After 40 years of war, the Colombian military and FARC, the cocaine-funded guerrilla insurgency, are finally meeting to discuss peace. A group of Navy SEALS, led by Lt. Macklin (Joe Manganiello), have been sent into the Colombian jungle to secretly keep an eye on the peace talks and make sure that things don’t get out of hand. However, as soon as they arrive, the conference is attacked by yet another group of terrorists. Led by Alvaro Cardona (Yancy Arias), this third group kills the leaders of the Colombian military and FARC and attempts to frame the entire attack on the SEALS! Now, Macklin and Carter Holt (WWE superstar Mr. Kennedy) are trapped behind enemy lines. With the Colombian military, FARC, and Cardona after them and the CIA disavowing any knowledge of their existence, the two SEALS have to rescue a captured comrade and prove their innocence before all of South America plunges into war.
This film, which features Keith David recreating his commanding officer role from Behind Enemy Lines II: Axis of Evil, is a standard action movie. Some of the action scenes are exciting but all too often, BEL: Colombia is done in by its own low budget. This is especially obvious when the SEALS are parachuting into the jungle and the cheap green screen effects make the movie look like an old 80s tv show, with the SEALS clumsily superimposed over a picture of the sky. Watching that scene, I wouldn’t have been surprised if the original Magnum P.I. or Simon and Simon suddenly appeared as a member of the team. Even Jessica Fletcher wouldn’t have been out of place.
On the plus side, the acting actually isn’t bad and Cardona has a little more depth than the usual action movie villain. This is really not the type of film that you would expect to be directed by Otter from Animal House but Tim Matheson doesn’t do a bad job. Again, the low budget hurts but he gets some decent performances and he shows that he can adequately handle an action scene. BEL: Colombia isn’t terrible but it’s still not hard to feel that it would have been better if it had been made in 1988 by Chuck Norris and Menahem Golan.