Horror on the Lens: Bride of the Gorilla (dir by Curt Siodmak)


In the 1951 film, Bride of the Gorilla, Raymond Burr plays a plantation manager who commits a murder.  Unfortunately, for him, the murder is observed by a witch who promptly puts a curse of Burr.  Now, every time the sun goes down, Burr transforms into a gorilla and goes wild in the jungle.

Basically, it’s kind of like The Wolf Man, just with a less sympathetic protagonist and a gorilla instead of a werewolf. Just in case we missed the similarities, Lon Chaney, Jr. plays the film’s nominal hero, a police commissioner who suspects that something weird might be happening with Burr.  Apparently, the plan was originally for Chaney to play the gorilla and for Burr to play the policeman but, because Chaney was dealing with a serious alcohol problem at the time, the roles were reversed.

Also in the cast, playing the role of Dina, is Barbara Payton, the tragic actress who is best known for being at the center of a love triangle involving actors Tom Neal and Franchot Tone.  In 195000, Neal attacked Tone and beat him so severely that Tone spent 18 hours in a coma.  Tone was notably shaky onscreen for the rest of his film career while Neal spent a few years in prison.  After the incident between Tone and Neal, Payton could only get roles in B-movies like this one.  Tragically, she would pass away, in 1967, of heart and live failure.  She was only 39 years old.

Battles of Chief Pontiac (1952, directed by Felix E. Feist)


A decade before the start of the American Revolution, the British have managed to force the French out of the Great Lakes region.  Fort Detroit has been established to oversee the area and provide protection from the Odawa tribe.  Chief Pontiac (Lon Chaney, Jr.) believes that the Odawa and the White Man can live in peace but his beliefs are challenged when the British bring in a brutal German mercenary, Col. von Weber (Berry Kroeger), to patrol the land.  After Col. von Weber and his soldiers massacre a village, Pontiac and the Odawa prepare for war.

Lt. Kent McIntire (Lex Barker, who was best known for playing the role of Tarzan in several movies) is a Colonial officer and a scout who is convinced that he can broker a peace between the Odawa and the British.  Odawa respects and trusts McIntire but when von Weber tries to wipe the Odawa out by sending them small pox-infected blankets, Pontiac realizes that there can be no peace and he launches an attack on Fort Detroit.

Though hardly a great film, Battles of Chief Pontiac deserves some credit for its sympathetic portrayal of the Odawa People.  From the start, the film makes clear that everything that the Pontiac does, he does out of self-defense.  Even the most enthusiastic of his warriors, Hawkbill (Larry Chance), is not fighting because he wants to fight but he’s fighting because it is evident that von Weber is not going to leave the Odawa any other choice.  Though the small pox-ridden blankets were actually given to a different tribe, just the fact that Battles of Chief Pontiac acknowledges that it happened sets it apart from many other B-movies of the period.  Though not a Native American himself, Lon Chaney, Jr. gives a surprisingly dignified performance as Pontiac and he doesn’t allow the character to become a caricature.  Again, that alone is enough to set Battles of Chief Pontiac apart from a lot of the other films of the period.

Battles of Chief Pontiac still cheats by laying the blame on the Hessians, the German mercenaries who, historically, were not even present in North America until they were hired by the British during the American Revolution, which happened ten years after Pontiac’s siege of Fort Detroit.  Berry Kroeger plays Von Weber as if he was a high-ranking Gestapo officer who somehow found himself in the 18th Century.  By making Von Weber the villain, the film lets the British off the hook.  The only mistakes that the British officers make in Battles of Chief Pontiac is that they trust a German and fail to listen to the advice of the all-American Lex Barker.

Battles of Chief Pontiac has a narrator who sounds like he would have been better suited for an educational filmstrip about hygiene and its epic ambitions are thwarted by its low-budget.  There’s a not very interesting love story between McIntire and a white woman (Helen Westcott) who is being held prisoner by the Odawa.  The movie’s intentions go a long way towards making up for the flaws but they can’t do all the work.  At least, Barker, Chaney, and Kroeger manage to keep thing interesting.

10 Horror Stars Who Never Won An Oscar


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It’s Oscar night in Hollywood! We all may have our gripes with the Academy over things like the nominating process (see my posts on THE OTHER SIDE OF THE WIND STAN & OLLIE and THEY SHALL NOT GROW OLD ), but in the end, we’ll all still be watching – I know I will!

One of my gripes over the years has always been how the horror genre has gotten little to no attention from Oscar over the years. Sure, Fredric March won for DR. JEKYLL & MR. HYDE , but there were plenty of other horror performances who’ve been snubbed. The following ten actors should have (at least in my opinion) received consideration for their dignified work in that most neglected of genres, the horror film:

(and I’ll do this alphabetically in the interest of fairness)

LIONEL ATWILL

 Atwill’s Ivan Igor in MYSTERY OF THE WAX MUSEUM goes…

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Halloween Havoc!: HOUSE OF DRACULA (Universal 1945)


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Since I’ve already reviewed HOUSE OF FRANKENSTEIN back in 2015,  we now turn our attention to HOUSE OF DRACULA, the last “official” entry in the series (though the Universal Monsters would ‘Meet Abbott & Costello’ three years later). The film tries to put a new slant on things, using science to conquer the supernatural, but winds up being just a hodgepodge of familiar horror tropes without much cohesion. HOUSE OF DRACUA does have its fans, but I’m not one of them.

John Carradine  returns as Count Dracula, introducing himself as Baron Latos to Dr. Edlemann (Onslow Stevens ) and seeking a cure for his vampirism. Edlemann discovers a “peculiar parasite” in Dracula’s blood, and believes he can cure him through a series of transfusions. But the Count, that sneaky devil, has his fangs set for Edlemann’s pretty nurse Militza (Martha O’Driscoll),  whom he hypnotizes with those hypnotic eyes of his…

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Halloween Havoc!: THE MUMMY’S CURSE (Universal 1944)


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Okay, how the hell did Kharis and Ananka get from Mapleton, Massachusetts to the Bayous of Louisiana? That question is never answered in THE MUMMY’S CURSE, though I suppose it doesn’t really matter. The Mummy series needed an injection of something, and despite the unexplained change of scenery, this last entry is better than the previous two.

The Federal government is determined to drain the local swamp (how’s THAT for a switch!) down in Cajun Country, when two representatives of the Scripps Museum, Drs. Jim Halsey (Dennis Moore) and Ilzor Zandaab (Peter Coe ) arrive, sent to retrieve the two mummies lost there in our last episode (even though the swamp was in Mapleton then!). Project leader Pat Walsh (Addison Richards) protests, but there’s nothing he can do about it. One of the workers is found murdered, and the rest of the superstitious lot suspect Kharis has returned (“The devil’s…

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Halloween Havoc!: THE MUMMY’S GHOST (Universal 1944)


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THE MUMMY’S GHOST, Kharis the killer mummy’s third time around, finds the plot wearing a bit thin in this rehash, as once again the High Priests of Arkham… wait, what? Arkham? What happened to Karnak? Did the High Priests suddenly change religions? Just another example of continuity shot to hell in this series, though we do get an upgrade in the High Priest department with John Carradine boiling the tanna leaves instead of Turhan Bey .

At least George Zucco as Andoheb is still around to brief Yousef Bey (Carradine) on the plot up til now, dispatching him to Mapleton to fetch back Princess Ananka and Kharis to the temple, though the usual tanna leave spiel is upped from three to nine. There are no more Bannings in Mapleton, but still plenty of victims for Kharis to kill. Frank Reicher is back too, as Professor Norman, giving a lecture on…

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Halloween Havoc!: SON OF DRACULA (Universal 1943)


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Director Robert Siodmak is remembered today for his dark excursions into the world of film noir: THE SUSPECT, THE KILLERS , CRY OF THE CITY, CRISS CROSS . His first entry in the genre is generally recognized as 1944’s PHANTOM LADY , but a case could be made for SON OF DRACULA, Siodmak’s only Universal Horror that combines elements of both genres into what could best be described as supernatural noir.

A train pulls into the station in a sleepy Louisiana town. Frank Stanley (Robert Paige) and Dr. Brewster (Frank Craven ) are there to meet Count Alucard, invited for a visit by Kay Caldwell (Louise Albritton), Frank’s fiancé, who has long been interested in the occult. Alucard isn’t aboard, but his trunks are, and Brewster notices Alucard spelled backwards reads as Dracula. The trunks are delivered to Kay’s family plantation, Dark Oaks. The scene shifts, and…

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Halloween Havoc!: FRANKENSTEIN MEETS THE WOLF MAN (Universal 1943)


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FRANKENSTEIN MEETS THE WOLF MAN was Universal’s first Monster Mash-Up, and in my opinion the best of the lot. From here, things got a little crowded, but by spotlighting just two supernatural terrors, we get a spooky, atmospheric ‘B’ film that really works. Lon Chaney Jr. returns to his signature role of Lawrence Talbot, suffering from the curse of lycanthropy, and he’s even better than in the original (which I reviewed in 2015 ). And The Monster is played by 60-year-old Bela Lugosi , in the part he rejected twelve years earlier. Bela’s interpretation is… interesting (but more on that later).

The eerie opening scene features two graverobbers under a full moon, breaking into the Talbot family crypt. Opening the lid of the late Larry Talbot’s coffin, they find the body is covered in wolfbane, and one of them recites that familiar “Even a man who’s pure in heart…” poem…

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Halloween Havoc!: THE MUMMY’S TOMB (Universal 1942)


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Universal followed up THE MUMMY’S HAND with 1942’s THE MUMMY’S TOMB, casting their new horror sensation Lon Chaney Jr. in the role of the undead Kharis. But it didn’t really matter who was under all those bandages, Karloff , Chaney, Tom Tyler, or Lou Costello (okay, maybe not Costello), the part is just a non-entity used to further the plot along, and the new film was almost completely scuttled by a bad performance from Turhan Bey as the latest High Priest of Karnak, Mehemet Bey.

THE MUMMY’S TOMB kicks off with Dick Foran under Jack Pierce’s old age makeup relating the tale of finding Princess Ananka’s tomb thirty years ago to his son John (John Hubbard), John’s fiancé Isobel (Elyse Knox, mother of NCIS star Mark Harmon), and sister Aunt Jane (Mary Gordon ). Or rather, stock footage from the previous film tells the tale, which takes up about 15…

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Halloween Havoc!: GHOST OF FRANKENSTEIN (Universal 1942)


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The success of Universal’s SON OF FRANKENSTEIN meant a sequel was inevitable, and the studio trotted out GHOST OF FRANKENSTEIN three years later. Horror stalwarts Bela Lugosi (as the broken-necked Ygor) and Lionel Atwill (although in a decidedly different role than the previous film) were back, but for the first time it wasn’t Boris Karloff under Jack Pierce’s monster makeup. Instead, Lon Chaney Jr., fresh off his triumph as THE WOLF MAN , stepped into those big asphalter’s boots as The Monster. But while SON OF was an ‘A’ budget production, GHOST OF FRANKENSTEIN begins The Monster’s journey into ‘B’ territory.

Old Ygor is still alive and well, “playing his weird harp” at deserted Castle Frankenstein. The villagers (including Dwight Frye! ) are in an uproar (as villagers are wont to do), complaining “the curse of Frankenstein” has left them in poverty, and storm the castle to blow it up…

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