Horror Film Review: The Texas Chainsaw Massacre (dir by Tobe Hooper)


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Occasionally, I get asked why I am always making mean-spirited jokes about Vermont.  Well, believe it or not, there is a reason!  Would you believe that it all goes back to The Texas Chainsaw Massacre?

In an editorial that was posted on this very site, I argued that one reason why, ever since it was initially released in 1974, The Texas Chainsaw Massacre has remained an iconic horror film is because the title specifically alerts you that the film takes place in Texas.  For whatever reason, people across America are terrified of my home state.  Despite the fact that we’re all pretty friendly down here, people are scared to death.  They think we’re all walking around with guns or that something’s bad is going to happen if you make a wrong turn.  (And, of course, folks from up north can’t handle the fact that the temperature occasionally gets above 85. “OH MY GOD, IT’S GLOBAL WARMING!” the tourists shout.  No, morons — it’s just summer in Texas.)  In order to prove my point, I pointed out that no one would want to see a movie called The Vermont Chainsaw Massacre.

For good measure, I may have then added, “Fuck Vermont.”  Because — well, why not?*

Within hours of posting that editorial, I heard from someone in Vermont and OH MY GOD, she was so offended!  Seriously, she seemed to be really upset that I was suggesting that nobody would be scared of getting horribly murdered while driving through Vermont!

So, to the people of Vermont, accept my apologies.  Y’all are just as capable of killing people with a chainsaw as we are, okay?

Seriously, though, The Texas Chainsaw Massacre would never work if it was set in Vermont.  That’s not just because Vermont su …. uhmm, is a lovely state.  That’s because The Texas Chainsaw Massacre is a uniquely Texan film.  One reason why this film is so successful is because it was made by Texans and it starred Texans (no inauthentic accents here!) and it was filmed in Texas during the summer.  From the minute we see that van driving down the road, we feel the isolation of the characters.  Every frame of the film is filled with Texas heat and humidity and, as such, the audience can almost literally feel how uncomfortable it is inside the van, so much so that you really can’t blame everyone for wanting to get out and walk around for a while.  Ultimately, the burning sun is as important a character in this film as Sally (Marilyn Burns), her obnoxious wheelchair-bound brother Franklin (Paul A, Partain), or Leatherface (Gunnar Hansen), the hulking cannibal who chases after them with a chainsaw.

Actually, it’s a little bit difficult to know what to say about The Texas Chainsaw Massacre.  It’s such a famous film that even people who haven’t seen it feel as if they had.  And every review always points out the reasons why it works: the film is shot in an almost documentary style, Marilyn Burns was one of the great scream queens, Leatherface’s final dance with his chainsaw is pure nightmare fuel, and, despite the fearsome title, next to no blood is actually seen on screen.  This is one of those films where we imagine we see a lot more than we actually do.  Despite being advertised as being a “chainsaw massacre,” only one person actually falls victim to a chainsaw and he’s so obnoxious that you’re kind of happy that he finally stopped talking.

They may not be much blood on the screen but this is still one of the most stomach-churning films ever made.  When Sally finds herself trapped in the house with Leatherface and his family, that house is so filthy and disgusting that you can literally smell the rotting flesh coming off the screen.  This may be a case of my own OCD speaking but the squalor of that house tends to disturb me even more than some of the murders.

Speaking of the murders, the death of Jerry (Allan Danziger) always freaks me out.  Jerry is looking for his other dead friends when Leatherface appears out of nowhere and hits him with a sledgehammer.  Up until that point, Jerry seemed like the smartest of the five people to find themselves wandering around that desolated part of South Texas.  Certainly, if I had been there, I probably would have wanted to stay with Jerry.  Perhaps that’s why Jerry’s high-pitched scream before getting killed always disturbs me.  If you’ve seen enough slasher movies, you know that the men in these movies — no matter what is happening to them — hardly ever scream.  When Jerry does so, it makes the movie feel real in a way that most film influenced by Texas Chainsaw do not.

Listen, Vermont … I’m sorry you can’t have a chainsaw massacre of your very own.  But The Texas Chainsaw Massacre is a part of our history and, despite the negative implications of the name, we do take a certain amount of pride in it.  It is truly one of the great horror films.  Ignore the remakes, which were made by non-Texans and are all so excessively stylized that you have to wonder if the filmmakers even saw the original.

One final note: The Texas Chainsaw Massacre also has one of the truly great trailers.  Check it out below!

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* I should mention that I can usually trust someone around here to ask me if I really want to say something like “Fuck Vermont” before I hit publish.  But that weekend, Arleigh was on vacation and this was before I had recruited my sister to come work here so there really wasn’t anyone else around the TSL offices who was used to dealing with me and my impulsive nature.  I tried to show the post to Leonard to get his opinion about the F Vemont line but he was busy watching hockey…

6 Trailers For Halloween!


Hello there!  Welcome to a special Halloween edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  The trailer kitties went out this morning (despite the fact that it’s been raining nonstop down here since yesterday) and they came back with these 6 horrific trailers for Halloween!

Let’s see what they’ve brought us!

(By the way, some of these trailers may be NSFW and some may contain excessive gore or even nudity so use your best judgment when it comes to watching.  The TSL accepts no responsibility for the occasionally over-the-top choices of the trailer kitties.)

Zombi 2 (1979)

Axe (1974)

Welcome to Arrow Beach (1974)

Dracula (1979)

Andy Warhol’s Dracula (1974)

Halloween (1978)

What do you think, Trailer Kitty?

"Happy Halloween!"

“Happy Halloween!”

Awwwwwww!

4 Shots From 4 Jean Rollin Films: Requiem For A Vampire, The Living Dead Girl, The Two Orphan Vampires, The Fiancee of Dracula


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Films

Requiem For A Vampire (1971, directed by Jean Rollin)

Requiem For A Vampire (1971, directed by Jean Rollin)

The Living Dead Girl (1982, directed by Jean Rollin)

The Living Dead Girl (1982, directed by Jean Rollin)

Two Orphan Vampires (1997, directed by Jean Rollin)

Two Orphan Vampires (1997, directed by Jean Rollin)

The Fiancee of Dracula (2002, directed by Jean Rollin)

The Fiancee of Dracula (2002, directed by Jean Rollin)

Horror on the Lens: Night of the Living Dead (dir by George Romero)


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Happy October!  It’s been a great horror month here at the Shattered Lens!  Not only have we shared a record number of reviews but we’ve also received a record number of site views!  Thank you everyone for reading and commenting and, to our new readers, we hope you’ll stick around even after Halloween!

Now, here at the Shattered Lens we have a tradition.  Every Halloween, we share one of the greatest and most iconic horror movies ever made.  That film, of course, is George Romero’s Night of the Living Dead!  Enjoy and have a great Halloween!

(And after you’ve watched the film, be sure to check out Arleigh’s review!)

 

 

Horror on TV: The Twilight Zone 3.14 “Five Characters In Search Of An Exit”


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Tonight’s episode of The Twilight Zone is another one of those existential stories of dread that I love so much. An army officer wakes up to find himself trapped in a cylindrical room. He has no idea how he got in there. He can’t even remember his name. All he knows is that 1) there doesn’t appear to any way out and 2) he’s trapped with four others; a hobo, a clown, a bagpiper, and a ballet dancer.


The officer wants to escape but, as his fellow prisoners explain to him, existence is pain.


This episode originally aired on December 22nd, 1961.


The TSL’s Daily Horror Grindhouse: Smiley (dir by Michael Gallagher)


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Oh God, this movie.

Whenever I watch 2012’s Smiley (and, since this is one of those films that always seems to be playing whenever I have insomnia, I actually have seen Smiley more times than I should probably admit), I always find myself hoping that it will actually be a better film than I remember it being.

Some of that, I have to admit, is because I once dated a frat boy whose nickname was Smiley.  His high school football coach gave him that name because he was always smiling!  (Yes, I once dated a football player who smiled a lot and didn’t really care much about literature, art, movies, history, or anything else that I was actually interested in. Don’t ask me to explain how these things happen.)  His pickup truck even had a personalized licence plate that read, “SMILY.”  That’s right — he wasn’t really sure how to spell Smiley.  Whenever I see the title Smiley listed in the guide, I think of him and I have to kind of laugh.

Beyond that, Smiley was an independent, low-budget film and I have to admit that my natural inclination is always to support independent filmmakers.  If Smiley was a huge studio production, I’d have absolutely no qualms about ripping it apart.  But when I see an indie horror film like Smiley, there’s a part of me that almost feels that I have to be supportive.  But the things is, it’s one thing to be supportive and it’s another thing to be delusional.  I may want Smiley to be a good horror film but it’s not and I’m really not doing anyone any good if I pretend otherwise.

Finally, I always want Smiley to be better than it actually is because the film features one of the creepiest killers that I’ve ever seen.  Even if the character is cheapened by a rather stupid twist, Smiley is scary looking.  Smiley is presented as being the spirit of a man who, after stitching his own eyes closed, carved a permanent smile on his face.  As a force of evil, Smiley is genuinely frightening and it’s unfortunate that the rest of the film doesn’t live up to the character’s potential.

As for the rest of the film … well, it’s pretty much your typical slasher.  All of the characters are loathsome, the murders are neither suspenseful nor gory enough to really be memorable, and this is one of those films that relies far too much on scenes of people running into someone, screaming in terror, and then discovering that it was just one of their friends.  It is true that there is a twist towards the end of the film that’s designed to make you question everything that you’ve just see but since the twist doesn’t make much sense and comes out of nowhere, it’s hard to get excited about it.  The best thing the film had going for it was the character of Smiley and the twist pretty much ruins that.

(The film’s other big twist is that the cast is full of YouTube personalities, which makes Smiley the spiritual descendant of The Scorned, a similarly bad slasher film that was full of reality TV stars.)

By the way, the idea behind Smiley is that you can go on Chatroulette and, if you type “I did it for the lulz” three times, Smiley will appear and kill whoever your chatting with.  Just for the record, I’ve tried it and it doesn’t work.*

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* Well, to be honest, I got a friend of mine to try it and it didn’t work.  I’ve got better things to do then watch some guy jerking off on Chatroulette.

A Horror Blast From The Past: The Haunted Castle (dir by George Melies)


Oh my God, y’all — are you ready to see the very first horror movie ever made!?

Okay, so I guess I should be honest and admit that this is more of a comedy than a horror film.  But it was reportedly the first film ever made to contain horror elements.  (In this case, the film takes place in a haunted castle and features ghosts.)  The Haunted Castle is only 3 minutes long and it’s definitely a bit primitive but that’s understandable when you consider that The Haunted Castle was made in 1896!

The Haunted Castle was a French film and it was directed by George Melies.  Yes, the same George Melies who was played by Ben Kingsley in Hugo.

Watch it below!

Horror Scenes I Love: Asia Argento Gets Hit By The Stendhal Syndrome


Since I just shared 4 shots from 4 Dario Argento films, I figured why not take this week’s horror scene that I love from an Argento film as well?

Argento’s 1995 film The Stendhal Syndrome has always gotten mixed review but I think it’s actually one of the better of his post-Tenebrae films.  In the scene below, police detective Anna Manni (Asia Argento) wanders through Florence and finds herself overwhelmed by the sheer beauty of the place.  Eventually, while looking at Bruegel’s Landscape With The Fall of Icarus, Anna is so overwhelmed that she faints and has a fantasy where she swims through the ocean and kisses a fish.  Of course, as this happens, she is watched by serial killer Alfredo Grossi (Thomas Kretschmann).

I have to admit that one reason why I like this scene (and this film) is because I had a similar experience when, the summer after graduating high school, I visited Florence.  No, I didn’t faint but I definitely found myself wandering around in a bit of a daze.  Standing in Florence is like finding yourself in the middle of living painting.  It’s an amazing experience and one that I recommend to everyone.

4 Shots From 4 Dario Argento Films: Phenomena, Trauma, Sleepless, Dracula 3D


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Films

Phenomena (1985, directed by Dario Argeto)

Phenomena (1985, directed by Dario Argeto)

Trauma (1993, dir by Dario Argento)

Trauma (1993, dir by Dario Argento)

Sleepless (2001, directed by Dario Argento)

Sleepless (2001, directed by Dario Argento)

Dracula 3D (2012, directed by Dario Argento)

Dracula 3D (2012, directed by Dario Argento)