10 Films For The Weekend (6/13/25)


Here are just a few recommendations from a girl who is currently packing for her vacation!

Happy Friday the 13th

Friday the 13th kind of snuck up on me this year, which is a shame because this is the only Friday the 13th that we’re going to get in 2025.  I have a feeling that I’m not alone in being taken by surprise, though.  Usually the streaming services make a bigger deal about Friday the 13th.  This year, only Pluto TV has the complete series available to stream.

That said, you can watch the first Friday the 13th (1980) on Tubi.  Though the films were never critical favorites and I doubt they’ll ever have a Halloween-style resurgence (and really, that’s the way I like it because the last thing that horror fans need or deserve is for David Gordon Green to screw up Jason like he did Michael), the first Friday the 13th is still entertaining to watch.  It’s interesting to see how much the first few films drew from the Italian giallo movies.  The first Friday the 13th is even a whodunit, featuring a killer wearing gloves!  It also features a young Kevin Bacon in a speedo so what’s your excuse for not watching?  Personally, I always relate to Marcie in this film.  I imagine I’d share the same fate if I ever found myself working at a summer camp, wandering around in my underwear and saying, “C’mon, guys….” until someone got annoyed and hit me with an axe.  You can watch the film on Tubi.

Friday the 13th: Part 2 (1981) is actually a really good horror movie, featuring interesting victims and, for the first time, Jason Voorhees as the killer.  Jason dresses like a hillbilly in this one.  Amy Steel is a badass heroine.  Russell Todd’s an incredibly handsome man.  The film itself actually has some wonderfully creepy shots, from the POV tracking shot that creeps up on Lauren-Marie Taylor to the shadowy shot of the cars driving into town.  It can be viewed on Pluto.

Friday the 13th: The Final Chapter (1984) was quite obviously not the final chapter but it was, in my opinion, the best of the films.  Everyone remembers this one for Corey Feldman as Tommy Jarvis and Crispin Glover as one of the victims but really, the entire cast does a great job of bringing their characters to life and actually making them interesting for once.  My heart always breaks a little for Peter Barton and Barbara Howard.  They were such a cute couple.  It can be viewed on Pluto.

Friday the 13th Part VII: The New Blood (1987) is hardly the best of the Friday films but I have to admit that I’ve always kind of liked it.  Not only does it feature the first appearance of Zombie Jason but it also features enough strange plot twists to keep things watchable.  The recently passed Lar Park Lincoln plays Tina, the girl with psychic powers and she gives a far better performance than the material probably deserved.  Terry Kiser plays “Bad News” Crews.  It can be viewed on Pluto.

Mario Bava’s Bay of Blood (1971) is a classic giallo and it features a rare (and successful) stab at social satire on the part of Mario Bava.  It’s also interesting to see the scenes that were lifted, almost shot-for-short, for Friday the 13th Part 2.  It can be viewed on Tubi.

Happy Father’s Day

This s going to be a bittersweet Father’s Day for me and my sisters.  Our Dad passed away last August.  Indeed, one of the reasons why I’m going on vacation next week is so I can get away from the sad memories for a bit.  If I had to think of any film that captured my Dad’s independent spirit, I’d probably go with Convoy (1978).  When I was growing up, my Dad sometimes worked as an independent trucker.  He liked this movie and he liked Rubber Duck and you know what?  Rubber Duck would have liked him as well.  Convy was notorious for the cost overruns and the amount of drugs done on set but I’ll tell you right now — if you don’t cheer when Kris Kristofferson, Burt Young, and other truckers defy the law, you have no heart.  Convoy can be viewed on Tubi.

My Dad was also a Godzilla fan, which is one reason why I’m a Godzilla fan!  I can still remember being little and watching Godzilla films with him.  They used to air every Saturday afternoon.  One of our favorites was Godzilla vs Megalon (1973), in which Godzilla teams up with the giant robot, Jet Jaguar.  I know that Godzilla purists tend to be dismissive of this film but I don’t care.  I loved it!  It can be viewed on Max.

I guess it says something about my job here that I can get sentimental about a violent and bloody film like 10 to Midnight (1983) but I have to admit that I’m always touched by the father-daughter relationship of Leo (Charles Bronson) and Laurie Kessler (Lisa Eilbacher).  It reminds me a lot of my relationship with my Dad.  Of course, those of you just looking for a good Cannon-era Bronson flick won’t be disappointed either.  Gene Davis turns Warren Stacy into a truly loathsome villain and Bronson’s final line is a classic.  Plus, this film has got Andrew Stevens in the role of the liberal rookie detective who no one can believe is a cop.  The film can be viewed on Tubi.

Happy Odds and Ends

If you want to watch a Bava film that’s a little less gory than Bay of Blood, Planet of the Vampires (1965) is an atmospheric delight.  Just as Bay of Blood inspired Friday the 13th, Planet of the Vampires inspired Alien.  Keep an eye out for Ivan Rassimov, who had the best head of hair in Italian horror.  The film is on Pluto.

Jim Belushi celebrated a birthday this week and you can celebrate as well by watching one of my favorite guilty pleasures, The Principal (1987).  This film is heartfelt, violent, occasionally funny, thoroughly ludicrous, and actually kind of touching in its determination to actually say something.  Jim Belushi vs Michael Wright is one of the ages.  Lou Gossett, Jr. appears to be amused by the whole thing.  “He’s the Principal, man!”  The film is on Tubi.

Have a great week!

(Check out last week’s films here!)

Live Tweet Alert: Join #FridayNightFlix for Space Mutiny!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  SPACE MUTINY!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Space Mutiny is available on Prime and Tubi!

See you there!

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Scenes That I Love: The Opening Of A Clockwork Orange


Today, the Shattered Lens wishes a happy birthday to actor Malcolm McDowell.

Today’s scene that I love comes from 1971’s A Clockwork Orange, featuring McDowell as Alex.  This opening scene is famous for its music and its production design but what truly makes it work is the intensity of McDowell’s stare and the seductive menace of his half-smile.

4 Shots From 4 Films: Special 1950 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1950 Films

Orpheus (1950, dir by Jean Cocteau, DP: Nicolas Hayer)

Sunset Boulevard (1950, dir by Billy Wilder, DP; John F. Seitz)

All About Eve (1950, dir by Joseph L. Mankiewicz, DP: Milton R. Krassner)

In A Lonely Place (1950, dir by Nicholas Ray, DP: Burnett Guffey)

Brad’s “Scene of the Day” – the opening of BLOOD AND BONE (2009)!


It’s been awhile since I first saw Michael Jai White in the low budget action film, BLOOD AND BONE. One thing I do remember from that initial viewing is how badass I found the opening scene! It’s definitely NSFW, but I’m glad to be able share it with you today. Enjoy!

Brad reviews BLOOD AND BONE (2009), starring Michael Jai White! 


Michael Jai White is Bone, an ex-convict who also happens to be a badass martial artist. After getting out of prison, Bone heads to Los Angeles and rents a room from Tamara (Nona Gaye), a foster mother to three kids. Once there, he hooks up with Pinball (Dante Basco) and enters the underground street-fighting scene, quickly gaining a reputation as the best fighter around. This catches the attention of the ruthless James (Eamonn Walker) who controls the local fighting action. Bone takes a special interest in James’ woman, the beautiful Angela (Michelle Belegrin). When Bone easily dispatches James’ best fighter Hammer (Bob Sapp), James invites him into his life because he wants him to take on Pretty Boy Price (Matt Mullins). Price is the prize fighter of the wealthy and powerful Franklin McVeigh (Julian Sands), and James sees Bone as his chance to beat Price and join the big time. But Bone is much more complicated than he initially seems, and he has an agenda that involves Angela and keeping a promise he made to an old friend. 

I’m a fan of B-movie star and martial artist Michael Jai White. I remember buying the DVD of BLOOD AND BONE a decade or more ago and thinking it was a good movie. I decided to revisit the film today and my opinion remains the same. It has a memorable opening scene where mixed martial artist Kimbo Slice and his crew confront White’s character Bone in the bathroom of an unnamed prison. Slice runs his mouth, and we soon learn that Bone is the biggest badass around. It’s a simple, awesome scene that proves to be a perfect introduction to our hero. From this point forward, BLOOD AND BONE seems to follow a similar storyline to my favorite Charles Bronson film HARD TIMES (1975). In HARD TIMES, Bronson is a badass fighter who rolls into town, hooks up with the fast talking James Coburn, dominates the local street fighting competition, and then heads back out of town. In BLOOD AND BONE, Michael Jai White rolls into town, hooks up with the fast talking Dante Basco, and dominates the local street fighting competition. However, in this film we find out that White is doing all of this to keep a jailhouse promise to a friend before heading out of town. I like White as an actor, martial artist, and charismatic screen presence, so I was all in as the action and the story played out. 

Aside from Michael Jai White’s basic badass character, I also like the relationship that develops between his Bone and Nona Gaye’s character, Tamara. She has a world weariness and bullshit detector, but she also realizes that his character has more depth than it may initially appear. They have some good moments sprinkled throughout the film that seem more grounded in reality than your typical B action movie relationships. Eamonn Walker is appropriately evil as the ruthless James, a man who has zero redeeming qualities. His character may not be set in the real world, but a movie like this needs someone to really dislike and Walker fits the bill. Dante Basco is fine as the fast-talking Pinball who helps break Bone into the underground fighting scene, but I didn’t find his character especially memorable. Julian Sands is prominently billed, but his part is quite small. He shows up at the beginning and the end, and delivers an outrageous monologue to Eamonn Walker about how he and his rich, white buddies are entertained by African Americans, but they don’t really want to hang out with them. It’s a pretty uncomfortable scene to be honest with you even though it’s being delivered to a completely despicable character. 

Overall, I like BLOOD AND BONE as a badass action and martial arts film with some heart. It’s not always easy to watch as it’s pretty violent, with multiple arms broken and shoulders dislocated to graphic effect. It also throws around some inappropriate slurs, which is somewhat typical of B movies made fifteen to twenty years ago, but they still stand out in this day and time. However, thanks to Michael Jai White’s badass performance, BLOOD AND BONE delivers the goods for anyone looking for an entertaining, bone-crunching action film. In that context, I definitely recommend it. See the trailer below:

Scenes I Love: The Battle of Do Long Bridge from Apocalypse Now


Composer Carmine Coppola, the father of Francis Ford Coppola, was born 115 years ago today.

Coppola composed music for almost all of his son’s films.  To me, his best work was the menacing and dream-like score that he and Francis put together for 1979’s Apocalypse Now.  Some of that score can be heard in today’s scene of the day, as Willard (Martin Sheen) and the boat approach a bridge that is built every day and destroyed every night.

4 Shots From 4 Films: Special Paul Lynch Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to Canadian filmmaker, Paul Lynch!  It’s time for….

4 Shots From 4 Paul Lynch Films

Prom Night (1980, dir by Paul Lynch, DP: Robert C. New)

No Contest (1995, dir by Paul Lynch, DP: Curtis Petersen)

No Contest II (1996, dir by Paul Lynch, DP: Barry Gravelle)

The Keeper (2004, dir by Paul Lynch, DP: Curtis Petersen)