Retro Television Review: Miami Vice 3.17 “The Afternoon Plane”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Tubbs has an adventure!

Episode 3.17 “The Afternoon Plane”

(Dir by David Jackson, originally aired on February 20th, 1987)

While attending a New Age-y wedding with his latest girlfriend Alicia (Maria McDonald), Tubbs wins a vacation to a tropical island!

It’s about time something …. well, I was going to say something good but honestly, I guess we should just be happy that anything is happening to Tubbs at all.  When this show started, Tubbs was the audience surrogate.  He was the one who came down to Miami and learned about the drug scene.  We saw Miami through his eyes.  But, by the time the third season rolled around, it was pretty clear that Miami Vice hard largely become the Crockett show.  Don Johnson was the star and Philip Michael Thomas often seemed like a supporting character.  Tubbs may have been cooler than Switek but, often times, both of them took a backseat to Crockett.  This week, however, Tubbs finally get his own episode.  Crockett shows up for a few minutes at the start of the episode and that’s it.  This is the Tubbs show!

Of course, it turns out that the vacation does not go the way that Tubbs was expecting.  He runs into a drug dealer named Leon Wolf (Vincent D’Onofrio, making his television acting debut), someone who Tubbs previously put in jail.  Tubbs soon discovers that his old enemies, the Calderone family, are on the Island and they’re looking forward to getting their revenge on Tubbs.  Tubbs, of course, has no legal jurisdiction on the island and the local police certainly aren’t going to help him out.  In fact, many people on the island resent Tubbs because they blame America’s war on drugs for their poverty.  Drug smuggling is big business and it provides an income to a lot of people who would starve otherwise.

Orlando Calderone (John Leguizamo) is coming on the next afternoon plane and no one is willing to defy Orlando by helping Tubbs get off the island.  The episode becomes a Caribbean High Noon, with the clock ticking down and no one willing to stand up and help the endangered law man.  There are some on the island who want to fight back and drive away the Calderones.  But no one is willing to take the chance.

It would have been a lot more compelling if Orlando had been played by someone other than John Leguizamo, who is just as cartoonishly unconvincing here as he was the first time that he appeared on the show.  I know that Miami Vice was early in Leguizamo’s career but his performance here is so unconvincing that it really does make the Calderones just seem like a bunch of low-level punks instead of a feared criminal syndicate.  The final gun battle between Tubbs and the Calderones is handled well-enough but it’s never quite as compelling as it would be if Orlando Calderone was actually an intimidating villain.  In typical Miami Vice fashion, Alicia is seriously wounded in the battle.  It pays not to get involved with either Tubbs or Crockett.

This episode was a slight change of pace.  Apparently, everyone but Philip Michael Thomas got to take some time off during filming and, as a result, Thomas gets to show his own unique style as Rico Tubbs.  Still, this episode was never as compelling as it needed to be.  Hopefully, we are now done with the Calderones.

Lisa Marie’s Week In Television: 2/2/25 — 2/8/25


Here’s a few thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

I’m one episode behind as far as Abbott goes.  This week, I watched the golf course episode but I still need to watch the science fair episode.  I’ll do it tomorrow before the Super Bowl.  As always, the episode made me laugh.  The show has done marginally better with the gentrification subplot than it did with the charter school storyline a few seasons ago.

Dark (Netflix)

Case and I continuing to watch this creepy German show.  This is the only show I’ve ever seen that’s actually held my attention while the characters discuss physics.

Hell’s Kitchen (Fox, Thursday Night)

And we have a winner!  Kyle’s door open and he is the latest chef to win a season of Hell’s Kitchen.  I did like Kyle but I have to admit that I lost interest in this season after both Brandon and Egypt were eliminated.  I still can’t see Kyle as a head chef.  Brandon had a bad night and Egypt lost an arbitrary contest but I still feel like either one of them would have been a better winner.  That said, anyone who has ever tasted my cooking knows that I wouldn’t have even made it past the first 10 minutes of the first episode of Hell’s Kitchen.  Congratulations to Kyle on his victory and on proving people like me, who were pretty dismissive of his chances at first, wrong.

King of the Hill (Hulu)

I watched the episode where Bill’s touchdown record was broken and, with Hank’s encouragement, Bill rejoined the high school team in an effort to win it back.  “You the man, Bill …. don’t look down at your leg.”

Kitchen Nightmares (Fox, Tuesday Night)

Chef Ramsay was, again, in New Orleans this week.  The New Orleans shows have been kind of boring.  None of the restaurants have really been that appealing, either before or after their makeover.  You have to wonder how many times Chef Ramsay is going to have to invite an ex-football player to come and convince people to do their job.  It’s kind of funny how the only thing many of these restaurants really need is for a former member of the Saints to show up for five minutes.

After being bored with the trip to New Orleans, I hopped on Tubi and revisited the Amy’s Baking Company episodes from seasons 6 and 7.  Now that was classic Ramsay chaos!  I like it when Chef Ramsay is nice to the chefs on Hell’s Kitchen but, when it comes to Kitchen Nightmares, I just want him to rip the place apart!

Scamanda (Hulu)

On Wednesday, I watched the first episode of this NBC docuseries about a woman who pretended to have cancer and who swindled a lot of people out of a lot of money.  It was an interesting episode.  People pretending to be sick to get money from people is hardly a new phenomena but it was interesting to see not only how far Amanda took it but also how gullible people really were.  (They really wanted to believe.)  The film did have a few regrettable reenactments, including a truly risible one of a bunch of churchgoers literally throwing money at Amanda’s feet.  Still, it’s an interesting story.

Watched and reviewed:

  1. CHiPs
  2. Fantasy Island
  3. Friday the 13th: The Series
  4. Highway to Heaven
  5. The Love Boat
  6. Malibu CA
  7. Miami Vice
  8. Monsters
  9. Pacific Blue
  10. St. Elsewhere

Retro Television Review: Miami Vice 3.16 “Theresa”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a guest star breaks Sonny’s heart.

Episode 3.16 “Theresa”

(Dir by Virgil W. Vogel, originally aired on February 13th, 1987)

Sonny is planning on asking his girlfriend, Dr. Theresa Lyons (Helena Bonham-Carter), to marry him.  What Sonny doesn’t know is that Theresa is a junkie.  Back surgery caused her to develop a dependence on painkillers and, after she got in trouble for writing her own prescriptions, Theresa started dealing with drug dealers.  Theresa’s addiction has left her vulnerable to a long-haired drug lord named Wyatt (Brad Dourif).  Sonny recently arrested Wyatt but Wyatt has one of his dealers tell Theresa that he’ll only give her a fix if she steals the four evidence tapes from Sonny’s houseboat.  Theresa steals one tape.  The other tapes are destroyed when Wyatt bombs a police evidence warehouse!  Seriously, Wyatt doesn’t mess around and, when that warehouse goes up in flames, we’re reminded that Miami is not a place for the weak.  The police are in a war and they have no possible path to victory.  The bad guys are always willing to do what the police can not.

Most of this episode centers around Theresa and Sonny attempting to deal with her addiction and Sonny coming to realize that Theresa will have to return to the UK if she’s ever going to recover.  Even after Sonny gets suspended from the force while Internal Affairs investigates the theft of the tape, Theresa remains Sonny’s main concern.  It was actually kind of nice to see Sonny caring about someone again.  Don Johnson has been a bit inconsistent this season.  (There are several episodes were its obvious he was getting a bit bored with the part.)  But he does a good job in this episode.

As for the guest stars, Brad Dourif is charismatically evil as the smug and New Age-y Wyatt.  Helena Bonham Cater was only 20 when she appeared in this episode and she looked even younger.  That doesn’t exactly make her the most believable trauma doctor in the world.  Because of her youth, she’s miscast and there are a few times when she looks more like Crockett’s daughter than his girlfriend.  That said, Bonham Carter really sells the scene where she reveals her addiction to Crockett and she definitely captures the desperation of someone in need of another fix.

“Life’s not easy when you’re a lover,” Tubbs says at one point, “….or a primary investigator.”  With Sonny sidelined with his suspension and his personal drama, Tubbs got to play the role of concerned best friend and it’s one that Philip Michael Thomas always played well on the show.  If nothing else, you believe that Tubbs would take a bullet for his partner.  The show may end with Theresa returning to the UK and Sonny sadly looking down at the engagement ring that he’ll never give her but, fortunately, he’ll always have Tubbs.

Lisa Marie’s Week In Television: 1/26/25 — 2/1/25


My sinuses were really bothering me this week so I didn’t watch much, other than the shows that I review for this site.  I mean, it was literally a struggle for me to look at a screen, whether it my phone, a laptop, or a television for more than a few minutes without getting a headache.

I did watch two more episodes of Dark with Case.  This intriguing German show gets more and more creepy with each episode.

On Sunday, Jeff and I watched a football game.  It was Taylor Swift’s team vs someone else.  Taylor Swift won.

I watched Kitchen Nightmares.  This week’s restaurant was boring.  I’m hoping for another Amy’s Baking Company style fiasco.

And I watched Hell’s Kitchen.  Really?  They eliminated Egypt?  First Brandon and then Egypt?  Weakest final two ever!

Finally, I watched and reviewed Miami Vice, CHiPs, Fantasy Island, Pacific Blue, The Love Boat, Monsters, Malibu CA, Highway to Heaven, St. Elsewhere, Friday the 13th, Welcome Back Kotter, and Check It Out!

And that’s it, thanks to my sinuses.  Bleh!

 

Retro Television Review: Miami Vice 3.15 “Duty and Honor”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, another figure from Castillo’s past comes to Miami.

Episode 3.15 “Duty And Honor”

(Dir by John Nicollela, originally aired on February 6th, 1987)

There is apparently some controversy over what this episode should be called.  When it originally aired in 1987, it was called The Savage, after the serial killer who is pursued by Castillo.  When the episode later turned up in syndication, the title was changed to Duty and Honor, a reflection of the fact that the episode links back to Castillo’s (and, to a lesser extent, Crockett’s) service in Vietnam.  Since the imdb has chosen to go with Duty and Honor, I’ve decided to do the same.

The episode opens in Saigon, in the early 70s.  A clean-shaved Castillo (with a pony tail!) investigates the ritualistic murder of a prostitute.  It’s one of several murders that have occurred over the past few days, with all of the victims being sex workers.  Jump forward to Miami in the 80s and prostitutes are now once again being murdered.  Castillo recognizes the M.O. and soon, Crockett and Tubbs are investigating the local VA.  The doctor (Gary Basaraba) refuses to compromise the confidentiality of what his patients have told him but he does allow Crockett and Tubbs to speak to some of them.  One of the patients talks about a mysterious man who was known as The Savage, who was used as an assassin by the CIA.  The Savage was obsessed with killing and hated women because one violent encounter led to him getting castrated.

Tranh (Haing S. Ngor), who investigated the Saigon murders with Castillo, comes to Miami and shows Castillo that, whenever an enemy or critic of the United States has been assassinated overseas, it’s always coincided with a serial killer targeting prostitutes.  Tranh believes The Savage has come to Miami to assassinate a South American activist who is in town to give a speech.  Tranh and Castillo’s investigation leads them to the Savage’s CIA handler, Jack Colman (Brad Sullivan).  Colman makes clear that he really doesn’t care what The Savage does on his own time.

And yes, The Savage (played by Michael Wright), is indeed in Miami and he is killing prostitutes.  As played by Wright, The Savage is one of the most frightening villains to show up on Miami Vice.  He’s a relentless and sadistic killer who has no control over his impulses.  The CIA turned him into a weapon of war and now that the war is over, he no longer has a place in the real world.  Instead, he’s a nightmare creature who exists to execute anyone who Colman considers to be a threat.

(Around the same time this episode aired, Michael Wright also played the high school gang lord in The Principal.)

Up until the final twist, this episode is Miami Vice at its best — dark, moody, thought-provoking, and morally ambiguous.  After spending most of the season staring at the floor, Edward James Olmos finally gets to be the center of the action.  Unfortunately, the film ends with Tranh revealing that he was actually a spy for North Vietnam and that he’s now a colonel in the Vietnamese army.  He leaves Castillo a note, saying that he hopes they can still be friends and promote the type of peaceful world where nations will not create men like The Savage.  And while I agree that the CIA should not be breeding assassins, I still have to say, what’s up with all the pro-commie crap this season, Miami Vice?

Anyway, other than that, this was a good episode.  I should mention that Helena Bonham Carter briefly appears as Sonny’s new girlfriend.  Apparently, she’ll be the center of next week’s episode.

Lisa Marie’s Week In Television: 1/19/25 — 1/25/25


Here are just a few (admittedly, very few) thoughts on what I watched this week!

Abbott Elementary (Wednesday Night, ABC)

Unlike the characters in Abbott Elementary, I’m not a fan of the American Labor Movement but I still enjoyed this week’s episode about a bus strike.  The remote learning stuff was definitely the highlight of the episodes.

Dark (Netflix)

Case and I are continuing to watch this German show on Netflix.  It’s a very intriguing saga of time travel and murder.

Hell’s Kitchen (Thursday Night, Fox)

Without Brandon in the competition, who cares?  It seems kind of obvious that Egypt’s going to win.

Kitchen Nightmares (Tuesday Night, Fox)

Chef Ramsay saved another restaurant in New Orleans.  That’s good and all but I still wouldn’t want to eat anywhere that’s been featured on Kitchen Nightmares.  Once a mess, always a mess.  At least, that’s the way that I view things as far as food preparation is concerned.

The Oscar Nominations (Thursday Morning, Hulu)

The nominations didn’t do much for me this year.  Honestly, I have to wonder how long it’s going to be until ABC dumps the Oscars and the ceremony is reduced to just streaming on Hulu.  It’s going to happen sooner or later.

The Presidential Inauguration (Monday, C-Span)

I’m thankful for C-Span.  I was able to watch the whole thing without any commentary for either side.

I also watched and reviewed:

  1. Check It Out
  2. CHiPs
  3. Fantasy Island
  4. Friday the 13th: The Series
  5. Highway to Heaven
  6. The Love Boat
  7. Malibu CA
  8. Miami Vice
  9. Monsters
  10. Pacific Blue
  11. St. Elsewhere
  12. Welcome Back Kotter

Retro Television Review: Miami Vice 3.14 “Cuba Libre”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, everyone’s moved on from Zito’s death.

Episode 3.14 “Cuba Libre”

(Dir by Virgil W. Vogel, originally aired on January 23rd, 1987)

A routine drug bust at the mansion of Armando Rojas (Willie Colon) goes wrong when a group of masked gunmen show up and demand that Rojas give him all their money.  The gunmen kill a young vice cop and get into a gunfight with Crockett and Tubbs (who are, as usual, pretending to be Burnett and Cooper).  The gunmen make their escape but Crockett suspects that this was more than just a fight amongst drug dealers.  As he tells Castillo, the gunmen acted more like “Quantico than Colombia.”  Since the dead vice cop was a protegee of Crockett’s, Crockett is taking this one personally!

Unfortunately, for Crockett, the FBI doesn’t want him to take this one personally.  The gunmen work for Paco Zamora (Joe Urla), a Cuban refugee who has been working for the government ever since the Bay of Pigs.  Zamora is looking to raise money so that he can overthrow Fidel Castro.  (Boo!  Castro!  Boo!)  Crockett and Tubbs go — *sigh* — undercover as Burnett and Cooper to discover Zamora’s plans.  “Burnett” says that he wants to rip off “Cooper.”  I know I kind of harp on this but I always have to roll my eyes whenever Crockett and Tubbs do the whole Burnett and Cooper thing.  After three seasons of them arresting and killing everyone who falls for the Burnett/Cooper con, you would think the Miami underworld would have caught on by now!  I mean, wasn’t Frank Zappa going to tell everyone in Miami not to trust Sonny Burnett?  Do people in Miami just not share information with each other?  Are they just that easily fooled?  No wonder Fidel Castro hung onto power for all those years.  (Boo!  Castro!  Boo!)

Anyway, it turns out that there is a member of Castro’s (boo!) government visiting Miami and Zamora and his army are planning on assassinating him.  Crockett and Tubbs and the Vice Squad have to stop an international incident from happening in Florida.  Or — considering all of the people that Castro had assassinated over the years (Boo!) — maybe they could have just stayed out of it and let Zamora do his thing.  Seriously, in what world is a Southern good old boy and former CIA-connected football player like Sonny Crockett going to be so concerned with protecting the lives of communist diplomats?  Is that was Larry Zito died for!?  Regardless and as usuasl, everything ends with a shoot-out in which Sonny makes his final argument with a bullet.  Pauline Kael once wrote that Oliver Stone had left-wing politics but a right-wing sensibility and that’s certainly true of Miami Vice as well.

This episode felt pretty routine.  Especially after all the emotional drama of the previous two episodes, Cuba Libre felt like an example of the show on autopilot.

 

Retro Television Review: Miami Vice 3.13 “Down For The Count: Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week is all about justice for Zito!

Episode 3.13 “Down For The Count: Part Two”

(Dir by Richard Compton, originally aired on January 16th, 1987)

Picking up where last week’s episode ended, Down For The Count: Part Two finds almost the entire Vice Squad mourning the death of Larry Zito.  I say “almost” because, as usual, Castillo refuses to show any emotion or even look anyone in the eye.  When he first appeared, Castillo’s stoicism made him an interesting character but I have to admit that I’m starting to get a bored with the character and his refusal to speak in anything more than terse growls.  ZITO’S DEAD!  WAKE UP, CASTILLO!

Switek, needless to say, is heart-broken.  Trudy tells Gina that she had a totally meaningless one night stand with some guy she met at a club because she was depressed.  (“Did it make you feel better?” Gina asks.  “No!” Trudy wails.)  Crockett is determined to take down crooked boxing promoter Oswaldo Guzman (Pepe Serna) and prove that Zito was not a junkie but that he was instead murdered by Guzman’s goons.  As for Tubbs, he makes a few jokes.  WHAT’S WRONG WITH YOU, TUBBS!?  ZITO’S DEAD!

Crockett and Tubbs go undercover as Burnett and Cooper and, once again, I find myself wondering how they can keep successfully doing that when their cover has gotten blown over a dozen times over the course of the series.  Do criminals in Miami not talk to each other?  This time, Crockett pretends to be involved with a cable sports network that wants to make a deal to air the fights that Guzman sponsors.  When a Las Vegas gangster named Guilinni (former Warhol superstar Joe Dallesandro) shows up looking to kill Guzman, Crockett and Tubbs effortlessly manipulate both sides.  It turns out that criminals aren’t that smart.

Meanwhile, Trudy and Gina meet one of Crockett’s associates from the Vietnam War.  His name is Danny Allred (Chris Elliott) and he’s a former CIA agent who now lives in an abandoned airplane.  Danny is a codebreaker and he helps them to figure out the code that Guzman was using to keep track of all of his crooked fights.  Danny is a fun character and I hope he shows up in more episodes.  He added some moments of levity to what was otherwise a pretty grim episode.

This episode had plenty of good moments.  The scene where Crockett and Tubbs visited Zito’s apartment was both poignant and nicely-acted by both Don Johnson and Philip Michael Thomas.  The final shoot-out was violent even by the standards of Miami Vice.  That said, I’m a bit surprised that the episode didn’t revolve around Switek.  Switek gets to express his anger and argue with Internal Affairs at the start of the episode and gets to repeatedly shoot Guzman at the end of the episode but he’s largely absent for the middle part of the story.  As Switek was both Zito’s partner and his best friend, it really does seem like he should have been at the center of the entire episode.

Still, I was glad that Zito’s name was cleared and that Guzman ended up getting shot multiple times until he fell out a window.  The show’s final credits featured still shots of John Diehl as Zito.  I’m going to miss Larry.

Retro Television Review: Miami Vice 3.12 “Down For The Count: Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Miami Vice says goodbye to a friend.

Episode 3.12 “Down For The Count: Part One”

(Dir by Richard Compton, originally aired on January 9th, 1987)

Larry Zito finally gets his own episode!

Played by John Diehl, Larry Zito was a part of the show from the very beginning.  Occasionally, it’s easy to forget that Diehl was a part of the ensemble because his character was rarely given anything to do and we rarely learned that much about Zito.  He was Switek’s partner and he seemed to have a quirky sense of humor.  Occasionally, he had long hair and a beard and he seemed to enjoy wearing elaborate disguises while working undercover.  That said, Zito was always a bit of an enigma.  Even the rare episodes that centered on the Switek/Zito partnership seemed to feature Zito mostly in the background.

In this episode, though, we finally learn a bit about Zito.  We learn that he has a background as a boxer and he’s good at training other fighters.  We learn that he takes it seriously whenever he hears about a crooked promoter manipulating a boxer.  We learn that Zito is a recovering alcoholic.  In this episode, we learn that Zito is more than just goofy comic relief.  He’s got a heart as gold.  When the Vice Squad investigates a crooked promoter named Guzman (Pepe Serna), Zito takes it upon himself to train an up-and-coming boxer named Bobby Sykes (Mark Breland).  Bobby’s previous trainer (played by Randall “Tex” Cobb) was a friend of Zito’s and was murdered by Guzman.  For Zito, this case is personal.  He even helps Bobby win a championship.  Yay, Zito!  That’s not bad for a supporting character!

Unfortunately, this also leads to Zito dying.  After the fight, Zito is confronted by Guzman and his men.  Switek later finds Zito’s body in the gym with a hypodermic needle sticking out of his arm.  Guzman gave Zito a fatal overdose of heroin.

This really depressed me!  I mean, Zito finally gets a chance to handle a serious case and, even more importantly, John Diehl finally gets a chance to show off the fact that he’s a very good actor and then, at the end of the episode, Zito’s dead!  Poor Zito!

(From what I’ve read, John Diehl wanted off the show because he felt his role was underwritten and he also preferred doing theater to weekly television.  That’s understandable.  At least he got one turn in the spotlight before he was written off the show.)

Needless to say, this episode is dominated by the death of Zito.  The scene with a tearful Switek cradling Zito’s dead body makes such an impression that it’s easy to forget that this episode also featured the odd spectacle of Don King playing Mr. Cash, an ex-con turned honest fight promoter who disapproves of Guzman’s tactics.  Somehow, Don King being the voice of integrity makes sense in the topsy-turvy world of Miami Vice.  King says that Guzman is in Miami because it’s a brand new territory and a place where anyone can make it rich.  That’s been one of the recurring themes of this show since it began.  Anything can happen in Miami.  Including Larry Zito dying….

Give me a moment to wipe away the tears.  Seriously, the end of this episode really depressed me!

Next week, Switek is out for revenge.  I hope he gets it!

Lisa Marie’s Week In Television: 12/29/24 — 1/4/25


It’s a new year but there’s still much to watch.  Here’s some thoughts on what I viewed during the first week of 2025!

CHiPs (Prime)

Freevee may be dead but CHiPs continues on Prime.  My reviews of the show will return on Monday.

Cobra Kai (Netflix)

I watched the 2nd part of the final season of Cobra Kai on Friday.  I know the regular complaint about Cobra Kai is that every season is pretty much the same and there’s actually some validity to that comment.  But I don’t care.  It’s a fun show and William Zabka is a joy to watch.  From the start, I know this latest set of episodes would end with yet another huge brawl but, at this point, I’d be disappointed if they didn’t.  The showrunners know exactly why people watch this show.

Dark (Netflix)

Case and I have been watching this atmospheric German show on Netflix.  This week, we finished up the first three episodes.  Case has watched the show before.  He said it would appeal to my “analytical mind” and so far, he’s very much correct about that!  I’m enjoying uncovering the mysteries of this macabre mystery.

Days of Our Lives (Peacock)

On Saturday, I got caught up with Days of Our Lives on Peacock.  One thing that I like about this show is that you can go for six months without watching and still feel like you can jump right back into the storylines when you come back!  I enjoyed watching all of the citizens of Salem celebrate Christmas and New Year’s.  And I’m glad to see that Patch is still with us.

Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest (Tuesday Night/Wednesday Morning, ABC)

Jeff and I spent New Year’s Eve at my BFF Evelyn’s annual “Screw The Year That Was” party.  The big annual countdown was playing on the television in one of the rooms at Evelyn’s place and I glanced in on the show occasionally.  I’ve never really gotten into any of the televised New Year’s Eve celebrations.  I don’t really have the attention span for them.  I just find it interesting that it’s still Dick Clark’s New Year’s Rockin’ Eve, even though Mr. Clark passed away quite some time ago.  It’s like Ryan Seacrest is a medium or something, letting us hear from Dick Clark from beyond the grave.

Going Dutch (Thursday Night, Fox)

After getting barraged by commercials for this show on an almost nonstop basis, I felt as if I had to watch the premiere.  Denis Leary plays an army officer sent to enforce discipline on a base in the Netherlands.  The base’s former commander?  His daughter!  I was glad that this show didn’t use the tired mockumentary format that is so popular nowadays but, overall, it still didn’t do too much for me.  The mix of family drama and goofy humor just didn’t work,

Hell’s Kitchen (Thursday Night, Fox)

Hell’s Kitchen returned this week, with both Joe and Anne-Marie being eliminated from the competition.  Like Chef Ramsay, I was surprised that Joe didn’t last long enough to receive a black jacket.  As for Anne-Marie, she probably should have been eliminated weeks ago.  She’s just too scatterbrained to be the head chef.  (For the record, she would still do a better job in the position than I ever would!)

King of the Hill (Hulu)

On Sunday, after the news broke about the death of Jimmy Carter, my sister Megan and I watched the episode of King of the Hill in which Carter attempted to broker peace between Hank and his father.  It turned out to be too big a job for even Jimmy.  This was a classic episode and it featured one of my favorite King of the Hill lines.  Upon meeting Carter, Hank says, “You ran our country …. (voice filled with reverence) America.”

Miami Vice (Prime)

I got back to watching Miami Vice this week.  Watch for my review on Monday!

Saved By The Bell (Prime)

I wasn’t feeling well on Sunday night so Megan and I watched a few episodes from the Ms. Bliss era.  We both agreed that Ms. Bliss was kind of a bitch.

The Twilight Zone (SyFy, Tuesday and Wednesday)

I caught a few episodes of the annual New Year’s marathon.  This is a classic show and I always try to find times to catch my favorites, like The Monsters Are Due On Maple Street, Eye Of The Beholder, Shadowplay, and that one with the nurse saying, “Room for one more, honey!”