gospel sounds robs it of whatever momentum it might have had. The episode opens with a drug deal gone wrong. Tubbs is working undercover when he and his contacts are suddenly busted by four cops, who kill the real dealers and then steal the drugs and the money. Tubbs barely manages to escape with his life. It should have been an exciting opening but it had a “been there, done that” sort of feel to it. This isn’t the first Miami Vice episode to feature an drug deal gone wrong and it’s not even the first to feature corrupt cops.

The cops in question are all originally from Cuba. Back in Castro’s Hellhole, they were all members of the same street gang. After coming to Miami and building up lengthy juvenile records, the four men were subsequently hired after a race riot (a real-life event that Castillo discusses in his terse manner) led to demands for a more racially-balanced police force. Because the force desperately needed some non-redneck cops, no one bothered to do an extensive background check on the four men when they applied to be cops. Tubbs comments that the corrupt cops are setting “minority hiring back 400 years.”

Crockett and Tubbs’s investigation at first centers on a lieutenant (Reni Santoni) who they think is crooked because he lives on a yacht. The lieutenant explains that he married well and that he suspects the same four cops as Crockett and Tubbs. The lieutenant is subsequently murdered by the cops. It turns out that the corrupt cops are getting their information from an undercover detective named Madison Stone (Michele Shay). Stone has spent the past few years deep undercover, living in a homeless community on the riverfront. Stone is not herself corrupt. She’s just been manipulated and is now in an impossible situation. At least, that’s the way Tubbs views it. Myself, I just felt that Madison Stone appeared to be as bad at working undercover as Sonny Crockett.

Technically, this was a well-made episode. The main problem is that the plot itself just felt so familiar and the four corrupt cops were not particularly interesting. Compared to the usual flamboyant Miami Vice criminals, the cops were pretty bland. In typical Miami Vice fashion, it ended on a dark note. The corrupt cops were defeated but both Madison Stone and their lieutenant were dead. There’s no happy endings in Miami.