I Watched The Strongest Man In The World (1975, Dir. by Vincent McEveety)


Dexter Riley (Kurt Russell) is back, again!  He still hasn’t graduated from Medfield College and Medfield is still on the verge of going broke.  Dean Higgins (Joe Flynn) discovers that the reason Medfield can never get out of the red is because the science class and students like Dexter are spending so much money on their experiments.  The Dean fires the science professor and threatens to expel Dexter!  But when Dexter’s latest experiment develops a type of milk that gives the drinker super strength, the Dean might have to change his mind.

A cereal company wants to buy the supermilk, which would get Medfield out of the hole.  But a rival cereal company just wants to steal the formula for the milk so they hire disgraced businessman and gangster A.J. Arno (Cesar Romero) to once again try to thwart the best laid plans of Medfield College.  Meanwhile, Dexter competes in a contest to prove that the supermilk has truly made him into the strongest man in the world.

The plot of the last Dexter Riley movie somehow manages to be even dumber than the first two and it was high time for Dexter to graduate and get on with his life but The Strongest Man In The World did make me laugh a few times.  Because this entry in the series involved super strength instead of invisibility or merging with a computer, it allowed for more physical comedy and it felt less dates than the other two movies.  The action is pretty much nonstop, as Dexter gets into one scrape after another and the cast is likable even if they all were getting a little old to still be playing college students.  Like the other Dexter Riley films, The Strongest Man In The World is too innocent and good-natured not to enjoy on some level.

I guess Dexter finally graduated after this movie.  Both he and Kurt Russell went on to better things.

Retro Television Reviews: Fantasy Island 2.11 “Carnival/The Vaudevillians”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles everyone!  Smiles!

Episode 2.11 “Carnival/The Vaudevillians”

(Dir by Georg Stanford Brown, Originally aired on December 2nd, 1978)

Tattoo has come up with a new way to become a millionaire!  He’s invented a sleeping bag that he claims can hold two people.  Mr. Roarke is a bit skeptical that the small roll of material that Tattoo is holding could possibly be big enough to hold two people.  Tattoo tells him that all he has to do is remove a key and the material will inflate.  Roarke removes the key and several feathers explode into the air.  Tattoo shrugs and says that he obviously has to get back to the drawing board.

“Inventor indeed,” Mr. Roarke says, in a tone that suggests that the only he reason he’s not physically killing Tattoo is because it’s time for them to greet their guests.

(Why is Tattoo always trying to make extra money?  Does Fantasy Island not pay well?)

This week, the fantasies are all about reliving the past.  Charlie Parks (Phil Silvers) and Will Fields (Phil Harris) used to be stars on Vaudeville but, like so many of the old time entertainers, they’ve now found themselves forgotten.  Charlie’s even been put in a nursing home.  Still, he manages to make the trip to Fantasy Island, where his fantasy is to be reunited with Will so that they can try to bring Vaudeville back to life.

Unfortunately, it doesn’t quite work.  Tattoo loves their corny old jokes but when they perform for a larger audience, they only get a few pity chuckles.  Dejected, Charlie plans to return to his retirement home when he and Will are approached by a man who claims that he works for the city of Baltimore.  (Oh no!  Run!)  The man explains that he wants to hire Charlie and Will to perform at nursing homes, where their old-fashioned routines will enliven the golden years of people who don’t like loud music and R-rated movies.  Charlie and Will agree.  Yay!

Meanwhile, Dorothy Weller (Carol Lynley) is a woman who has spent the past few months in a coma.  Now, she’s not sure if the man she thought she loved really existed or if he was just someone she dreamed up while she was in the hospital.  Mr. Roarke arranges for her to travel to a recreation of the same Mexican town where she met the mystery man.  She finds her former lover, Tom Parnell (Stuart Whitman), on the beach.  Tom explains that he is real and he is in love with her.  He’s also a spy and there’s an international assassin (an appropriately sinister Luke Askew) after him!

This episode was kind of a mixed bag.  The Vaudeville fantasy featured charming performances from Phil Silvers and Phil Harris but their jokes were never quite as funny as Tattoo seemed to think that they were.  The spy fantasy was not helped by the casting of the reliably dull Stuart Whitman but the story itself was intriguing and Carol Lynley gave a believable and emotional performance as Dorothy.  The end result was a thoroughly pleasant but not altogether memorable trip to Fantasy Island.  But really, when it comes to Fantasy Island, hasn’t the appeal always been just how pleasant everything is?

Well, except for the relationship between Tattoo and Mr. Roarke, of course.  I still suspect Tattoo is secretly plotting to kill Mr. Roarke and take over the island.  Who knows?  Maybe that’ll be a future episode.  We’ll find out soon!

Retro Television Reviews: The Love Boat 1.9 “The Captain’s Captain / Romance Roulette / Hounded”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love?  Don’t worry.  Love won’t hurt anymore.

Episode 1.9 “The Captain’s Captain / Romance Roulette / Hounded”

(dir by Jack Arnold, originally aired on November 26th, 1977)

As I watched the opening scenes of the cruise’s passengers making their way onto the Love Boat, I noticed that this episode was directed by Jack Arnold.  I did some online checking and I discovered that this was indeed the same Jack Arnold who directed It Came From Outer Space, Creature From The Black Lagoon, The Incredible Shrinking Man, Tarantula, and a host of other so-called B pictures.  By the time the 70s rolled around, Arnold was directing blaxploitation films (including Fred Williamson’s Boss) and episodic television.  As I watched the episode, I found myself wondering which member of the cast probably asked Arnold the most questions about shooting Creature From The Black Lagoon.  I guess that it was probably Fred Grandy, since apparently he’s a pretty intelligent guy.

As for the show itself, it featured the typical three-story structure.  Gary Burghoff (who I had just watched on Fantasy Island) played a passenger who found himself trapped in his cabin with a security dog that had somehow gotten loose.  As I’ve mentioned before, I have a fear of big dogs so this particular scenario would be quite traumatic for me.  Burghoff, however, got along with the dog and even helped to deliver her puppies.  Awwwwwwww!  Big dogs are scary but little puppies are cute!

While Captain Stubing was dealing with the dog problem, his irascible father (played by Phil Silvers), who was himself a former cruise ship captain, was wandering around the ship and eventually falling in love with a cook named P.J. Muldoon (Judy Canova).  Captain Stubing was skeptical of his father’s romance but, by the end of the episode, he was proposing a toast to his future stepmother.  This storyline was fairly predictable but Phil Silvers and Gavin MacLeod were believable as father-and-son and their scenes together added some depth to Captain Stubing, a character who, in other episodes, has come across as being a bit flat.

Finally, Jane Curtin played Regina Parker, a literature professor who was on the cruise with two friends from college (Joanna Kerns and Susan Heldfond).  The three of them played a game, in which they basically had to make the first man that they heard use a certain word fall in love with them for the duration of the cruise.  The word was “screwdriver.”  When Regina went up to Isaac’s bar to wait for someone to order a screwdriver, she was taken by surprise when Frank (Vincent Baggetta), the ship’s plumber, walked up with a toolbox and asked for someone to hand him a screwdriver.  Regina started to hit on Frank.  Frank almost immediately fell in love with her and he let her read some of his poetry.  Even though his poetry was terrible, Regina fell in love with him.  As you can guess, Frank eventually found out about the game but, by the end of the episode, he and Regina were promising to write each other every day.  In its undeniably silly way, this was actually kind of a fun storyline.  Curtin and Baggetta actually had a lot of chemistry.  Frank’s poems still sucked though.

All in all, this was a pleasant episode.  The guest stars were likable and the cruise itself looked like it would have been a lot of fun.  Was this episode life’s sweetest reward?  It was good but I wouldn’t go that far.  Love is life’s sweetest reward.

Horror on TV: Kolchak: The Night Stalker 1.11 “Horror In The Heights” (dir by Michael Caffey)


Tonight, on Kolchak, someone or something is eating the elderly and poor residents of Roosevelt Heights!  Carl Kolchak investigates!

After battling Native American monsters, Cajun monsters, and European monsters, Kolchak finds himself battling a Hindu demon in this episode.  Apparently, Chicago was quite a busy place in the 1970s.

This episode originally aired on December 20th, 1974, just in time for the Christmas season.

Enjoy!

http://www.youtube.com/watch?v=XcmRZuhSLXQ

Comedy Tonight: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (United Artists 1966)


gary loggins's avatarcracked rear viewer

Director Richard Lester made the jump from The Beatles to Broadway in filming A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, but it wasn’t that far a leap. In adapting the Tony-winning musical comedy to the screen, Lester energizes the film with his unmistakably 60’s cinematic style, resulting in one of the decade’s best comedies, aided and abetted by a cast of pros including Zero Mostel , Phil Silvers, Jack Gilford, and the great Buster Keaton in his final film performance.

The credits roll to the tune of Stephen Sondheim’s “Comedy Tonight”, which may be my favorite song from any musical, as Zero introduces us to the main players. He’s Psuedolus, a slave owned by young Hero (Michael Crawford), son of unhappily married Senex (Michael Hordern) and his shrewish (not Jewish) wife Domina (Patricia Jessel, who’s a riot!). Hero has fallen in love with Philia (Annette Andre), the…

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She Was Never Lovelier: Rita Hayworth in COVER GIRL (Columbia 1944)


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Bright, bold, and bouncy, COVER GIRL was a breakthrough film for both Rita Hayworth and Gene Kelly. Sultry, redheaded Rita had been kicking around Hollywood for ten years before Columbia Pictures gave her this star-making vehicle, while Kelly, on loan from MGM, was given free rein to create the memorable dance sequences. Throw in the comedic talents of Phil Silvers   and Eve Arden , plus a bevy of beauties and songs by Jerome Kern and Ira Gershwin, and you have what very well may be the quintessential 40’s musical.

Rusty Parker (Rita) is a hoofer at Danny McGuire’s (Kelly) joint in Brooklyn (where else?). She enters a contest sponsored by Vanity Magazine to find a new cover girl for their 50th anniversary issue. Editor John Coudair ( Otto Kruger ) spots her and is reminded of the girl he once loved and lost (who turns out to have been…

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