Retro Television Review: Miami Vice 5.8 “Hard Knocks”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Switek takes center stage!

Episode 5.8 “Hard Knocks”

(Dir by Vern Gillum, originally aired on January 20th, 1989)

Stan Switek has a gambling problem!

That’s right.  The lovable Stan Switek, played by Michael Talbott, finally gets to be the center of another episode and it’s a pretty dark one.  It’s not as dark as the one where Stan discovered that his partner and best friend had been given a heroin overdose but it’s still pretty depressing.

There are a lot of things that lead to Switek becoming both an alcoholic and a gambling addict.  The death of Larry Zito still haunts him.  The job haunts him.  The fact that he’s continually stuck in “the black box,” and doing surveillance on terrible people haunts him.  At the start of the episode, he learns that he’s been turned down for a promotion and it will be another two years before he can apply again.  Castillo says it’s about money.  The Miami PD doesn’t have the money to pay Switek a sergeant’s salary.  “You’re the best at what you do,” Castillo tells Switek.  That’s of little help.

Switek is best friends with Mac Mulhern (Jordan Clarke), the father of a hotshot college quarterback named Kevin Mulhern (Richard Joseph Paul).  When Switek’s former bookie (Ismael “East” Carlo) is murdered by Goodman (Richard Jenkins, who apparently always looked like he was in his late 50s, even 40 years ago), Goodman orders Switek to tell Kevin to throw his upcoming game.  In order to make sure that it happens, Goodman kidnaps Mac and threatens to kill him.

Switek snaps.  Switek sets out to get his own justice against Goodman and to rescue Mac.  Fortunately, Crockett and Tubbs realize what’s happening and they show up in time to help Switek out.  Once Goodman is dead and Mac is free, Kevin is able to win the game.

Later, Crockett confronts Switek.  He says that Switek’s name is all over Goodman’s books.  What’s Crockett going to do?  Given that Crockett spent months as Miami’s biggest drug lord, I’m not sure that Crockett is in a position to judge anyone.  Fortunately, Crockett seems to understand that as well.  Crockett hands the evidence over to Switek and promises to keep quiet.  Switek — who has spent almost the entire series as comedic relief — breaks down and starts to cry.

That’s one dark episode!  It’s also a very well-done episode.  Michael Talbott gave an excellent performance as Switek, revealing the character’s dark side while still remaining true to who Switek has been since the series began.  Don Johnson and Philip Michael Thomas didn’t do much in this episode but the final scene between Switek and Crockett was wonderfully acted by both Talbott and Johnson.

This was a good episode but I’m worried about Switek now.  I hope everything works out because there’s only a few episodes left!

Speaking of which, Retro Television Review will be going on break for the holidays at the end of this week. Miami Vice will return on January 5th!

Retro Television Review: Miami Vice 5.7 “Asian Cut”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

There’s another serial killer haunting the streets of Miami.  We all know what that means.  It’s time to put either Trudy or Gina in harm’s way again.

Episode 5.7 “Asian Cut”

(Dir by James Contner, originally aired on January 13th, 1989)

Someone is murdering prostitutes and carving symbols into their skin.  The seemingly friendly Prof. Halliwell (David Schramm) confirms that the symbols are Asian in origin.  Crockett and Castillo suspect that the murderer might be a knife-obsessed Japanese gangster named Tegoro (Cary-Hiroyui Tagawa) but it turns out that they’re wrong.  Gina and Trudy work undercover as escort and Trudy meets Carlos (Alfredo Alvarez Calderon), a man with a kink for being beaten.  Carlos wants to introduce Trudy to a friend of his, someone who is something of an expert on torture and who learned the majority of his techniques while he was serving in the CIA during the Vietnam War….

Yep, the murderer is Prof. Halliwell!

This episode was thoroughly unpleasant.  That’s not necessarily a bad thing when it comes to episodes about serial killers and David Schramm did a good job of switching from being goofy to deadly.  However, in this case, it was hard not to think about the fact that, in five seasons, Gina and Trudy haven’t really gotten to do much other than pretend to be escorts and get threatened by serial killers.  For once, Gina was the one providing support while Trudy was the one put in jeopardy but it still otherwise felt very, very familiar.  Even the twist that the killer was a former CIA agent who specialized in torturing enemy combatants felt just a bit too predictable.  (On Miami Vice, anyone who is former CIA and not named Castillo always turns out to be a murderer.)  The torture scenes were so drawn out that they ultimately felt a bit gratuitous.

This episode ultimately just felt icky,

Retro Television Review: Miami Vice 5.6 “Line of Fire”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett and Tubbs are assigned to protect a witness.

Episode 5.6 “Line Of Fire”

(Dir by Richard Compton, originally aired on December 16th, 1988)

Carlos Cantero (Aharon Ipalé) is on trial for murdering Ian Sims, one of Crockett’s confidential informants.  Crockett is the number one witness against him, which is a problem because Crockett just spent the last few months under the impression that he was Sonny Burnett, one of Miami’s biggest drug dealers.  Cantero’s defense attorney dismantles Crockett’s testimony by pointing out that Crockett had a “psychotic breakdown.”

(And you know what?  The attorney is actually very correct about that.  Crockett acts shocked when his mental health history is brought up but why wouldn’t it be?)

Luckily, there is an eyewitness to the murder of Ian Sims.  The FBI asks Crockett and Tubbs to keep an eye on Keith (Justin Lazard), a heavy metal fan who is willing to testify against Cantero.

I have to admit that I nearly gave up on this episode because my first impression of Keith was that he was the most annoying character to ever appear on a television show.  However, I’m glad that I didn’t because this episode actually introduced a very clever twist.  Keith is not actually Keith.  Instead, he’s DEA agent Joey Hardin, who has been assigned to pretend to be Keith to keep Cantero from going after the real Keith.  It turns out that FBI Agent Bates (Kevyn Major Howard, the “Do you believe in Jesus?” guy from Death Wish II) is crooked and he’s giving information to Cantero.

Unfortunately, Crockett doesn’t find out the truth until Joey has already been shot multiple times by Bates.  (Tubbs and Crockett proceed to gun down Bates.)  Joey nearly dies while the prosecutor chortles about how all of this is actually going to help him get a conviction.  It turns out that the prosecutor doesn’t know what he’s talking about.  The real Keith is now too terrified to testify against Cantero, leading to Cantero going free.  Joey does recover from being shot but, at the end of this episode, it’s hard not to feel that it was all for nothing.

This is one cynical episode!  But that’s okay.  Miami Vice was always at its best when it was being cynical and this episode is a throwback to old school Vice, back when the emphasis was on how no one could trust anyone and the government was often its own worst enemy.  Miami Vice was definitely a left-wing show but occasionally, it did reveal a libertarian streak.  That was certainly the case with this episode, in which the war on drugs is portrayed as being unwinnable because the government is naturally incompetent.  Young idealists like Joey Hardin are sent off to battle and are ultimately abandoned once they’re no longer needed.

This was a good episode.  I’m still having a hard time buying that Crockett could just go back to being a cop after being Miami’s top drug lord but whatever.  It’s the final season.  I’ll suspend my disbelief a little.

Retro Television Review: Miami Vice 5.5 “Borrasca”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Vice helps the communists once again.

Episode 5.5 “Borrasca”

(Dir by Vern Gillum, originally aired on December 9th, 1988)

Martillo Borrasca (Juan Fernandez) is a drug dealer who uses the money to fund anti-communist revolutionaries in his native South American country.  Castillo, Tubbs, and Switek want to arrest him, especially after Barrisco and his men use a machete to hack an undercover cop to death.  CIA agent Reese (Brion James) wants the Vice Squad to lay off Barrisco because Barrisco is working to overthrow a communist.

Personally, I’m on Reese’s side.  Sure, Borrasca is a bad guy and he deserves to be punished for his crimes but the communist dictators in South and Central America were just as bad.  Just because they quoted Marx and spouted a lot of anti-imperialist propaganda, that didn’t change the fact that they oppressed their own people and many of them were involved in the drug trade themselves.  This episode aired long before the rise of Hugh Chavez but one need only look at the state of Venezuela today to see that the CIA perhaps had a point.

Castillo, of course, doesn’t see it that way.  He assassinated Barrisco while the latter is trying to make an escape via helicopter.  “I have a code,” Castillo says.  Really, Castillo?  That’s your code?  Assassinate a drug dealer but don’t do anything about the dictators who would have allowed the Russians to plant nuclear missiles in their countries?

This episode was actually pretty routine.  How many times have we been through the whole “The Vice Squad is after a drug dealer who has friends in the government” thing?  On the one hand, I always appreciate Miami Vice’s cynicism about the War on Drugs.  On the other hand, it’s frequent defense of communism has always been one of the show’s more glaring blind spots.  Communists make just as much money from the drug trade as capitalists.

Crockett was not in this episode.  Instead, Tubbs worked with Switek.  It was nice to see Switek get to more than usual but, in the end, this was definitely a Castillo episode.

 

Retro Television Review: Miami Vice 5.4 “Bad Timing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett tries to find himself.

Episode 5.4 “Bad Timing”

(Dir by Virgil W. Vogel, originally aired on December 2nd, 1988)

With the case against him still unresolved, Crockett goes on vacation.  He doesn’t tell anyone where he’s going, which is a bit unfortunate as he ends up being taken hostage in the Bayous by a group of cartoonishly evil escaped convicts.  (Pruitt Taylor Vince plays one of the hostage-takers but is fairly forgettable.  A young Melissa Leo appears as a fellow hostage and shows none of the grit that made her so memorable as Sgt. Kay Howard on Homicide.)  Somehow, Tubbs still shows up at the last moment and, looking resplendent in a white suit, he shoots the final convict before the latter shoots Crockett.  Crockett doesn’t even ask Tubbs how he knew where Crockett was.  (If Tubbs had been following Crockett the entire time, why would he have allowed Crockett to have been taken hostage to begin with?)  This episode might as well have been called Dues Ex Tubbs.

Watching this episode, it occurred to me that, as a character, Crockett really doesn’t have anywhere left to go.  By having him turn into Burnett and become one of Miami’s most powerful drug dealers, the show pretty much pushed the character as far as possible.  It’s impossible for Crockett to come back from that and it’s equally impossible to watch an episode like this one and not wonder why Crockett wasn’t in prison.  He’s suspected of committing four murders.  He was witnessed shooting a cop.  He attempted to kill his own partner, twice.  The episode begins with several high-ranking cops saying that they don’t buy Crockett’s excuse that he had amnesia.  And yet, Crockett is allowed to leave Miami while the department tries to figure out what to do with him.

Really, the whole idea that Crockett — a minor celebrity due to his college football career — could maintain his Burnett cover for five seasons was already pretty hard to believe.  Crockett and Tubbs’s cover got blown in nearly every episode during the first three seasons.  Having Sonny “Burnett” marry a world-famous singer without anyone noting that Burnett looked just like Crockett was probably this show’s true shark jumping moment.  Once that happened, it became increasingly difficult to take Miami Vice seriously.  The whole arc of Sonny thinking he was Burnett was fun to watch and Don Johnson gave a good performance as a conflicted bad guy but it’s also left the show with nowhere to go.  With this episode, Crockett has been reduced to being taken hostage by a group of backwoods yokels and waiting for Tubbs to materialize from out of nowhere.

In short, it’s time for Sonny to move on.  And seeing as how this is the final season …. well, we’ll see what happens!

Made-For-TV Horror: The Initiation of Sarah (dir by Robert Day)


Oh, poor Sarah.

Sarah (Kay Lenz) is attending college with her sister, Patty (Morgan Brittany).  Patty is pretty and popular and everyone wants to be her friend.  Sarah is withdrawn and a bit moody and people seem to go out of their way to avoid her.  Sarah, however, has a secret.  She can move and break things with her mind.  When a guy on the beach tries to force himself on Patty, Sarah uses her powers to push him away.  Later, when Sarah’s upset, she stares at a mirror until it cracks.

When Patty and Sarah visit their mother’s old sorority, Patty is a hit but Sarah is less popular.  The bitchy president of the Sorority, Jennifer Lawrence (Morgan Fairchild), is happy to invite Patty to join but she doesn’t want Sarah to be anywhere near her.  Sarah ends up joining the outcast PDE sorority.  Jennifer, however, remains obsessed with humiliating and destroying Sarah.  And Sarah, when she gets angry, has a tendency to cause things to happen….

This film, which aired in 1978, probably sounds like a rip-off of Carrie and, in many ways, it is.  For whatever reason, Sarah’s bullies seem to be obsessed with making her as miserable as possible.  In Carrie, one reason you hated the bullies was because Sissy Spacek gave such a heart-breaking, vulnerable and empathetic performance as Carrie White.  The bullies were terrible to begin with but then to pick on someone as fragile as Carrie?  It sucked William Katt had to die but there’s still a reason why the prom inferno makes as many people applaud as scream.  In The Initiation of Sarah, Kay Lenz is not particularly sympathetic as Sarah.  Even before the bullies start picking on her, Sarah comes across as being angry and bitter about …. well, everything.  Patty goes out of her way to take care of her sister but Sarah never seems to appreciate it.  Bullies still suck, of course.  There’s no excuse for being a bully and Jennifer really does go overboard when it comes to going after Sarah.  But Sarah herself still doesn’t necessarily come across as being someone you would want to join your sorority.

What sets The Initiation of Sarah apart from other Carrie rip-offs is the character of Mrs. Hunter (Shelley Winters).  Mrs. Hunter founded PDE when she was a student and now, as the school’s resident expert on paganism, she’s the housemother of PDE.  As soon as Sarah joins, Mrs. Hunter starts to talk about how Sarah is destined to lead PDE to glory.  When another member of PDE, Mouse (Tisa Farrow), takes a look in Mrs. Hunter’s room, she discovers a Satanic altar that is guarded by a fierce looking dog….

That’s right!  This isn’t just a rip-off of Carrie.  It’s a rip-off of The Omen as well!

Kay Lenz might be a bit on the dull side as Sarah but this film is worth watching for the performance of Morgan Fairchild and, especially, Shelley Winters.  As played by Fairchild, Jennifer is more than just a bitch.  She’s a sociopath with great hair.  Meanwhile, Shelley Winters — especially once the 70s started — was never a particularly low-key or subtle actress.  When you cast her as an overbearing housemother who happens to be the high priestess of a cult, you know that you’re going to get something worth watching.  Winters attacks the role with a ferocity that is occasionally over-the-top and almost funny but always entertaining.

The Initiation of Sarah is an enjoyable made-for-TV movie.  Watch it the next time you’re feeling nostalgic for college life.

Retro Television Review: Miami Vice 5.3 “Heart of Night”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Castillo gets an adventure of his own.

Episode 5.3 “Heart of Night”

(Dir by Paul Krasny, originally aired on November 18th, 1988)

This is season 5’s Castillo episode.

Castillo got to be at the center of one episode per season.  Usually, it involved someone from his past resurfacing and Castillo having to go full samurai (or ninja, as the case may be) to protect them.  That’s certainly the case here, in which Castillo’s ex-wife (Rosalind Chao, replacing Joan Chen) approaches Castillo because she and her husband (James Saito) are being targeted by Rivas (Bob Gunton), an Ecuadorian drug dealer who — *sigh* — has connections to the CIA.

This episode wasn’t really bad.  It just felt awfully familiar.  Even Edward James Olmos, who usually shined whenever he got a solo adventure, seems kind of bored in this episode.  At this point in the series, there was really nothing surprising about the revelation that a South American drug lord was working with the CIA.  Just about every drug lord on the show was portrayed as working for the CIA.  It’s also not a surprise when Castillo’s ex’s new husband turns out to be corrupt.  The episode ends with Castillo watching as the women he still loves walk away from him and, again, been there done that.  Almost this entire episode felt like Miami Vice on autopilot.

Crockett appeared for about two minutes in this episode.  He has his memory back and he’s working for the Vice Squad again.  Castillo points out that Crockett is still being investigated for numerous murders and he suggests that Crockett take some time off.  Crockett reluctantly agrees.  Shouldn’t Crockett be in prison right now?  The man was the biggest drug lord in Miami.  He killed a cop (albeit in self-defense).  I’m surprised he would be allowed back into the Vice Squad with all that hanging over him.  If not sitting in jail, Crockett should at least be under suspension.

It’s just another weird day in Miami.

Retro Television Review: Miami Vice 5.2 “Redemption In Blood”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Sonny Burnett continues his reign of terror!

Episode 5.2 “Redemption in Blood”

(DIr by Paul Krasny, originally aired on November 11th, 1988)

When last we checked in with Miami Vice, Sonny thought he was a drug lord named Sonny Burnett and he was firing his gun at Tubbs, who he had just recognized as a cop.  This episode reveals that Sonny didn’t shoot Tubbs.  Instead, he aimed at a wall, firing while Tubbs made his escape.

Working with the psychotic Cliff King (Matt Frewer), Sonny takes over his late boss’s drug empire and continue to fight a war against El Gato (Jon Polito).  El Gato is meant to be a “flamboyant” drug dealer, which is a polite way of saying that Polito overacts through the entire episode.

The show hedges its bets by having Cliff commit all of the murders while Sonny rises to power.  In fact, when Sonny catches Cliff torturing two of El Gato’s men, Sonny orders Cliff to stop and then offers them jobs in the Burnett operation.  Amazingly, over the course of the entire three-episode Burnett arc, Sonny manages to get through the whole thing only killing people in self-defense.  Even the cop that he killed at the end of the previous season was a dirty cop who had been sent to kill him.  I get that the show couldn’t take Sonny totally over to the dark side but it’s still hard to believe that Burnett took over the Miami underworld without getting his hands a bit more dirty than he did.

A car bomb (courtesy of El Gato) knocks Sonny unconscious and, when he wakes up, he suddenly starts to remember who he actually is.  Finally realizing that his name is Crockett, Sonny turns himself into the Vice Squad and is promptly arrested while Kate Bush sings, “Don’t give up.”  Sonny tells Castillo, Switek, and Tubbs that he’s ready to acccept the consequences of whatever he did during his previous bout of amnesia.  But then Sonny escapes custody and sets up both Cliff and El Gato for a great fall so I guess he wasn’t totally ready to turn himself in and head off to prison.

Tubbs, who now trusts Sonny, helps him take out Cliff King and the Burnett organization.  Sonny shoots Cliff to save Tubbs.  With Tubbs dangling off of a walkway, Sonny pulls him back up to safety.  Sonny then goes back to his mansion where he and his girlfriend (Debra Feuer) are taking hostage by a gun-wielding El Gato.  “Where is the safe?” El Gato demands.  Sonny tricks El Gato into thinking the safe is in the room where he keeps his pet panther.  (Apparently, all drug lords were given either a tiger, a panther, a cheetah, or a leopard.)  El Gato gets mauled to death as the episode ends.

This episode suggests that Sonny is going to be let off the hook because he finally remembered he was.  I don’t really think that it would really work like that.  Sonny has multiple warrants out and he also killed a cop, albeit a corrupt one.  If Sonny isn’t on trial in next week’s episode, I’m going to be a little annoyed.

This episode ended the Burnett trilogy about as well as it could be ended.  The idea that all Sonny needed was to survive a second near-fatal explosion made me smile.  What if El Gato hadn’t tried to blow him up?  I guess it’s a good thing that he did!  While Polito went overboard, Matt Frewer gave a very good performance as the villainous Cliff King.  It’s a bit of a shame that he died so dramatically because Cliff would have made a good recurring villain.

This episode was definitely better than anything from season 4.  It’ll be interesting to see how the rest of season 5 plays out.

Retro Television Review: Miami Vice 5.1 “Hostile Takeover”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, we start the fifth and final season of Miami Vice.

Episode 5.1 “Hostile Takeover”

(Dir by Don Johnson, originally aired on November 4th, 1988)

The fifth and final season of Miami Vice gets off to a good start with this episode.  After opening with some appropriately glitzy scenes of the drug-fueled Miami nightlife, the episode then shows us that Sonny Crockett is still convinced that he’s Sonny Burnett.  He has now returned to Miami and, along with Cliff King (Matt Frewer), he is one of the key advisors to drug lord Oscar Carrera (Joe Santos).

Carrera is at war with El Gato (Jon Polito), the brother of Sonny Burnett’s former employer, Miguel Manolo.  El Gato, who wears gold lamé, cries over the body of one of his henchmen, and flinches when forced to deal with direct sunlight, is a flamboyant figure.  In fact, he’s so flamboyant that it’s initially easy to overlook how determined he is to get revenge for the death of his brother.  That means taking down the Carreras family and Sonny Burnett as well.

The Vice Squad knows that Sonny is moving up in the drug underworld but Castillo is firm when asked what they should do about it.  Sonny has an active warrant out for murdering a corrupt cop.  “Sonny’s not Sonny anymore,” Tubbs says at one point and Castillo seems to agree.

Tubbs goes undercover, making contact with the Carreras cartel.  When Sonny meets Tubbs, Tubbs introduces himself as “Ricardo Cooper” and starts speaking in his terribly unconvincing Jamaican accent and that was when I said, “Miami Vice is back!”  Sonny doesn’t trust Cooper from the start.  “Maybe you’re a cop,” Sonny says.  “Not I, mon,” Tubbs replies.

People are dying and, while Sonny doesn’t have a problem with that, the show is also careful to show that Sonny only shoots in self-defense.  (It appears the most of the cold-blooded murders are farmed out to Cliff King.)  When Oscar Carreras dies, it’s because his poofy-haired son (Anthony Crivello) accidentally shot him when Oscar discovered him with his stepmother.  When the son dies, it’s because he was about to shoot Sonny after he caught Sonny with …. his stepmother, again.  The Carreras family is so dysfunctional that it shouldn’t come as a surprise that Sonny steps up to take it over.

After promising Castillo that he’ll take out Sonny if necessary, Tubbs meets up with Sonny at beach-side tower.  Tubbs looks at Sonny and suddenly says, “Sonny, it’s me, Rico.”  Sonny stare at Tubbs.  “Do you remember me?” Tubbs asks.

“Sure,” Sonny suddenly says, “You’re Tubbs.”

Three gunshots ring out as the episode ends.

OH MY GOD, DID SONNY KILLS TUBBS!?

We’ll find out next week.  For now, I’ll say that — after a disappointing fourth season — this was exactly how Miami Vice needed to start things off for Season 5.  Seriously, if you’re going to have Sonny get hit with amnesia, you might as well just go for it and take things to their logical extreme.

Next week …. is Tubbs dead?  I hope not, mon.

 

Retro Television Review: Miami Vice 4.22 “Mirror Image”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, season 4 comes to a close.

Episode 4.22 “Mirror Image”

(Dir by Richard Compton, originally aired on May 6th, 1988)

Trying to recover from the assassination of his wife, Sonny Crockett throws himself back into his Sonny Burnett persona.  As this episode starts, Sonny has managed to get close to a ruthless drug dealer named Gutierrez (Antonio Fargas).  When Guiterrez blows up a boat that is full of rival drug dealers, the Vice Squad assumes that Gutierrez died in the explosion.  They also assume that Sonny was lost as well.

They are incorrect.  Gutierrez got off the boat before the bomb went off and somehow, Sonny was able to survive being blown up without suffering any sort of physical injuries.  However, mentally, he wakes up with amnesia.  When Gutierrez’s doctor tells Sonny that he’s a drug dealer and this his last name is “Burnett,” Sonny believes him.

In Ft. Lauderdale, Sonny quickly moves up in the organization of drug lord Miguel Manolo (Tony Azito).  Now believing himself to be a criminal, Sonny has no hesitation about murdering anyone who he views as being a threat.  He kills Gutierrez in cold blood about halfway through the episode.  At the end of the episode, he shoots a corrupt detective (Chris Cooper) in cold blood.  Tubbs, who has been investigating Manolo, witnesses that final murder.  “SONNY!” he yells as Sonny escapes in a speedboat and season 4 comes to an end.

Season 4 was truly uneven, featuring some terrible episodes and also some episodes that were good but not particularly memorable.  Before I started this season, I read that it was considered to be the worst of Miami Vice‘s five seasons and, having now watched every episode, I can see why.  Sonny marrying Caitlin never made any sense.  Most of the villains were either generic or ludicrous.  Most of the episodes just didn’t have the style that made the first three seasons so memorable.  Even worse than the boring episodes were the ones that tried too hard to be quirky.  Trudy going into space was definitely not a great idea.  With all that in mind, this final episode was great.  The action was stylish, Don Johnson actually seemed invested in the story for once, and Phillip Michael Thomas got to show off his own skills as an actor.  If only the entire season had been this good!

As well, I should mention that, along with Chris Cooper as a bad cop, this episode also featured Julia Roberts as Manolo’s girlfriend.  Roberts didn’t really get to do much but, even in a small role, her screen presence was obvious.  It’s not a surprise she became a star.

Next week …. we’ll start the final season of Miami Vice!