Since today is Orson Welles’s birthday, I wanted to share at least one scene that I love from his films. The famous tracking shot from 1958’s Touch of Evil, which begins in America and ends in Mexico, truly shows Orson Welles at his visionary best.
It’s also Welles at his most clever. Knowing that he wouldn’t be given control over the editing of the footage he shot, Welles included as many long shots as possible to make it more difficult for an editor to chop up or alter his vision.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today we celebrate what would have been the 110th birthday of the great Orson Welles! It’s time for….
4 Shots from 4 Orson Welles Films
Citizen Kane (1941, directed by Orson Welles, DP: Gregg Toland)
The Stranger (1946, dir by Orson Welles, DP: Russell Metty)
Touch of Evil (1958, dir by Orson Welles. DP: Russell Metty)
The Trial (1962, dir by Orson Welles, DP: Edmond Richard)
I love the energetic but ominous atmosphere of this music video.
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, Ponch and Jon go to the desert!
Episode 3.19 “Off Road”
(Dir by Paul Nuckles, originally aired on February 2nd, 1980)
Though off-duty, Jon and Ponch continue to hang out together. This weekend, they’re taking part in an off-road race at an old military bombing range in the desert. They’re going to have look out for unexploded shells as they drive through the desert and try to make it to the finish line. Since they’re cops, they will also have to deal with two crooks (Ramon Bieri and Michael Baselon) who are using the race as a cover to track down some stolen gold that they hid in the area. Another racer (played by Edd Byrnes) also knows about the gold and he’s determined to get it as well. And, of course, Ponch falls for two female racers who also end up getting involved in the search for the gold.
This is one of those episodes of CHiPs where Ponch and Jon show off the California lifestyle. Whether it’s hang-gliding or sailing or offroad racing or handball, you can be sure that Ponch and Jon will try it at least once. This episode is a bit of a throwback to the first season, in that Jon is the one who knows about off-road racing while Ponch is the one who learns what it’s all about. Jon gets to be a mentor again, explaining the rules of the race while Ponch flashes his smile and leers at every woman who happens to walk by.
This episode actually spent more time with the people looking for the gold than it did with Ponch and Jon. And I guess that’s okay because this is also one of those episodes where you can tell just how much Larry Wilcox and Erik Estrada disliked being in the same scene together. Playing co-workers and close personal friends, Wilcox and Estrada have all the chemistry of two high school rivals forced to sit next to each other in summer school. Wilcox barely looks at Estrada while talking to him. Estrada continually flashes the Estrada smile in their scenes together, silently daring Wilcox to try and steal back the scene. I was actually worried that Baker might end up abandoning Ponch in the desert but, fortunately, he didn’t and their adventures can continue.
Anyway, if you’re a car chase person, this was a fun episode. If you’re watching for the stunts, this episode had quite a few. The storyline was needlessly convoluted but the vehicles looked good and that’s what CHiPs is all about.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, the Vice Squad investigates the “other Hollywood” and some notable guest stars pop up.
Episode 4.3 “Death and the Lady”
(Dir by Colin Bucksey, originally aired on October 16th, 1987)
Painter-turned-filmmaker Milton Glantz (Paul Guilfoyle) is very proud to have received an Erotic Film Award for his latest movie, Death and the Lady. However, when Glantz receives his award, a man named Tulane Knox (Michael David Morrison) shouts that the violent murder that ends the film was real and that Glantz is a killer.
Knox is taken into custody by Gina and Trudy. Crockett doesn’t believe a word that Knox is saying. He’s convinced that it’s all just a publicity stunt to get people interested in the film. Crockett doesn’t have much use for all that art film mumbo jumbo. He lives on a boat with a crocodile named Elvis, after all. Actually, it’s been a while since we’ve seen Elvis. I hope he’s okay.
Still, Crockett investigates. He and Tubbs discover that the actress from the film — Lori Swann (Kelly Lynch) — is still alive and working in the movies. However, he also discovers that Lori and Glantz made another film, called Twins. That film featured Lori and a woman named Amy Ryder, who looked just like her. A conversation with Amy’s sister (Penelope Ann Miller) reveals that Amy hasn’t been seen for a while. Plus, Amy has terminal cancer….
Especially when compared to the previous two episodes, this episode felt more like classic Miami Vice, dark, moody, and fatalistic. It doesn’t take long for both the audience and Crockett to realize that Glantz murdered Amy for his film. (Amy’s dead eyes appear in Glantz’s film.) But the problem is that there’s no way for Crockett to prove it. The District Attorney (Miguel Ferrer, making an early appearance) refuses to bring charges without hard evidence. When Glantz taunts Crockett with the fact that he committed the perfect murder, Crockett snaps. He beats up Glantz but he doesn’t kill him. Crockett hasn’t crossed that line but, watching this episode, you get the feeling that it’s only a matter of time. But it doesn’t matter how many times Crockett throws a punch, Milton Glantz gets away with murder.
This was the Miami Vice of old, depressing, distressing, and very, very stylish.
(Plus, there’s a kitty in this episode! He is discovered in a cocaine dealer’s home and he’s given to Gina as a present. Even Castillo smiles when looks at the kitty. Awwww!)
From Luis Bunuel’s 1965 short film, Simon of the Desert, the faithful Simon (Claudio Brook) finds himself transported from 6th Century Syria to the 1960s by the Devil (Silvia Pinal). The song playing at the club is called Radioactive Flesh. Simon wants to go home. The Devil wants to dance.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Happy Cinco De Mayo to all of our readers! It’s time for….
4 Shots From 4 Great Mexican Films
Simon of the Desert (1965, dir by Luis Bunuel, DP: Gabriel Figueroa)
Like Water For Chocolate (1992, dir by Alfonso Arau, DP: Emmanuel Lubezki)
Cronos (1993, dir by Guillermo del Toro, DP: Guillermo Navarra)
Pan’s Labyrinth (2006, dir by Guillermo del Toro, DP: Guillermo Navarro)
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be an encore presentation of Truth or Dare? A Critical Madness, from director Tim Ritter!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Truth or Dare on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
Enjoy!
Turn up the volume!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi
In yourself, you must believe….
Episode 2.3 “Loyalties”
(Dir by John Bertram, originally aired on November 19th, 1990)
Oh look, more Caitlin drama.
Seriously, if I was a student at Degrassi High, I would warn any new enrollees about becoming friends with Caitlin. Caitlin may be nice and she may be sincere in her desire to be friendly with the new students but, ultimately, everything with Caitlin is a drama and being her friend means being a part of the drama, whether you want to be or not. Last season, Caitlin had to go to court after he got caught vandalizing the nuclear plant and she immediately expected all of her friends to skip school and go with her. This episode, Caitlin spots her father having a romantic lunch with someone who is not Caitlin’s mother and, of course, Caitlin’s friends are expected to forget about the own problems so they can listen to her obsess about it. And while Caitlin did not tell her mom, she did suggest that her dad take her mom to the restaurant where she previously spotted him.
Caitlin wasn’t the only person with drama this week. Michelle is struggling to deal with having gotten dumped by BLT. When she discovers that Alexa and Simon are still hanging out with BLT and his new girlfriend, Cindy, she’s not happy. Alexa and Simon, meanwhile, are tired of Michelle being such a downer. And while I had sympathy for Michelle, I also had sympathy for Alexa. It’s not easy when your friends break up and you find yourself expected to pick a side. Snake has a crush on Michelle and they go out on a date but Michelle starts crying ten minutes in. Later, Michelle apologize to Snake and says she’s not ready to date. Snake, being the perfect guy despite (or maybe because of) his nickname, is totally understanding and says he’ll wait until she’s ready.
Awwwwww!
Compared to last week’s episode, Loyalties was not quite as memorable. No one discovered they were HIV+. Still, it was a nicely done episode and I appreciated the effort to try to realistically deal with Michelle’s feelings. I’m not looking forward to the inevitable episode in which Caitlin confronts her father but I know it’ll happen. That’s Degrassi!
Through the Shattered Lens