Horror Film Review: In A Violent Nature (dir by Chris Nash)


Johnny was perfectly happy being dead until some obnoxious college friends decided to take a camping trip and came across a locket hanging off of a fire tower.  The locket was what kept Johnny’s soul at rest.  When one of the group decided to take the locket so that he could give it to his girlfriend, Johnny came back to life.

Already haunted by the tragic memories of his life and how a bunch of bullies murdered him by tricking him into falling off of the tower, Johnny is determined to retrieve the locket.  Slowly and methodically, he walks through the wilderness, killing everyone that he encounters as he searches for the one thing that will….

Well, it’s a slasher movie!  You know how these things go!

Released in 2024 and directed by Chris Nash, In A Violent Nature‘s plot may be typical slasher stuff but the way the story is told makes the film unique.  Nash tells the story almost totally from the point of view of the undead Johnny.  The camera follows Johnny as he makes his way through the woods and what we learn about him and his motivations largely comes from the snippets of conversations that we hear from people in the distance.  Johnny’s victims largely appear in the distance, having typical slasher film conversations but we only hear them in passing, like fragments from a half-remembered dream or movie.  We’re learning with Johnny.

As such, this is the rare slasher movie that requires that one actually pay attention to what is being said.  It’s also a rare slasher movie that requires a good deal of patience on the part of the viewers.  Johnny moves slowly and so does the movie.  Though the kills are certainly bloody and there are plenty of genuinely frightening moments, the film is ultimately more about the sight of hulking, single-minded Johnny walking through the woods and through fields of brilliantly green grass than anything else.  If Terence Malick made a slasher movie, it would look a lot like In A Violent Nature.  Would Terence Malick have included the yoga kill?  Perhaps.  I think he would have included a voice-over though about nature, though.  (Speaking of the yoga kill, it’s notable that this non-traditional slasher movie features one of the bloodiest killings of the genre, as if the director wanted to make sure that we understood he didn’t consider his film to be too good for the genre.  I appreciated that.)

A film like this is great if you’re a fan of both Malick and horror, as I am.  If you prefer your slasher films to be a bit less self-consciously esoteric in their approach, you might wonder what all of the hype was about.  In A Violent Nature is one of those films that the viewer will either love or the viewer will give up on after several minutes of watching Johnny staring out at the lake.  It’s an experimental film and, like all experimental films, it’s not for everyone.  That said, if you have the patience for it, it’s an engrossing and off-beat slasher flick.

 

Horror On The Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween!

Watching this movie is a Halloween tradition here at the Shattered Lens and I am honored to keep that tradition alive (heh) in 2025!

Be sure to check out Arleigh’s review!

For the record, you can count me amongst those who thinks that Ben got everyone killed.  We root for Ben because he’s the more likable character but, in the end, Harry was right and Ben ended up becoming a cold-blooded murderer.  These are the type of things that make Night of the Living Dead the scariest zombie film ever made.  The living are just as terrifying as the dead.

I should also note that, for all the criticism the character gets, Barbara has one of the most totally realistic reactions that I’ve ever seen in a horror movie.  She’s in shock and denial.  I would probably have the same reaction.

And now, here is the greatest zombie film ever made!

 

Live Tweet Alert: Join #FridayNightFlix for Witchboard!


Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wanger)

As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1986’s Witchboard!

If you want to join us this Friday, just hop onto twitter, find Witchboard on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

October Positivity: The Trial (dir by Gary Wheeler)


In 2010’s The Trial, Matthew Modine stars as Mac.

Mac is a Southern lawyer, even though it’s been a while since he practiced.  After his wife and children were killed in a car accident, Mac decided to retire from practicing law but he never surrendered his license.  A judge (Rance Howard) reaches out to him, asking him to serve as a public defender for Pete Thomason (Randy Wayne), a young man who has been accused of murdering his girlfriend.  The evidence is stacked against Pete and there are plenty of wealthy people who, for various reasons, want Pete to quickly be convicted.  Mac takes the case because he can tell that Pete is being railroaded.  When he discovers that Pete will possibly be facing the death penalty if he’s convicted, the case becomes very personal for Mac.

The prosecuting attorney (Bob Gunton) has managed to find a doctor (Brett Rice) who is willing to testify that Pete is a sociopath.  (The doctor has a reputation for finding just about anyone on trial to be a sociopath.)  Mac finds a doctor of his own, Dr. Anne Wilkes (Clare Carey), his testifies that Pete is nowhere near being a sociopath.  The problem is that Pete has no memory of what happened the night of the murder.  Mac may believe that Pete is innocent but can he convince the jury when the evidence all seems to suggest otherwise?

Like The List, The Trial was based on a novel by Robert Whitlow and it was directed by Gary Wheeler.  I was pretty hard on The List in last night’s review but I actually rather enjoyed The Trial, which was a solid and well-made legal thriller.  (The film’s status as a faith-based film largely comes from a scene in which Mac quotes the Book of Provers in regards to how, during a trial, it’s easy to believe the first person who speaks but it’s equally important to listen to how the accused replies.)  I enjoyed the twists and turns of the plot and the film’s ending worked well.  Though the film had a a made-for-television feel to it (despite having been a theatrical release), it still held and rewarded my interest.

It helped that the cast was well-selected and everyone gave good performances.  Matthew Modine, in particular, gave a strong performance as Mac, playing him not as being a saint but instead as being someone who was just determined to give his client the defense he deserved and to ultimately do the right thing.  Robert Forster played Mac’s brother-in-law and lead investigator and he brought his own brand of world-weary determination to the part.  Nobody plays a smug prosecutor as well as Bob Gunton, though it should be noted that the character himself never became a caricature.  Rance Howard was the ideal judge, tough but fair.  Randy Wayne was sympathetic as the confused Pete.  The cast really brought the film’s world to life.

I always enjoy a good legal thriller and The Trial was certainly that.

Horror on TV: The Night America Trembled (dir by Tom Donovan)


Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of the night that Orson Welles terrified America with his radio adaptation of War of The Worlds.  

For legal reasons, Orson Welles is not portrayed nor is his name mentioned.  Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea.  That may sound like a comedy but The Night America Trembled takes itself fairly seriously.  Even pompous old Edward R. Murrow shows up to narrate the film, in between taking drags off a cigarette.

Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th.  Among the people panicking: a group of people in a bar who, before hearing the broadcast, were debating whether or not Hitler was as crazy as people said he was, a babysitter who goes absolutely crazy with fear, and a group of poker-playing college students.  If, like me, you’re a frequent viewer of TCM, you may recognize some of the faces in the large cast: Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.

It’s an interesting little historical document and you can watch it below!

Brad reviews DEAD TONE (2007), starring Rutger Hauer!


DEAD TONE (2007), also known as 7EVENTY 5IVE, opens with a group of kids entertaining themselves while their parents are drinking and partying downstairs. The kids are playing a prank-calling game called “Seventy-Five,” where the goal is to place a random phone call and tell such a believable story that the person who answers will stay on the line at least 75 seconds. One guy seems particularly upset with the kids when they call him. Later that night, while everyone is sleeping, a psycho with an axe comes in the house and brutally murders all the parents while the kids hide and watch in terror. Jump forward ten years and most of the kids who survived the night of terror are now college students. Invited to a weekend party at a wealthy classmate’s mansion, the group resumes their prank-calling game. Needless to say, when the maniac from ten years earlier answers the phone, the members of the group find themselves being stalked and murdered again. Hopefully Detective John Criton (Rutger Hauer), who worked the original murders 10 years earlier, and his partner Anne Hastings (Gwendoline Yeo), will figure out who killer is and stop him before everyone dies! 

DEAD TONE is directed by Brian Hooks and Deon Taylor, who also star in the film. They’ve created a gory, low-budget slasher that blends elements of ‘80s and ‘90s horror films with an urban twist. For a guy who did his share of prank calls as a kid, I think the “psycho on the receiving end of a prank call” storyline is pretty cool. And the opening scene where the kids watch as their parents are killed because of their phone calls is horrific and pulls you right into the story. Unfortunately, once we get past the interesting open, there’s nothing that special about the rest of the movie. The characters aren’t particularly memorable or likable, and they sure as hell aren’t very smart. Call me crazy, but I’m thinking that I would never make another prank call again if I survived a mass murder event that was brought on by prank phone calls. These folks have no such qualms, which may not make any sense in the real world, but I guess is necessary if you need more axe murders for your plot. I will admit that there are a few awesome kills in the film, especially if you enjoy a good beheading. I won’t spoil the scenes, but the ones I’m specifically thinking of are both surprising and jarring at the same time. I’m also the kind of guy who will watch anything featuring the legendary Dutch actor Rutger Hauer. DEAD TONE’s Detective John Criton isn’t a character highlight of his career, but I still enjoy watching him go through the motions of investigating the crimes both in the present and in the past. It’s a part that he could have completed in his sleep, but this movie would have benefited from more “Hauer time.”

Overall, DEAD TONE is the kind of movie to watch with little to no expectations. My wife and I enjoyed the film as we cuddled up on the couch and watched it a couple of nights before Halloween. It’s not great, but if you’re in the mood for a slasher movie with jump scares, silly characters, some decent gore, and even an acting legend thrown in for good measure, you could do a lot worse than DEAD TONE!

Horror on the Lens: How To Make A Monster (dir by Herbert L. Strock)


You’ve seen I Was A Teenage Werewolf….

You’ve watched I Was A Teenage Frankenstein….

Now, it’s time to watch How To Make A Monster!

Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played!  The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.

Be sure to watch for the finale, which features cameo appearances from several other AIP monsters!  And read my full review of the film by clicking here!

Horror Scenes That I Love: Conal Cochran Explains Halloween in Halloween III: Season of the Witch


Tonight’s horror scene that I love is from the underrated 1982 film, Halloween III: Season of the Witch.

In this scene, Conal Cochran (Dan O’Herlihy) explains not only the origins of Halloween but he also discusses how he’s going to make Halloween great again.  This scene is probably the best in the film and it’s almost entirely due to O’Herlihy’s wonderfully menacing performance as Conal Cochran.

“….and happy Halloween.”

 

4 Shots From 4 Horror Films: 2010s Part Two


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue with the 2010s!

4 Shots From 4 Films

The Conjuring (2013, dir by James Wan)

The Conjuring (2013, dir by James Wan)

You're Next (2013, dir by Adam Wingard)

You’re Next (2013, dir by Adam Wingard)

The Babadook (2014, dir by Jennifer Kent)

The Babadook (2014, dir by Jennifer Kent)

It Follows (2015, dir by David Robert Mitchell)

It Follows (2015, dir by David Robert Mitchell)