6 Actors Who I Hope Will Win An Oscar In The Next Ten Years


Ethan Hawke

I should begin by saying that there’s a good chance that Ethan Hawke will win an Oscar later tonight.  He’s been nominated for Blue Moon.  When this Oscar season began, he was definitely the front runner.  As of late, the momentum seems to have shifted toward Michael B. Jordan or perhaps Timothee Chalamet but still, one should not totally discount Hawke’s chances.  If Hawke does lose tonight, I have no doubt that he will be nominated in the future and eventually, he will win.  It’ll be long overdue.  As you can probably guess by the picture at the start of this post, I’m one of those people who thinks that he definitely should have won for Boyhood.

Colin Farrell

Colin Farrell finally received his first Oscar nomination for The Banshees of Inisherin but he lost the award to Brendan Fraser.  Farrell is not an actor who has always gotten the respect that he deserves.  Especially early in his career, he was often miscast.  Much like Matthew McConaughey, he was often dismissed as just being a pretty boy until he met a director — in this case, Martin McDonagh — who truly understood how to best utilize Farrell’s screen presence.  As In Bruges, Banshees and The Penguin showed, Farrell is essentially a character actor in a leading man’s body.  My hope is that Farrell will win his first Oscar between now and 2036 and that he’ll give a memorable acceptance speech.

Brendan Gleeson

Speaking of The Banshees of Inisherin, how does Brandan Gleeson only have one Oscar nomination to his name?  Now, to be clear, I don’t begrudge the fact that Gleeson lost to Ke Huy Quan.  Quan had a wonderful personal story, gave the best performance in the overrated mess that was Everything Everywhere All At Once, and his acceptance speech was truly touching.  That said, my sincere hope is that the Academy understands that Gleeson is long overdue an Oscar.  Hopefully, that will be corrected soon.

Kurt Russell

Kurt Russell is one of those actors who I just can’t believe has never been nominated.  In a few days, Kurt Russell will be turning 75.  He’s been a popular actor for most of his life but he’s not getting any younger.  So, get with it, Academy!  I don’t care what his next film is.  I don’t care how big the role is.  Give Kurt Russell his Oscar!

Tom Cruise

Tom Cruise has had an interesting career.  He went from being a teen idol to a character actor to a somewhat disreputable celebrity to finally reemerging with the Mission Impossible films as one of our last true movie stars.  One need only watch Top Gun: Maverick to see the type of charisma that we’re going to miss once it’s gone.  Later this year, Cruise will be starring in Digger.

Sylvester Stallone

Seriously, how many times does this man have to play Rocky and Rambo before the Academy finally gives him the award that everyone secretly wants him to win?  Give Stallone his Oscar!

6 Directors Who I Hope Will Win An Oscar In The Next Ten Years


David Lynch died without ever having won a competitive Oscar.  He was nominated three times, once for a movie that was also nominated for Best Picture.  He was given an honorary award before he died.  But he never won the Oscar for Best Director.

When it comes to the Oscars, we always talk about artists who are “overdue” and we often suggest that they’ll win with their next major release.  But life and art are both unpredictable.  Indeed, even when a past due director does win an Oscar, it’s often for a lesser film.  George Cukor directed many charming films but he only won one Oscar and that was for the leaden My Fair Lady.

Here are my picks for six directors who I hope will win an Oscar in the next ten years.  Some are overdue.  Some are just underrated.  All of them are deserving.

Richard Linklater

Richard Linklater had a great 2025.  Blue Moon resulted in an Oscar nomination for Ethan Hawke.  Nouvelle Vague swept the Cesars.  He’s widely viewed as one America’s best and most independently-minded directors.  And yet, he’s only once been nominated for Best Director, for Boyhood.  That Linklater lost that Oscar to Alejandro Gonzales Inarritu is a true injustice.  Linklater is one of those directors who vision may be too idiosyncratic for the Academy but I remain hopeful that he will get his Oscar.  He’s currently directing Merrily We Roll Again, with filming set to wrap up in 2040.  That’s a long wait but I look forward to reviewing it.

Joseph Kosinski

With Top Gun: Maverick and F1Kosinski has emerged as one of the best directors of action around.  Both Top Gun: Maverick and F1 were satisfying films that were not ashamed of being works of adrenaline-pumping excitement.  Both were nominated for Best Picture but Kosinski has yet to receive a Best Director nomination.  I hope that changes soon.

David Fincher

It’s amazing to realize that David Fincher still doesn’t have an Oscar.  He’s one of the most influential directors around.  Much as with David Lynch, a lot of aspiring filmmakers have tried to imitate Fincher but David Fincher really is the only one who can do what he does.  2026 will see the release of The Adventures of Cliff Booth and it will be interesting to see how Fincher continues the story started by Quentin Tarantino in Once Upon A Time In Hollywood.

Quentin Tarantino

To be honest, I suspect that Quentin Tarantino is never going to win a Best Director Oscar.  He’s talented, he’s beloved by a large number of film fans, and he also has a real talent for burning bridges and ticking people off.  If you’re a director who happens to be a friend of Paul Dano’s, you’re probably never going to vote for Tarantino.  That said, I have my doubts as to whether or not Tarantino really cares about the Oscars.  His favorite films are the ones that don’t win Oscars.  I personally would enjoy hearing his acceptance speech.

Andrea Arnold

I have been a fan of Andrea Arnold’s ever since I saw Fish Tank at the Dallas Angelika in 2010.  This British director has only directed five feature films since 2006 but she’s still one of the best filmmakers out there, capturing life on society’s fringes with an empathy that never feels condescending.

Sofia Coppola

Sofia is a perennial on these lists and I’ll keep including her until she finally wins her Oscar. No one captures the beauty of ennui with quite the skill and visual flair of Sofia Coppola.

 

My Oscar Predictions


 

Okay, let’s do this!  Here are my predictions of what will win at the big show tonight!

Best Picture — Sinners

Best Directing — Ryan Coogler, Sinners

Best Actor — Michael B. Jordan, Sinners

Best Actress — Jessie Buckley, Hamnet

Best Supporting Actor — Delroy Lindo, Sinners

Best Supporting Actress — Wunmi Mosaku, Sinners

Best Original Screenplay — Sinners

Best Adapted Screenplay — One Battle After Another

Best Animated Feature — Zootopia 2

Best Casting — Sinners

Best Production Design — Frankenstein

Best Cinematography — Train Dreams

Best Costume Design — Frankenstein

Best Film Editing — Sinners

Best Makeup and Hairstyling — Frankenstein

Best Sound — F1

Best Visual Effects — F1

Best Original Score — Sinners

Best Original Song — Golden from KPop Demon Hunters

Best Documentary Feature — The Perfect Neighbor

Best International Feature — The Secret Agent

Best Animated Short — The Retirement Plan

Best Documentary Short — Armed Only with a Camera: The Life and Death of Brent Renaud

Best Live Action Short —  Jane Austen’s Period Drama

Welcome To Oscar Sunday!


Audrey Hepburn and her Oscar, in happier times

Welcome to Oscar Sunday!

Today is practically a holiday for me.  As someone who loves movies and who also loves award shows, the Oscar Ceremony is an important annual event.  I really don’t feel like the previous year is over until the Oscars have been handed out.  For me, I won’t truly be able to move on from 2025 and really plunge into 2026 until the award for Best Picture is handed out.

We’ll be here, the TSL crew, watching the show and rooting for our favorite films!  We’ll be posting all the winners, maybe a few reviews, and I’ll be tossing out some Oscar thoughts throughout the day.

Enjoy Oscar Sunday!  May we all be as happy as Audrey Hepburn was when she won her Oscar for Roman Holiday!

Scene that I Love: The Opening Of The Oscar


Happy Oscar Sunday!

Today’s scene that I love come from the classic Hollywood melodrama, 1966’s The Oscar!

Behold the glory that was Hollywood!

Actually, this film makes Hollywood look pretty low-rent.  Hopefully, though, this will be Frankie Fane’s year.  He’s paid his dues.  Who else are they going to give it to?  Frank Sinatra?

Live Tweet Alert: Join #ScarySocial for Grizzly!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1976’s Grizzly!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: Michael Caine in Inception


Today, the Shattered Lens wishes a happy 93rrd birthday to Sir Michael Caine.

Today’s scene that I love comes from 2010’s Inception, a film that featured Caine in a small but key role.  Caine shares this scene with Leonardo DiCaprio and, as good an actor as DiCaprio may be, Caine dominates from the moment he first looks up.

4 Shots From 4 Films: Special Wolfgang Petersen Collection


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates German director Wolfgang Petersen.  It’s time for….

4 Shots From 4 Wolfgang Petersen Films

Das Boot (1981, dir by Wolfgang Petersen, DP: Jost Vocano)

The NeverEnding Story (1984, dir by Wolfgang Petersen, DP: Jost Vocano)

In The LIne of Fire (1993, dir by Wolfgang Petersen, DP: John Bailey)

The Perfect Storm (2000, dir by Wolfgang Petersen, DP: John Seale)

Yay! You survived Friday the 13th!


Congratulations!

Depending on where you live, Friday the 13th is either over or nearly over!  And, if you’re reading this, you survived!!!!!

Obviously, you listened to Crazy Ralph and you did not have sex, smoke weed, skinny dip, go out at night, take a boat trip to Manhattan, go into space, go to sleep, go out for firewood, ask any strange people if they needed help, go looking for your friends, strip down to your underwear so you could go run around in the rain, or have any fun whatsoever!

In other words, today was a boring day for you!  But you survived!

In honor of your survival, here’s the end theme from Friday the 13th.  This was composed by Harry Manfredini and, believe it or not, it’s actually a rather beautiful piece of music.  So, celebrate your survival by listening.

And be prepared to make up for lost time on Saturday the 14th!  Be bad…be very bad….

 

13 for 13: Creature (dir by William Malone)


1985’s Creature takes place in the future!

A spaceship that has just recently visited one of Saturn’s moons has crashed into a space station that is orbiting Earth’s moon.  An American corporation sends another crew up to investigate the wreck but, when they arrive, they discover that a German corporation has beat them to it.  They also discover that all of the Germans are dead, with the exception of Hans Hofner (Klaus Kinski).  Hofner claims that an alien creature killed all of the other Germans and now, the creature will be coming after the Americans as well.

Would you allow Klaus Kinski on your spaceship?  That was one of the main things that I found myself wondering as I watched Creature.  Kinski was a German actor who was widely acknowledged as being one of the best actors in the world.  For instance, Doctor Zhivago is a beautiful but very slow film that suddenly comes to life during Klaus Kinski’s fifteen minutes of screentime.  He was also widely acknowledged as being incredibly difficult to work with, prone to paranoia and wild rages.  His frequent collaborator, director Werner Herzog, has frequently talked about being tempted to kill Kinski while working with him and Kinski reportedly threatened to kill Herzog as well but the two of them still worked together because Kinski’s talent made the pain worth it.  (At least, for a while….)  It’s probably open to debate just how much of Kinski’s bad behavior was performative and how much of it was actually due to Kinski being mentally unstable but it’s also true that any experienced filmgoer knows better than to trust any character played by Klaus Kinski.

Now, it should be noted that, while Kinski was a great actor, that doesn’t always mean that he gave performances that were appropriate for the film in which he was appearing.  If Kinski got bored during shooting, he would pretty much just do whatever he wanted.  That’s the feeling that one gets while watching him in Creature.  Kinski alternates between being overly twitchy and being obviously disinterested.  When he makes his first appearance, he randomly gropes an actress, a move that was apparently not scripted.  Later, Kinski eats a sandwich and talks with his mouth full.  From the disgusted looks of the other cast members, it’s hard not to suspect that this was another improvisation on Kinski’s part.  Kinski is always watchable but his performance is still one of the weaker elements of Creature.

That’s a shame because the rest of the cast — Lyman Ward, Stan Ivar, Wendy Schaal, Robert Jaffe, Diane Salinger — all do a pretty good job of bringing their characters to life.  That Creature is essentially a rip-off of Alien is no great secret.  But the film itself still works, due to some memorably grotesque effects work, William Malone’s quickly paced direction, and the performances of the majority of the cast.  It’s an enjoyable B-movie, obviously made by people with a deep appreciation for the science fiction genre.  Usually, Kinski is the element the redeems a B-movie.  In this case, he’s almost superfluous.  The film would have worked just as well — perhaps even better — if he hadn’t shown up.

Would I let Klaus Kinski on my spaceship?

In this case, I’d tell him to wait for the next shuttle.  He’s not needed.