I can’t let Michael Mann’s 82nd birthday pass without sharing one of my favorite scenes of his filmography. Have y’all ever started watching a movie and immediately knew you were going to love it?! That’s what the opening 4 minutes of THE LAST OF THE MOHICANS did for me. The credits start and the soundtrack reveals the powerful musical theme of the movie as well as its beautiful mountain setting. And then we join Hawkeye (Daniel Day-Lewis), his dad Chingachgook (Russell Means), and his brother Uncas (Eric Schweig) in the middle of their hunt as they’re sprinting through the woods after their prey. They just look so cool running together under Mann’s stylish direction. It’s not even the best scene in the film, but it’s the scene that drew me in and let me know I was in for something special.
Happy Birthday, Michael Mann and thanks for sharing your talent with all of us!
Since today is Michael Mann’s birthday, today’s scene that I love comes from his 1986 film, Manhunter.
In this scene, a blind woman (played by Joan Allen) pets a sedated tiger while her new boyfriend (Tom Noonan) watches. This would actually be a pretty romantic scene if not for the fact that her boyfriend is also a homicidal maniac. This is a scene that, when you watch the film, seems to come out of nowhere but, when you look back, you realize it was one of the key moments in the narrative. While the killer watches the woman who represents a possible redemption embrace another predator, the profiler played by William Petersen continues his way into the killer’s tortured psyche.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 82nd birthday of the great Michael Mann! It’s time for….
4 Shots From 4 Michael Mann Films
Thief (1981, dir by Michael Mann, DP: Donald Thorin)
Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)
Heat (1995, dir by Michael Mann, DP: Dante Spinotti)
Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)
On this date, 119 years ago, the great actor John Carradine was born in New York City.
Over the course of his career, Carradine worked for just about everyone. He appeared on stage. He appeared in film and television. He played the great roles of Shakespeare and he also played Dracula. He was a part of both the John Ford and the Fred Olen Ray stock companies. He had a reputation for taking almost any role offered to him and, as a result, his huge filmography offers up a wonderful amount of variety.
He was also a singer! Here he is performing today’s song of the day, Night Train to Mundo Fine! This song was featured Coleman Francis’s Red Zone Cuba. Say what you may about the song or the film, how can you not love Carrdine’s dramatic (and perhaps slightly mocking) delivery of the lyrics?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
I thought I’d try one of these “4 shots” posts. It’s really hard for me not to say anything, because each of these movies mean a lot to me, and the western remains my favorite genre even if I am a little stuck in the past. I’ll probably take a stab at a review of each of these films at some point. I hope you enjoy!
My personal favorite Charles Bronson movie is HARD TIMES, and this is one of my favorite scenes.
As an appreciation gift for helping him all summer with his many projects, my dad took me to Wal-Mart sometime back in the 80’s and told me I could pick out a movie. Wal-Mart just happened to have a big stack of HARD TIMES videocassettes. I was about 13 years old at the time, and I was already obsessed with Bronson, but I had never seen this movie before. So, dad bought the movie for me and did something he didn’t often do, he sat down and watched it with me when we got back home. This one-punch knockout scene takes place at the very beginning of the movie, and I vividly remember my dad having a nice laugh when the scene occurred. That made me happy, as I was always wanting my family members to watch and enjoy my movies with me. It’s a special memory for me of a great time with my dad and of the very first time I saw HARD TIMES!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, it is time to celebrate the birth of one of the most intriguing (if uneven) filmmakers of the 20th Century, Michael Cimino! It’s time for….
4 Shots From 4 Michael Cimino Films
Thunderbolt and Lightfoot (1974, dir by Michael Cimino, DP: Frank Stanley)
The Deer Hunter (1978, dir by Michael Cimino, DP: Vilmos Zsigmond)
Heaven’s Gate (1980, dir by Michael Cimino, DP: Vilmos Zsigmond)
The Year of the Dragon (1985, dir by Michael Cimino, DP: Alex Thomson)
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
*tick tick tick* TIME!
4 Shots From 4 Time Travel Films
Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)
Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)
12 Monkeys (1995, dir by Terry Gilliam, DP: Roger Pratt)
I’ve been thinking a lot about Gene Hackman as he recently celebrated his 95th birthday. He’s an incredible actor who has been a part of my life since I first really discovered my love of movies beginning in the mid-80’s. I’ve also been writing about Rutger Hauer every Sunday here on the Shattered Lens. Hackman and Hauer made a movie together back in 1983 called EUREKA, and to be honest, I almost forgot about it. It’s a movie I watched a long time ago and hadn’t watched again until today. It seemed like the perfect time for a revisit.
EUREKA opens with a stunning aerial shot that descends upon obsessed gold prospector Jack McCann (Gene Hackman) who’s fighting with a man on a snow-covered mountain in the Yukon territory. The man has asked Jack to partner with him in their search for gold, and Jack makes it clear that he will never “make a nickel on another man’s sweat.” Next, we see Jack as he’s walking through a nearly deserted town. In another unforgettable shot, Jack watches a man, who’s clearly gone mad, commit suicide just outside of the local “Claims office.” Before watching again today, that was the only scene that I could remember from my initial viewings of the film so many years ago. Next, we see Jack lying down below a tree at night, in windy, frigid temperatures, just about to freeze to death. Three hungry wolves have even approached ready for dinner. And this is where things get strange. Out of the blue, this clairvoyant madam (Helena Kallianiotes) from a local brothel sees him in her crystal ball, as a mysterious stone falls right next to him, starting a fire that warms him and drives away the wolves. He goes to see the madam at the brothel where she tells him that he will strike gold, but he “will be alone now.” Jack leaves the next morning and finds gold, rivers of gold. It’s another stunning sequence showing the obsessed man, who’s been searching for gold for 15 long and hard years, finally finding the object of his obsession.
Cut to 20 years in the future, where Jack is now the richest man on earth, living on his own Caribbean island. It also appears he may also be the unhappiest man on earth. He has all the money in the world, but there is no peace in his heart or soul. His wife Helen (Jane Lapotaire), who he was once deeply in love with, is now detached and addicted to alcohol. His daughter Tracy (Theresa Russell) has fallen in love and married Claude Maillot Van Horn (Rutger Hauer). Jack cannot stand Claude as he suspects that he seduced and married Tracy so he could get to his money. His best friend Charles (Ed Lauter) has somehow gotten mixed in with Miami mobsters, led by a guy named Mayakofsky (Joe Pesci) and his lawyer Aurelio D’Amato (Mickey Rourke), who want to force Jack to sell them land on his island so they can build a casino. Jack feels like everybody just wants a piece of him and his money. He has lost the joy in his life. The rest of the film plays out against this backdrop as Jack tries to separate Tracy from Claude, and as the mobsters try to force Jack to sell to them by any means necessary.
EUREKA is not a film that everyone will love, but I enjoyed watching it again after so many years. Director Nicolas Roeg, who also directed PERFORMANCE (1970), DON’T LOOK NOW (1973) and FULL BODY MASSAGE (1995), creates some truly amazing and brutal images that once seen are not easily forgotten. The scene where Jack McCann finds his huge vein of gold is so beautiful, but there are alternatively horrific scenes of brutal violence that play out almost to the point of overkill. The movie also takes some surprising twists and turns in the third act that you may not see coming. I always like it when a movie surprises me. It’s a melodramatic film that doesn’t have a lot of likable characters, but with a cast this good, I’m willing to go along with the filmmakers. In addition to the excellent work of Gene Hackman and Rutger Hauer, Theresa Russell has the important role as the daughter stuck between the man she loves and the dad who adores her. Her acting style exemplifies the melodrama of Roeg’s vision, so it works well in the context of this film. Jane Lapotaire has a couple of strong moments as Hackman’s alcoholic wife who yearns for days long gone when they were so in love. We were quite spoiled in the early 80’s when a movie could round out its already impressive cast with actors like Joe Pesci, Mickey Rourke, Ed Lauter, Corin Redgrave and Joe Spinell.
Nicolas Roeg appears to be trying to make deep statements about the meaning of life in EUREKA. I’m not a person who generally consumes films for deep meaning, but I thought it might be fun to at least take a surface-level view of some of the items I noticed while watching the movie. Jack spouts a lot of profound things throughout the movie, things that he feels describe him as a person. I mentioned one earlier when Jack tells the competing prospector prior to finding gold that, “I’ll never make a nickel off of another man’s sweat.” He will continue to use this saying throughout the film, even after he’s a rich, jaded, older man. The truth is that he would not have found the gold without the help of the clairvoyant madam, with her even passing away right after he hits the jackpot. In another scene at an extremely awkward dinner party, Jack tells his guests that the only rule that matters is the Golden Rule, “Do unto others as you would have them do unto you.” While I agree with the importance of this rule, Jack does not seem to follow the Golden Rule in any way that helps others or gives him any sense of peace or connection. Jack does not seem to understand the contradictions in his use of these phrases as played out in his own life, but I also think that his lack of understanding helps to illustrate a truth that plays out at times in many of our own lives. So often we’ll claim certain beliefs and values, but our lives as lived will be much more complex and often hypocritical. We can see them in Jack, but can we always see them in ourselves?
EUREKA also seems to be a movie that’s open to different interpretations based on who’s viewing the movie and where they are in life at that specific time. In a moment of clarity with his wife, Jack seems to recognize the hypocrisy in his life when he tells her “I once had it all… now I just have everything.” Jack is finally reflecting on the important things in his life, rather than dwelling on his current distrust of everyone around him. This final quote got me to thinking about my own life and just how different I am as a man in my early 50’s compared that naïve 20-year-old who first watched this film. I didn’t know what it was like to chase my dreams, catch them, and then try to figure out how to keep striving with a purpose. I didn’t know what it was like to be married with the responsibility of loving my wife and genuinely caring about her needs, through both the good times and the bad times. I didn’t know what it was like to be a dad who wanted nothing but true happiness for his children. Jack has lived through these specific opportunities in life, and we can see how he’s dealt with them. Each of these things have now played out in my own life. There have been times that I’ve failed, and there have been times that I’ve succeeded. I just keep reminding myself to try to focus on the things that matter and not get distracted by the things that don’t. Even now, it’s not always easy to do.
One of my favorite Charles Bronson films is MR. MAJESTYK, and one of my favorite scenes in any movie is this badass masterpiece. It encompasses just about everything I love in a movie. It has the beautiful Linda Cristal. It has the slimy Paul Koslo who doesn’t really understand who he’s dealing with. It has Bronson saying tough guy lines in a way that only he can say them…”you make sounds like you’re a mean little ass-kicker…” And finally it has that shotgun. It just doesn’t get any better than this.
Enjoy my friends, and have a great weekend!! This should help!