Late Night Retro Television Review: 1st & 10 1.8 “The Sins of the Quarterback”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Bryce Smith finally takes the field!

Episode 1.8 “The Sins of the Quarterback”

(Dir by Bruce Seth Green, originally aired on January 13th, 1985)

During a game against the — oh come on! — Atlanta Confederates, Bob Dorsey is sacked and knocked unconscious.  Ultra-religious backup quarterback Bryce Smith (Jeff East) is sent in to replace him.  Bryce throws an amazing pass across the entire field that is somewhat caught for a touchdown.  The Bulls win!

The defensive players celebrate by grabbing Bryce forcing liquor down his throat.  Bryce is a Mormon and a graduate of BYU.  Bryce gets drunk easily.  After the rest of the players leave the locker room, a barely coherent Bryce is  approached by cheerleader Tammy Baker (Pamela Jean Bryant) who says that she is God’s gift to him.  The scene ends rather abruptly, I assume because this episode was heavily edited for syndication.

A week later, an excited Tammy approaches Bryce at a roast honoring the team.  She tells him that she’s pregnant!  She’s super-excited!  Bryce, however, is shaken and — after a fantasy sequence set in the Garden of Eden — Bryce announces that he is retiring from football and going to Tibet to become a monk.  Why would a Mormon go to Tibet to become a monk?

Well, I guess the team is screwed!  Bob Dorsey still isn’t ready to come back and the third-string quarterback can barely throw the ball.  However, Bryce’s wife comes to the rescue.  She forgives Bryce for cheating and she also invites Tammy to come live with them.  Bryce can continue to play football!

Denardo, however, doubts that Bryce is the one who impregnated Tammy.  He demands that every other player who had sex with Tammy raise their hand.  Nearly every hand in the locker room goes up.  Bryce worries that everyone is going to have to move in with him and his wife….

Okay, then!  It’s hard to review this episode because, again, it’s obvious that the racy, original episode (the one that aired on HBO) was heavily edited for syndication.  The version that I saw featured a lot of abrupt jump cuts.  The story itself was fairly dumb but that’s kind of a given when it comes to this show.  I’ll give some credit to Jeff East.  He was far better than the material he had to work with.

Myself, I’m just amazed that this show featured a team called the Atlanta Confederates.  I’m going to assume that team eventually changed their name.

Retro Television Review: The Love Boat 4.16 “Gopher’s Bride/Love with a Married Man/Not Tonight, Jack!”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise did not make me want to set course for adventure.

Episode 4.16 “Gopher’s Bride/Love with a Married Man/Not Tonight, Jack!”

(Dir by Richard Kinon, originally aired on January 24th, 1981)

This week’s episode is all about cabins.

For instance, Jack Clayton (Patrick Wayne) invited his girlfriend of four weeks, Helen Mann (Trish Stewart), to join him on the cruise without telling her that they would be sharing a cabin.  Sorry, Jack — Helen doesn’t go for that sort of thing!  Jack is kicked out and spends most of the cruise trying to find some place else to sleep.  (He also ends up awkwardly lugging his suitcase around with him.)  Eventually, Helen gets some romantic advice from Julie (always a mistake) and decides that it’s not fair to kick Jack out of the cabin that he paid for.  She tells him that he can stay in the cabin.  Jack’s like, “Finally, let’s get it on!”  No, Jack, Helen doesn’t go for that.  Instead, she plans on sleeping outdoors for the rest of the cruise!

The two of them work it out eventually.  When Jack objects to Helen sleeping outside, even if it means Jack would again have to find someplace else to go, Helen realizes that he actually does care about her and he’s not just interested in sex.  They leave the boat together, with Helen promising that she and Jack will always sleep in the same bed from now on.  I give their relationship another two weeks or so.

Meanwhile, Kay Tindal (Susan Oliver) wants Ned Beacham (Paul Burke) to come visit her cabin and Ned is sorely tempted because his wife, Margo (Dana Wynter), is such a workaholic.  Fortunately, Ned and Margo’s 24th anniversary falls right in the middle of the cruise and it causes Ned to realize that he still loves Margo and it causes Margo to realize that she spends too much time worrying about her career.  Ned and Margo leave the ship together while Kay can only watch from the staircase.  Ha!  Take that, homewrecker!

Finally, Gopher risks his job so that Nicole (Marie Laurin) can stay in his cabin.  Nicole is Gopher’s pen pal from Quebec.  (Actually, she was writing to Doc and Isaac who, for reasons that are never made clear, signed Gopher’s name to all of the letters.)  When Nicole shows up on the boat, Gopher takes one look at her and says that she can stay with him.  Of course, it’s against ship regulations for passengers to stay with crewmembers so, in order to keep Captain Stubing from finding out, Gopher tells him that Nicole is a new maid.  Gopher ends up doing all of Nicole’s work and Nicole ends up meeting and getting engaged to a passenger named Frank (Paul Gale).  Sorry, Gopher!

This was a pretty forgettable episode and it was a bit hard to sympathize with any of the passengers.  Jack was a cad.  Helen was a prude.  Kay was a homewrecker.  Ned was a wimp.  Margo was cold.  Nicole was so self-centered that she didn’t even notice that Gopher was killing himself with extra work to keep her from getting kicked off the boat.  I wouldn’t want to be on a cruise with any of these people.

On a slightly positive note, Captain Stubing did ask Vicki if she had done her homework so I now definitely know that Vicki has a tutor and is getting an education while living on the boat.  At least I don’t have to worry about that anymore!

Retro Television Reviews: Fantasy Island 1.9 “Trouble My Lovely/The Common Man”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!

Episode 1.9 “Trouble, My Lovely/The Common Man”

(Directed by Cliff Bole, originally aired on April 1st, 1978)

This week’s episode of Fantasy Island opens, as most of them do, with Mr. Roarke sharing a few words with Tattoo before they leave to meet the plane.  This week, Roarke is surprised to find that Tattoo wearing a turban.  Tattoo has decided that there is money to be made in being a phony mind reader.

Roarke shakes his head dismissively and then it’s off to meet the latest visitors to Fantasy Island.  Unfortunately, the fantasies that follow are so boring that you’ll find yourself wishing that Roarke had spent more time talking to Tattoo.

Don Knotts plays a Stanley Schecktler, a claims adjustor who dreams of being a hard-boiled private investigator.  He gets his wish and soon finds himself in a noirish version of Los Angeles.  Stanley is hired by Ivy Chandler (Lynda Day George) to investigate the man who is blackmailing her daughter, Peggy (Pamela Jean Bryant).  Like all good detectives, Stanley narrates the story.

Eventually, Stanley finds himself investigating an actual murder!  Mr. Roarke and Tattoo shows up to inform Stanley that his fantasy is potentially deadly.  They offer to refund his money.  (Tattoo says that he rarely ever refunds money so I guess Tattoo is the Island’s business manager.  I know that’s been mentioned in a few previous episodes but I still find it hard to believe, considering how little respect Roarke seems to have for Tattoo.)  Stanley, however, is determined to solve the murder.  This leads to Tattoo, who has switched his turban for a fedora, giving Stanley one important piece of advice:

This fantasy had potential.  What film lover hasn’t fantasized about being a character in a film noir?  Unfortunately, the execution was lacking, with the majority of the comedic lines falling flat.  Don Knotts has a few funny moments as the detective but the story itself never finds the right balance between comedy and noir.

That said, at least there was an unexpected twist to the detective fantasy.  The show’s other fantasy was not only lame but also kind of annoying.  Bernie Kopell, who was so likable as Doc Bricker on The Love Boat, is far less likable as a wimpy family man who comes to Fantasy Island with one request.  He wants Mr. Roarke to be a terrible host so that he can stand up to him and win the respect of his family.  Seriously, that’s the entire fantasy!

Sorry, dude, but you deserve to get treated like a schmo for having pay thousands of dollar just to get your family to look up to you.  This guy spent a lot of money to have a fantasy on Fantasy Island that he could get for free just by taking his family out to Denny’s and demanding to see the manager.  Seriously, this whole fantasy was a bit pointless but at least Tattoo got to try out his mind reading tricks when he and Mr. Roarke came across the Kopell sitting at the bar.

Oh well!  Not every fantasy can be a winner.  Hopefully, next week will be better.

The TSL’s Daily Horror Grindhouse: Don’t Answer The Phone (dir by Robert Hammer)


Nicholas Worth in Don't Answer The Phone

Nicholas Worth in Don’t Answer The Phone

AGCK!

As a self-described lover of grindhouse and exploitation films, I have seen my share of truly icky films.  But Don’t Answer The Phone, a 1980 mix of police procedural and serial killer horror, is in a class all by itself.  It is not only exceptionally icky but it’s distressingly effective as well.

After I watched Don’t Answer The Phone, I actually checked to make sure all the doors were locked.  Before I got into bed, I searched all the closets to make sure there wasn’t anyone hiding in there.  And, as I fell asleep, I found myself thinking that maybe I should follow the advise of both Arleigh and my sister.  Maybe it was time for me to finally get a gun of my own and learn how to use it.

Seriously, Bowman, I thought as I waited for sleep to come, you live in Texas.  It’s totally legal to carry a gun down here so you need to take advantage of the law and make you’re ready to blow any pervert losers away!  Even if you shot the wrong person, you’re cute.  The jury would never convict…

That’s the type of effect that Don’t Answer The Phone had on me.  It’s not necessarily a good film.  With one notable (and important) exception, most of the acting is terrible.  The film’s few attempts at intentional humor largely fall flat.  Even with a running time of only 94 minutes, Don’t Answer The Phone feels overlong and full of unneeded padding.  And yet, this is a very effective film.  It did freak me out, largely because it was so crude and heartless.  It strikes at the most primal fears of the viewer, that feeling that — even within the security of our own home — we may not truly be safe.

As Don’t Answer The Phone opens, Los Angeles is a city being stalked by a madman.  That, in itself, is not surprising.  Just taking a quick look at Wikipedia will reveal that Los Angeles has been home to a large number of serial killers.  In fact, if there is anything shocking about Don’t Answer The Phone, it’s the suggestion that Kirk Smith (played by Nicholas Worth) is the only serial killer in town.

Who is Kirk Smith?  He’s an overweight, bald photographer who always wears an army jacket and is obsessed with candles, body building, and strangulation.  He also enjoys calling up a local talk show host, Dr. Linsday Gale (Flo Gerrish).  (One wonders if Dr. Gale’s name was specifically meant to make the viewer think of The Wizard of Oz.)  “Hello,” he says in an outrageously fake accent, “this Ramon!”  He tells Dr. Gale that he has frequent headaches and bad urges.  When he’s not pretending to be Ramon, Kirk can usually be found staring at himself in a mirror and yelling, “Do I measure up, Dad!?”

Kirk is killing women across Los Angeles and it looks like he might never be caught because Don’t Answer The Phone features some of the most incompetent cops ever!  These are the type of cops who smirk at the victims and shoot anyone who doesn’t get on the ground fast enough.  These are the type of cops who open fire and then say, “Adios, creep.”  Civil liberties!?  BLEH, THESE COPS DON’T HAVE TIME FOR YOUR RIGHTS!  Of course, they do end up shooting and killing the only witness who can identify Kirk Smith as the murderer.  Whoops!

If there’s anything that sets Don’t Answer The Phone apart from all the other serial killer films, it’s the performance of Nicholas Worth.  Far more than the slick and erudite serial killers who dominate contemporary thrillers, Nicholas Worth is a frighteningly believable lunatic.  He’s scary because we’ve all seen his type wandering the streets.  We’ve all felt his stare linger for a few seconds too long and we’ve all had the same feeling of dread when we saw him approaching us.  Reportedly, Worth did a lot of research on actual serial killers before taking on the role of Kirk Smith and his performance is terrifying because it is so real.

It’s icky to watch but, at the same time, it do serve to remind us that there are real life Kirk Smiths out there.

Agck!  Seriously, it makes me shake just thinking about it.

I’m getting a gun…

DAtP