January Positivity: Gold Through The Fire (dir by Edward T. McDougal)


Let’s just take a look at the poster for 1987’s Gold Through The Fire.

Wow, exciting poster, right?  At the top of the poster, we’ve got the Kremlin and a sinister looking soldier firing a gun.  One thing about Russia is that it doesn’t matter when the film was made or who was in charge of the country at the time, the Russian government always makes for a good villain.

The film’s tag line reads, “Peter’s American dream came true but the trial of his faith had just begun.”  So, we now know that Peter (who we presume is the backpack wearing guy at the top of the poster) is probably going to escape Russia and come to America.  And, just to make sure that there aren’t any doubts, there’s an American flag prominently displayed on the poster.  There is also what appears to be a small town church and a few two-story houses.  Peter’s heading to the heartland and good for him.  Small town America comes under a lot of criticism but I’ve been to and lived in a few small towns and I usually had a pretty pleasant time.  Despite their reputation, small towns are often more hospitable to newcomers than big cities.

Hey, so far, so good!  The villains are Russian.  The setting is small town America.  Peter appears to be a totally decent teenager.  This poster features a lot of reasons to be optimistic.  Or, at least, it does until you look in the bottom left corner and you see that Peter appears to be playing soccer….

OH NO!  IS THIS A SOCCER MOVIE!?

Well, fear not.  Yes, the film does involve some soccer but, to be honest, the inclusion of soccer kind of makes sense.  When Peter enrolls in his new American high school, he struggles to fit in.  He can barely speak English.  He is confused by most American customs.  When someone asks him if he has any “records” from his previous school, he says that he enjoys music and this leads to the following comment from one of his classmates:

Poor Peter!  As we saw at the start of the film, Peter has not had an easy life.  He was born in Russia and when the communists discovered that his family was secretly Christian, Peter’s parents were shipped off to a reeducation camp and Peter was tossed into an orphanage.  He eventually escaped, running all the way to Finland and then on to the American embassy.  He defected and briefly became a celebrity.  After being placed with a new American family, Peter enrolled at the local high school and discovered that American teenagers can be cruel.

But, we were talking about soccer, right?

Eventually, the few friends that Peter has made encourage him to try out for the team.  Peter does start playing soccer and it turns out that he’s the best player in the school.  And again, it makes sense as he’s the only student in the school who was born in a country where soccer is more popular than American football.  (Of course, today, it seems strange that any high school would only have one student who wasn’t born in the U.S.)  Unfortunately, since Peter insists on carrying his Bible around with him everywhere that he goes and trying to lead a prayer group on school ground, the school’s principal is not sure that Peter can be allowed to continue playing.  The principal’s office is decorated with a print of Normal Rockwell’s Freedom of Speech, just in case you had any doubt that the school was being run by a Lefty version of Frasier Crane.

Not only does Peter have to deal with the school and its rules but the KGB is also after him.  And his foster brother has lost his faith!  Peter has a lot to deal with.  Fortunately, his new foster family has a station wagon that he can drive around town while he’s thinking.

The best part of Gold Through The Fire is the beginning of the film, when Peter is trying to escape from Russia.  That part of the film moves at a steady pace and, even more importantly, it captures the feel of living in a situation where you’re not allowed to think or speak for yourself.  It perfectly captures the drabness of dictatorship.  Unfortunately, once Peter gets to America, the action starts to drag, the actors are a bit less convincing in their roles, and the film gets bogged down in trying to convince us that America is just one step away from turning into Russia.  There are also few too many awkward pop cultural references, as if the filmmakers were desperate to convince us that they understood what high school students were into despite not being in high school themselves.  Today, the film works best as a time capsule.  Everything about it, from the cars to the clothes to the hair to dialogue, simply screams 80s.  Watching this film is like stepping into a time machine.

And hey, the soccer stuff isn’t actually that bad.  That said, it’s hard for me to watch anything featuring soccer without being reminded of this:

Live Tweet Alert: Join #FridayNightFlix for The Running Man!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting the first #FridayNightFlix of 2022!  The movie? 1987’s The Running Man!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Running Man is available on Prime and Paramount!  See you there!

January Positivity: The Gathering (dir by Daniel Carrales)


The 1998 film, The Gathering, is about people who keep having visions.

Michael Carey (Daniel Kruse), for instance, is a successful advertising executive who suddenly sees a portal forming high in the sky and people turning into globes of light as they are transported upward.

His wife is at the playground, talking to her best friend about what a drag her husband has become ever since he got on the whole religious kick when suddenly, she has a vision in which all of the children have vanished.

Michael’s mother-in-law gets the worst of it.  She’s a professor at the local college and she’s introduced explaining to a student that the only way to pass her class is to be an atheist.  (The student needs to call a lawyer, to be honest.)  Suddenly, the professor is having all sorts of visions, that majority of which involve her betraying people to a shadowy government organization.  She betrays her best friend and colleague.  She betrays her own daughter.  She betrays everyone.

While his wife and his mother-in-law shrug off the visions and claim that there must be a normal explanation for why they’re all visualizing a similar future, Michael turns into an evangelist and starts telling everyone about what he’s seeing.  He is especially upset when he discovers that one of his clients is going to be at the forefront of encouraging everyone to get a microchip inserted under their skin.  (We already know from the professor’s visions that people who don’t have the chip will be hunted down and killed in the streets.)  People start to feel a bit uncomfortable around Michael.  He loses his job and his family but still, when the portal appears in the sky, he’s among those who vanish.  His wife and his mother-in-law are not lucky, which sounds like the start of a really sexist joke.  (“Those seven years between the rapture and the second coming were the first peace and quiet I got during my entire marriage!”)

Clocking in at 57 minutes, The Gathering was produced and released at a time when the Left Behind books were climbing the best seller charts.  It pretty much follows the same formula as those books, with the emphasis less on being a Christian and more on imagining the misery that awaits everyone who isn’t.  In this film, if you’re not a believer, you’re going to be stuck in a world where all of the color has been desaturated and everyone has to wear really ugly, communist-style clothes.  It’s a world where the government monitors everyone’s actions and where questioning those in charge can lead to you being either executed or sent to reeducation camp.  When viewed today, the film feels more like a political tract than a religious one, with the smug but bland and process-obsessed villains serving as a perfect representation of what almost everyone hates about dealing with the bureaucratic state.

Not surprisingly, the film’s budget is low.  There are a few effective shots.  I liked the way that the clouds would “speed up” whenever anyone was starting to have a vision but then the extremely cheap-looking portal appeared in the sky and ruined the illusion.  The film is quickly paced and its portrayal of life under a dictatorship feels believable.  At the same time, a lot of the acting is amateurish and the film itself seems to be more about scaring people than making a case for its beliefs.  It really does seem like the intended audience for this film were people who just wanted to imagine their atheist neighbors having to dress like Trotsky.  But, hey, at least it’s less than an hour long.

The Alliance of Women Film Journalists Honors Banshees


Here are the 2022 picks for the best (and, in some cases, worst) of 2022 from The Alliance of Women Film Journalists!

Best Film
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
TÁR
The Woman King
Women Talking

Best Director
Daniel Kwan & Daniel Scheinert, Everything Everywhere All at Once
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Gina Prince-Bythewood, The Woman King
Steven Spielberg, The Fabelmans
Charlotte Wells, Aftersun

Best Actor
Austin Butler, Elvis
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun
Bill Nighy, Living
Jeremy Pope, The Inspection

Best Actress
Cate Blanchett, TÁR
Viola Davis, The Woman King
Danielle Deadwyler, Till
Vicki Krieps, Corsage
Emma Thompson, Good Luck to You, Leo Grande
Michelle Yeoh, Everything Everywhere All at Once

Best Supporting Actor
Brendon Gleeson, The Banshees of Inisherin
Brian Tyree Henry, Causeway
Barry Keoghan, The Banshees of Inisherin
Eddie Redmayne, The Good Nurse
Ke Huy Quan, Everything Everywhere All at Once
Ben Whishaw, Women Talking

Best Supporting Actress
Angela Bassett, Black Panther: Wakanda Forever
Jessie Buckley, Women Talking
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin (TIE)
Jamie Lee Curtis, Everything Everywhere All at Once (TIE)
Janelle Monáe, Glass Onion: A Knives Out Mystery

Best Original Screenplay
Charlotte Wells, Aftersun
Martin McDonagh, The Banshees of Inisherin
Daniel Kwan & Daniel Scheinert, Everything Everywhere All at Once
Steven Spielberg & Tony Kushner, The Fabelmans
Todd Field, TÁR
Dana Stevens & Maria Bello, The Woman King

Best Adapted Screenplay
Edward Berger, Lesley Patterson, & Ian Stokell, All Quiet on the Western Front
Rian Johnson, Glass Onion: A Knives Out Mystery
Rebecca Lenkiewicz, She Said
Samuel D. Hunter, The Whale
Sarah Polley, Women Talking
Alice Birch, Emma Donoghue, & Sebastian Lelio, The Wonder

Best Animated Film
Guillermo del Toro’s Pinocchio (Guiilermo del Toro and Mark Gustafson)
Marcel the Shell with Shoes On (Dean Fleischer-Camp)
Puss in Boots: The Last Wish (Joel Crawford and Januel Mercado)
The Sea Beast (Chris Williams)
Turning Red (Domee Shi)
Wendell & Wild (Henry Selick)

Best Documentary
All That Breathes (Shaunak Sen)
All the Beauty and the Bloodshed (Laura Poitras)
Descendant (Margaret Brown)
Fire of Love (Sara Dosa)
Good Night Oppy (Ryan White)
The Janes (Tia Lessen and Emma Pildes)

Best Non-English-Language Film
All Quiet on the Western Front
Bardo
Decision to Leave (TIE)
Happening
RRR (TIE)
Saint Omer

Best Ensemble Cast (Casting Director)
The Banshees of Inisherin (Louise Kiely)
Everything Everywhere All at Once (Sarah Finn)
Triangle of Sadness (Pauline Hansson)
Black Panther: Wakanda Forever (Sarah Finn)
The Woman King (Aisha Coley)
Women Talking (John Buchan & Jason Knight)

Best Cinematography
Ben Davis, The Banshees of Inisherin
Roger Deakins, Empire of Light
Larkin Seiple, Everything Everywhere All at Once
Janusz Kamiński, The Fabelmans
Claudio Miranda, Top Gun: Maverick (TIE)
Polly Morgan, The Woman King (TIE)

Best Editing
Jonathan Redmond & Matt Villa, Elvis
Paul Rogers, Everything Everywhere All at Once
Monika Willis, TÁR
Eddie Hamilton, Top Gun: Maverick
Terilyn A. Shropshire, The Woman King
Roslyn Kalloo & Chris Donaldson, Women Talking

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director
Chinoye Chukwu, Till
Marie Kreutzer, Corsage
Gina Prince-Bythewood, The Woman King
Sarah Polley, Women Talking
Maria Schrader, She Said
Charlotte Wells, Aftersun

Best Woman Screenwriter
Alice Birch, The Wonder & Mothering Sunday
Rebecca Lenkiewicz, She Said
Sarah Polley, Women Talking
Domee Shi, Turning Red
Dana Stevens and Maria Bello, The Woman King
Charlotte Wells, Aftersun

Best Animated Female
Connie – Isabella Rossellni (Marcel the Shell with Shoes On)
Izzy – Keke Palmer (Lightyear)
Kat – Lyric Ross (Wendell & Wild)
Kitty Softpaws – Salma Hayek (Puss in Boots: The Last Wish)
Mei – Rosalyn Chiang (Turning Red)
Ming – Sandra Oh (Turning Red)

Best Woman’s Breakthrough Performance
Frankie Corio, Aftersun
Danielle Deadwyler, Till
Stephanie Hsu, Everything Everywhere All at Once
Thuso Mbedu, The Woman King
Amber Midthunder, Prey
Sadie Sink, The Whale

Outstanding Achievement by a Woman in the Film Industry
* Viola Davis for getting “The Woman King” made as her lifetime passion project and creating opportunities for other women creatives.
* Nina Menkes and Maria Giese for making “Brainwashed,” analyzing and illustrating the misogynistic representation of women in Hollywood movies.
* Domee Shi for being the first woman to direct a film for Pixar and for becoming Pixar’s VP of Creative
* Jacqueline Stewart for ongoing advocacy of the underrepresented and becoming president of the Academy Museum of Motion Pictures.
* Michelle Yeoh – lifetime achievement award.

EDA SPECIAL MENTION AWARDS

Grand Dame Award for defying ageism.
Jamie Lee Curtis
Viola Davis
Emma Thompson
Michelle Yeoh

Most Egregious Lovers’ Age Difference Award
Confess Fletch – Jon Hamm (born 1971) and Lorenza Izzo (born 1989)
Crimes of the Future – Viggo Mortensen (born 1958) and Lea Sedoux (born 1985)
Deep Water – Ben Affleck (born 1972) and Ana de Armas (born 1988)
Eiffel – Romain Duris (born 1974) and Emma Mackey (born 1996)

She Deserves A New Agent Award
(AWFK note: This is not a put down. On the contrary, it suggests that the actor is better than the role she’s been given.)
Ana de Armas, Blonde
Bryce Dallas Howard, Jurassic World: Dominion
Margot Robbie, Babylon
Rebel Wilson, Senior Year

Most Daring Performance
Cate Blanchett, TÁR
Viola Davis, The Woman King
Danielle Deadwyler, Till
Emma Thompson, Good Luck to You, Leo Grande
Michelle Yeoh, Everything Everywhere All at Once

Time Waster Remake or Sequel Award
Firestarter
Halloween Ends
Jurassic World: Dominion
Pinocchio (Disney’s)

AWFJ Hall of Shame Award (Women and men are eligible)
* Alec Baldwin and the crew of “Rust” for continuing to deny responsibility for the on set shooting that killed cinematographer Halyna Hutchins. The situation is still messy. A wrongful death lawsuit was settled, but the criminal investigation continues. In November, Baldwin sued crew members for giving him the loaded prop gun that killed cinematographer Halyna Hutchins. News reports say Baldwin also texted Hutchins’s husband, Matthew, saying that the gun was never meant to be fired at a particular camera angle.
* “Blonde” and Andrew Dominik
* Will Smith for his behavior at the Oscars and in the aftermath.
* Harvey Weinstein for everything and forever.

Here Are the 2022 Nominees Of The Set Decorators Society of America!


With all the attention to the various critics groups that have been announcing their picks for the best of 2022, it really is the Guilds that give us the best indication of what films are truly in the hunt for Oscar glory.  With that in mind, here are the 2022 nominations of the Set Decorators Society of America!  The winners will be announced on February 14th.

Contemporary Film
Bardo, False Chronicle of a Handful of Truths
Bullet Train
Glass Onion: A Knives Out Mystery
TÁR
Top Gun: Maverick

Period Film
Amsterdam
Babylon
Elvis
The Fabelmans
White Noise

Fantasy/Science Fiction Film
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Don’t Worry Darling
Everything Everywhere All at Once

Musical/Comedy Film
Bros
Lyle, Lyle, Crocodile
Roald Dahl’s Matilda the Musical
Spirited
The Unbearable Weight of Massive Talent

The Columbus Film Critics Association Name Banshees The Best of 2022!


The Columbus Film Critics Association has announced their picks for the best of 2022!

And here they are:

Best Film
1. The Banshees of Inisherin
2. Everything Everywhere All at Once
3. Tár
4. Aftersun
5. Women Talking
6. Glass Onion
7. The Fabelmans
8. Marcel the Shell with Shoes On
9. The Menu
10. Guillermo del Toro’s Pinocchio

Best Director
Todd Field, Tár (RUNNER UP)
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (WINNER)
Martin McDonagh, The Banshees of Inisherin
Sarah Polley, Women Talking
Steven Spielberg, The Fabelmans

Best Lead Performance
Cate Blanchett, Tár (WINNER)
Olivia Colman, Empire of Light
Danielle Deadwyler, Till
Colin Farrell, The Banshees of Inisherin
Ralph Fiennes, The Menu
Brendan Fraser, The Whale (RUNNER UP)
Mia Goth, Pearl
Paul Mescal, Aftersun
Margot Robbie, Babylon
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once

Best Supporting Performance
Angela Bassett, Black Panther: Wakanda Forever
Kerry Condon, The Banshees of Inisherin (RUNNER UP)
Jamie Lee Curtis, Everything Everywhere All at Once
Paul Dano, The Fabelmans
Dolly De Leon, Triangle of Sadness
Brendan Gleeson, The Banshees of Inisherin (WINNER)
Barry Keoghan, The Banshees of Inisherin
Janelle Monáe, Glass Onion
Keke Palmer, Nope
Ke Huy Quan, Everything Everywhere All at Once

Best Ensemble
The Banshees of Inisherin (WINNER)
Everything Everywhere All at Once
The Fabelmans
Glass Onion (RUNNER UP)
Women Talking

Actor of the Year (for an exemplary body of work)
Hong Chau, The Menu and The Whale (RUNNER UP)
Jamie Lee Curtis, Everything Everywhere All at Once and Halloween Ends
Colin Farrell, The Banshees of Inisherin, The Batman, and Thirteen Lives (WINNER)
Mia Goth, Pearl and X
Tilda Swinton, The Eternal Daughter, Guillermo del Toro’s Pinocchio, and Three Thousand Years of Longing
Anya Taylor-Joy, Amsterdam, The Menu, and The Northman

Breakthrough Film Artist
Austin Butler, Elvis – (for acting) (RUNNER UP)
Hong Chau, The Menu and The Whale – (for acting)
Zach Cregger, Barbarian – (for directing, screenwriting, and acting)
Gabriel LaBelle, The Fabelmans – (for acting)
Charlotte Wells, Aftersun – (for directing and screenwriting) (WINNER)

Best Cinematography
Russell Carpenter, Avatar: The Way of Water
Ben Davis, The Banshees of Inisherin
Claudio Miranda, Top Gun: Maverick (WINNER)
Linus Sandgren, Babylon
Hoyte Van Hoytema, Nope (RUNNER UP)

Best Film Editing
Sarah Broshar and Michael Kahn, The Fabelmans
Bob Ducsay, Glass Onion
Eddie Hamilton, Top Gun: Maverick (RUNNER UP)
A. Sreekar Prasad, RRR
Paul Rogers, Everything Everywhere All at Once (WINNER)

Best Adapted Screenplay
Guillermo del Toro and Patrick McHale, Guillermo del Toro’s Pinocchio
Dean Fleischer-Camp, Jenny Slate, and Nick Paley, Marcel the Shell with Shoes On
Samuel D. Hunter, The Whale
Rian Johnson, Glass Onion (RUNNER UP)
Rebecca Lenkiewicz, She Said
Sarah Polley and Miriam Toews, Women Talking (WINNER)

Best Original Screenplay
Todd Field, Tár
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (WINNER)
Martin McDonagh, The Banshees of Inisherin (RUNNER UP)
Jordan Peele, Nope
Seth Reiss and Will Tracy, The Menu
Steven Spielberg and Tony Kushner, The Fabelmans

Best Score
Michael Abels, Nope
Carter Burwell, The Banshees of Inisherin
Alexandre Desplat, Guillermo del Toro’s Pinocchio (WINNER)
Justin Hurwitz, Babylon (RUNNER UP)
Trent Reznor and Atticus Ross, Bones and All
John Williams, The Fabelmans

Best Documentary
All the Beauty and the Bloodshed (WINNER)
Fire of Love (RUNNER UP)
Good Night Oppy
Moonage Daydream
Navalny
Sr.

Best Foreign Language Film
All Quiet on the Western Front (RUNNER UP)
Decision to Leave (WINNER)
RRR
Saint Omer

Best Animated Film
Guillermo del Toro’s Pinocchio (RUNNER UP)
Mad God
Marcel the Shell with Shoes On (WINNER)
Puss in Boots: The Last Wish
Turning Red

Best Comedy
The Banshees of Inisherin
Everything Everywhere All at Once (RUNNER UP)
Glass Onion (WINNER)
The Menu
Triangle of Sadness
The Unbearable Weight of Massive Talent

Best Overlooked Film
After Yang (WINNER)
Confess, Fletch
God’s Country
Men
The Unbearable Weight of Massive Talent (RUNNER UP)

Here’s The Trailer for Renfield


The trailer for Renfield has been getting a lot of attention today.  Due to be released on April 14th, Renfield stars Nicholas Hoult as the title character, who was Dracula’s unfortunate servant.  However, most of the attention generated by the trailer has been directed towards Nicolas Cage playing the role that many feel he was born to play.

Check out the trailer:

This could be good, despite the fact that I usually have my doubts about films that come out in April.  I like Nicholas Hoult.  I love Nic Cage.  So, we’ll see hop for the best and we shall see what happens!

January Positivity: Coach (dir by John Taylor)


Despite the fact that I’ve regularly been watching and reviewing Hang Time, I have to admit that I really don’t know much about basketball.  In fact, I’d have to say that every time that I watch a movie or a television show about basketball, I learn something new.

For instance, when I watched Space Jam 2, I discovered that basketball is the only thing holding the multiverse together.

When I watched Hoosiers, I discovered that basketball is also the only thing holding Indiana together.

From watching the basketball episode of Saved By The Bell, I discovered that Zack Morris was apparently the best basketball player in California, despite having never been seen playing or even talking about the game in the past.  I always thought you had to be extremely tall to play basketball but I guess I was wrong.

From watching Hang Time, I’ve discovered that you only need one good player to repeatedly win the state championship.

And from 1983’s Coach, I discovered that high school basketball coaches can quit whenever they want to.  Apparently, they can just voluntarily leave the court and refuse to coach the team and it’s not a violation of a contract or anything else that you might expect it to be.  Of course, the team in Coach is so bad that they’ve only won two games in three years!  The players are all seniors and they’re all about to graduate without knowing the thrill of winning the state championship.  Every coach that they’ve had has walked off the court.  Not even the principal of their school cares whether or not they win.  In fact, he seems to prefer that they keep losing, though it’s never explained why.

Their newest coach is Philip (played by Colin Earls) and he is determined to turn them into a good team.  It’s not just that he thinks it would be good for the players to actually win a game or two before becoming adults.  It’s also that the team represents the only Christian school in the league and he feels that they owe it to God to actually try to win a game or two.  It doesn’t help that the other teams are making fun of them for being from a Christian school.  What type of Christian school doesn’t have a good basketball team!?

Uhmmm …. maybe the type of school that puts more importance on academics than athletics?  I mean, that always seems like a possibility.

Anyway, he gets the team into shape by encouraging them to read the Bible and to play for the team instead of playing for their own personal glory.  The best member of the team feels guilty for putting his own personal glory above the team so Philip takes him to a lecture that’s delivered by a guy who is so tall and so awkward that I can only assume that he was a real-life basketball player.  Does the team start winning?  Well, it would be a pretty depressing move if they didn’t.

Coach is an extremely low-budget film and the majority cast appears to have been amateurs.  It’s only 78 minutes long and none of the players is really allowed to develop much of an individual personality.  One player is really good.  One player has a temper that he has to control.  That’s about all we learn about them.  The team gets some help from a nerdy guy who uses a big bulky computer to scout the other teams.  For me, the computer stuff was the highlight of this film, just because everyone in Coach is so amazed by the fact that a computer has a practical use.  This film was made in 1983 and it shows!

I also found it amusing that, during the game, the computer and the guy was always hidden away in what appeared to be a boiler room.  I guess this was to keep the other teams from figuring out that computers could be used to store and analyze information.  I felt kind of bad for the guy who operated the computer, though.  While the rest of the team was playing and getting all the credit, he was essentially locked away in a secret room.

Coach is undoubtedly sincere but, aside from all the excitement over the big bulky computer, it’s a bit forgettable.  In the end, the team will always remember their friends at Hang Time and I guess that’s the important thing.

Here’s The Trailer For Plane!


Here’s the trailer for Plane, starring Gerard Butler!

Sadly, this is not a sequel to the 30th best film of 2020, Money Plane.

Still, it’s always nice to see Gerard Butler doing stuff.

The film will be in theaters on January 13th!  That’s actually Friday the 13th so make sure that you don’t end up sitting next to the Voorhees kid.  He likes a windows seat, from what I hear.