Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for 2013’s The Cheating Pact!
You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Since today is Presidents Day, my scene that I love features one of my favorite fictional presidents! In this scene from 1964’s Dr. Strangelove, President Merkin Muffley (Peter Sellers) attempts to explain why something funny might happen with the bomb to his Russian counterpart.
Sellers reportedly based President Muffley on Adlai Stevenson, the self-styled “rational intellectual” who twice ran for President against Dwight Eisenhower.
Ah, Eisenhower. There’s a President that I wish I could have voted for.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been the birthday of director John Schlesinger. It’s time for….
4 Shots From 4 John Schlesinger Films
Darling (1965, dir by John Schlesinger, DP: Kenneth Higgins)
Far From The Madding Crowd (1967, dir by John Schlesinger, DP: Nicolas Roeg)
Midnight Cowboy (1969, dir by John Schlesinger, DP: Adam Holender)
Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1987’s Programmed To Kill!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Programmed To Kill on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
Enjoy!
Bud Cort died on February 11th, at the age of 77. He was a beloved character actor, one who had a real skill for bringing eccentric characters to life. He became a star briefly with films like Brewster McCloud and especially Harold and Maude but Hollywood never really knew what to do with him. After he was nearly killed in a car accident in 1979, his momentum stalled. Smart directors still cast him because he always gave good performances but he spent most of his career in small roles. (In Heat, he was the obnoxious restaurant manager who drove Dennis Haysbert back into a life of crime.)
When Cort died, most of the stories focused on his performance in Harold and Maude. That was understandable. That said, I’ve always been touched by Cort’s performance in 1970’s MASH and I wanted to take a moment to just express how wonderful I thought he was in the role of Private Boone.
Though he had previously appeared in two earlier films, Cort got an “introducing” credit for his role in MASH. He played Boone, a usually quiet corpsman who speaks with a slight stutter. When a patient in Post-Op develops complications, Major Frank Burns (Robert Duvall) tells Boone to get a cardiac needle. Boone obviously isn’t sure what Burns needs but Burns snaps at him to get it. When Boone comes back with a needle, the patient has already died. Burns calls Boone an idiot for getting the wrong needle. Burns offers to get a nurse. “It’s too late, Boone,” Burns says, motioning at the dead man, “you killed him.” Burns walks away as Boone, a look of shock on his face, tries not to cry.
And I have to admit that I want to cry with him. It’s one of the more shocking scenes in Altman’s film and it works because of not only Robert Duvall’s memorably nasty turn as Burns but also Bud Cort’s emotional vulnerability of Boone. Boone, who is in Korea because he was drafted, has not only seen a man die but he’s been told that he’s responsible. With just the slightly cocking of his head and the sniffling of a young man who doesn’t want to cry on duty, Bud Cort shows us just how devastated Boone is.
And, of course, Boone was not responsible. Trapper John (Elliott Gould) takes one look at the patient’s chart and sees that it was Burns’s own incompetence that is to blame. When Trapper punches out Burns, it’s a cathartic moment. The only thing you regret is that Boone wasn’t in the room to see it.
That was Bud Cort’s big moment in MASH, though he appears throughout the film. Indeed, if you watch carefully, there’s a subplot in which Boone starts dating one of the nurses and eventually becomes much more confident in himself. We don’t know much about Boone but we do see that he’s become a member of the gang. Unlike Burns or David Arkin’s Sgt. Vollmer, Boone is accepted by the inhabitants of the Swamp.
He even gets to attend the mock suicide of Painless.. Reportedly, Boone’s line of “You’re throwing away your whole education,” was improvised on the spot by Bud Cort.
Ah, Bud Cort. Rest in peace, you wonderful actor.
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
82 years ago, on this date, the late director Alan Parker was born in London. One of the many British directors, like the Scott brothers and Adrian Lyne, who began by directing advertisements, Parker went on to become a director known for both his intense visual style and his revolutionary use of music as a storytelling device. It’s time for….
4 Shots From 4 Alan Parker Films
Midnight Express (1978, dir by Alan Parker, DP: Michael Seresin)
Fame (1980, dir by Alan Parker, DP: Michael Seresin)
Pink Floyd — The Wall (1982, dir by Alan Parker, DP: Peter Bizou)
Angel Heart (1987, dir by Alan Parker, DP: Michael Seresin)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? The original Halloween!
If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
The film is available on Prime!
The sad truth of the matter is that the Friday the 13th films haven’t done much for the New Jersey summer camp industry.
Seriously, Crystal Lake is such a pretty location. The lake looks beautiful with the sun rising over it and the water literally beckons you to toss off all your clothes and go for a swim. The woods feature green trees and are full of animals and mysterious shacks. The nearby town is home to people like Enos the Truck Driver, Ralph the Prophet, and a countless number of waitresses who will give you directions and gossip if you ask politely. And then you’ve got Camp Crystal Lake, which has cabins and a generator and an archery range and a lot of outdoor showers. Seriously, Camp Crystal Lake encompasses the natural beauty that New Jersey was once known for.
Unfortunately, none of that matters. A few stupid camp counselors managed to get themselves killed by Betsy Palmer and now, no one wants to go to New Jersey anymore. Before Friday the 13th, New Jersey was a state for the entire family. After Friday the 13th, it became a state for a different sort of family. My point is that the Friday the 13th films are directly responsible for the Mafia taking over New Jersey. I don’t care how much they blame Lucky Luciano. Jason Voorhees is responsible for organized crime.
Anyway, that’s my long-winded explanation for why no one wants to vacation at Camp Crystal Lake anymore. It’s now known as Camp Blood and no one wants to hang out at a place where they might get killed or, even worse, get lost in the Pine Barrens. Instead, people decide to vacation at much safer locations …. like Camp Murder!
2020’s Camp Murder takes place at the camp of the same nickname. Throughout the film, everyone talks about what a dump Camp Murder is but, from what we see of it, it looks perfectly pleasant. It might be a little isolated and a little neglected but it hardly seems like the Hellhole that everyone keeps describing. A group of people are vacationing at Camp Murder, secure in the knowledge that infamous murderer “Terrible” Tommy Heller (Jeff Kirkendall) has been safely locked away from 25 years. Except — uh oh! — Tommy’s escaped! Dr. Lewis (Noyes J. Lawton) is searching for him but will he be able to find him before Tommy has wiped out the majority of the cast?
Camp Murder is one of Mark Polonia’s cheerfully low-budget horror films. Polonia specializes in horror-on-budget. His films aren’t exactly good but they’re made and often performed with such enthusiasm that it’s easier to forgive their flaws than certain other low-budget entries in the genre. When it comes to a Polonia film, you know what you’re going to get so I’m going to focus on two positive aspects of the film.
First off, Terrible Tommy is actually a pretty effective villain. His mask is genuinely disturbing and Jeff Kirkendall is properly menacing and relentless in the role.
Second, there’s a shot of two women walking towards a deserted barn that is actually effectively creepy.
As for the rest of the film, the pace is slow and the acting is often amateurish. Some of the gore effects work. It’s a shot-on-video slasher film. You know what you’re getting into when you starting watching it. The tourism industry will survive Camp Murder and that’s a good thing.
In 1984’s The Initiation, Daphne Zuniga plays Kelly Fairchild, a college student who is haunted by a recurring nightmare in which she, as a child, watches a man get burned alive in her childhood home. Kelly, who can’t remember anything about her life before the age of ten, signs up for sleep study but her mother, Francesca (Vera Miles), strictly forbids it. Kelly is far too busy and far too rich to have her dreams analyzed.
And really, Kelly does have a lot going on in her life at the moment. She’s a student at SMU. She’s pledging to a sorority. Her father (Clu Gulager) owns one of Dallas’s biggest department stores and Kelly has the key so that the sorority pledges can spend the night inside the “deserted” building. Sure, a patient with extensive burn scars has recently escaped from a mental hospital but what could that possibly have to do with Kelly and her disturbing dreams?
The Initiation is a film that takes a while to really get going. The film spends a lot of time on just Kelly walking around the SMU campus and visiting her parents in Highland Park. Eventually, though, Kelly, Marcia (Marilyn Kagan), and Alison (Hunter Tylo) spend the night in that store, which is not quite as deserted as they were told. Not only is the president of the sorority there to play pranks but she’s invited along three goofy guys to add to the fun. Of course, there’s also the mysterious killer who proceeds to start picking everyone off, one-by-one.
The Initiation is a film that I like for a couple of reasons. One of them is that, whenever I watch this movie, I find myself shouting, “I’ve been there!” This film was set and filmed in Dallas and it accomplishes the near-impossible task of actually making the SMU campus look vaguely interesting. (SMU may be a top college but the campus has always been a bit on the dull side.) SMU is a college that I once wanted to go to, at least until I saw how much it would cost and my guidance counselor saw how unimpressive my grades were in high school. Instead, I went to UNT but I still spent a lot of time around the SMU campus because it was right next do to my favorite movie theater, the Dallas Angelika.
Meanwhile, the department store is played by Dallas Market Center. I can only imagine that trouble that the production went through to get permission to shoot there. That said, I have to admit that I found the “Vendors only” signs that appeared on several doors to be distracting. (The Dallas Market Center is largely used for trade shows.) Still, it was a good and atmospheric location for the slasher mayhem.
While it does take a while for that mayhem to start, the kills are all memorably nasty and bloody and actually rather frightening. I’ve always felt that, if you’re going to make a movie like this, you should go all out. There should just be blood and guts everywhere and The Initiation doesn’t shy away from that. The fact that the victims are largely played by likable actors only makes the deaths more effective.
Finally, The Initiation ends with one of those totally out-there twists that a viewer like me just can’t help but love. It’s a totally ludicrous twist but it’s just so weird and random that it was impossible not to enjoy.
Now, to be clear, The Initiation is not a lost classic. As I mentioned earlier, it takes a while for the action to really get started and there are a few early scenes that definitely drag. The film’s original director was fired after shooting began and, as a result, the film itself feels a bit disjointed. It’s obvious that the original director had a much different vision than the director who replaced him. But, even with all that taken into account, The Initiation is still a hundred times more effective than it probably has any right to be. It’s ultimately an effective and memorable slasher film.
And it was filmed in my home town!
1984’s Silent Madness opens in a mental hospital in New Jersey. In order to cut down on costs, the hospital’s administrators have been giving early release to some of their patients. Dr. Joan Gilmore (Belinda Montgomery) has only been on staff for a few months but even she knows that there’s a risk that a truly dangerous patient could be released. Dr. Gilmore’s worries come true when a homicidal patient named Howard Johns (Solly Marx) disappears from the hospital. Apparently, a computer errors led to Howard being released instead of a patient with a similar name.
Oh, someone screwed up big time!
Or, at least, that’s what Joan believes. In a scene that has to be seen to be believed, the arrogant Dr. Kruger (Roderick Cook) attempts to convince Joan that Howard Johns actually died a while ago and that’s why he’s not in the hospital anymore. Joan demands to see a death certificate. Dr. Kruger is like, “Oh, I don’t know where it is. We’ll have to look for it.” Yeah, that’s the same thing I used to say in college whenever I was running behind on my paying my credit card. “Really? I never received that bill. Can you send it again?”
Knowing that Howard was imprisoned after committing several murders at a sorority house in upstate New York, Joan theorizes that he’s heading back to the college so that he can pick up where he left off. Pretending to be a former member of the sorority, Joan meets the aging house mother, Mrs. Collins (Viveca Lindfors). Mrs. Collins — who often refers to younger women as being “whores” — tells a story of how a hazing ritual gone wrong led to handyman Howard grabbing a nail gun and wiping out a pledge class. When Joan actually spots Howard on campus, she tries to get the sheriff (Sydney Lassick) to do something about it. The sheriff replies that Joan must be seeing things because the hospital called and reported that Howard is deceased. The sheriff than has a beer because he’s the best character in the entire film.
Howard, needless to say, is not dead. He’s hiding out in the sorority house and he’s continuing in his murderous ways. We don’t really learn much about Howard. As the title suggests, he’s a silent killer. That works to the film’s advantage. A silent killer is far more intimidating than one who spends all of his time coming up with bad puns. Because Silent Madness was originally filmed in 3D, Howard enjoys throwing axes and firing nail guns, often straight at the camera.
Silent Madness is a thoroughly ludicrous film but it’s enjoyable as a product of its time. It’s hard not to smile at the thought of a theatrical audience ducking as Howard throws an axe at the camera in 3D. Howard is a properly intimidating killer but the film is totally stolen by Roderick Cook, Viveca Lindfors, and Sydney Lassick, three veteran actors who knew better than to even try to be subtle while appearing in a film like this. Lassick’s performance as the cowardly sheriff is especially enjoyable. We all know that law enforcement is useless in a slasher film. Lassick’s sheriff seems to understand this as well. He’d rather just stay in his office and who can blame him?
Silent Madness is silly and kind of dumb but it’s undeniably entertaining.
Through the Shattered Lens 