Horror TV Review: Fear the Walking Dead 7.1 “The Beacon” (dir by Michael E. Stratazemis)


Reviewing Fear The Walking Dead’s seventh and final season is going to be difficult for me.

You have to understand that I’ve only seen a few episodes of Fear The Walking Dead. I watched the first two or three episodes of the first season. Then I got bored. I tried to watch the second season. I got bored. I was determined to watch the third season but I changed my mind halfway through the season premiere. Again, I got bored Seasons 4, 5, and 6, I didn’t even try. I was exhausted with zombies and, even more importantly, I was exhausted with the world of The Walking Dead.

But I am going to try to watch season 7 because it’s the final season. With both The Walking Dead and Fear the Walking Dead reaching their conclusions, a pop cultural era is coming to an end. And so, despite not having the slightest idea what’s going on or who the majority of the characters, I’m going to attempt to watch and review Fear The Walking Dead.

Fear the Walking Dead‘s seventh season premiered last Sunday. I only got around to watching it today because I may be determined but I’m not particularly enthusiastic. “What,” I asked myself, “can this show possibly provide me with that The Walking Dead and countless other zombie films haven’t?”

As if to answer my question, Fear the Walking Dead opened with several atomic warheads exploding. Certainly, there have been other zombie films that have opened with nuclear bombs going off. Fear the Walking Dead, though, may be the first television show to do so at the start of its seventh season. On the one hand, the people incinerated did not return as walkers. However, those who died of radiation poisoning did. Seriously, that’s a terrifying through. Radiation poisoning is a bad enough way to die without spending the entire time knowing that, once you do die, you’re going to return as a zombie.

The majority of the show’s regular cast did not appear in the first episode, which was fine with me since I don’t really don’t know who any of them are. Instead, the episode centered around Strand (Colman Domingo), a regular character who had kind of set himself up as a warlord over the radioactive landscape and Will (Gus Halper), a wanderer who was eventually picked up by Strand’s men. At first, Strand had little use for Will but then Strand discovered that Will knew Alicia. I, of course, don’t know Alicia but this is all stuff for which I’ll have a better understanding after a few episodes. What’s important is that it was obvious that Alicia was important to Strand.

Fortunately, I didn’t really need to understand all of the backstory in order to enjoy this episode. The Beacon, as the premiere was entitled, was a visual triumph, with the nuclear hellscape becoming as important of a character as either Strand or Will. The inevitable battle between Will, Strand, and a group of walkers was also nicely handled, with the shadowy walkers emerging from a dark mist in a style that brought to mind John Carpenter’s The Fog. In this episode, the walkers were frightening in a way that they rarely were in the recent episodes of The Walking Dead.

As for Strand and Will, Domingo and Halper did a good job playing opposite each other. They’re both intriguing characters. Unfortunately, the script was full of clunky dialogue, which seems to be an issue on all of the shows that make up The Walking Dead universe. Still, the episode was visually impressive and well-acted so I’m going to continue to watch the final season of Fear The Walking Dead and, after a few more episodes, I will hopefully actually know what’s going on.

Horror on the Lens: How To Make A Monster (dir by Herbert L. Strock)


You’ve seen I Was A Teenage Werewolf….

You’ve watched I Was A Teenage Frankenstein….

Now, it’s time to watch How To Make A Monster!

Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played!  The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.

Be sure to watch for the finale, which features cameo appearances from several other AIP monsters!  And read my full review of the film by clicking here!

Horror on TV: Friday the 13th: The Series 2.11 “The Sweetest Sting” (dir by David Winning)


Tonight, for our horror on the lens, we have the eleventh episode of the 2nd season of Friday the 13th: The Series!

In this episode, a beekeeper (Art Hindle) uses killer bees to take out his enemies! AGCK! I have to admit that I am a little bit scared of bees, mostly because I’ve never been stung by one. There’s a part of me that will always be worried that I might be allergic to them. Plus, I think it’s kind of depressing that bees spend their whole life looking for someone to sting and then they die as a result. I feel bad for the bees, even as I fear them.

This episode originally aired on January 21st, 1989.

Spirits (1990, directed by Fred Olen Ray)


In this sex-filled take on The Haunting of Hill House, Robert Quarry leads a group of researchers to a haunted house. Amy Goldwyn (Brinke Stevens) is the smart psychic who knows the house isn’t safe but who still gets possessed by a demon and ends up hammering a nail through her palm. Beth (Kathrin Lautner) is the self-described “bitch” who has a lesbian past because this is a direct-to-video 90s film. Harry (Oliver Darrow) is the cocky womanizer who gets seduced by a succubus. The house is haunted by the spirit of a fallen priest and his demonic nuns. Only another priest, Father Anthony Vicci (Erik Estrada!), can save the researchers but that holy water that he’s carrying around is only going to work if he regains his faith and seeks forgiveness for his past sins.

As far as I know, Spirits is only available on VHS. So, if you do watch it, you’re going to need a VCR that works. Considering how easily an old VCR can break down and how it’s nearly impossible to get them repaired, you’re going to need to realize that Spirits could very well be the last tape you ever watch on the old machine. Do you want to take the risk? I took the risk and, for what it is, Spirits is not that bad. It’s a Fred Olen Ray films and it’s got Brinke Stevens and Michelle Bauer in it so you know what you’re going to get. Still, after I finished it, I realized that, if Spirits had been the last thing I ever watched on that old VCR, I would have been pissed. If my VCR is going to break, I’d rather it break while I was watching a tape full of hours of Must See TV from 1996.

Spirits has a few things to recommend it. Brinke Stevens was one of the best of the direct-to-video scream queens and she actually does give a “real” performance as Amy. The sight of Erik Estrada, playing a tortured a priest as if he was a character on a particularly racy telenovela, was certainly entertaining. Finally, there was Count Yorga himself, Robert Quarry, as the main ghost hunter. Otherwise, Spirits is a typical direct-to-video Fed Olen Ray film, with cheesy music, terrible special effects, and laughable dialogue. There’s a lot of nudity, of course but you can find the same amount of nudity in films that you can safely watch on DVD or Blu-ray. If you’re going to risk the VCR, the movie is going to need to have more to offer.

Scenes that I Love: Peter Cushing In Shock Waves


Shock Waves (1977, dir by Ken Wiederhorn)

Today’s scene that I love comes from one of the most underrated zombie films of the 70s, Shock Waves.

In this film, Nazi zombies have emerged off the coast of an island. When a group of stranded tourists explore the island, they come across Peter Cushing, who explains to them just what exactly is going on. Cushing totally steals this scene. It’s always interesting to me that Cushing could convincingly play such depraved characters when, in real life, he was supposedly a very gentle and somewhat shy man. In fact, if you listen to the commentary track that was recorded for Shock Waves’s video release, everyone who worked on the film talks about what a joy Peter Cushing was off-screen.

Here is Peter Cushing in Shock Waves:

6 Shots From 6 Pete Cushing Films


4 or more Shots from 4 or more Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today, the Shattered Lens pays tribute to Peter Cushing, one of the great actors and horror stars of the previous century.  By most accounts, an old-fashioned gentleman who enjoyed gardening and a little painting, Peter Cushing went from the stage to films to television and back again and, along the way, appeared in some of the most popular and beloved films ever made.  He was often cast as a rival to Christopher Lee.  In real life, the two men were the closest of friends.

Here are….

6 Shots From 6 Peter Cushing Films

Hamlet (1948, dir by Laurence Olivier, DP: Desmond Dickinson)

The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)

Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

Dr. Who and the Daleks (1965, dir by Gordon Flemyng, DP: Jack Wilcox)

Shock Waves (1977, dir by Ken Weiderhorn, DP: Reuben Trane)

Star Wars Episode IV: A New Hope (1977, dir by George Lucas, DP: Gilbert Talyor)

Horror On The Lens: I Was A Teenage Frankenstein (dir by Herbert L. Strock)


From 1957, it’s I Was A Teenage Frankenstein!

This film was produced as a direct result of the box office success of I Was A Teenage Werewolf.  Just as in Teenage Werewolf, Whit Bissell plays a mad scientist who makes the mistake of trying to play God.  (He also makes the mistake of keeping an alligator in his lap but that’s another story.)  The end result …. Teenage Frankenstein!

The makeup on the Teenage Frankenstein is probably the best thing about this film.  If nothing else, this film features a monster who actually looks like he was stitched together in a lab.

Enjoy and please be sure to read my review of this film at Horror Critic!

Horror on TV: Friday the 13th: The Series 2.6 “Master of Disguise” (dir by Tom McLoughlin)


Tonight, for our horror on the lens, we have the sixth episode of the 2nd season of Friday the 13th: The Series!

In this episode, an actor uses a makeup case that was once owned by John Wilkes Booth to improve his looks! Unfortunately, the makeup is fueled by murder! This episode features horror and romance. Prepare to shed a tear for poor Micki. This episode also features a shout out to the great Boris Karloff.

This episode was directed by Tom McLouhlin, who also directed Friday the 13th Part VI: Jason Lives!

This episode originally aired on November 11th, 1988.

Horror TV Show Review: Day Of The Dead 1.1 “The Thing In The Hole” (dir by Steven Kostanski)


First off, you may be looking at this review and thinking, “Someone’s a little late.”

Yes, I am.  Thank you for pointing that out.  I’m sure you’ve never had a busy week either.

That said, despite the fact that you shouldn’t have pointed it out, it is true that Day of the Dead premiered last Friday and it was only today that I finally got around to watching it on the DVR.  That wasn’t necessarily intentional on my part.  I just haven’t had a chance to sit down and really watch it or any other shows until tonight.  In fact, ever since I first saw the commercials for the show on SyFy, I’ve been looking forward to watching it.  Even though it looked like yet another Walking Dead rip-off, the fact that it was on SyFy held some promise as SyFy’s shows usually move quickly and feature lots of carnage.  If AMC always seems as if it’s trying too hard to turn its zombie franchise into a prestige factory, SyFy promises the opposite approach.

The show is named after George Romero’s Day of the Dead, which featured a group of survivors trying to ride out the zombie apocalypse in an underground bunker.  While the first episode did feature zombies and an anti-fracking plotline that felt like it could have come from one of Romero’s later films, it otherwise didn’t have much in common with Romero’s classic shocker.  The zombie apocalypse did start about halfway through the episode and apparently the show is going to focus on a group of people trying to survive the end of the world but, during the first episode, there was no bunker.  There was no Dr. Logan.  No one shouted “Choke on them” while his intestines were being devoured.  There was, however, some underground scenes due to the whole fracing subplot and there is a sinister character named Rhodes so I imagine we’ll be heading for some sort of underground bunker soon.  I guess we’ll find out over the course of the next few episodes.

After opening with an exciting flashforward the featured plenty of undead chaos, the first episode focused on election day in the town of Mawinhaken.  Mayor Paula Bowman (Miranda Frigon) is concerned about getting reelected but the election is brought to halt when the dead suddenly rise up from their graves and start eating all of the voters.  I got the feeling that we were meant to dislike Mayor Bowman because she’s an ambitious politician who has apparently put her career before her family but, as far as I’m concerned, Mayor Bowman was the best character on the show.  No sooner have the dead arisen than she’s running around with a gun and blowing them away while saying stuff like, “Second amendment, motherfucker!”  Hell yeah!  Plus, she has a great name.  Mayor Bowman has a nice ring to it….

(But if I was mayor, would I still have time to watch and review Lifetime films?  That’s the question.)

As for the rest of the characters …. well, there’s a lot of them.  Hopefully, a few of them will get eaten during the next episode because, otherwise, it’s going to be a struggle to keep everyone straight.  I did like Keenan Tracy, who played Cam McDermott, the son of a police detective who mows lawns to bring in extra money.  The scene where he mowed over the dead as they rose from their graves was a highlight of the episode.  Otherwise, the characters felt a bit interchangeable.  The only woman working on the fracking crew is former special forces.  The mortuary assistant is sarcastic.  There’s two bullies who like to give Cam a hard time.  They all made just enough of an impression that I can remember that they’re on the show but I’d by lying if I said any of them jumped out at me the way that Mayor Bowman and Lawnmower Cam did.

Anyway, it was a good enough first episode.  The action moved quickly and the zombies were gruesome without being quite as icky as the decaying corpses that pop up on The Walking Dead.  So far, the Day of the Dead zombies appear to move faster than the Walking Dead zombies and that’s definitely an improvement.  It’s probably debatable whether or not, at this point, there’s anything new that can be done with whole zombie apocalypse thing but I’ll definitely give Day of the Dead a chance to show me what it has in mind.