Late Night Retro Television Review: Pacific Blue 2.9 “Genuine Heroes”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the cast of Pacific Blue gets outacted.

Episode 2.9 “Genuine Heroes”

(Dir by Terrence O’Hara, originally aired on October 20th, 1996)

Pacific Blue makes an unforgivable mistake in this episode by giving a plum guest-starring role to Charles Napier.  When your show is populated by boring regular characters and actors who are distinguished by their almost total lack of screen charisma, the last thing you want to do is bring in a certifiable badass character actor like Charles Napier.  If Lt. Palermo and the bicycle crew seem charmless during a normal episode, just imagine how much worse they look when compared to Napier.

Napier plays Tyrone Justice, a Texas bounty hunter who has come to Santa Monica to track down a bank robber and his girlfriend.  The members of the bike patrol are like, “We’re not going to let you cause any trouble down here,” and it’s kind of hard not to smirk because Tyrone Justice is Charles Freaking Napier.  He wears a leather jacket and carries a shotgun.  The bike patrol wears shorts and those stupid plastic helmets and spends all of their time riding their bicycles.  Like, seriously, shut up, bike patrol.

Meanwhile, VJTV (which I guess is the show’s version of MTV) is shooting on the beach for spring break.  Del Toro has a crush on VJTV personality Ginger Delvecchio (Angelica Bridges).  Cory rolls her eyes whenever Del Toro sees Delvecchio, complaining that Delvecchio’s career is due solely to her sex appeal and how she looks in a bikini.  (This argument perhaps would have worked better if delivered on a show that didn’t open every episode with stock footage of women in bikinis.)  Cory complaining feels out of character.  Usually, Kelly is the member of the bike patrol who is written to be  an annoying straw feminist.  At the end of the episode, Ginger leaves VJTV for a show that is obviously meant to be Baywatch.  Seeing as how Pacific Blue itself is an obvious rip-off of Baywatch, all of the smirks and sighs feel a bit hypocritical.

Anyway, this episode was pretty dumb.  It’s impossible to take people who ride bicycles seriously.  When the bike patrol arrested Charles Napier, I had to laugh.  There’s no way Charles Napier would ever surrender to some douchebag on a bicycle.

 

Retro Television Review: Fantasy Island 6.21 “Remember When….”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week …. oh no!

Episode 6.21 “Remember When”

(Dir by Philip Leacock, originally aired on May 7th, 1983)

After crashing his little car, Tattoo ends up in the Fantasy Island hospital.  Roarke cancels all of the weekend’s fantasies so that he can stay by Tattoo’s side and keep Tattoo cheerful until it’s time for him to have life-saving surgery.  Roarke and Tattoo share memories and …. YEP, IT’S A CLIP SHOW!

Actually, for a clip show, it’s not that bad.  Yes, there’s a lot of awkward dialogue.  “Boss, remember that time Mickey Gilley opened up his place?”  That said, the clips are well-selected and they all feature Herve Villechaize at his best, turning this episode into a Tattoo tribute.  At the end of the episode, Tattoo says that he’s never going to leave Fantasy Island.  Which …. well, we’ll get to season 7 in a few weeks.

Anyway, clip shows are pretty much impossible to review.  Let’s just be happy that Tattoo pulls through.  That accident looked serious!

 

Scenes That I Love: Karen Black Performs in Nashville


The great actress Karen Black would have been 86 years old today.

Karen Black does not receive a lot of screentime in Nashville but she definitely makes an impression as the driven, self-centered, and oddly likeable Connie White.  (“She can’t even comb her hair” — Connie White on Julie Chrisite.)  Here she is, performing one of the songs that she wrote herself for the film.  The audience was largely made up of actual Nashville residents, who reportedly very much appreciated Black’s performance.

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

90 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.  Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

In memory of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

The Yakuza (1974, dir by Sydney Pollack, DP: Duke Callaghan and Kozo Okazaki)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

Out of Africa (1985, dir by Sydney Pollack, DP: David Watkins)

Late Night Retro Television Review: CHiPs 4.1 “Go-Cart Terror”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

It’s time for the fourth season!  Ponch and Baker — but especially Ponch — continue to keep Los Angeles safe for pedestrians and motorists.

Episode 4.1 “Go-Cart Terror”

(Dir by John Florea, originally aired on September 21st, 1980)

It’s time for season 4 of CHiPs, a.k.a The Ponch Show!

Seriously, if there’s anything that really stuck out about the fourth season premiere, it’s that Baker’s character was pretty much superfluous.  Yes, Baker was out there on his motorcycle and helped Ponch catch this week’s bad guys, two thieves played by Larry Storch and Sonny Bono.  But, ultimately, it was Ponch who did the important things.

Who coached the CHP-sponsored go-cart team to victory over the fire department’s?  Ponch!

Who rescued a woman from a van after she crashed into a lake?  Ponch!

Who always knew the right thing to say?  Ponch!

Who did everyone talk to when they had a problem?  Ponch!

This episode established that Frank ‘Ponch” Poncherello is the greatest human being who ever lived.  Baker …. well, he tries.  Baker’s nice and dedicated to the job but, in the end, he can only watch with amazement as Ponch solves all of the world’s problems.

I read over on the imdb that Larry Wilcox did not enjoy working with Erik Estrada and he felt that Estrada was the producer’s pet.  Watching this episode, I can see why Wilcox would have felt like that.  It’s hard to believe that, when this show first started, Baker was the competent one while Ponch was the nervous screw-up who kept making mistakes and who always seemed to be on the verge of getting written up.  The fourth season premiere celebrates Ponch as being the supercop who the rest of Los Angeles looked up to.  Sorry, Mr. Wilcox …. you may be the better actor but it’s hard to compete with the Estrada of it all.

As for the episode itself, it was typical CHiPs.  The criminals were captured after being chased on the freeway and a bunch of kids learned an important lesson about proper go-cart safety.  When the go-cart team had to raise money to compete in the next race, Ponch told all the adults that the kids had to come up with a plan because it was their team and the whole point of the go-cart experience was to learn responsibility.  You tell ’em, Ponch!  I mean, goddamn, Ponch is the man!  Anyway, the kids held a car wash and I think the only reason they did that was so the show could have an excuse to have Randi Oakes show up in short shorts and get sprayed by a hose.  I hope Ponch talked to the producers about treating Randi Oakes with respect.

I liked this episode, even though I did feel bad for Larry Wilcox.  It was silly and fun.

Lisa Marie’s Way Too Early Oscar Predictions For June


Click here for my April and May predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Retro Television Review: Miami Vice 4.9 “The Rising Sun of Death”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Yakuza invades Miami.

Episode 4.9 “The Rising Sun of Death”

(Dir by Leon Ichaso, originally aired on May 27th, 1988)

Castillo is concerned.  The murder of an American businessman leads him to suspect that the Yakuza has come to Miami and it turns out that he’s right.  Riochi Tanaka (James Hong), a World War II war criminal-turned-mobster, is trying to take over the Miami underworld.  While corrupt Homicide Detective Haskell (R. Lee Ermey) tries to convince everyone that the Yakuza is just a myth, Castillo teams up with Japanese detective Kenji Fujitsu (Cary-Hiroyuki Tagawa) to takes down Tanaka and his right-hand man, Agawa (Danny Kamekoa).  Needless to say, this leads to a fight with samurai swords, a lot of talk of honor, and a seppuku to close the case.

This episode hit every Yakuza cliche and the plot itself felt as if it had been put together at the last minute.  (This is one of those episodes where every plot hole is dismissed as being a cultural difference.)  We’re expected to believe that Tanaka could outsmart the Allies during World War II but he couldn’t outsmart the Miami Vice Squad.  As well, of the major Japanese characters, only one was played by Japanese actor.  Danny Kamekoa is a Hawaiian while James Hong is of Chinese descent.

That said, this episode was shot and filmed with a lot of style and it found an excuse to play Billy Idol’s Flesh For Fantasy during one of the early scenes.  There’s something to be said for that.  Neither Crockett nor Tubbs really did much in this episode but we did get to see Crockett house hunting with Cailtin.  It’s mentioned that everyone thinks that Caitlin’s new husband is named Sonny Burnett instead of Sonny Cockett.  That’s fine …. except for the fact that Sonny Crockett has previously been established as a bit of a minor celebrity, a college football star who would have gone on to the NFL if he hadn’t injured his knee.  Every time this show tries to convince me that Crockett has fooled everyone into thinking he’s Sonny Burnett, it just further convinces me that there’s no way Crockett and Tubbs should still be doing undercover assignments.

This episode was stylish but empty but, considering some of the other episodes that have aired during this season, at least it was entertaining.