Film Review: The Eagle Has Landed (dir by John Sturges)


The 1976 film, The Eagle Has Landed, takes place during World War II.

The year is 1943 and, with the war turning against Germany, Heinrich Himmler (Donald Pleasence, in a chilling turn) orders Colonel Max Radl (Robert Duvall) to come up with a plan to kidnap Winston Churchill.  When Radl learns that Churchill is scheduled to visit a small, coastal British village, he recruits a cynical member of the IRA, Liam Devlin (Donald Sutherland), to travel to the village and make contact with a Nazi sleeper agent, Joanna Grey (Jean Marsh).  While Devlin sets up the operation in Britain and falls in love with Molly Prior (Jenny Agutter), Radl recruits disillusioned Colonel Kurt Steiner (Michael Caine) to lead the mission to kidnap Churchill.

At first the village is welcoming to Steiner and his men, who are disguised as being Polish paratroopers.  However, it doesn’t take long for the plan to fall apart.  Soon, Steiner and his men are holding the villagers hostage in a church while battling a group of American soldiers led by the incompetent Colonel Clarence Pitts (Larry Hagman) and Captain Harry Clark (Treat Williams).  Meanwhile, in Germany, Radl learns that Hitler did not actually authorize the mission to kidnap Churchill and that he has been set up as the scapegoat in case the mission fails.

The Eagle Has Landed can seem like a bit of an odd film.  For a film that was released in the same year as Network, All The President’s Men, and Taxi Driver, The Eagle Has Landed feels rather old-fashioned and almost quaint in its storytelling.  This was the final film to be directed by John Sturges, a director who started his career in the 1940s and whose best-known films included The Magnificent Seven and The Great Escape.  Sturges’s direction is efficient but not at all flashy.  (It’s a film that feel like its very much a product of the mid-60s as opposed to the mid-70s.)  The story plays out at a deliberate pace, one that leaves no doubt that the film was based on a novel.  In fact, it sometimes feels as if the film itself should have chapter headings.  The film holds your interest but it’s hard not to feel that a film that should have been an epic action film has instead been turned into something far less ambitious.

Sturges works with an ensemble cast, with no one member of the cast really dominating over the other.  (I guess if the film has a main character, it would be Donald Sutherland’s Liam Devlin but, for all the time that’s devoted to him, he actually doesn’t do that much once the action starts.)  The cast is full of good actors, though a few of them are miscast.  Neither Michael Caine nor Robert Duvall make much of attempt to sound German.  As a member of the IRA, Donald Sutherland sounds as Canadian as ever.  Fortunately, Caine, Duvall, and Sutherland are all strong-enough actors that they can make an impression even with somewhat distracting accents.  Treat Williams is a bit bland as the heroic American but Larry Hagman generates a few chuckles as Williams’s amazingly dumb commanding officer.  The important thing is that ensemble is strong enough to hold the viewer’s attention.

The Eagle Has Landed is an old-fashioned but still entertaining film.  The actors are fun to watch, the action scenes are fairly exciting, and it ends with a clever twist, one that was apparently historically accurate.  It’s a well-done historical melodrama, even if it’s never quite as epic as it aspires to be.

Excalibur (1981, directed by John Boorman)


During the Dark Ages, Britain is at war.  King Uther Pendragon (Gabriel Byrne) leads his men against The Duke of Cornwall (Corin Redgrave).  Uther and his men swear their allegiance to God and St. George but they trust in the magic of the mysterious Merlin (Nicol Williamson).

Merlin negotiates peace between Uther and Cornwall but Uther throws that peace away when he becomes obsessed with Cornwall’s beautiful wife, Igrayne (Katrine Boorman).  Merlin uses his magic to disguise Uther as Cornwall so that Uther can spend one night with Igrayne.  When Cornwall is killed in battle, Uther marries Igrayne and realizes it was never necesarry to use Merlin’s magic and that Merlin, who has the power to see the future, knew that.  Merlin takes Uther and Igrayne’s infant son from them and then disappears.  Later, Uther is killed by by three of Cornwall’s men.  Before dying, Uther drives his magic sword, Excalibur, into a stone.  On the true king of England will be able to remove it.

Uther’s son, Arthur (Nigel Terry), grows up with no knowledge about his parentage.  When he accidentally draws Excalibur out of the rock, Merlin returns to counsel the new king.  And the new king has much to learn, as not all of the nobleman are willing to accept him as their ruler.  Arthur proves himself worthy to be king while his half-sister, Morgan (Helen Mirren), waits for her chance to get revenge.

Excalibur is one of the most ambitious films made about King Arthur.  John Boorman fits the entire legend of Arthur, Lancelot (Nicholas Clay), Percevel (Paul Geoffrey), Guinevere (Cherie Lunghi), and the search for the Holy Grail into one movie and, as a result, there’s not a dull moment.  Boorman presents the reign of King Arthur as a conflict between England’s pagan past and the new era of man.  Merlin and Morgan’s magic is powerful but, in the end, power is determined by bloody battles fought by men encased in clunky armor.  Arthur, Lancelot, and the other knights claim to live by the honorable, chivalric code but only one of them is able to live up to the ideal.  The others become consumed by lust, jealousy, and a thirst for power.

In my opinion, Excalibur is the best movie made about King Arthur, mostly because John Boorman takes the story seriously and makes us feel like we are watching people who truly are living in different world and a different time.  The chivalric code is necessary to keep the peace in a time when there are multiple pretenders-to-throne.  Mordred (Robert Addie) is not just a villain because he seeks to overthrow his father but also because he is the one person to have no respect for the code or the mystic power of the Holy Grail.

Excalibur has a large cast with many familiar faces.  Keep an eye out for Patrick Stewart as one of Arthur’s earliest supporters and also Liam Neeson as a surly Sir Gawain.  Of all the Lancelots who have appeared in the movies, Nicolas Clay is the best and Helen Mirren is the perfect Morgan.  Nicol Williamson steals the movie as the mysterious Merlin.  And while Nigel Terry was too old for the scenes where Arthur is supposed to be a callow teenager, he grows into the role just as Arthur grew into being king of the Britons.

Monty Python and The Holy Grail will always make me laugh but John Boorman’s big, beautiful, and bloody Excalibur is the best film about Camelot.

Horror on the Lens: Dr. Phibes Rises Again (dir by Robert Fuest)


Since yesterday’s horror on the lens was The Abominable Dr. Phibes, it only seems logical that today’s should be the sequel to that film, 1972’s Dr. Phibes Rises Again.  Would you believe that, before I actually found the film on YouTube, I thought this film was called Dr. Phibes Rides Again?  Personally, I think Rides Again sounds better than Rises Again but what do I know?

All that matters is that Vincent Price is back!  Be sure to check out Gary’s review of Dr. Phibes Rises Again when you get the chance.

And watch the movie below!

Enjoy!