Brad reviews INTO THE WILD (2007), directed by Sean Penn!


This morning my wife told me she wanted to watch a movie based on a true story. After scrolling for a bit, I came across the film INTO THE WILD, which interested me for a couple of reasons. First, it was directed by Sean Penn, whose directorial debut, THE INDIAN RUNNER (1991), gave my favorite actor of all time, Charles Bronson, a late-career character performance that critics actually took seriously. I’ve followed his directing career ever since. Second, the movie stars Emile Hirsch, who my wife and I had the rare opportunity to watch up close this summer while he was filming a movie here in Central Arkansas… an awesomely surreal experience that’s had me revisiting the work of the actors I saw that day. As such, today seemed like the perfect time to hit play on INTO THE WILD! 

INTO THE WILD is based on the true story of Christopher McCandless (Emile Hirsch), a bright, idealistic young man who graduates from college in the early 1990s and immediately walks away from the type of life everyone expects him to live. Chris donates his savings to charity, abandons his car, burns the cash in his wallet, reinvents himself as Alexander Supertramp, and sets off across America on a great Alaskan adventure. Along the way he comes across different people who impact his life in a variety of ways, from some free-spirited hippies, to a grizzled old widower, and even a beautiful young lady who takes an immediate liking to him. Each of these encounters offer Chris a chance to form meaningful relationships, but he always decides to keep moving on. When he does eventually make it to the wilds of Alaska, it’s everything he hoped for… at first. But as the months wear on, his loneliness and inexperience take their toll, and Chris is forced to face the ultimate consequence of his decisions. 

I’ll start out by saying that INTO THE WILD is a truly beautiful film. Sean Penn and his cinematographer Eric Gautier capture so many amazing images, from the Grand Canyon and Lake Tahoe, to the Denali National Park in Alaska. We see an America that is awe-inspiring, and we can at least somewhat understand why Chris might want to escape to such a world of promise. I also liked the music, especially when Eddie Vedder’s voice emerges to punctuate a scene that seems perfectly in tune with Chris’ restless spirit.

I must admit that Chris McCandless, the person, is quite the frustrating subject. He’s intelligent and sincere, but he’s also painfully naive and self-righteous. It’s noble that he wants to find ultimate truth, but he goes about it by running away from the messy parts of his life, especially the parents, played here by William Hurt and Marcia Gay Harden, that he sees as horrible people. I guess my frustration with Chris’ decisions may be the point, and Director Sean Penn doesn’t turn him into either a saint or a fool. While watching the film, I was somewhat torn between admiring Chris for the way he rejects materialism and lives his life on his own terms, while also being disappointed as he continually walks away from any person who gets too close or tries to help him. 

Emile Hirsch is incredible in the lead role as Chris McCandless. He captures his restless spirit, as well as his determination to make it completely on his own, that is, until he realizes that he overplayed his hand. The other performances that stood out to me came from Vince Vaughn as a farmer that Chris stops and works for, Catherine Keener as a hippie with her own set of issues, and especially Hal Holbrook as a lonely, but perceptive old man who sees in Chris the grandson he never had.

At the end of the day, I feel that INTO THE WILD is a powerful film, but not because of what ultimately happens to Chris. Rather, what lingers with me is his too-late realization that personal freedom without meaningful relationships is not satisfying. As beautiful as this movie is to look at, its strongest moments are Chris’ interactions with the caring people he meets along the way. I just wish one of them had been able to convince him to call his mom and dad. 

4 Shots From 4 Films: Special F.W. Murnau Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today was celebrate the visionary director, F.W. Murnau!  Murnau was born 135 years ago today, in Germany.  He went on to become a leading expressionist and one of the most influential filmmakers of all time.  Needless to say, it’s time for….

4 Shots From 4 F.W. Murnau Films

The Hunchback and the Dancer (1920, dir by F.W. Murnau)

Nosferatu (1922, dir by F.W. Murnau)

Faust (1926, dir by F.W. Murnau)

Sunrise: The Story of Two Humans (1927, dir by F.W. Murnau)

Brad reviews BARBARIAN (2022)


My nephew told me that he liked the film BARBARIAN (2022) when we were hanging out at the family cabin for Christmas. This particular nephew loves movies and every time we get together we talk about our favorite films, and he knows his stuff. We didn’t really talk about what happens in this movie, but he just casually mentioned it was a film he thought was good. As such, the title caught my attention when I was scrolling through my Hulu app today. Knowing nothing about the plot of the film, my wife and I settled in for our initial viewing…. 

BARBARIAN’s setup feels quite ordinary. Tess (Georgina Campbell) arrives in Detroit for a job interview, only to discover her Airbnb has been double-booked with a stranger, Keith (Bill Skarsgård). Through a variety of circumstances, the two end up agreeing to share the house for the night. Needless to say, it takes a bit for the two to get comfortable with each other. Every polite smile, every offered cup of tea, or glass of wine for that matter, feels loaded with possibility. Is he harmless? Is she overreacting? What in the hell is about to happen? Director Zach Cregger milks these scenes beautifully, allowing the tension to build until they finally seem to find a reason to trust each other. And just when you think you’re starting to understand where the movie is going, it begins throwing curveballs at you by introducing new characters and new perspectives to everything that has been introduced thus far. Justin Long’s character of AJ McBride, the owner of the Airbnb who arrives about halfway through the film, is especially inspired as it provides both a break in the tension and another unique personality to the mix. 

By the time BARBARIAN starts to come to its full conclusion, it has truly become the stuff that nightmares are made of, but it doesn’t feel completely evil. As outrageous as it all is, I actually understood why the characters behave the way they do, so there’s almost a sense of sadness under the horror. There’s real danger, but that danger is brought on by unimaginable cruelty and neglect. It’s ugly and gross, but it’s also somewhat realistic since the filmmakers have taken the time to set up both the hows and the whys of their horrific scenario. 

At the end of the day, I enjoyed BARBARIAN. I’ve never been the kind of movie watcher who searches out horror movies. When I was a kid, I watched scary movies at sleepovers with friends. As an adult, I’ll watch them with my friends at #ScarySocial on X, or when they’re recommended to me as is the case here, but then I’ll seamlessly move back to my world of action or comedy films. Such is the case with BARBARIAN. With its freaky images and multiple jump scares, my wife and I were both glad that we watched the movie when it was still daylight. It’s one of those films that crawls under your skin and hangs out with you for a while even after the closing credits. I’ll have to watch some football or a Charles Bronson movie just to get my head straight! 

One Battle After Another Wins In Georgia


The Georgia Film Critics Association has announced its picks for the best of 2025.  The winners are listed in bold.

Best Picture
Black Bag
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)
Sorry, Baby
Train Dreams
Weapons

Best Director
Hamnet – Chloé Zhao
One Battle After Another – Paul Thomas Anderson (WINNER)
Sentimental Value – Joachim Trier
Sinners – Ryan Coogler (RUNNER-UP)
Train Dreams – Clint Bentley

Best Actor
Timothée Chalamet – Marty Supreme (WINNER)
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners (RUNNER-UP)

Best Actress
Jessie Buckley – Hamnet (WINNER)
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value (RUNNER-UP)
Eva Victor – Sorry, Baby

Best Supporting Actor
Benicio Del Toro – One Battle After Another (WINNER)
Jacob Elordi – Frankenstein (RUNNER-UP)
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Ariana Grande-Butera – Wicked: For Good
Regina Hall – One Battle After Another (RUNNER-UP)
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons (WINNER)
Teyana Taylor – One Battle After Another

Best Original Screenplay
If I Had Legs I’d Kick You
Marty Supreme
Sentimental Value (RUNNER-UP)
Sinners (WINNERS)
Sorry, Baby
Weapons

Best Adapted Screenplay
Frankenstein
Hamnet
No Other Choice
One Battle After Another (WINNER)
Train Dreams (RUNNER-UP)

Best Cinematography
F1
Frankenstein
One Battle After Another
Sinners (WINNER)
Train Dreams (RUNNER-UP)

Best Production Design
The Fantastic Four: First Steps
Frankenstein (WINNER)
Hamnet
Marty Supreme
Sinners (RUNNER-UP)

Best Original Score
F1 – Hans Zimmer
Hamnet – Max Richter
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson (WINNER)
Train Dreams – Bryce Dessner (RUNNER-UP)

Best Original Song
“Golden” – KPop Demon Hunters (RUNNER-UP)
“Highest 2 Lowest” – Highest 2 Lowest
“I Lied to You” – Sinners (WINNER)
“Last Time (I Seen the Sun)” – Sinners
“Train Dreams” – Train Dreams

Best Ensemble
Black Bag
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)

Breakthrough Award
Miles Caton (WINNER)
David Corenswet
Chase Infiniti (RUNNER-U)
Jacobi Jupe
Eva Victor

Best Animated Film
Arco (RUNNER-UP)
Elio
KPop Demon Hunters (WINNER)
Scarlet 
Zootopia 2

Best Documentary
The Alabama Solution (WINNER)
The Librarians
My Mom Jayne
The Perfect Neighbor (RUNNER-UP)
Predators

Best International Film
It Was Just an Accident
No Other Choice (RUNNER-UP)
The Secret Agent
Sentimental Value (WINNER)
Sirāt

Oglethorpe Award for Excellence in Georgia Cinema
Bugonia (RUNNER-UP)
Meta Take One
The Naked Gun
Sister
Salad Days (Short)
Superman
Swimming Holes (Short)
Thunderbolts
Weapons (WINNER)
Withdrawl
Zora Head: The Life and Scholarship of Valerie Boyd (Short)

4 Shots From 4 Films: Special Charles Band Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Charles Band.  It’s time for….

4 Shots From 4 Charles Band Films

Meridian: Kiss of the Beast (1990, dir by Charles Band, DP: Marc Ahlberg)

The Creeps (1997, dir by Charles Band, DP: Adolfo Bartoli)

Puppet Master: The Legacy (2003, dir by Charles Band, DP: Marc Ahlberg)

Evil Bong 888: Infinity High (2022, dir by Charles Band, DP: Alex Nicolaou)

Here are The Nominations of Minnesota Film Critics Association


The Minnesota Film Critics Association has announced its nominations for the best of 2025.  And here they are:

Best Picture
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Elle Fanning – Sentimental Value
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Ensemble
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man: A Knives Out Mystery

Best Adapted Screenplay
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
No Other Choice – Lee Ja-hye, Lee Kyoung-mi, Don McKellar, Park Chan-wook
One Battle After Another – Paul Thomas Anderson
Wake Up Dead Man: A Knives Out Mystery – Rian Johnson

Best Original Screenplay
It Was Just an Accident – Jafar Panahi
Marty Supreme – Ronald Bronstein, Josh Safdie
Sentimental Value – Joachim Trier, Eskil Vogt
Sinners – Ryan Coogler
Weapons – Zach Cregger

Best Film Editing
F1
Marty Supreme
One Battle After Another
Sinners
Weapons

Best Cinematography
Frankenstein
Hamnet
One Battle After Another
Sinners
Train Dreams

Best Music
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners

Best Costume Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Makeup and Hairstyling
Frankenstein
Marty Supreme
Sinners
The Smashing Machine
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Sound
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Warfare

Best Special Effects
Avatar: Fire and Ash
Frankenstein
Sinners
Superman
Tron: Ares

Best Stunt Choreography
Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners

Best International Feature
It Was Just an Accident – France, Iran, Luxembourg
No Other Choice – South Korea
The Secret Agent – Brazil, France, Germany, Netherlands
Sentimental Value – Denmark, France, Germany, Norway, Sweden, United Kingdom
The Ugly Stepsister – Denmark, Norway, Poland, Sweden

Best Animated Feature
Arco
Dog Man
Elio
KPop Demon Hunters
Zootopia 2

Here Are The 2025 Nominations of the Portland Critics Association


The Portland Critics Association has announced its nominations for the best of 2025.  And here they are:

Best Picture
Marty Supreme
No Other Choice
One Battle After Another
Sinners
Sorry, Baby
Train Dreams

Best Director
Paul Thomas Anderson, One Battle After Another
Clint Bentley, Train Dreams
Ryan Coogler, Sinners
Jafar Panahi, It Was Just An Accident
Park Chan-wook, No Other Choice
Josh Safdie, Marty Supreme

Best Lead Performance
Rose Byrne, If I Had Legs I’d Kick You
Jessie Buckley, Hamnet
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Joel Edgerton, Train Dreams
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Josh O’Connor, The Mastermind
Amanda Seyfried, The Testament of Ann Lee
Emma Stone, Bugonia

Best Supporting Performance
Mariam Afshari, It Was Just An Accident
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Ralph Fiennes, 28 Years Later
Delroy Lindo, Sinners
Amy Madigan, Weapons
Paul Mescal, Hamnet
Wunmi Mosaku, Sinners
Sean Penn, One Battle After Another
Stellan Skarsgård, Sentimental Value

Best Ensemble Cast
It Was Just An Accident
Marty Supreme
One Battle After Another
Sinners
Wake Up Dead Man: A Knives Out Mystery
Weapons

Best Animated Feature
I Am Frankelda
K-Pop Demon Hunters
Lost in Starlight
Predator: Killer of Killers
Stitch Head
Zootopia 2

Best Documentary Feature
Direct Action
Megadoc
Orwell: 2+2=5
Pavements
The Perfect Neighbor
Sly Lives!

Best Film Not in the English Language
Caught by the Tides
It Was Just An Accident
No Other Choice
The Secret Agent
Sirāt
Sentimental Value

Best Comedy Feature
Bugonia
Eephus
Friendship
The Naked Gun
Sorry, Baby
Wake Up Dead Man: A Knives Out Mystery

Best Horror Feature
Frankenstein
Good Boy
The Plague
Sinners
28 Years Later
Weapons

Best Science Fiction Feature
Bugonia
Companion
Frankenstein
Mickey 17
Predator: Badlands
Superman

Best Screenplay
It Was Just An Accident
Marty Supreme
No Other Choice
One Battle After Another
Sinners
Sorry, Baby

Best Cinematography
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners
Train Dreams

Best Costume Design
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Superman
The Testament of Ann Lee

Best Film Editing
Marty Supreme
One Battle After Another
Sinners
Train Dreams
28 Years Later
Warfare

Best Production Design
Frankenstein
Hamnet
One Battle After Another
The Phoenician Scheme
Sinners
28 Years Later

Best Original Score
Marty Supreme
The Mastermind
One Battle After Another
Sinners
Sirāt
Train Dreams

Best Sound Design
F1
One Battle After Another
Sinners
Superman
28 Years Later
Warfare

Best Stunts or Action Choreography
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Thunderbolts
28 Years Later
Warfare

Best Visual Effects
The Fantastic Four: First Steps
Frankenstein
Predator: Badlands
Sinners
Superman
Thunderbolts

Brad reviews OUT FOR JUSTICE (1991), starring Steven Seagal!


17 year-old Brad Crain was at the movie theater in April of 1991 to see Steven Seagal’s latest action film, OUT FOR JUSTICE! Seagal’s career had shot out of a cannon with his first three films being the highly successful movies ABOVE THE LAW (1988), HARD TO KILL (1990), and MARKED FOR DEATH (1990). As a guy who loved action movies, Seagal (with his pony tail) was a cool new action star, and I was down for it.

Steven Seagal plays Detective Gino Felino, a Brooklyn cop called into duty when a guy who grew up with him in their neighborhood, mob enforcer Richie Madano (William Forsythe), goes completely off the rails. Hooked on drugs and looking to settle some personal scores, Richie murders Gino’s partner, and begins turning their neighborhood into a war zone, even pulling a woman out of her car and blowing her away in broad daylight over a simple traffic incident. Convinced that Richie will not leave the neighborhood he grew up in, Gino talks Captain Ronnie Danziger (Jerry Orbach) into letting him have an unmarked police car, a shotgun, and his approval to engage in a manhunt for the drugged out psycho. From that point forward, Gino shakes down Richie’s family members and associates to try to find out where he is. As bodies and broken bones pile up, Gino is determined to do whatever it takes to bring Richie to justice!

I’ll just say up front that OUT FOR JUSTICE is my personal favorite Steven Seagal film. It’s not the crowd pleaser or the box office champ that the next year’s UNDER SIEGE (1992) would be, and film critics largely blew it off when it first hit cinemas, but it does feature the star at his most charismatic, something that would all but disappear after the mid-90’s. I love the way Seagal plays Gino. Sure he’s tough, but he talks more, he laughs more, and it feels like he’s actually enjoying himself. His Gino isn’t just a badass cop, he’s a neighborhood guy, a former street punk who grew up and made something positive out of himself. Seagal’s performance here truly works, and he plays the role with so much confidence that it’s a shame that he didn’t remain this engaged in future performances.

OUT FOR JUSTICE is a badass action film. After it opens with Richie’s horrific murders, it then follows Gino’s hunt for the killer into smoky bars filled with wannabe tough guys who know more than they’re letting on. They get their asses handed to them. It follows Gino as Richie’s goons attack him at various places, from meat shops to apartment buildings, and he dispatches them with calm precision, but often in gruesome ways. I still wince when I see the results of meat cleaver fights and close quarter shotgun blasts. OUT FOR JUSTICE is a throwback to an era when action films featured men with integrity who kick ass and take names. While the movie does have some melodrama and humor, at the end of the day, this is tough-guy cinema done right. 

I did want to shout out a few other things about OUT FOR JUSTICE that helps put it over the top for me. William Forsythe is incredible as Richie Madano. He’s sweaty, twitchy, cruel, and completely unhinged. He makes you believe that he’s literally capable of doing anything, and it seems like his goons may be following more out of fear than anything else. His Richie is a man who doesn’t expect that he’ll be alive that much longer, so he’s willing to cross every line that may have once mattered in his life. Director John Flynn captures the urgency of the film’s action very well, and we can feel the tension as Gino tries to locate the crazy Richie as quickly as possible before more innocent people are killed. He isn’t afraid to show the brutality of the violence as part of Gino’s quest, either. This shouldn’t be surprising when you recognize that Flynn directed the revenge classic ROLLING THUNDER (1977) about fifteen years earlier. The one last thing I wanted to point out about OUT FOR JUSTICE is that it was written by R. Lance Hill, who wrote the brutal Charles Bronson hitman film THE EVIL THAT MEN DO (1984). These are talented guys who know how to tell tough stories about even tougher men who are willing to do what it takes to get justice when no one else can. 

At the end of the day, Steven Seagal would go on to make a lot more movies, but I don’t think he ever quite recaptured the balance of charisma and toughness that he shows here. And OUT FOR JUSTICE is a badass action movie that doesn’t really care what movie critics think, either. Buoyed by Seagal’s performance, the film’s action is angry, focused, unapologetic, and still hits hard over thirty years after it was originally released.

4 Shots From 4 Films: Intergalactic Mayhem Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Are we alone in the universe?  To help us consider that question, here are….

4 Shots From 4 Films

The War of the Worlds (1953, dir by Byron Haskins)

Not of this Earth (1957, dir by Roger Corman)

Alien Dead (1980, dir by Fred Olen Ray)

Starship Troopers (1997, dir by Paul Verhoeven)

Here Are The 2025 Nominations From The Puerto Rico Critics Association


Here are the 2025 Nominations of the Puerto Rico Critics Association!

Best Picture
Frankenstein
It Was Just an Accident
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Sirāt
The Testament of Ann Lee

Best Puerto Rican Film
@-Amor
Esta Isla
Parto

Best Director
Ryan Coogler – Sinners
Mona Fastvold – The Testament of Ann Lee
Oliver Laxe – Sirāt
Jafar Panahi – It Was Just an Accident
Paul Thomas Anderson – One Battle After Another
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Paul Mescal – Hamnet
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Stellan Skarsgård – Sentimental Value
Benicio del Toro – One Battle After Another

Best Supporting Actress
Jodie Comer – 28 Years Later
Mia Goth – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Adapted Screenplay
28 Years Later
Frankenstein
Hamnet
No Other Choice
One Battle After Another
Wake Up Dead Man: A Knives Out Mystery

Best Original Screenplay
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners
Sorry, Baby
Weapons

Best Animated Feature
Arco
Chainsaw Man – The Movie: Reze Arc
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best Documentary
2000 Meters to Andriivka
Cover-Up
Megadoc
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk

Best International Feature
It Was Just an Accident
No Other Choice
Resurrection
The Secret Agent
Sentimental Value
Sirāt

Best Action Film
From the World of John Wick: Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Predator: Badlands
Superman

Best Horror Film
28 Years Later
Final Destination: Bloodlines
Frankenstein
Sinners
The Ugly Stepsister
Weapons

Best Comedy/Musical
If I Had Legs I’d Kick You
The Naked Gun
No Other Choice
One Battle After Another
The Testament of Ann Lee
Wake Up Dead Man: A Knives Out Mystery

Best First Film
The Chronology of Water
Eephus
Lurker
Sorry, Baby
The Ugly Stepsister
Urchin

Best Cinematography
28 Years Later
Frankenstein
One Battle After Another
Sinners
Sirāt
Train Dreams

Best Costume Design
Frankenstein
Hamnet
The Phoenician Scheme
Sinners
The Testament of Ann Lee
Wicked: For Good

Best Film Editing
It Was Just an Accident
No Other Choice
One Battle After Another
The Secret Agent
Sinners
Sirāt

Best Hair & Makeup
28 Years Later
Frankenstein
Sinners
The Testament of Ann Lee
The Ugly Stepsister
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Sentimental Value
Sinners
The Testament of Ann Lee
Wicked: For Good

Best Original Score
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirāt
The Testament of Ann Lee

Best Original Song
Lowly – 28 Years Later
The Risk – A Big Bold Beautiful Journey
Golden – KPop Demon Hunters
I Lied to You – Sinners
Clothed by the Sun – The Testament of Ann Lee
Train Dreams – Train Dreams

Best Sound
Avatar: Fire and Ash
F1
Frankenstein
One Battle After Another
Sinners
Sirāt

Best Visual Effects
28 Years Later
Avatar: Fire and Ash
F1
Frankenstein
Sinners
Tron: Ares