Halloween Havoc!: ABBOTT & COSTELLO MEET FRANKENSTEIN (Universal-International 1948)


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It’s Halloween, and we’ve finally made it to the Universal Classic Monsters! Frankenstein’s Monster, Dracula, and The Wolf Man had last appeared onscreen in 1945’s HOUSE OF DRACULA. Shortly thereafter, Universal merged with International Pictures and decided to produce only “prestige” pictures from then on, deeming their Gothic creature features no longer relevant in the post-war, post-nuclear world. The comedy team of Bud Abbott and Lou Costello were also in danger of becoming irrelevant, victims of their own success, as audiences were beginning to grow tired of them after twenty movies in a scant eight years.

That “prestige” thing didn’t work out so well, and Universal went back to what they did best…. producing mid-budget movies for the masses. Producer Robert Arthur developed a script called “The Brain of Frankenstein”, giving it over to Frederic Rinaldo and Robert Lees. Lou Costello hated it, and the team’s gag writer John Grant was brought it to punch things…

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Horror Film Review: The Uninvited (dir by Lewis Allen)


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If you want to see a really good haunted house movie, allow me to recommend that you track down the 1944 film, The Uninvited.  The Uninvited may not have been the first movie about a haunted house but it’s definitely one the best and one of the most influential.  None other than Guillermo Del Toro has regularly cited The Uninvited as an inspiration and, as I watched the film last night, I could definitely see where the film had influence Del Toro’s Crimson Peak.

The Uninvited tells the story of Rick Fitzgerland (Ray Milland) and his sister, Pamela (Ruth Hussey).  They’ve just purchased a long-empty seaside house and, incredibly, they were able to get it at an amazingly low cost!  The house’s owner, the frail Commander Beech (Donald Crisp, alternating between being menacing and sympathetic), was apparently desperate to get rid of it.

Far less happy about the selling of the house is Beech’s granddaughter, the mysterious Stella (Gail Russell).  As Stella explains it, she grew up in the house, her mother died in the house, and Stella is still attached to the house.  Beech has ordered Stella to stay away from the house but, with Rick falling in love with her, Stella is soon visiting on a regular basis.

Of course, Stella isn’t the only unexpected visitor that the Fitzgeralds get to know.  It quickly becomes obvious that there’s something strange about the house.  Rick and Pamela discover an artist’s studio that is always cold.  They both hear the sound of a woman crying.  Beech claims that it’s nothing to worry about.  Old house make weird noises, he informs them.  However, Rick and Pamela start to become convinced that the house is haunted.

Stella not only agrees that the house is haunted but she also informs them that she knows the identity of the ghost.  It’s Stella’s mother!  But if that’s true, why does the ghost constantly seem to be encouraging Stella to put her life at risk?  Why does Stella go into a trance and, much as her mother did 16 years earlier, attempt to jump over the side of a cliff?

Is Stella’s mother trying to manipulate her daughter into joining her in death?  Or is there something even more sinister happening?

Well-acted and perfectly paced, The Uninvited is an effectively creepy film, one that remains memorable even 72 years after it was initially released.  Visually, The Uninvited resembles a film noir and, if not for a brief scene towards the end of the film, viewers would be justified in wondering if the house really is haunted or if everyone in the film is just letting the isolation and the shadowy atmosphere get to them.  It’s that hint of ambiguity that elevates The Uninvited and makes it a truly thought-provoking haunted house story.

 

Horror Film Review: The Devil-Doll (dir by Tod Browning)


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Paul Lavond (Lionel Barrymore) was just your ordinary Parisian bank owner until he was wrongly convicted of robbery and murder.  Sentenced to Devil’s Island and estranged from his beloved daughter, Lorraine (Maureen O’Sullivan), Paul spends 16 years plotting how to clear his name and progressively growing more bitter and angry.

He also befriends a scientist named Marcel (Henry B. Walthall).  Marcel has figured out the formula for shrinking people.  He’s convinced that shrunken people will eat less, use less fossil fuels, and take up a lot less space on the planet.  They’ll probably also be less likely to wage war on each other.  That’s right — the secret to world peace is shrinking the population.

However, Paul has other plans for that shrinking formula!  What better way to clear his name and seek revenge than by using a shrunken army of henchmen?

Uhmmm — okay, it sounds a little bit overcomplicated to me but who am I to doubt the wisdom of Lionel Barrymore?

(Yes, I know he’s Paul Lavond but, honestly, Lionel Barrymore is Lionel Barrymore regardless of who he’s playing.)

Anyway, Paul and Marcel escape from Devil’s Island but Marcel dies shortly afterward.  Paul, however, forms a partnership with Marcel’s widow, Maleta (Rafaela Ottiano).  Disguising himself as an elderly woman, Paul returns to Paris.  Not only does he use his disguise to watch over his daughter (who doesn’t realize that the kindly old woman is actually her father) but he also starts to develop quite a reputation for selling incredibly realistic dolls…

The Devil-Doll is an odd little mix of comedy and melodrama and, to be honest, it’s a bit too uneven to really work.  That said, the film is definitely worth watching just for the sight of Lionel Barrymore playing an elderly woman.  (Classic film lovers will immediately notice that, when in disguise, Lionel greatly resembles his sister, Ethel.)  This Christmas, when I’m watching It’s A Wonderful Life for the 100th time and Mr. Potter is cackling and plotting to put the Bailey Building and Loan out of business, I’ll have a hard time not thinking about The Devil-Doll.

The Devil-Doll was one of the final films to be directed by the legendary horror specialist, Tod Browning.  I’ve read that Browning’s later films suffered because Browning plunged into depression after the death of Lon Chaney, Sr. and he never quite recovered.  And, really, The Devil-Doll feels like a film that would have been perfect for Chaney’s unique talent.

But, that said, Lionel Barrymore appears to be having a lot of fun as Paul and his performance is the main reason to watch the film today.

Was This The First Horror Film? The Execution of Mary Stuart (dir by Alfred L. Clark)


For the longest time, I thought that George Melies’s The Haunted Castle was the first horror film.

However, as I did my research for my History of Horror series, I discovered a horror film that actually predated The Haunted Castle.  Produced by Thomas Edison and first released in 1895, The Execution of Mary Stuart is an 18-second film that recreates the beheading of Mary, Queen of Scots.

Along with perhaps being the first horror film, this was also the first films to use editing for the purpose of special effects.  There’s an edit about halfway through this film, one that allows Robert Thomae, the actor playing Mary, to be replaced by a mannequin.  That may not seem like a big deal today and the editing is rather obvious to modern eyes but, in 1895, that sort of thing literally had never been done before.

So, with all that in mind, here is the first horror film: 1895’s The Execution of Mary Stuart!

4 Shots From Horror History: The Conjuring, You’re Next, The Babadook, It Follows


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we bring things to an end!  I hope you’ve enjoyed this visual history of horror!

4 Shots From 4 Films

The Conjuring (2013, dir by James Wan)

The Conjuring (2013, dir by James Wan)

You're Next (2013, dir by Adam Wingard)

You’re Next (2013, dir by Adam Wingard)

The Babadook (2014, dir by Jennifer Kent)

The Babadook (2014, dir by Jennifer Kent)

It Follows (2015, dir by David Robert Mitchell)

It Follows (2015, dir by David Robert Mitchell)

10 Trailers For 10 Of The Scariest Films Ever Made!


For today’s special Halloween edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers, I present ten trailers for ten of the scariest films that I’ve ever seen!

Are these the scariest films of all time?  Well. I’m not going to say that because horror is subjective and what scares me might not scare you and blah blah blah blah.

So, these might not be the scariest ten films of all time.  But then again, they might…

Night of The Living Dead (1968)

The Exorcist (1973)

Torso (1973)

Suspiria (1977)

Shock (1977)

The Shining (1980)

Henry: Portrait of a Serial Killer (1990)

The House of the Devil (2009)

Insidious (2010)

The Conjuring (2013)

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


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Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally iconic review!)

ENJOY!

A Few Thoughts on …. The Walking Dead 7.2 “The Well” (dir by Greg Nicotero)


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Hmmm…

Well, what did everyone think of the 2nd episode of the 7th season of The Walking Dead?  After all the violence and darkness of the premiere, The Well felt like a different beast altogether.  In fact, there were times when I had a hard time believing that I was watching the same series, the tone of The Well was so entirely different from the previous episode.

Essentially, we got to find out what Carol and Morgan were doing while Abraham and Glenn were being killed by Negan.  They were discovering yet another settlement of survivors.  This settlement, known as The Kingdom, was ruled over by King Ezekiel and his pet tiger, Shiva.

Judging from twitter, it would appear that over a thousand people fell in love with King Ezekiel last night.  (Even more fell in love with Shiva.)  And I don’t blame them.  As played by Khary Payton, Ezekiel was a breath of fresh — if possibly insane — air.  He was exactly what the world of The Walking Dead needs.  He’s a leader who sincerely cares about his people but, unlike Negan, he’s not a sociopath.  At the same time, he’s also not totally ineffectual and, after what we saw with Rick last week, that was a welcome development.

When he was first introduced, Ezekiel seemed like a comical, buffoonish character.  After all, he frequently spoke like a bad Shakespearean actor.  He was given to broad pronouncements.  He sat on a throne.  He carried a sword, called himself a king, and often seemed like he was auditioning for a Renaissance Faire.  But as the episode progressed, we started to see that Ezekiel was far more intelligent than he first appeared.  As he told Carol, he knew he and his followers were living in a fantasy world but that fantasy was far more preferable than dwelling on the state of the world.  Over the course of an hour, Ezekiel went from being a joke to being a symbol of hope.

It was interesting to compare Ezekiel and his fantasy world to both Negan and Rick.  Though neither one of them would ever admit it, both Negan and Rick have also built up a fantasy world for themselves.  In Negan’s fantasy, his own sadism is justified by the state of the world.  Negan has created a world where being a sociopath is a heroic act.  Meanwhile, Rick continues to cling to the fantasy that, somehow, things can still go back to being the way that they were before the dead rose.  It’s no coincidence that, after seeing both Glenn and Abraham die, Rick immediately started to fantasize about a future where Glenn and Abraham were still alive and everyone was sitting down for a happy picnic.  In the end, Ezekiel is set apart by the fact that, of all the leaders, he is the only one willing to admit that he’s living in a fantasy.

As of right now, if I had to pledge allegiance to anyone in The Walking Dead, I would pledge it to King Ezekiel.  And it appears that Carol is about to do the same thing.  Either that or Carol’s going to decide to kill him just because she can.  It’s difficult to predict with Carol.

(Sidenote: While the episode was stolen by Khary Payton, Melissa McBride also contributed some of her strongest work yet.  Her amazement upon being initially confronted with Ezekiel’s Kingdom was brilliantly conveyed.)

Last week, a lot of people told me that, after spending an hour watching Negan torture Rick and kill Glenn and Abraham, they were done with The Walking Dead.  I’ll be curious to know if any of them watched last night’s episode and whether it changed their mind.  Much like Carol, the show must now make a choice.  Will its future resemble the first episode of the season or will it resemble The Well?

Now, I have to admit that, at times, I found The Well to be a little bit slow.  I liked it but I didn’t love it, at least not the way that some reviewers loved it.  (Over on the A.V. Club, both the reviewer and several of the commenters are practically rapturous in their praise.)  As fascinating as I found Ezekiel to be, I have to admit that I spent a bit of the episode wishing that I was discovering what was going on with Rick, Maggie, and all the rest.  On twitter, I compared it to how, whenever I wanted to know what was going on with Sawyer on Lost, it would be Hurley episode instead.

But, for the most part, I think The Well worked.  The Kingdom seems like a nice place to live but we probably shouldn’t get too comfortable with it.  Anytime Rick or Carol shows up at a new settlement, that means that death and destruction will soon follow.

We’ll just have to enjoy our time with Shiva while we can!

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Halloween Havoc! Extra: Bobby “Boris” Pickett Does THE MONSTER MASH With Zacherley!


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Happy Halloween! One of my favorite Halloween traditions is hearing Bobby “Boris” Pickett sing his 1962 smash THE MONSTER MASH, and this year I’ve discovered a real treat. Bobby doing a live performance at the Chiller Theater con in 2005 with none other than the late, great Zacherley! Enjoy!

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