Retro Television Reviews: Miami Vice 1.7 “One Eyed Jack”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, Vice gets a new leader!

Episode 1.7 “One Eyed Jack”

(Dir by Lee H. Katzin, originally aired on November 2nd, 1984)

Oh, that Sonny Crockett.  He’s got problems!

For one thing, animal control is still showing up at the harbor and trying to repossess his pet alligator, Elvis.  Sonny manages to talk them out of it by explaining that Elvis is actually employed by the Miami Police Department.  Sonny even flashes his badge as proof, which I found strange since I thought the whole idea of Sonny living on the boat was so that he could convince everyone that he was actually a big time drug dealer.  For someone who is supposed to be deep undercover, Sonny never seems to make much of an effort to hide the fact that he’s a cop.

Crockett and Tubbs have been assigned to stakeout a bookie in the hope that it’ll lead to the arrest of his boss, a supposedly “untouchable” gangster named Al Lombard (Dennis Farina, who was always a totally convincing gangster despite actually being a Chicago cop).  Crockett is shocked to see his ex-girlfriend, Barbara (Janet Constable), begging the bookie for more time to pay off her gambling debts.  Apparently, Barbara is so far in debt that Lombard’s second-in-command, Vince DeMarco (played by former Andy Warhol superstar, Joe Dallesandro), has stolen the tools that Barbara’s husband needs to make a living.

Seeking to help out his ex, Crockett approaches Vince and requests that he return the tools.  Vince explains that the tools have already been destroyed and then offers Crockett an envelope full of cash as payment for them.  Crockett takes the envelope and is promptly arrested by Internal Affairs Detective Schroeder (Dan Hedaya, as wonderfully sleazy as ever).  It turns out that Vince agreed to expose a dirty  cop in return for being granted immunity on some racketeering charges.

Everyone knows that Crockett has been framed.  In the past, Lou Rodriguez would have stood by Crockett but Rodriguez died two episodes ago and the new head of vice is Lt. Martin Castillo (Edward James Olmos).  Accurately described as being “Charles Bronson by way of Havana,” by Tubbs, Castillo is an enigmatic figure, one who rarely speaks or shows the slightest hint of emotion.  He has a withering stare that can be terrifying in its intensity.  When Tubbs, feeling that Castillo isn’t being properly supportive of Crockett, demands to know, “Whose side are you on?,” Castillo replies, “Don’t ever come up to my face like this again, Detective,” and the viewer is left with no doubt that Castillo is perhaps the most terrifying man in Miami.

After Barbara turns up dead, Tubbs goes undercover.  After meeting with DeMarco, Tubbs works his way up to Lombard.  Tubbs claims to be a gangster from Philadelphia who is looking to get in on the action in Miami.  (“If Miami doesn’t have it,” DeMarco assures him, “nobody’s thought of it yet.”)  Lombard takes a liking to Tubbs and hires him to deal with his Black and Spanish “clientale.”  Soon, Tubbs and DeMarco are hitting the cockfights and going to the club with Lombard.  Tubbs also frames DeMarco for the theft of $2,000.  Realizing that Lombard is probably going to try to kill him, DeMarco not only signs a paper exonerating Crockett but he also wears a wire the next time that he and Tubbs visit Lombard’s yacht.

Good news, right?  Well, it would be …. except that Barbara’s husband Jerry (Jimmie Ray Weeks) sneaks onto the yacht and shoots DeMarco dead before Lombard says anything incriminating.  Jerry goes to prison and Lombard goes free.  Crockett and Tubbs end up on Crockett’s boat, fishing at ten o’clock at night.  Crockett says that it’s the only way to stay sane.

What a dark episode!  Crockett was exonerated but his otherwise perfect plan fell apart.  This episode truly presented Miami as being a decadent playground, one that could make someone rich just as easily as it could destroy them.  While Jerry and Barbara lived in a small, run-down house, DeMarco wore expensive suits and Lombard lived on an expensive yacht and neither one gave much thought to the people whose lives were destroyed by their activities.  With Crockett sidelined by the IA investigation, Tubbs finally got his chance to shine and Philip Michael Thomas did a good job of capturing the adrenaline rush of becoming a part of Lombard’s world.  As opposed to the cynical and weary Crockett, Tubbs seems like he could be seriously tempted to switch sides in the war on crime.  In the end, Tubbs outsmarted DeMarco not by being better than him but instead by being even more ruthless.  And yet, for all the dark vibes to be found in this episode, the glamour of life in Miami was undeniably appealing.  Where else, the episode asked, can you arrest the bad guys while also working on your tan and hanging out on the beach?

Indeed, I find myself feeling a bit jealous of Gina (played by Saundra Santiago).  So far, she hasn’t gotten to do much on the show beyond being Sonny’s sometime girlfriend.  But she still gets to wear the best clothes and hang out with the coolest people and she gets to do it all while carrying a gun.  What more could one ask for?

Next week, Bruce Willis makes his television debut!

Retro Television Reviews: Miami Vice 1.4 “Cool Runnin'”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

This week, Crockett and Tubbs gain an informant!

Episode 1.4 “Cool Runnin'”

(Dir by Lee H. Katzin, originally aired on October 5th, 1984)

One of the main themes of Miami Vice was that, no matter how many drug lords that Crockett and Tubbs got off the streets, there was always someone in the wings waiting to replace them.  The drug trade was (and is) big business and there was always someone willing to step into the vacuum that was left by the downfall of any of the major players.  For all of their efforts, Crockett and Tubbs were essentially fighting a war on drugs that could not be won.

Cool Runnin’ features an early example of this.  With Calderone having fled Miami for Colombia, he’s been replaced by Desmond Maxwell (Afemo Omilami), a Jamaican who is willing to murder just about anyone who gets in his way.  When he’s first seen, he and the members of his gang are gunning down a group of rival drug dealers in a mall parking lot.  Later, Desmond kills one undercover cop and seriously wounds another.

Another major theme in Miami Vice is that Crockett (and, to a lesser extent, Tubbs) are willing to put others at risk to take down their targets.  The majority of this episode deals with Nugart Neville ‘Noogie’ Lamont (Charlie Barnett), a talkative thief and speed freak who is recruited, somewhat against his will, to be an informant.  When Crockett and Tubbs discover that Noogie served time with Desmond, they use Noogie to set up a meeting with Desmond.  When Crockett tells Desmond that he wants to buy from him and that he’ll be waiting for him at Noogie’s apartment, Tubbs points out that Crockett is putting Noogie’s life in danger without even bothering to tell Noogie beforehand.

(Crockett, it should be noted, isn’t thinking straight for most of this episode because his wife has filed for divorce and wants to take his son to Georgia.)

At first, it appears that Noogie is going to get a reprieve when a calls comes in that the man who killed the undercover cops has been arrested.  It doesn’t take long for Crockett (and the audience) to figure out that the man who has been arrested is not Jamaican (instead, he’s Haitian) and that he’s been beaten by the racist cop who arrested him.

Instead, the killers are now at Noogie’s apartment, where they are waiting for Crockett and Tubbs to show up so that they can kill both the cops and their informant.  It all leads to final shoot-out, one that is shown almost entirely in slow motion and which is surprisingly effective.

This was a good episode about the human cost of getting involved as law enforcement, whether as a cop or a criminal.  While Desmond Maxwell was not a particularly nuanced character, he was appropriately intimidating and the audience never had any doubt that he would coldly kill anyone who he viewed as being a threat.  (One of the more haunting moments of the episode features the Vice Squad listening to the tape of shooting in which Desmond gunned down two detectives.)

The episode was largely dominated by Charlie Barnett’s performance as Noogie.  Barnett was a stand-up comedian who first came to prominence performing in Central Park.  He was nearly cast on Saturday Night Live until it was discovered that he struggled with reading.  Barnett was replaced, at the last minute, by another New York comedian, Eddie Murphy.  As Noogie. Barnett never stops moving, talking, and performing.  It’s actually exhausting just watching him.  But, as the episode proceeds, Barnett starts to calm down and, by the end of it, the audience is actually happy that he wasn’t killed in the shoot-out.

Unfortunately, next week, a major character will be killed in a shootout.  Who?  Find out next Monday!

The TSL’s Grindhouse: World Gone Wild (dir by Lee H. Katzin)


“World Gone Wild!?  What’s that about?”

Don’t ask me.  I just watched the movie and I’m not particularly sure what the point of it all was.  Released in 1987, World Gone Wild is one of those films that was made to capitalize on the post-apocalypse boom of the 70s and 80s.  Basically, imagine a Mad Max film that sucks and you’ll have a pretty good idea of what World Gone Wild is like.

There’s been a nuclear war.  Civilization has collapsed and now, there are just tiny outposts of humanity who are trying to survive.  It hasn’t rained in decades.  Old-timer Ethan (Bruce Dern) is in charge of a town called Lost Wells.  He remembers what rain was like and he also remembers what rock music used to sound like, too.  As for Lost Wells, it’s one of those dreary little desert communities that always tend to pop up in movies like this.  Angie (Catherine Mary Stewart) teaches the community’s children in an abandoned school bus.  They have a bunch of books on etiquette.  One little girl can recite every word ever written by Emily Post.  That gets annoying fast.  Emily Post didn’t live on a school bus in the desert.

That etiquette doesn’t do much good when it comes to protecting Lost Wells from Derek Abernathy (Adam Ant), a cult leader who dresses in all-white and who wants to take control of Lost Wells away from Ethan.  (In a somewhat clever twist, it turns out that Ethan learned how to become a cult leader by reading a book about Charles Manson.)  Knowing that the majority of the people in his town are too obsessed with Emily Post to fight off Derek and his army, Ethan recruits a group of mercenaries led by George Landon ( who is played by Michael Pare, who looks like he was absolutely miserable while shooting this movie).  George and his men agree to protect Lost Wells from Derek and, in the process, they regain some of their lost humanity and they start to believe in the possibility of rain.  Or something like that.  Fortunately, one of George’s mercenaries is played by the supercool character actor Anthony James.  He doesn’t get to do much but hey, it’s still Anthony James and Bruce Dern in the same movie!  Yay!

For a film called World Gone Wild, this is a strangely low-key affair.  Even the most unimpressive of Mad Max rip-offs will usually have an exciting car chase or two.  At the very least, there’s usually a big battle where people sacrifice their lives for the future of humanity.  In World Gone Wild, the mercenaries pretty much just go to Lost Wells and then wait for Derek to come back.  And when Derek returns, there’s a few explosions and some gunfire but that’s pretty much it.  Neither side really puts up much of a fight, which leads me to wonder if Derek really even cared about Lost Wells.

On the plus side, the film has got Bruce Dern, doing his wild-eyed old-timer bit.  That’s always fun to watch and, if nothing else, Dern appears to be having fun in this movie.  At the very least, he’s having more fun that Michael Pare and Catherine Mary Stewart, both of whom seem to spend the majority of the movie looking for a way to make a quick escape.  And I suppose the film does win some novelty points for casting Adam Ant as the main villain, even though Derek ultimately turns out to be not much of a threat.

In the end, World Gone Wild‘s greatest strength is Bruce Dern.  He’ll make you believe in the rain again.