Retro Television Review: Baywatch 1.18 “Shark Derby”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, a lifeguard dies!

Episode 1.18 “Shark Derby”

(Dir by Gregory J. Bonann, originally aired on March 2nd, 1990)

Hey, remember Jill?

Jill, played by Shawn Weatherly, was a major character at the start of the season.  She was the tough, seasoned lifeguard who was one of Mitch’s best friends.  She was also Shauni’s mentor.  If Shauni was often silly and superficial, Jill was all business.  She also had a brief flirtation with Trevor, before Trevor vanished from the show.

As the first season progressed, Jill became less and less important.  In this week’s episode, Jill finally gets to do something,  She dies!  She dies after being attacked by a shark who was drawn to the beach by an unethical restaurant owner (Peter Brown) who has been pouring chum into the ocean and who has also placed some sort of transmitter underwater that sends out a high-pitched tone that only sharks can hear.  The restauranter is just doing it to promote his annual shark derby.  However, when one of the sharks attacks a raft full of school children, Jill swims out into the ocean to save them.  And she ends up getting bitten by a shark.  She doesn’t lose any limbs.  In fact, we don’t see any blood at all.  But, at the hospital, it’s announced that Jill has over two hundred sutures.  Yikes!

Despite getting chomped by a shark, it first appears as if Jill will survive.  But towards the end of the episode, even as she’s preparing to leave the hospital, she develops a blood cot that kills her, off-screen.  David Hasselhoff gets to show off his ability to cry onscreen.  To be honest, that’s the main reason this episode works.  We don’t really know enough about Jill to get too emotionally involved in her situation.  But Hasselhoff is so incredibly earnest and sincere in his grief that he gets to you.  Jill must have been someone amazing if the Hoff is crying.

This episode was shameless and emotionally manipulative and it was pure Baywatch.  This episode also featured a record number of slo mo of doom scenes.  The shark attacked in slow motion.  Jill and Craig yelled at people to get out of the water in slow motion.  Is it really slow motion if no one yells?  I’m not sure.

So, Jill is dead.  But the Hoff and the rest are still alive and ready to save swimmers across California.

 

Retro Television Reviews: Fantasy Island 4.11 “The Artist and the Lady/Elizabeth’s Baby”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

Sorry for the late review!  I’m currently on Vicodin (nothing to worry about) and it set me far behind today.

Episode 4.11 “The Artist And The Lady/Elizabeth’s Baby”

(Dir by Michael Vejar, originally aired on January 17th, 1981)

This week, we have two new fantasies.  One is surprisingly sweet.  The other is about as dumb as can be.

Poor Tattoo!  Because Mr. Roarke is busy with the good fantasy this week, it largely falls on Tattoo to play host for the bad fantasy.  Kermit Dobbs (Don Most) is a nerdy art teacher who wants to be a real artist.  Before leaving to oversee the good fantasy, Roarke gives Dobbs a potion that, when Dobbs drinks it, gives him the talent of Patrick O’Herlihy (Peter Brown), a mad Irish artist who, for some reason, lives in the wilds of Fantasy Island.  What Dobbs doesn’t know that is that the potion not only gives him Patrick’s talent but it also apparently gives him the knowledge of every woman that Patrick has slept with on the island.  When Kermit paints a picture of a Deborah Dare (Michelle Pfeiffer — wait, what!?) and knows just where to place her birthmark, it leads to the men on the Island chasing Kermit into the wilderness.

It’s in the wilds that Kermit meets Patrick and they spend some time drinking and talking about art.  Eventually, Kermit gives up his claim to Patrick’s talent and he leaves the island with Deborah.  Meanwhile, all the men on the Island now want to kill Patrick so I’m not really sure that this qualifies as a good ending.

That was all really stupid, with every actor in the fantasy going overboard with their characters.  Don Most apparently went a week without shaving before appearing on this episode, in an attempt to come across as someone with an artistic soul.  It didn’t work.

The far better fantasy featured Eve Plumb as Elizabeth Blake, a woman who is pregnant and who know that she will probably die in childbirth.  Her fantasy is to have a chance to see what her daughter’s future life will be like.  Though reluctant, Mr. Roarke travels with her to three separate years in the future.  (Interestingly enough, even though they eventually end up traveling 20 years into the future, the world still looks like the 70s.)  At first, Elizabeth is happy to see that her daughter will have an apparently happy childhood but things get progressively darker until finally, Lisa Blake (Alison Arngrim) has run away from home and is working as a prostitute.  Mr. Roarke allows Elizabeth to talk to Lisa (hey!) on the condition that Elizabeth not reveal her identity.  Elizabeth is able to convince Lisa to go back home.

It’s a sweet but rather sad story.  Even as Elizabeth leaves Fantasy Island with the knowledge that she was able to help her daughter, she still leaves with the knowledge that she’s going to die in childbirth.  In the lead role, Eve Plumb is as good as Don Most was bad.

That one good fantasy is so good that it saves the episode.  That bad fantasy is so bad that it keeps this episode from being the classic that it should have been.  Such is life on Fantasy Island.

 

A Blast From The Past: Red Nightmare (directed by George Waggner)


Hi there!  Happy Labor Day!

Now, I have to be honest.  I’m not really sure what the point of Labor Day is.  I have no idea what we’re supposed to be celebrating today.  I’ve got the day off, which seems kind of unfair when you consider that people who have far worse jobs than me — i.e., the actual laborers — are having to work.

Like many Americans, I spent this weekend hanging out with my extended family.  On Sunday, I did a poll of every cousin, aunt, uncle, sister, niece, and nephew that I could find and almost every single one of them agreed with me that Labor Day sounded like something tedious that Jesse Myerson would come up with and then demand that everyone celebrate.  In short, it sounded communistic.

So, with that in mind, I think the best way to start out Labor Day would be by watching this educational film from 1962.  In Red Nightmare, Jerry Donavon (Jack Kelly) takes his freedom for granted.  So, Jack Webb shows up and casts a magic spell, which causes Jerry to have a dream about what it would be like to live in a communist society.  In fact, you could even say that Jack Webb gives Jerry a red nightmare!

So, there’s two ways to review a film like Red Nightmare.  We can either debate the film’s politics and get into a big discussion about economics and policy and all that crap and OH MY GOD, doesn’t that just sound perfectly tedious?  Or, we can simply enjoy Red Nightmare for what it is, a histrionic but sincere time capsule of what was going on in the psyche of 1962 America.

Red Nightmare!  Watch it before getting brainwashed by Labor Day!