TV Review: Dexter: New Blood 1.10 “Sins of the Father” (dir by Marcos Siega)


I’ve been thinking about the finale of Dexter: New Blood for about three days now.  I’m going to guess that if you’re a Dexter fan, you’ve already seen it so I’m going to just talk about what happened without posting any spoiler warnings.  I hate spoiler warnings anyways.

Harrison shot and apparently killed Dexter.  Now, I have to admit that, when Harrison first showed up during the first episode, my initial thought was that Harrison was going to end up killing Dexter for the same reason that Dexter had killed so many others.  And, as other have pointed out, the entire show was pretty much leading up to either Harrison killing Dexter or Dexter being forced to kill Harrison.  So, really, I guess I should be happy that the show followed its storyline to its only logical conclusion.  I can certainly respect the show for staying true to itself but respect and happiness don’t always go together.

To be honest, even though I knew that it should happen, I really thought there was no way that the show would actually do it.  I was so used to Dexter being able to get out of any situation that I just naturally assumed that he would be able to do it again.  And if Dexter had managed to escape from the jail without killing Logan in the process, I think Dexter probably could have pulled it off.  But, by killing Logan, Dexter broke Harry’s code.  Dexter revealed that the code was really just a part of his own sociapathic ritual.  It wasn’t something that he truly obeyed,  Instead, it was something that he used to justify his dark urges.

Harrison realized what Dexter had done and, as a result, Harrison shot him.  I didn’t necessarily buy the idea that Dexter would just stand there and encourage his son to kill him.  That was a bit convenient and it required Dexter to have a conscience, which is something that we all know he didn’t have.  Even Dexter’s comment that he had never felt love until the minute Harrison pulled the trigger felt like another case of Dexter what he knew the audience wanted to hear.

My main issue with the episode wasn’t so much Harrison shooting Dexter as it was what happened next.  Allowing Harrison to escape and agreeing to cover up what he did was totally out-of-character for Angela.  Angela, who has shown that she’s willing to arrest anyone in town regardless of how close she may be to them, had no problem wiping Harrison’s prints off the gun and tossing him some money for his journey.  It didn’t make any sense.  Angela barely knows Harrison.  How does she know that Harrison didn’t help Dexter with the murders?  Also, after Angela discovered that Dexter was a murderer, did it not occur to her that there might be something strange about the stabbing at the school?  Is Angela okay with Harrison driving off to freedom while the kid that Harrison tried to murder is destined to always be remembered as a potential school shooter?  I can accept Harrison shooting Dexter.  I can even respect it.  But I cannot accept that Angela would let him get away with it.

There were other loose ends that bothered me.  Why was Edward Olsen such an important character in the first few episodes?  Why did he mysteriously vanish?  Why did the show seem to building up to a twist about Audrey’s parentage, just to abandon the whole thing an episode later?  How did Kurt manage to capture Molly, who was more or less aware that Kurt was a killer and certainly wouldn’t go anywhere willingly with him.  Considering that this episode appeared to be the definitive end of Dexter’s story, those loose ends are frustrating.

That said, it was a well-directed episode.  Michael C. Hall was riveting and genuinely frightening in the scenes where he manipulated Angela and Logan.  The final montage of the faces of everyone innocent person who died as a result of Dexter’s actions was an emotional moment and I’m glad to see that Doakes was included with Deb, Rita, LaGuerta, Lundy, and all the rest.  Doakes always got a raw deal.

Dexter: New Blood was a success.  Even the fact that I have mixed feelings about how it ended is proof of how well executed this revival was.  (Trust me, I could have hardly cared less when Dexter sailed into that hurricane, so fed up was I with the show at the time.)  And, between you and me, I’m not convinced that Dexter’s dead.  Yes, he was shot.  Yes, he didn’t look good.  But Harrison drove away before the paramedics arrived.  Dexter’s survived a lot.

At the very least, Ghost Dex would be amusing….

TV Review: Dexter: New Blood 1.9 “The Family Business” (dir by Sanford Bookstaver)


We all knew that, at some point, Dexter would have to welcome Harrison into the family business.  It finally happened on this week’s episode of Dexter: New Blood.

Set on Christmas day (but, oddly enough, airing during the first week of January), the ninth episode of Dexter: New Blood found Dexter and Harrison finally bonding.  Dexter told Harrison the story of Wiggles the Clown though, at the insistence of Ghost Deb, Dexter said that he just told Wiggles to stop doing what he was doing.  Even when Dexter was telling the story, it was obvious that Harrison knew there was more to it than just Dexter giving a stern lecture.

Harrison also told Dexter that he had stabbed his friend and that he wasn’t the hero that everyone made him out to be.  Yeah, we all figured that out a while ago, Harrison!  Still, it was interesting to watch Harrison discover what the rest of us take for granted.  We’re so used to the idea of Dexter tracking down serial killers and murdering them that it’s easy to forget just how weird and traumatic it would be for someone to learn about it or witness it for the first time.  One of the big problems that I had with the final season of Dexter’s original run is that Deb never seemed to be truly shocked at the discovery that her brother was a serial killer.  Fortunately, the reboot did a better job with Harrison than the original did with Deb.

And yes, Harrison did learn the truth.  He and Dexter tracked down Kurt’s secret lair and saw Kurt’s “trophies.”  And when Harrison announced that Kurt needed to die, just the slightest smile came to Dexter’s lips.  Dexter managed to bring Harrison over to his side without actually having to confess to all of the people that he had killed.  Only after Harrison had announced that he was on board with the idea that some people deserved to die, did Dexter admit to killing Wiggles the Clown and Arthur Mitchell.

Kurt met his end in this episode.  Harrison watched as Dexter killed him and then, somewhat ominously, had a flashback to Rita’s murder.  Is Harrison going to realize that, for all of Dexter’s rationalizations, his father is a serial killer as well?  If Harrison truly buys into the code, then Dexter could be in some trouble.

Actually, Dexter might be in trouble regardless.  Angela appears to have figured out that Dexter killed the drug dealer.  And, at the end of this episode, she received a letter telling her that “Jim Lindsay Killed Matt Caldwell” and one of the titanium screws that was left behind after Dexter burned Matt’s body.  If Angela learns the truth, will she arrest Dexter or will she let him and Harrison go free?  Angela has sworn to uphold the law but Kurt also murdered Angela’s best friend.  And, as we learned on Sunday, Kurt also murdered Molly.  Angela might be tempted to let Dexter escape.  I guess we’ll find out next week.

It was an excellent episode, though I have to admit that I was really disappointed when Molly showed up as one of Kurt’s trophies.  When Molly first appeared, her character annoyed me but, as the season progressed, I came to appreciate both the character and Jamie Chung’s performance.  In many ways, she was the stand-in for the viewers.  It was hard not to feel that she deserved better than to be killed off-screen.  Indeed, considering that she knew that Kurt was probably a killer, you have to wonder how he managed to ever get to her in the first place.

Still, that aside, The Family Business was Dexter at its best.  The deliberate pace and the atmospheric direction all reminded of the classic early seasons of Dexter.  Michael C. Hall perfectly captured Dexter’s love of his work while Jack Alcott played Harrison with the right mix of fascination and fear.  Still, I have to wonder what the show’s end game is going to be.  Ghost Deb was pretty adamant about Dexter not bringing Harrison into the family business and Ghost Deb usually know what she’s talking about.

We’ll find out next week!

TV Review: Dexter: New Blood 1.8 “Unfair Game” (dir by Sanford Bookstaver)


So, Dexter is going to teach Harrison “the code.”

Wow, who could have predicted that!?

Okay, okay …. I know it’s not good to gloat but let me have my moment.  From the minute that Harrison showed up at Dexter’s cabin, I’ve been waiting for him to take up the family business and it would appear that’s what is about to happen.  My prediction was correct and it’s actually kind of rare that happens so I’m definitely going to take a little bit of pride in this moment.

Kurt definitely had his chance to bring Harrison over to his side but he ruined it by snapping and trying to kill Harrison.  Big mistake there, Kurt.  Harrison is now back with Dexter and, judging from that big hug he gave him, it appears that there’s no longer any doubt in Harrison’s mind as to which father figure he should follow.

It was an exciting episode.  Along with Kurt’s attempts to bond with Harrison, we also got a lot of scenes of Dexter and the truck driver chasing each other through that abandoned summer camp.  (“Perfect place for a serial killer,” as Dexter put it.)  Why didn’t Kurt take out Dexter personally?  That was my only real question.  I get that Kurt wanted to bond with Harrison but he could have easily killed Dexter and the bonded with Harrison later.  It’s not like Harrison has anywhere to go.  Instead, Kurt made the mistake of outsourcing the murder of his biggest enemy.  Entrusting a job that important to a random truck driver doesn’t really make that much sense.  Kurt screwed that one up because, despite being shot in the leg, Dexter managed to kill that truck driver and save Harrison.  In the past, Dexter has spent so much time in its lead character’s mind that it was interesting to see that Dexter can take care of himself physically as well.

Dexter and Harrison appear to be ready to go to war with Kurt but it also appears that Angela has figured out that Dexter murdered that drug dealer a few episodes back.  Will Angela arrest Dexter?  Will Dexter have to fake his death yet again?  Let’s hope not.  There’s only so many times that one character can successfully fake his death before it starts to challenge the viewer’s suspension of disbelief.

That said, I don’t see Dexter sticking around town, regardless of how everything turns out.  I’ve seen some speculation that Dexter will sacrifice his life to save Harrison and then Harrison will be the “new” Dexter.  I don’t think that’s going to happen just because I don’t think Showtime is going to want to abandon the character of Dexter after this miniseries ends two weeks from now.  If nothing else, Dexter: New Blood has proven that there is still a sizable audience that’s interested in Dexter’s adventures.  Ask me to look into the future and I see Dexter and Harrison going on the road together and hunting killers.  It’s the family business.

Am I right?  We’ll find out in another two weeks!

TV Review: Dexter New Blood 1.1 “Cold Snap” (dir by Marcos Siega)


When last we saw erstwhile serial killer Dexter Morgan, he had faked his death, fled Miami, and was apparently working as a lumberjack in Oregon.

That was how Showtime’s Dexter originally ended, back in 2013.  It was not a popular ending and yet, I don’t think anyone was expecting to be satisfied by Dexter’s finale.  In retrospect, the highpoint of Dexter came during season 4, during the arc involving John Lithgow at the Trinity Killer.  The four seasons that came after the conclusion of that storyline could never quite escape the shadow of the battle of wills between Lithgow and Michael C. Hall.  Seasons 5, 6, and 7 all felt somewhat superfluous while season 8 seemed to go off the rails entirely.  As a result, I think everyone was mentally prepared to be let down by however the show ended but still, people were hoping for a little more than Dexter in Oregon.

Fortunately, Dexter Morgan is back!  Dexter: New Blood, which premiered last Sunday on Sunday, picks up ten years after the conclusion of Dexter.  Dexter (played by Michael C. Hall, of course) is no longer living in Oregon.  In fact, in the first episode, Oregon was never even mentioned. Instead, Dexter is now living in upstate New York.  He’s using the name Jim Lindsay.  He works at a sporting goods store.  He’s dating the local chief of police, Angela Bishop (Julia Jones).  He’s a popular citizen.  Everyone like Jim.  Everyone thinks that they know Jim.  Of course, what they don’t know is that Jim is actually Dexter, a serial killer who once specialized in killing other murderers.  They also don’t know that Dexter spends a good deal of his spare time talking to the ghost of his dead stepsister, Deb (Jennifer Carpenter, taking on the mentor role that James Remar played in the original series).  Deb continually tells Dexter that he can’t get close to anyone.  Anyone to whom Dexter gets close dies.  Of course, even in death, Deb doesn’t seem to understand that Dexter isn’t capable of being genuinely close with anyone.

When Cold Snap, the first episode, begins, it’s been ten years since Dexter killed anyone, though it’s obvious that he still has the urge.  Dexter’s ten-year break comes to an end when he meets Matt Caldwell (Steve M. Robertson), a spoiled rich kid who, several years earlier, was involved in a boating accident that killed five people.  When Dexter learns that Matt intentionally smashed into the other boat and then when Matt later shoots a rare albino stag that Dexter had spent days tracking, Dexter’s Dark Passenger returns.  Interestingly enough, it turns out that, despite being inactive for ten years, Dexter still has a perfect murderer’s lair inside his cabin’s shed.  Before Dexter ritualistically kills Matt, Matt says that his father is going to kill Dexter.  Who is Matt’s father?  I’m sure we’ll find out soon.  A part of me suspects that it might be Edward Olsen (Fredric Lehne), a billionaire who is planning on doing business in the town.  I also suspect that Olsen is probably connected to the disappearances of several young women in the area.  Wealthy businessmen often turned out to be serial killers on Dexter.

Speaking of fathers, Dexter is also a father.  He abandoned his son, Harrison, in Miami ten years ago.  Now, the teenage Harrison (Jack Alcott) has tracked Dexter down.  At first, Dexter pretended not to know who Harrison was and he gave Harrison money to buy a ticket on the next bus out of town.  However, at the end of the episode, Dexter, fresh from murdering Matt, showed up at the bus station, sat down next to Harrison, and said, “I am Dexter Morgan.”

It was an interesting ending and a bit frightening considering everything that we know about Dexter.  Ghost Deb is right.  People who get close to Dexter do end up dying.  That said, we really don’t know much about Harrison.  In the books, Dexter was often concerned that Rita’s stepchildren, Cody and Astor, had their own dark passengers.  To the best of my memory, that wasn’t really explored on the television show with Harrison but what if Harrison does turn out to be a serial killer?  Even worse, what if Harrison turns out to be a serial killer who, like his father, only targets other serial killers?  Would Dexter have to kill Harrison or would Harrison have to kill Dexter?  But perhaps I’m getting ahead of myself.  As of the first episode, the only thing we know for sure is that Harrison managed to track his father down.

I was intrigued by the first episode of Dexter: New Blood, though I have to admit that most of that was due to the hints of what could happen in the future as opposed to what actually did happen in the episode.  As I said at the start of this review, the first four seasons of Dexter were brilliant.  The final four seasons were increasingly uneven.  Just as it’s hard for Dexter to run the risk of getting close to anyone, it’s also hard for us viewers to run the risk of fully embracing this revival because we’ve all seen first hand that there are limits to how far Dexter‘s concept can be taken without things falling apart.  It’s probably not surprising that the reviews for this episode were mixed.  Variety liked it.  The AV Club and Rolling Stone complained that it was too violent.  The generic online reviewer of today often seems more concerned with hitting the right talking points and satisfying the online mob than with actually giving thought to such quaint considerations at to whether or not a show is entertaining or if it actually holds your interest.  Dexter: New Blood held my interest and it was entertaining enough for me to set the DVR to record next week’s episode.  To me, that qualifies as a successful episode.

So far, Dexter: New Blood feels like it could be a return to the Dexter of those first four seasons.  Michael C. Hall remains a compelling presence.  I’m interested to see how things develop with Harrison.  I’m glad Dexter got the Hell out of Oregon.  I’ll be watching.

Film Review: Cold Pursuit (dir by Hans Petter Moland)


Released back in February (just in time for Valentine’s Day!), Cold Pursuit was this year’s Liam Neeson revenge flick.

This time, Neeson played Nels Coxman, a snow plow driver who speaks in a raspy tone of voice and tends to walk around with a thousand-yard stare on his face.  After his son is killed by gangsters, Nels sets out for revenge.  It turns out that Nels’s father was some sort of mob enforcer so both Nels and his brother (William Forsythe) have apparently inherited the “instinctively know how to kill” gene  So, while Nels’s wife (Laura Dern) stays at home and has a nervous breakdown, Nels heads out and starts killing folks.  Since the gangsters are led by an idiot named Viking (Tom Bateman), they all assume that they’re being targeted by a rival drug gang, one which is led by a Ute named White Bull (Tom Jackson).  So, while the two drug gangs are killing each other off, Nels is busy killing any stragglers that he comes across.  It all adds up to a lot of killing.

Cold Pursuit is different from other Liam Neeson revenge films by the fact that it’s an out-and-out parody of the genre.  So, while Neeson walks through the film with his usual glum expression and commits all the usual mayhem that we’ve come to expect from a vengeance-driven Neeson, everyone else plays their role as broadly as possible.  Tom Bateman leaves not a single piece of scenery unchewed in the role of Viking while Tom Jackson is stoic to the point of insanity in the role of White Bull.  Whenever a gangster gets killed, a title card appears, listing his name, his nickname, and his religion.  Meanwhile, two cops (Emmy Rossum and John Doman) prove to be comically ineffective.

And I will admit that I did laugh a few times while watching Cold Pursuit.  The scene where Neeson asks his brother to explain why everyone has a nickname made me smile.  Some of the murders are clever and the action scenes are frequently so over-the-top that you can’t help but be amused by them.

That said, Cold Pursuit didn’t really work for me.  I think the problem is that the filmmakers spent so much time trying to parody Neeson’s films that they didn’t consider that the majority of those films are themselves already parodies.  I mean, just watch The Commuter and tell me that film isn’t cheerfully winking at the audience.  Since Neeson’s screen persona hasn’t really been a serious one for close to ten years now, parodying it isn’t quite the subversive act that Cold Pursuit seems to think it is.  The difference between Neeson’s other films and Cold Pursuit is the difference between merely winking at an audience or pulling a gun on an audience while demanding, “LAUGH, DAMN YOU!”  Sometimes, the funniest jokes are the ones that you pretend you’re not making.

On the plus side, the film looks gorgeous.  It takes place in the Colorado mountains and makes great use of the frozen landscape.  And George Fenton’s score is nicely evocative and well-used in the film.  Finally, Liam Neeson is always fun to watch, even when it’s in a somewhat flawed film like this one.

 

Film Review: High School Lover (dir by Jerell Rosales)


james-franco-high-school-lover

So, this is an odd one.

Tonight, I watched the latest Lifetime premiere.  The film was called High School Lover and, in many ways, it was a typical Lifetime film.  As you might guess from the title, it’s tells the story of a teenage girl who defies her overly protective father and enters into a relationship with an older man.  Since it’s never a good idea to defy your parents in a Lifetime film, the older man turns out to be an obsessive psycho, the type who shows up at his ex-girlfriend’s house with a crowbar and demands that she love him.

As I said, typical Lifetime film.  Plotwise, this was almost identical to almost every thriller that Lifetime has premiered on Saturday night.

However, there were a few things that set High School Lover apart from something like Killer Coach.

Number one, the obsessive psycho was a movie star.  That’s right — Christian Booth (Francois Arnaud) is a celebrity.  He’s such a celebrity that, at one point, his teenage girlfriend is upset when she reads an article in US Weekly that claims that Christian is getting back together with his ex.  And yet, for a celebrity who is well-known enough to appear on the cover of US Weekly, it was remarkable just how much Christian was able to do without anyone noticing.  For instance, if Justin Bieber showed up at someone’s house with a crowbar and started breaking all the windows, you can be sure that the paparazzi would be right behind him, taking pictures and shouting out questions.  If Ryan Gosling picked up a teenager in a limo and then flew her around in his own private helicopter, you imagine that it would at least be mentioned on TMZ.  Yet, somehow, superfamous Christian Booth is able to do all of this without anyone noticing.

This leads me to suspect that Christian may not have been human.  Though it’s never specifically stated, I suspect that Christian may have been a vampire, an alien, or a time traveler.  He had to have some sort of mystical power to get away with everything that he did.

Secondly, this film was not only executive produced by James Franco but it also starred Franco as well!  What’s strange is that this wasn’t a parody like A Deadly Adoption or Franco’s previous Lifetime film, the remake of Mother, May I Sleep With Danger?  Instead, this was a totally typical Lifetime movie with James Franco in the role that would usually be played by a former cast member of One Tree Hill.  

And yet, James Franco fit right in.  He gets to flash his winning smile and there’s a scene where he shows off some dance moves that deserves to be put in the Hall of Fame of Fearless Franco Moments.  Watching the film, one gets the feeling that James Franco woke up one day and said to himself, “I want to make some movies for Lifetime just because.”  And that’s what he proceeded to do!  And let’s give some credit where credit is due.  Instead of slumming his way through the film, James Franco gave a good and sincere performance, as did Paulina Singer in the role of his daughter.

Anyway, if it sounds like I’m struggling to be objective when it comes to reviewing this film, you’re right.  I love Lifetime melodrama and, though Arleigh likes to make fun of me for this, I love James Franco too.  And really, that’s the best review that I can give you.  If you like Lifetime movies and/or James Franco, you’ll like High School Lover.

It’s just an odd little movie.  When I get around to writing my study of the career and accomplishments of Mr. James Franco, High School Lover will, at the very least, get a chapter or two.