Live Tweet Alert: Watch Breakdown with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, ArtAttackNYC will be hosting 1997’s Breakdown, starring Kurt Russell, Kathleen Quinlan, and J.T. Walsh!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

 

Scenes That I Love: Prewitt Fights Back In From Here To Eternity


In honor of what would have been Fred Zinnemann’s 116th birthday, today’s scene that I love comes from 1953’s From Here To Eternity, one of the two Zinnemann-directed films to win the Oscar for Best Picture.

In this scene, Private Prewitt (Montgomery Clift) proves that he’s still a skilled boxer.  That’s not something that Prewitt wants the world to know because he’s still guilt-stricken over accidentally blinding one of his sparring partners.  Captain Holmes wants Prewitt to fight on the regimental team.  Prewitt would rather just play the bugle but, as he shows in this scene, he can still throw a punch if he’s forced to.  It leads to a lot of drama, the majority of which is forgotten in the wake of the attack on Pearl Harbor.

4 Shots From 4 Films: Special Phillip Noyce Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 73rd birthday to Australian filmmaker, Phillip Noyce.  It’s time for….

4 Shots From 4 Phillip Noyce Films

Heatwave (1982, dir by Phillip Noyce, DP: Vincent Monton)

Dead Calm (1989, dir by Phillip Noyce, DP: Dean Semler)

Blind Fury (1989, dir by Phillip Noyce, DP: Don Burgess)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Live Tweet Alert: Join #FridayNightFlix for Bend It Like Beckham!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 2002’s Bend It Like Beckham!

This film is a favorite of both me and my sister’s and I can’t wait to watch it with everyone!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Bend It Like Beckham is available on Prime!  See you there!

4 Shots From 4 Films: Special Nico Mastorakis Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 82nd birthday of Greek filmmaker, Nico Mastorakis.  And that means that it’s time for….

4 Shots From 4 Nico Mastorakis Films

Island of Death (1975, dir by Nico Mastorakis, DP: Nikos Gardelis)

Death Has Blue Eyes (1976, dir by Nico Mastorakis, DP: Nikos Gardelis)

Blind Date (1984, dir by Nico Mastorakis, DP: Andreas Bellis)

In the Cold of the Night (1990, dir by Nico Mastorakis, DP: Andreas Bellis)

4 Shots From 4 Films: Special Douglas Sirk Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

126 years ago, on this date, Douglas Sirk was born in Germany.  He would start out his career as a stage director in Germany before coming to the United States in 1937.  In the U.S., he made his mark as the director of a series of lushly visualized and often over-the-top melodramas.  Never a critical favorite, Sirk was rediscovered and his reputation rehabilitated when film students and critics started to reexamine his work in the late 60s and the 70s.  Once dismissed as the maker of tawdry (if popular) melodramas, Douglas Sirk is now seen as a subversive master of irony, one who used his melodramas to comment on American society.  It’s fair to say that, without the films of Douglas Sirk, there would be no Lifetime today.

It’s time for….

4 Shots From 4 Douglas Sirk Films

Magnificent Obsession (1954, dir by Douglas Sirk, DP: Russell Metty)

All That Heaven Allows (1955, dir by Douglas Sirk, DP: Russell Metty)

Written on the Wind (1956, dir by Douglas Sirk, DP: Russell Metty)

Imitation of Life (1959, dir by Douglas Sirk, DP: Russell Metty)

Scenes That I Love: Michael Corleone Visits Las Vegas In The Godfather


Today, the Shattered Lens wishes a happy birthday to the great Al Pacino.

Today’s scene that I love comes from 1972’s The Godfather, in which Al Pacino plays Michael Corleone.  In this scene, Michael, having just taken over the Corleone family, pays a visit to Vegas.  He meets his brother Fredo (John Cazale), who has certainly changed from being the meek person that he was in New York.  He meets the singer Johnny Fontana (Al Martino), who owes a favor to the Corleones.  And he meets Moe Greene (Alex Rocco), who soon discovers that the Corleones cannot be intimidated.  Most importantly, Michael proves that he is now in charge of the family.  At the end of the scene, Michael gives Fredo an important warning and sets up the tragic ending of the The Godfather Part II.

Monday Live Tweet Alert: Join Us For Double Dragon and Blue Steel!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1994’s Double Dragon!  Selected and hosted by Bunny Hero, this movie features double the action!  So, you know it has to be good!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1990’s Blue Steel!  The film is on Prime and Tubi!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Double Dragon on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Blue Steel, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

 

4 Shots From 4 Films: Special William Castle Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates the 109th anniversary of the birth of director and showman, William Castle!  It’s time for….

4 Shots From 4 William Castle Films

House on Haunted Hill (1959, dir by William Castle, DP: Carl E. Guthrie)

13 Ghosts (1960, dir by William Castle, DP: Joseph F. Biroc)

Strait-Jacket (1964, dir by William Castle, DP: Arthur E. Arling)

Shanks (1974, dir by William Castle, DP: Joseph F. Biroc)

Retro Television Reviews: The Feminist and the Fuzz (dir by Jerry Paris)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s The Feminist and The Fuzz!  It  can be viewed on YouTube!

At first glance, Jane Bowers (Barbara Eden) and Jerry Frazer (David Hartman) don’t have much in common.

Jerry is a cop, though he’s attending night school with the hope of someday becoming a lawyer.  Jerry is an old-fashioned law and order man.  He expects the law to be followed.  He’s also the type who definitely believes that there are clear differences between men and women.  As he explains it, there are some thing that men are just better at.  Jerry is dating Kitty (Farrah Fawcett), who works as a waitress at the local Playboy Club.

Dr. Jane Bowers is a pediatrician and a proud feminist, one who takes it personally when a cop like Jerry refuses to give her a parking ticket just because she’s a woman.  She wants to be treated as an equal in all matters.  She’s dating Wyatt Foley (Herb Edelman), an attorney who still lives with his mother and who constantly goes out of his way to let everyone know that he’s an ally.  Jane’s best friend is Dr. Debby Inglefinger (Jo Anne Worley), who has decided that it’s time to lead a protest at the Playboy Club.

The only thing that Jerry and Jane have in common is that they both desperately need an apartment but apparently, apartments were not easy to find in San Francisco in the early 70s.  Fortunately, a hippie (Howard Hesseman) has just been evicted from his apartment because the landlord (John McGiver) didn’t like the fact that he was constantly having overnight guests.  Jane and Jerry both end up at the apartment at the same time, with Jane getting offended by Jerry’s refusal to give her a traffic ticket.  (Jerry makes the mistake of saying that he’s going to let her off “with a warning.”  He wouldn’t give a warning to a man!  Seriously, though, who in their right mind would actually demand a ticket?  Those things cost money.)  Even though they take an instant dislike to each other, Jane and Jerry still decide to pretend to be husband and wife so that they can rent the apartment together.  With their busy schedules, they figure that they’ll never have to see each other.  They won’t even know the other is around.

Of course, it doesn’t work out like that.  Jane allows Debby to hold a consciousness raising meeting at the apartment.  (Future director Penny Marshall appears as a participant.)  Meanwhile, Jerry lets a prostitute (Julie Newmar) stay at the apartment, just to keep her off of the streets for the night.  The landlord is getting suspicious.  So, for that matter, is Jane’s father (Harry Morgan).  And, as you probably already guessed, Jerry and Jane are falling in love.

With its hippies and its militant feminists and its jokes about the Playboy Club, The Feminist and the Fuzz is a film that practically yells, “1971!”  Unfortunately, script’s attempt to turn the film’s rather predictable plot into a Neil Simon-style jokefest never quite works.  The “humorous” dialogue feels forced and the film’s 75-minute run time doesn’t do it any favors, as we never really have the time to get to know Jerry or Jane as human beings.  Instead, they just remain “The Fuzz” and “The Feminist.”  As a result, it’s not that easy to care about whether or not they actually get together.  Some of the supporting performances are amusing.  Barbara Eden manages to avoid turning Jane into a caricature of a humorless activist but poor David Hartman is stiff as a board and in no way convincing as a veteran cop.

The main thing I took away from this movie is that the Playboy Clubs were exceptionally tacky.  Way back in 2011, NBC actually tried to air a drama series that took place at a Playboy Club in the 60s.  (This was when every network was trying to come up with the next Mad Men.)  The pilot started with creepy old Hugh Hefner assuring the viewers that, “Everybody who was anybody wanted to be a member of the club.”  I mean, seriously?  What a strange world.