The Eric Roberts Collection: Rough Air: Danger on Flight 534 (dir by Jon Cassar)


It’s disaster time!

In 2001’s Rough Air: Danger on Flight 534, a plane is making its way across the country.  The pilot is the arrogant Jack Brooks (Kevin Jubinville), who is convinced that all a pilot has to do is let the instruments and the plane’s computer run the flight.  He has total faith in technology.  His first officer is Mike Hogan (Eric Roberts), a veteran pilot whose career went downhill after he was unfairly blamed for a crash in Boston.  Mike is old school.  He doesn’t have much use for all this technology nonsense.  Mike thinks that a pilot has to listen to his own instincts and be willing to improvise.  That sounds dangerous!  It’s a good thing that Jack’s in charge of this plane!

Unfortunately, turbulence and a concussion temporarily puts Jack out of commission.  Mike is going to have to conquer his own fears and insecurities to land this plane.  Fortunately, he has the support of the head flight attendant, Katy Phillips (Alexandra Paul).  Also, one of the passengers has some flight experience!  Grant Blyth (Dean McDermott) is willing to help out.  Of course, Grant is also a convicted murderer who was being flown to prison but whatever.  I just find it interesting that, in the movies, convicted murderers and their handlers are always put on commercial flight.  That seems kind of irresponsible to me.

Rough Air is a throwback to the old disaster movies of the 70s.  The airplane is full of people who have to set aside their differences to work together and try to avoid a disaster.  There’s a soccer star (Mark Lutz) and an engineer (Russell Yuen) and a rich guy (Carlo Rota) who only exists that he can be told to shut up whenever he doubts Mike.  Unfortunately, this film isn’t quite as fun as any of those old disaster movies.  There’s one funny moments where Jack wakes up and deliriously demands to be allowed to fly the plane but otherwise, this is a pretty boring flight.  Not even Eric Roberts giving a typically committed performance can save this flight from being forgettable.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Blood Red (1989)
  4. The Ambulance (1990)
  5. The Lost Capone (1990)
  6. Love, Cheat, & Steal (1993)
  7. Voyage (1993)
  8. Love Is A Gun (1994)
  9. Sensation (1994)
  10. Dark Angel (1996)
  11. Doctor Who (1996)
  12. Most Wanted (1997)
  13. Mercy Streets (2000)
  14. Raptor (2001)
  15. Wolves of Wall Street (2002)
  16. Mr. Brightside (2004)
  17. Six: The Mark Unleased (2004)
  18. Hey You (2006)
  19. Amazing Racer (2009)
  20. In The Blink of an Eye (2009)
  21. Bed & Breakfast (2010)
  22. Enemies Among Us (2010)
  23. The Expendables (2010) 
  24. Sharktopus (2010)
  25. Beyond The Trophy (2012)
  26. The Dead Want Women (2012)
  27. Deadline (2012)
  28. The Mark (2012)
  29. Miss Atomic Bomb (2012)
  30. Bonnie And Clyde: Justified (2013)
  31. Lovelace (2013)
  32. The Mark: Redemption (2013)
  33. The Perfect Summer (2013)
  34. Self-Storage (2013)
  35. A Talking Cat!?! (2013)
  36. This Is Our Time (2013)
  37. Inherent Vice (2014)
  38. Road to the Open (2014)
  39. Rumors of War (2014)
  40. Amityville Death House (2015)
  41. Deadly Sanctuary (2015)
  42. A Fatal Obsession (2015)
  43. Las Vegas Story (2015)
  44. Stalked By My Doctor (2015)
  45. Enemy Within (2016)
  46. Joker’s Poltergeist (2016)
  47. Prayer Never Fails (2016)
  48. Stalked By My Doctor: The Return (2016)
  49. The Wrong Roommate (2016)
  50. Dark Image (2017)
  51. Black Wake (2018)
  52. Frank and Ava (2018)
  53. Stalked By My Doctor: Patient’s Revenge (2018)
  54. Clinton Island (2019)
  55. Monster Island (2019)
  56. The Reliant (2019)
  57. The Savant (2019)
  58. Seven Deadly Sins (2019)
  59. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  60. The Wrong Mommy (2019)
  61. Exodus of a Prodigal Son (2020)
  62. Free Lunch Express (2020)
  63. Her Deadly Groom (2020)
  64. Top Gunner (2020)
  65. Deadly Nightshade (2021)
  66. The Elevator (2021)
  67. Just What The Doctor Ordered (2021)
  68. Killer Advice (2021)
  69. Night Night (2021)
  70. The Poltergeist Diaries (2021)
  71. The Rebels of PT-218 (2021)
  72. A Town Called Parable (2021)
  73. Bleach (2022)
  74. My Dinner With Eric (2022)
  75. D.C. Down (2023)
  76. Aftermath (2024)
  77. Devil’s Knight (2024)
  78. The Wrong Life Coach (2024)
  79. When It Rains In L.A. (2025

Late Night Retro Television Review: Baywatch Nights 2.19 “The Eighth Seal”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

This week, Mitch gets possessed!

Episode 2.19 “The Eighth Seal”

(Dir by Jon Cassar, originally aired on April 26th, 1997)

Twice, Mitch saves a young girl named Jenny (Esme Ganz) from jumping off a bridge.  When Mitch discovers the Jenny’s adoptive parents don’t seem to care whether she lives or dies, he brings her back to his house and lets her stay the night while he tries to figure out what to do about her.

What Mitch doesn’t know is that Jenny is possessed by a demon named Teddy.  When Mitch does discover that Jenny is housing a denizen of the damned, he does the worst possible thing that one can do in that situation.  He pulls a Karras and allows the demon to enter him.  Now, Mitch is possessed.  Can Daimont and Ryan get the demon out of Mitch or will Mitch have to run in front of truck in order to knock Teddy out of him?

Believe it or not, Mitch does the latter.  He runs in front of a truck!  The truck hits him and sends Mitch falling backwards.  Mitch is out cold.  While Ryan and Daimont try to revive him, Mitch’s spirit is visited by Stephanie Holden (Alexandra Paul).  Though this was Stephanie’s first (and only) appearance on Baywatch Nights, she was a prominent member of the Baywatch ensemble for several seasons.  Her character, who was always implied to have feelings for Mitch, was eventually killed off.  Stephanie’s spirit appears and yes, she is wearing the red Baywatch swimsuit.  And while it’s actually a pretty sweet scene as Stephanie tells Mitch that it’s not his time to die, it’s hard not to smile at the fact that Stephanie is apparently still a lifeguard in the afterlife.  It’s like she went to Heaven and said, “Give me the reddest and tightest one-piece that you have.”

Things end happily.  Mitch is no longer possessed.  Jenny is no longer possessed.  Jenny’s adoptive parents are consumed in Hellfire but that’s okay because they sucked.  And, for once, the viewer is happy as well because this is actually a pretty good episode of Baywatch Nights.  Seriously, you have not lived until you’ve seen David Hasselhoff pretend to be possessed by a demon.  Beyond that, though, his reunion with Stephanie was actually pretty poignant, red swimsuit and all.  If nothing else, it gave Mitch a chance to say goodbye to Stephanie, which was something he never really got to do in Baywatch.

Speaking of Baywatch, do you think Mitch went to his day job and told all the lifeguards, “Hey, you won’t believe what happened to me this weekend!”  Probably not.  I don’t know if I’d want to work with someone who had a history of getting possessed by demons.  That may just be me, though.

 

Late Night Retro Television Review: Baywatch Nights 2.14 “Ascension”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

This week …. it’s Templar time!

Episode 2.14 “Ascension”

(Dir by Jon Cassar, originally aired on February 23rd, 1997)

Mitch and Ryan have been kidnapped!  They find themselves trapped in an underground prison, where their guards all wear suits and a disembodied voice demands answers without first supplying a question.  A beautiful and nameless woman (Alexandra Bokyun Chun) gives a bound Mitch a shot of sodium pentanol, the better to make him tell the truth.  But instead of answering questions, Mitch hallucinates snakes and bears.

What’s going on?  Well, not surprisingly, it’s all Teague’s fault.  In this episode, it is revealed that Teague is a part of an organization that is in conflict with the corrupted, modern version of the Knights Templar.  (*sigh*  Haven’t the Knights Templar suffered enough without being a part of every dumbass conspiracy theory out there?)  Mitch and Ryan have been kidnapped in an effort to bring Teague into the open …. or something.  To be honest, it’s never quite clear what the whole point of the kidnapping is.

The woman with the drugs apparently has a change of heart and helps Mitch and Ryan escape from their cells.  Of course, it turns out that this is all a part of the scheme to reveal Teague’s location.  (Why do conspiracies always have to be so complicated?)  Mitch figures out what’s going on and he and Ryan escape from the woman and try to break out of the prison.  If you’ve ever wanted to spend twenty minutes watching David Hasselhoff and Angie Harmon crawl around inside a heating duct, I guess this is the episode for you.

This episode feels rather pointless.  It’s never quite clear what the Templars want and Teague hasn’t really been developed enough as a character for his great friendship with Mitch and Ryan to feel authentic.  One gets the feeling that this episode was written at the last minute and a lot of the action comes across as being filler that was included to disguise the fact that this episode really didn’t have a plot.  Obviously, the show was hoping to turn the Templars into a regular set of villains, much as how The X-Files had those aliens and all the black goo.  But, if the Templars can’t even track down Teague without having to kidnap Mitch and Ryan, how intimidating can they really be?

Watching this episode, I found myself wondering how Mitch can get kidnapped and drugged by a secret organization and then go to work as a lifeguard the next day.  I mean, after everything that Mitch has seen this season, he should be one of those raving lunatics who you see on street corners holding “The End Is Near” signs.  He should be crazier than someone who has looked straight at Cthulhu.  Instead, he’s still the same mellow beach bum that he’s always been.

More power to him, I guess.  That’s the Hoff for you.

Late Night Retro Television Review: Baywatch Nights 2.7 “Curse of the Mirrored Box”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on YouTube!

This week, it’s all about the voodoo!

Episode 2.7 “Curse of the Mirrored Box”

(Dir by Jon Cassar, originally aired on November 10th, 1996)

Mitch is contacted by Celia (Tracey Ross), the mother of a girl named Annie who Mitch once saved from drowning.  (Ryan is a bit dumbfounded that Mitch apparently keeps in contract with the people that he has saved as a lifeguard and, to be honest, so am I.  I mean, I bing watched Baywatch two years ago and Mitch saved a lot of people!)  Annie (Maria Celedonio) is now a rebellious teenager and has apparently joined a Voodoo cult!

(Seriously, Annie, way to repay Mitch for saving you from the ocean!)

Mitch and Ryan’s attempts to free Annie from the cult bring them into conflict with the leader of the cult, Papa Doc (Adam Lazarre-White).  Papa Doc puts a voodoo curse on Mitch and, as a result, the episode is full of moments in which Mitch goes into a glassy-eyed trance.

For the most part, not much happens in this episode.  It doesn’t take Mitch and Ryan that long to track down the cult and it also doesn’t take them that long to track down a voodoo priestess (Kiki Shepard) who can help them battle Papa Doc.  It’s a bit of slow episode and it’s portrayal of voodoo and its practitioners reaches back to every cliche and stereotype imaginable.  There’s a lot of dancing.  There’s a lot of altars.  There’s a lot of close-ups of Papa Doc chanting.  Basically, it’s Live and Let Die in Malibu, without the swagger of Yaphet Kotto, the charm of Roger Moore, or the otherworldly beauty of Jane Seymour.

But no matter!  The episode works because you haven’t lived until you’ve seen David Hasselhoff pretend to be possessed by a voodoo priest.  The Hoff has never been a particularly subtle actor.  That’s always been a part of his charm.  When you combine his natural style with scenes of him shaking, bugging out his eyes, and trying to shake the evil spirts out of his head, you have a Hasselhoff performance for the ages.

It makes for an entertaining episode, even if it’s not one of the show’s more memorable ones.  Hasselhoff’s possessed performance saves the day.  It’s amazing what a little magic and a voodoo doll can do.

One final note: After being absent for the last few episodes (albeit still listed in the opening credits), both Donna D’Errico and Eddie Cibrian appear in this episode.  Neither really gets to do much, reminding us once again that the show’s writers were never really sure what to do with either Donna or Griff.  Dorian Gregory (who played Daimont) does not appear, which is odd as it seems like Daimont would have been the first person that Ryan would have called once it become obvious that Mitch was cursed.  Seriously, what’s the point of being friends with a mysterious occult expert if you can’t find him when you need him?

Late Night Retro Television Review: Baywatch Nights 2.3 “The Rig”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, Mitch and Ryan head out to an abandoned ocean oil rig.  Do they find love or do they find a glowing green slime monster?  Read on to find out!

Episode 2.3 “The Rig”

(Dir by Jon Cassar, originally aired on October 13th, 1996)

Donna is super-excited because she’s saved her first person as a lifeguard.  (Apparently, the nightclub is no longer a thing and Donna is no longer a cynical and tough-minded businesswoman.)  She tracks down Griff and she tells him about it.  Griff is impressed.  Donna wants to tell Mitch but he’s not on the beach!

Instead, Mitch and Ryan are investigating a deserted oil rig.  A few weeks ago, the crew of the oil rig died under mysterious circumstances.  The official story is that they fell victim to cabin fever or maybe a mass delusion.  But Diamont thinks that maybe something paranormal has happened and he has asked Mitch and Ryan to check it out.  Despite the fact that this is the third “paranormal” mystery that Mitch has investigated in as many episodes, he remains a skeptic.  Ryan, however, thinks that it is possible that the rig was attacked by some sort of prehistoric one-celled organism.

And it turns out that Ryan is right!  Ryan and Mitch find themselves being threatened by a green gelatinous goo that eats away at everything from metal to skin.  Joining Ryan and Mitch is Claire (Jennifer Campbell), whose boat was earlier attacked by the goo.  Claire does very little in this episode and there’s really no point to her being there, beyond the fact that the show’s producers needed someone to wear a bikini and to scream.

Featuring an absolutely ludicrous monster and a finale that involves a self-destruct mechanism slowly counting down, The Rig is actually a lot of fun.  It’s totally ludicrous and silly and everything that an episode of something like Baywatch Nights should be.  Mitch and Ryan make for an entertaining team.  Angie Harmon’s naturally sarcastic delivery contrasts nicely with David Hasselhoff’s most earnest style.  The Rig is at its best when it just follows Mitch and Ryan as they flirtatiously argue about the paranormal while walking around the abandoned rig.

And fear not!  Mitch survives his meeting with goo, jumping off the rig at the same moment that it explodes.  We get a little bit of slow motion, followed by a short of an obvious dummy crashing into the water.  When Hasselhoff jumps off the rig, the night sky is pitch black.  When he emerges from the ocean, the sun is shining.  That’s type of easily avoidable continuity error that makes Baywatch Nights so much fun!

This was a fun episode.  Next week, Mitch gets involved with a UFO!

Horror on TV: Baywatch Nights 2.19 “The Eighth Seal” (dir by Jon Cassar)


NM

Tonight’s episode of Baywatch Nights, The Eighth Seal, was originally broadcast on April 26th, 1997 and it features David Hasselhoff getting possessed.

You really haven’t lived until you’ve seen David Hasselhoff play possessed.

Enjoy!

Horror on TV: Baywatch Nights 2.14 “Ascension” (dir by Jon Cassar)


Tonight’s episode of Baywatch Nights is an odd one.  Mitch gets kidnapped.  Ryan dreams about it happening.  There’s a lot of weird torture devices.  Somehow, the Knights Templar are involved.  It always comes down to the Knights Templar, doesn’t it?

Seriously, how does one go back to being a lifeguard after all of this?

This episode originally aired on February 23rd, 1997.

Enjoy!

Horror On TV: Baywatch Night 2.7 “Curse of the Mirrored Box”


A lifeguard’s job is never done!

On tonight’s episode of Baywatch Nights, Mitch has to save a young woman from a voodoo cult!  Because, listen — when you see a ghost, when you witness an alien abduction, when you realize that a cult is looking to commit a sacrifice, the first person you want to call is the beach patrol.

Being a lifeguard isn’t about just saving surfers, anymore.  Sometimes, it’s about saving the very soul.

Enjoy!

Horror on TV: Baywatch Nights 2.3 “The Rig” (dir by Jon Cassar)


On tonight’s episode of Baywatch Nights, David Hasselhoff and Angie Harmon investigate yet another sea monster.

Let’s see.  The first episode of Baywatch Night featured a sea monster.  And then the 2nd episode featured a killer mermaid.  And then this episode features yet another monster living in the sea.  Could it be that after just 3 episodes, the writers of Baywatch Nights were running out of ideas?  Fortunately, later episodes would involve various land monsters.

That said, I do find the green blob to be kind of creepy.  In general, blobs are just scary.

Enjoy!