Horror on the Lens: Raiders of the Living Dead (dir by Samuel M. Sherman and Brett Piper)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is horror month.  For the past three years, we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year.

Let’s start things off with the 1986 epic, Raiders of the Living Dead!

I reviewed this film last year but to recap, it’s the story of a creepy boy, a laser gun, a reporter, and a bunch of zombies.  There’s a mad scientist involved, too.  There always is.  The movie opens with a truck being hijacked and then the action shifts to a power plant and, honestly, I have no idea what any of it means.  Technically, Raiders of the Living Dead is not exactly a good film but it is a film unlike any other that you’ve seen.  If nothing else, it’s a film that you watch and you can’t help but admire the fact that it somehow got made and went on to find a small but kind of appreciative cult audience.  It’s just a very strange film and a good one to start October with, no?

Plus, it has got the greatest zombie-centric theme song ever!  The opening credits alone are worth the price of admission (which, incidentally, is free because those of us at the Shattered Lens love you!)

So, here is Raiders of the Living Dead. 

Enjoy!

The Things You Find On Netflix: Deadly Detention (dir by Blair Hayes)


If you’re in high school and you have to do Saturday detention in an abandoned, but perhaps haunted, prison, there’s a good chance that you’re gong to die.

That’s the main lesson that can picked up from the 2017 film Deadly Detention, which I watched via Netflix a few nights ago.  Old prison.  Sex.  Detention.  It all leads to death.  Of course, you really shouldn’t need a movie to teach you that lesson.  I mean, it’s just common sense.  STAY OUT OF THE OLD PRISONS, PEOPLE!  Especially if it’s got a death row because you just know there’s going to be a lot of pissed off ghosts floating around there….

The good thing about Deadly Detention is that it realizes that abandoned prison=death should be common sense as well.  It’s an extremely self-aware movie, fully indulging in all of the slasher movie cliches while, at the same time, poking cheerful fun at them.  Deadly Detention may start out as a horror film but, after about 15 minutes or so, it turns into a full-blown comedy and it’s actually pretty fun to watch.

Why are our students attending detention?  Well, it turns out that the majority of them have been framed, which explains why even the popular school athlete is being punished.  Why are they attending detention in a prison?  Well, it seems that a pack of rabid possums were somehow released into the school.  Now, of course, being the former country girl that I am, I immediately knew something strange was happening because possums are actually immune to rabies.  So, seriously, if you see a possum in your back yard, don’t panic!  They’re harmless.

Among those spending their Saturday in detention:

Officer Pete (Kevin Blake), the quiet hall cop,

Miss Presley (Gillian Vigman), the principal who brings her very big and very pointed principal-of-the-year trophy with her,

Lexie (Alex Frnka), the rebellious school tramp who turns out to be a lot more smarter than anyone gave her credit for,

Jessica (Sarah Davenport), the school athlete who has always been driven to be the best,

Barrett (Henry Zaga), the hilariously vain and shallow rich kid whose main hope is that, if he dies, he’ll still look good,

Kevin (Coy Stewart), the gay religious kid who turns out to actually have a lot more depth than anyone originally suspected,

and Taylor (Jennifer Robyn Jacobs), the cheerfully strange girl who knows all the stories about all the ghosts.

Now, you may be thinking that this cast of characters sounds familiar and it’s true that they’re all deliberately meant to invoke various slasher movie tropes.  At the same time, I suspect that they’re also meant to remind us of the members of The Breakfast Club as well.  However, each character is so well-cast and each actor seems to be having so much fun that they all soon develop their own individual identities.  In fact, this cast is so fun to watch that it’s kind of sad once the blood starts to spill.

But spill, it does.  Soon, the detainees find themselves having to figure out how to escape the prison while an unseen stalker taunts them over the intercom.  What sets this film apart from many other Netflix slasher films is that the students all seem to know that they’re in a horror film and they tend to comment on the action accordingly.  When it comes to a horror-comedy, a film always has to decide if it’s going to be more of a horror or a comedy and, early on, Deadly Detention embraces the comedy label and it turns out that the film made the right choice.  Thanks to a likable cast and some clever dialogue, Deadly Detention is an entertaining 90 minutes.

As I said, the entire cast is good but Alex Frnka, Coy Stewart, and Jennifer Robyn Jacobs especially deserve a lot of credit for taking characters who could have been cliches and instead turning them into fairly compelling human beings.  Alex Frnka not only gets all the best lines but she makes them even better with a delivery that’s perfectly perched between sincerity and snarkiness.  The same can be said of the film as a whole.

Music Video of the Day: Monster by Big Data, feat. Jamie Liddell (2018, dir by Ghost+Cow)


Welcome to October!

Since this is the first post of the first day of Horrorthon, it just seemed appropriate to select the video of Big Data’s Monster as music video of the day.  This wonderfully paranoid video will inspire you to put Alexa back in the box.  Or, at the very least, to consider doing it.  I mean, could you really live without her?  Anyway, this video has a nice sort of Wes Craven/John Carpenter feel to it.  Those glowing red eyes are haunting.

It’s a well acted video too and Big Data was kind enough to list the full cast and crew on YouTube.  (More artists should do this.)  Here they are:

Directed by GHOST + COW

Written by BIG DATA and GHOST + COW

Story and Executive Produced by BIG DATA

Produced by Steve Cozzarelli

Players:

Claire Burns as Mary

David Levin as Gerry

Juliet Brett as Alison

Alexander Jameson as Brandon

Sondra James Weil – Neighbor

Lizy Ryan as L1ZY

Director of Photography – Luke McCoubrey

Edited by Geordie Anderson

Score and original music by BIG DATA

Sound design and mix by Brian Goodheart

Sonic Union Producer – Halle Petro

Colored by Ashley Ayarza

Nice Shoes Producer – Elizabeth Mitchell

VFX artist – Tim Mearini

Production designer – Jana Bergstedt

Makeup / SFX artist – Emma Berley

Art PA / Driver – Scott Raven

Wardrobe Stylist – Kayci Rothweiler

1st AD – Ruby Walters

Assistant camera – Julian Tran

Sound mixer – Edward Morris

Camera PA – Beth Fletcher

Key Grip – Jesse Moritz

Grips – Landon Yost, Mitch Perrin

Gaffer – Jesse Sanchez-Strauss Swing – Rylie Patterson

Production assistants – Smij McBee, Angie Blas

Special thanks to alldayeveryday productions, De Boer Media

EXTRA SPECIAL THANKS to the Gudis Family for their incredible generosity.

As for the rest of October, I can’t guarantee that every music video that we’re going to share this month is going to have a horror theme.  To be honest, there aren’t that many good horror-themed music videos out there and we already featured the majority of them over the past two Octobers.  I mean, there’s only so many times that we can analyze Number of the Beast.  Still, we’ll be keeping our eyes open for any good videos we may have missed and, as we do every October, we’ll do our best to keep things properly spooky here at the TSL Bunker!

Enjoy October and get ready for the greatest Horrorthon ever!

 

AMV of the Day: This Is Halloween (various)


What better way to wrap up Halloween and Horrorthon than with an AMV of the Day?

Anime: Owari no seraph, Vampire Knight, Shiki, Another, Vassalord, Corps Party, Future Diary, Tokyo Ghoul, Deadman in the wonderland, When they cry, Akame ga kill, danganronpa, Shiki

Song: This Halloween, covered by Real Chantay

CreatorColor NighTcore

Past AMVs of the Day

Horror Film Review: Buffy the Vampire (dir by Fran Rubel Kuzui)


Watching this movie was such a strange experience.

Now, of course, I say that as someone who grew up watching and loving the television version of Buffy the Vampire Slayer.  Back when Buffy was on TV, I was always aware that the character had first been introduced in a movie but every thing I read about Buffy said that the movie wasn’t worth watching.  It was a part of the official Buffy mythology that Joss Whedon was so unhappy with what was done to his original script that he pretty much ignored the film when he created the show.

So, yes, the 1992 movie version of Buffy the Vampire Slayer showed how Buffy first learned that she was a slayer, how she fought a bunch of vampires in Los Angeles, and how her first watcher met his end.  But still, Joss Whedon was always quick to say that the film should not be considered canonical.  Whenever anyone on the TV show mentioned anything from Buffy’s past, they were referencing Joss Whedon’s original script as opposed to the film that was eventually adapted from that script.  (For instance, on the tv series, everyone knew that Buffy’s previous school burned down.  That was from Whedon’s script.  However, 20th Century Fox balked at making a film about a cheerleader who burns down her school so, at the end of the film version, the school is still standing and romance is in the air.)  In short, the film existed but it really didn’t matter.  In fact, to be honest, it almost felt like watching the movie would somehow be a betrayal of everything that made the televisions series special.

Myself, I didn’t bother to watch the film version of Buffy the Vampire Slayer until several years after the television series was canceled and, as I said at the start of the review, it was a strange experience.  The movie is full of hints of what would make the television series so memorable but none of them are really explored.  Yes, Buffy (played here by Kristy Swanson) has to balance being a teenager with being a vampire slayer but, in the film, it turns out to be surprisingly easy to do.  Buffy is just as happy to be a vampire slayer as she is to be a cheerleader.  In fact, one of the strange things about the film is just how quickly and easily Buffy accepts the idea that there are vampires feeding on her classmates and that it’s her duty to destroy them.  Buffy’s watcher is played by Donald Sutherland and the main vampire is played by Rutger Hauer, two veteran actors who could have played these roles in their sleep and who appear to do so for much of the film.  As for Buffy’s love interest, he’s a sensitive rebel named Oliver Pike (Luke Perry).  On the one hand, it’s fun to see the reversal of traditional gender roles, with Oliver frequently helpless and needing to be saved by Buffy.  On the other hand, Perry and Swanson have next to no chemistry so it’s a bit difficult to really get wrapped up in their relationship.

I know I keep coming back to this but watching the movie version of Buffy is a strange experience.  It’s not bad but it’s just not Buffy.  It’s like some sort of weird, mirror universe version of Buffy, where Buffy starts her slaying career as a senior in high school and she never really has to deal with being an outcast or anything like that.  (One gets the feeling that the movie’s Buffy wouldn’t have much to do with the Scooby Gang.  Nor would she have ever have fallen for Angel.)  Kristy Swanson gives a good performance as the film version of Buffy, though the character is not allowed to display any of the nuance or the quick wit that made the television version a role model for us all.  Again it’s not that Buffy the movie is terrible or anything like that.  It’s just not our Buffy!

Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)


Can you believe that Halloween and Horrorthon are both nearly over!?  I’ve got tears in my mismatched eyes.

Originally, I was planning on posting the final episode of Kolchak tonight but I miscounted and, to make a long story short, I ran out of episodes of Kolchak before I ran out of days in October!

So, for our final Horror on TV of the 2018 Horrorthon, I’m going to share an old favorite of mine, The Curse of Degrassi!

Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

Enjoy!

The TSL’s Daily Horror Grindhouse: Vampire Circus (dir by Robert Young)


One of the greatest Hammer vampire films didn’t even star Christopher Lee.  In fact, it wasn’t even a Dracula film.  Instead, it was the story of a circus.

1971’s Vampire Circus tells the dark story of a Serbian village called Stetl.  Early in the 19th century, the children of Stetl are dying.  The superstitious villagers believe that Count Mitterhaus (Robert Tayman) might be responsible.  In fact, they suspect that Count Metterhaus might be a vampire!  Why?  Well, first off, he only seems to be around during the night.  Secondly, he lives in a big spooky castle.  Third, he’s a count and don’t all counts eventually become vampires?

Now, it would be nice to say that all this turned out to be a case of the villagers letting their imaginations get the better of them but nope.  It turns out that they’re pretty much right.  One night, the local teacher, Albert Muller (Laurence Payne), sees his own wife, Anna (Domini Blythe) leading a child towards the dark castle.  It turns out that Anna has fallen under the spell of Count Mitterhaus.  The villagers promptly drive a stake through the Count’s heart, though he manages to do two things before dying.  First off, he curses the town and announces that the blood of their children will give him new life.  Secondly, he tells Anna to escape and track down his brother.

Fifteen years later and, as one might expect, Stetl is a town under siege.  However, the town is not being attacked by vampires.  (Not yet anyway.)  Instead, the town has been hit by the plague and, as a result, it’s been isolated from the outside world.  Men with guns have surrounded the town and are under orders to kill anyone who tries to leave or enter.  Some in the village believe that this is the result of the Count’s dying curse while others just see it as more evidence of man’s inhumanity to man.  Regardless, it’s not good situation.

Fortunately, escape arrives in the form of the Circus of the Night!  That’s right, a gypsy carnival suddenly appears in town.  How did it manage to slip by the blockade?  Who knows and who cares?  What’s important is that the villagers, especially their children, need an escape from their grim existence and the Circus seems to offer something for everyone.  There are dancers.  There are acrobats.  There’s the mysterious tiger woman.  There’s a mirror that makes you see strange things.  And, of course, the are vampires….

That’s not really a shock, of course.  The name of the film is Vampire Circus, after all.  What always takes me by surprise is just how ruthless and cruel the vampires are in this film.  Even by the standards of a 1970s Hammer film, this is a blood-filled movie but, even beyond that, the vampires almost exclusively seem to target children.  Fortunately, all of Stetl’s children tend to be a bit obnoxious but it’s still a shock to see two fresh-faced boys get lured into a mirror where they are both promptly attacked by a vampire.  (And don’t even get me started on what happens when one of the vampires comes across a boarding school.)  Make no mistake, this circus is not made up of the type of self-tortured, romanticized vampires that have dominated recent films.  These vampire are utterly viscous and without conscience.  In other words, these vampires are actually frightening.

The members of the circus are, themselves, a memorable bunch.  David Prowse is the hulking strongman.  Lalla Ward and Robin Sachs are the achingly pretty, innocent-faced twin acrobats who greedily drink the blood of anyone foolish enough to wander off with them.  Some members of the circus can transform into animals.  What’s interesting is that not all of the members of the circus are vampires.  Some of them, I guess, are just groupies.

Featuring the reddest blood that you’re ever likely to see and a cast of memorably eccentric character actors, Vampire Circus often feels more like an extremely dark fairy tale than a typical Hammer vampire film.  Clocking in at 87 minutes, Vampire Circus is a briskly paced dream of carnivals and monsters.