4 Shots From 4 Films: Special Dinosaur Day Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Since, as my sister has already pointed out, today is Dinosaur Day, it only makes it sense to continue to pay tribute to everyone’s favorite prehistoric marvels.  It’s time for….

4 Shots From 4 Dinosaur Films

The Ghost of Slumber Mountain (1918, dir by Willis O’Brien, DP: Willis O’Brien)

One Million Years B.C. (1966, dir by Don Chaffey, DP: Wilkie Cooper)

Planet of the Dinosaurs (1978, dir by James Shea, DP: Henning Schellerup)

Carnosaur (1993, dir by Adam Simon, DP: Keith Holland)

Scenes That I Love: Mr. T Predicts “Pain” in Rocky III


I saw that today was Mr. T’s birthday and, for a while now, I’ve been reviewing T and T, a Canadian detective show that he starred in for three seasons.  I figured I could have shared a scene that I love from T and T but there really aren’t any scenes from T and T that are worth loving.  Besides, we all know what we immediately think of when it comes to Mr. T.

For today’s scene that I love, here’s Mr. T as Clubber Lang in Rocky III:

The Films of 2024: Sunrise (dir by Andrew Baird)


In the Pacific Northwest, animals are being killed and their blood is being drained.  Some of the locals theorize that it’s the work of the Red Coat, a legendary creature that demands constant sacrifices to keep it at bay.

Reynolds (Guy Pearce, with a wild preacherman beard) doesn’t care about the Red Coat.  He’s more upset about the fact that he and his buddies are feeling displaced in America.  He’s been driven to rage by the fact that there’s a family named Loi living in his community.  He hates immigrants.  He blames minorities for every problem that America is facing.  He says “ain’t” instead of “is not” because that’s the way this film lets us know that its characters are supposed to be blue collar.

Reynolds has murdered Mr. Loi (Chike Chin) and he’s targeting Yan Loi (Crystal Yu) and her teenage son, Edward (William Gao).  Fortunately, the Loi Family has a protector.  Fallon (Alex Pettyfer) wanders through the misty countryside with a grim look on his face and a darkly-colored wardrobe that is designed to let us know that he’s seeking vengeance.  Along with defending the Loi Family, Fallon has a personal reason for seeking vengeance on Reynolds.  Fallon also has an insatiable need for blood….

Sunrise is a somber, slowly-paced, and rather shallow-minded film.  It takes itself very seriously and it definitely wants you to know that it has important stuff on its mind, unlike those other vampire films that just seek to be entertaining.  Of course, as any student of the grindhouse knows, an entertaining film can often be the most effective form of propaganda around.  People aren’t going to think about your message is they’re bored out of their mind.

At times, Sunrise seems to think that it’s the first film to ever use vampirism as a way to comment on current events, which I’m sure would be news to Bram Stoker, Jean Rollin, Anne Rice, Stephen King, Kim Newman, John Carpenter, Werner Herzog, Francis Ford Coppola, Spike Lee, Abel Ferrara, Guillermo del Toro, Kathyrn Bigelow, David Conenberg, Bill Gunn, Dan Curtis, and just about anyone else who has ever written or directed anything that involved a vampire.  Reynolds rants and rave about his hated of immigrants in speeches that are so overwritten and so florid that they verge on parody.  (At one point, he saps at a deputy for not drinking an American beer.)  His character is a fever dream of what Leftists think blue collar workers sound like when they’re not cheering their favorite football team or laughing about climate change.  I suppose the filmmakers deserve some credit for having enough discipline to realize that having Reynolds shout, “This is MAGA country!” would be a bit too heavy-handed for even this film but one can tell that the temptation was definitely there.

At first, I thought that the film’s cinematography would be its saving grace but eventually, I got bored with all of the artfully composed shots of the misty northwest.  There’s really not much difference between Sunrise‘s visuals and the visuals of the Twilight films.  Then I thought that Guy Pearce’s intensity might elevate the film but then I realized that Pearce has played this same character several times and he’s been more interesting in other films.  As for Alex Pettyfer, he’s just as boring here as he was in Magic Mike.  In Magic Mike, he at least danced.

Interestingly, this film — with its portrayal of rampant racism in the American northwest — is an Irish production that was shot not in Washington or Oregon but instead in Belfast.  That perhaps explains why the characters often sound like they learned how to speak by watching American cop shows on television.  Personally, I am not amongst those who feels that people should only be allowed to make movies about their own countries.  I don’t believe in limiting the imagination in that style.  As an American of Irish (and Italian and Spanish) descent, I think that an American filmmaker would be totally justified in directing a film about Ian Paisley’s followers terrorizing the Catholic minority in Northern Ireland.  (They could even shoot it around Austin, Texas.)  Or maybe someone could make a movie about that Irish basketball team who refused to shake hands with an opposing team because the team was from Israel.  All’s fair.

Monday Live Tweet Alert: Join Us For Defiance!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

After we finish up this week’s #MondayActionMovie on Mastodon, we will be hopping over to twitter where #MondayMuggers will be showing 1980’s Defiance!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop over to twitter at 10 pm et, pull Defiance up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Monday Live Tweet Alert: Join Us for Danger Zone!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1996’s Danger Zone, starring Billy Zane and Robert Downey, Jr!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Danger Zone on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Scenes I Love: Jimmy Stewart Sings Somewhere Over The Rainbow in The Philadelphia Story


Today’s scene that I love comes from the 1940 film, The Philadelphia Story, and it features my favorite Golden Age actor, James Stewart, carrying Katharine Hepburn and singing a song that might sound a bit familiar to our readers.

This is the performance, by the way, that won Stewart an Oscar.  Stewart himself often said that he felt the Academy rewarded him to make up for not giving him the Oscar for Mr. Smith Goes To Washington.  That’s probably true but still, this film features Jimmy Stewart at his most charming.  Teaming Stewart up with not just Katharine Hepburn but also Cary Grant makes The Philadelphia Story one of the best romantic comedies to come out of Hollywood’s pre-war era.

(Before the war, Stewart was Jimmy.  After he served bravely in World War II and returned to America, he was definitely James.)

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

May Positivity: New Hope (dir by Rodney Ray)


The 2012 film, New Hope, is narrated by Michael Evans (Samuel Davis).

Michael is a seventeen year-old preacher’s kid whose father, Alex (Will Schwab), has just gotten a job in the small town of New Hope.  As a result, Michael has to move in the middle of his senior year.  (Yikes, not fun!)  He’s not happy about that and, to make things even worse, Michael’s father has talked the high school basketball coach, Tom Miller (Reg Rob), into putting Michael on the team.

(Is it normal for coaches to put someone on a team without having them first try out?  The basketball team is in the playoffs, after all.)

Michael tries to explain to Coach Miller that he’s not that good of a basketball player.  Coach Miller replies that he doesn’t really care whether or not Michael is a good player.  Instead, he wants Michael on the team so that Michael can be a role model for the younger players.  Coach Miller assumes that, as a preacher’s kid, Michael will automatically be a good influence.

Uhmm …. has the coach ever met any preacher’s kids before?

Seriously, I live in Texas and, when I was growing up, my family moved all over the Southwest.  I have known a lot of preacher’s kids and, for the most part, almost all of them were wild.  Even the ones who were religious and planning on going into the family business were wild.  When you’re a teenager, your natural instinct is to rebel against whatever it is that your parents are about and, as a result, preacher’s kids usually have a lot to rebel against.  There’s a reason why everyone automatically understands what that Sweet Talkin’ Son Of A Preacher Man song is about.

And even if Michael isn’t wild (and, because this is a faith-based film, Michael is a surprisingly well-behaved high school student), how is it fair to tell anyone that they have to be a role model for a bunch of people that they barely know?  Michael’s only been a student at his new school for a day.

Michael quickly finds himself in conflict with the team’s star player, Lucas Green (Ben Davies, giving the closest thing that the film has to a good performance).  Lucas’s brother also played for the team until he committed suicide.  Lucas, with his unresolved issues of anger, feels that Michael tying to take his brother’s place.  Lucas gets even angrier when Michael starts to date his dead brother’s girlfriend, Jasmine (Perry Frost).  Meanwhile, Michael’s parents get upset when they discover a condom wrapper in his jacket.  Oh, you silly parents!  Michael isn’t a typical preacher’s kid.  The only reason he took the condom out of the wrapper was so he could throw it away.

(Seriously, Lucas seems more like a preacher’s kid than Michael.)

There’s a whole genre of faith-based films that use sports as a metaphor for having faith and not questioning authority figures and New Hope is definitely a part of that genre.  Michael has no real desire to be on the basketball team but both his father and his coach want him on the team so Michael goes with it.  It’s hard not to feel that Michael really needs to stand up for himself.  The film is all a bit too long (the film clocks in at over two hours) and unrealistic.  It’s a film that tries to tackle all of the important issues of growing up but it does so in far too ham-fisted a manner.  Personally, I think Michael should have quit the team, bought a beret and a pack of Clove cigarettes, and taken a creative writing class.  He would have been much happier and no one would have expected him to be a role model.  There’s nothing wrong with trying different things and making your own decisions.  There’s nothing wrong with being a rebel.  That’s what being a teenager is supposed to be all about.

The Films of 2024: Rebel Moon Part 2 — The Scargiver (dir by Zack Snyder)


In some other galaxy, a bunch of annoying farmers are living on the moon of Veldt.  The evil army of the Motherworld, led by Atticus Noble (Ed Skrein), wants to conquer the moon and steal all of the grain for themselves.  A bunch of rebels — including a long-winded former general named Titus (Djimon Hounsou) and painfully dull former solider of the evil empire named Kora (Sofia Boutella) — are on the moon and help the farmers prepare for battle.  And then the battle happens and the movie ends and somehow, it takes more than two hours to tell this extremely thin story.

Admittedly, I have not seen the first Rebel Moon but I doubt it makes much of a difference.  I’ve seen enough science fiction movies and enough Zack Snyder films that I feel like I can follow this sequel without having seen the first film.  In fact, the only question that I have as a result of not seeing the first film is whether the absolutely ludicrous flashback to Kora’s past was lifted from the first film or was it specifically shot for the sequel?  The flashback reveals that Kora became a rebel after her mentor attempted to frame her for the murder of a good space emperor and his family. I have to admit that the overwrought, slow motion-heavy flashback did inspire a few chuckles on my part.  There was an orchestra playing in the background of the scene and they continued to play, even while the emperor and his family were being murdered.  You have to wonder just what exactly the musicians were thinking while all of that was going on.

As for Rebel Moon Part Two, it has some nice visuals but the story is a mess and there are some moments that simply leave you wondering whether to laugh or sigh with frustration.  There’s the fact that the fearsome imperial spaceships are apparently fueled by men shoveling coal into a furnace.  There’s the fact that fearsome imperial space laser gun takes forever to aim and fire, presumably to give the rebels time to sabotage the ship.  (That seems like a pretty big design flaw.)  There’s the fact that the evil empire turns out to be so inept that it’s hard to feel like the farmers really needed to spend as much time training as they did.  By the end of the film, I felt like I probably could have beaten up the evil empire single-handedly.  They just weren’t that impressive.

The main problem is that the farmers were kind of annoying and, even when they finally did fight the evil empire, it was still hard to feel that they still didn’t have any control over their own fate.  First, they were being ordered around the bad guys.  Then, they were being ordered around by Titus and the rebels.  Titus, himself, is one of those annoying characters who can’t ever say anything without turning it into a speech.  On the one hand, Titus insists that the farmers don’t have much time to get ready.  On the other hand, Titus continually wants to waste what little time they have by giving a monologue.  Kora, meanwhile, rarely speaks.  This has less to do with her being a strong, silent warrior and instead it’s all about her not really having much of a personality.

The majority of the film’s runtime is taken up with the battle and it’s hard not to notice that for all of the explosions and presumed death, most of the main characters somehow manage to survive.  It left me thinking about we were supposed to celebrate the survival of the Daily Planet staff at the end of Man of Steel, despite the fact that thousands of others undoubtedly died while Superman and General Zod were ripping apart Metropolis.

To be clear, there are quite a few Zack Snyder films that I really do like.  I am not, by any means, an anti-Snyder person.  I thought Sucker Punch was a masterpiece.  I admire and respect what he did with Watchmen.  I’m not a fan of his work with the DCEU but then again, with the exception of the first Wonder Woman, I’m not really a fan of anyone’s work with the DCEU.  The important thing is that I think that, with the right material, Zack Snyder can be brilliant and I love the fact that, even in his lesser films, he still goes all out to bring his vision to life.  As a director, Snyder is not scared to go over-the-top with sweeping, dramatic moments.  He’s someone who understands that movies — especially action films — should be big.  But Rebel Moon 2 never really works.  If anything, it sometimes feels like Snyder on auto pilot.  I’ll always be willing to take a chance of Zack Snyder but I hope that doesn’t mean having to watch Rebel Moon 3.

Retro Television Review: Broken Angel (dir by Richard T. Heffron)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1988’s Broken Angel!  It  can be viewed on YouTube.

Chuck Coburn (William Shatner) has a nice house in the suburbs, a nice job, a nice car, and a nice Bruins jacket.  He’s hoping that he can once against have a nice marriage with his wife (Susan Blakely), despite the fact that she cheated on him and she still thinks that he spends too much time at work.

Chuck is proud of his teenage daughter, Jaime (Erika Eleniak).  Jaime seems like the perfect suburban and angelic teenager.  But then Jaime goes to prom and her best friend, Jenny (Amy Lynne), is gunned down in front of her.  Jaime runs from the scene and vanishes.  As Chuck searches for his daughter, he is stunned discover that Jaime, Jenny, and their boyfriends were all a part of a gang!  His perfect daughter was smoking weed, doing cocaine, selling crack, and taking part in rumbles with a rival Asian gang.  Even worse, Jaime’s gang was called …. LFN!

LFN?  That stands for Live For Now.  The Live For Now Gang.  Whenever we see the members of the gang preparing to get into a fight with another gang, they all chant, “LFN!  LFN!”  LFN is a gang of white suburban teenagers and they look just as dorky as they sound.  I mean, I think it would be bad enough to discover that your child is in a gang but discovering they were in a dorky gang would probably make it even worse.

The majority of Broken Angel is made up of scenes of Chuck searching the mean streets of Los Angeles.  He partners with a social worker (Roxann Dawson) who is herself a former gang member.  Chuck discovers that his daughter’s street name was — *snicker* — Shadow.  He also befriend a member of the LFN’s rival Asian gang and tries to encourage her to go straight.  This leads to scene in which he is attacked by Al Leong.  Somehow, middle-aged William Shatner manages to beat up Al Leong.  That, in itself, is worth the cost of admission.

Broken Angel deals with a serious issue but it does so in such an overwrought and melodramatic fashion that most viewers will be moved not to tears but to laughter.  In Broken Angel, William Shatner gave the type of overly dramatic and self-serious performance that he routinely pokes fun at today.  If you’re one of those people who enjoys listening as Shatner emphasize random syllables and takes meaningly pauses, this movie will give you a lot to enjoy.  In every scene, Shatner seems to be saying, “Notice me, Emmy voters!  Notice me!”  Of course, it wouldn’t be until Shatner learned how to laugh at himself that the Emmy voters would finally notice him.

The film ends on an abrupt note but with the promise of better days ahead.  Just remember — keep an eye out for the LFN!