Last Man Standing (1996, directed by Walter Hill)


During the 1920s, at the height of prohibition, a mysterious man named John Smith (Bruce Willis) arrives in the dusty town of Jericho.  Jericho sits on the border, between Texas and Mexico, and it is the site of a gang war.  The Italian mob, led by Fred Strozzi (Ned Eisenberg) and Giorgio Carmote (Michael Imperioli), is trying to move in on the Irish mob, led by Doyle (David Patrick Kelly) and his fearsome gunman, Hickey (Christopher Walken).  After the members of the Irish mob destroy his car and leave him stranded in town, Smith offers his services as a gunman to the Italians.  Strozzi hires him but it turns out that Smith has his own agenda and soon, he is manipulating both gangs against each other.

Last Man Standing was Walter Hill’s remake of Yojimbo, with Bruce Willis playing an Americanized version of Toshiro Minfune’s wandering ronin.  (Hill does the right thing and gives Kurosawa credit for the film’s story.)  Now, it should be understood that this is in no way a realistic film.  It makes no sense for two Chicago-style gangs to be fighting over a ghost town in Texas.  Even when it came to smuggling in liquor during the prohibition era, most of it came over the Canadian border rather than the Texas border.  But Walter Hill has always been more about filming the legend than worrying about realism.  He’s the ultimate stylist, creating movies the come together to create an American mythology.  Last Man Standing is a work of pure style, a combination western/gangster movie that pays tribute to the ultimate samurai film.  Gangsters meeting in the desert while tumbleweed rolls past may not make sense but Hill knows a good visual when he sees one and he makes it work.  The plot is taken from Yojimbo.  The western setting is taken from A Fistful of Dollars.  And the gangsters are pure Americana.

Willis, back in his action star heyday, is quick with a gun and a quip and he gets a few scenes that show that, while he may be bad, he’s not as bad as the gangsters in charge of the town.  Hill surrounds Willis with a cast of great character actors, including Bruce Dern as the cowardly sheriff and William Sanderson as the owner of the hotel.  Though he might not be as well-known as some members of the cast, I especially liked Ken Jenkins as the Texas Ranger who informs Willis that he has ten days to finish up his business before the Rangers come to town and kill whoever is still standing.  And then you’ve got Walken, in one of his best villainous roles.  Hickey doesn’t show up until pretty late in the movie but we’ve spent so much time hearing about him that we already know he’s the most dangerous man in Texas and Walken gives a performance that lives up to the hype.

Unappreciated when it was first released, Last Man Standing has stood the test of time as one of Walter Hill’s best.

Embracing the Melodrama Part II #89: Legends of the Fall (dir by Ed Zwick)


LegendsoffallposterWhen I first started to watch the 1994 film Legends of the Fall on Encore, I was a little bit concerned when I discovered that it was directed by Ed Zwick.  After all, Zwick also directed Love and Other Drugs, which is one of the worst and most insulting films of all time.  In fact, I nearly stopped watching when I saw Zwick’s name.  But, largely because I want to finish up this series of melodramatic film reviews at some point in the near future, I decided to go ahead and watch the film.

And it turned out that Legends of the Fall is not a bad film.  I probably would have enjoyed it more if I had seen it in a movie theater as opposed to on television but, considering that it was directed by Ed Zwick, Legends of the Fall is definitely watchable.  If nothing else, it’s better than Love and Other Drugs.

Legends of the Fall tells the story of the Ludlows, a family that lives on a Montana ranch at the start of the 2oth Century.  Starting with the final days of the Indian wars and proceeding through World War I and prohibition, Legends of the Fall covers a lot of historical events but does so in a very Hollywood way, which is to say that all of the main characters dress like they’re from the past but they all have very modern social attitudes.  In this case, Col. William Ludlow (Anthony Hopkins) may be a wealthy white military veteran but he’s also totally pro-Native American.  And, of course, all the local Native Americans love him, despite the fact that he’s a representative of the institutions that have destroyed their way of life.

Anyway, Col. Ludlow has three sons.  The oldest, Alfred (Aidan Quinn), is serious and responsible. The youngest, Samuel (Henry Thomas), is naive and idealistic.  And the middle child is Tristan (Brad Pitt), who is wild and rebellious and looks like Brad Pitt.  You have to wonder how the same gene pool could produce both Aidan Quinn and Brad Pitt.

As the film begins, Samuel has returned from studying at Harvard.  With him is his fiancée, Susannah (Julia Ormond, who has really pretty hair in this movie).  Though she loves Samuel, Susannah finds herself attracted to Tristan, largely because Tristan looks like Brad Pitt.  Tristan is also attracted to Susannah but he would never betray his younger brother.  In fact, when Samuel announces that he’s enlisted in the Canadian army so that he can fight in World War I, Tristan and Alfred soon do the exact same thing.

War is Hell, which is something that Samuel discovers when he’s gunned down by a bunch of German soldiers.  Tristan responds by cutting Samuel’s heart out of his body and sending it back to Montana.  He then proceeds to go a little crazy and when we next see Tristan, he’s uniform is decorated with the scalps of dead Germans.

Meanwhile, Alfred has been wounded in battle and is sent back to Montana.  Eventually, he ends up married to Susannah.  And then Tristan comes back home and…

Well, a lot of stuff happens after Tristan returns.  In fact, you could even argue that too much happens.  Zwick obviously set out to try to make Legends of the Fall into an old school Hollywood epic but far too often, it seems like he’s mostly just copying scenes from other films.  There’s a hollowness at the center of Legends of the Fall and the end result is a film that’s visually gorgeous and thematically shallow.

And yet, you should never underestimate the importance of looking good.  Legends of the Fall is a beautiful film to look at and so is Brad Pitt.  I wouldn’t necessarily say that Brad gives a particularly good performance here because, to be honest, Tristan is such an idealized character that I doubt anyone could really make him believable.  But the Brad Pitt of 1994 looked so good and had such a strong screen presence that it didn’t matter that he wasn’t as good an actor as the Brad Pitt of 2015.  Legends of The Fall is one of those movies that can get by on pure charisma and fortunately, Brad Pitt is enough of a movie star to make the film work.

Legends of the Fall is not a great film but it’s still not a bad way to waste 120 minutes.  (Of course, the film itself lasts 133 minutes but still…)