The Films of 2024: Gary (dir by Robin Dashwood)


Wow, what a depressing documentary!

I’m taking about Gary, which is currently streaming on Peacock.  Gary tells the story of former child actor-turned-security guard Gary Coleman, who went from being one of the top stars in television to eventually struggling to pay the bills.  The documentary tells the story of Coleman’s life, from his start as a cute kid with a mischievous smile to his stardom, his health struggles, and the controversy over why all the money that he made as a child eventually disappeared.  Gary blamed his parents.  His parents blamed Gary’s managers.  The woman who eventually married Gary blamed everyone.  Gary, himself, ended up as tabloid fodder, in which he was treated as not only being the poster child for the problems that young stars encounter but in which he was also regularly ridiculed for having those exact same problems.  Watching the documentary, one gets the feeling that the world took an odd joy in Gary Coleman’s downfall.  Coleman himself died under mysterious circumstances and the documentary, though even-handed, leaves one feeling that there’s definitely a lot about his death that could stand to be examined.

Gary Coleman’s stardom was a bit before my time, though I have seen a few episodes of Diff’rent Strokes online.  The show, to be honest, always seems a bit cringey to me but, still, it’s obvious that Coleman was a capable actor even when he was having to repeat the catch phrases that he came to hate.  Unfortunately, his kidney problem stunted his growth and, as he got older, the acting opportunities dried up.  He was reduced to parodying his former stardom, appearing on talk shows and sitcoms and repeating, “What you talkin’ about” to anyone who asked.  The documentary was painfully sad to watch.  Gary Coleman definitely comes across as being a bit of an eccentric but it’s hard not to feel that he never allowed to grow up and that the people who should have been looking out for him, like his parents and his manager and his wife, were only looking out for themselves.

The film features interviews with the people who failed Coleman.  None of them really take any sort of responsibility for their actions.  At first, his wife comes across like she really cared about him but, as the documentary progresses, we hear too many stories about her abusing and manipulating him to take anything she says at face value.  When she sells a picture of Coleman on his death bed to a tabloid, that’s pretty much last straw as far as any sympathy for her is concerned.  Coleman’s business manager also initially comes across as being genuine and sincere but, again, there are just too many stories of misusing Coleman’s money.  If he doesn’t seem to be as ruthlessly mercenary as Coleman’s wife, it’s still obvious that he shouldn’t have been managing Coleman’s career.  As for Coleman’s parents, the less said about them the better.  Everyone that is interviewed is very good at blaming someone else for what happened after Coleman’s stardom ended.

Again, this was depressing documentary.  Watching this, I really felt bad about Gary Coleman.  It’s hard to know what to do about child stars.  On the one hand, there are child stars who grow up to lead what appear to be perfectly normal and stable lives.  But, there’s also a lot like Gary Coleman, whose lives are pretty much destroyed by their early success.  No kid should be supporting their family.  And no family should be paying their bills exclusively with their kid’s salary.  To me, it all comes down to the parents.  You can’t depend on an industry to raise your child for you.  In the end, though, Coleman was let down by a lot of people.  There’s more than enough blame to go around.

Live Tweet Alert: Join #FridayNightFlix For Adventureland!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix presents 2009’s Adventureland!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Adventureland is available on Prime!  See you there!

Here’s The Trailer For Paddington In Peru


We’ve just devoted a month to horror here at the Shattered Lens.

However, even we will admit that there are good films are not horror films.  For instance, there are the films that have been made about an adorable bear named Paddington.  Paddington’s latest adventure is Paddington in Peru, which features him traveling to …. well, it’s right there in the title.

Here’s the latest trailer for Paddington in Peru!

Bonus Horror Scene Of The Day: The End Of 10 To Midnight


The scene below is a major spoiler for the film 10 to Midnight so don’t watch if you haven’t seen the film yet.  And, to be honest, you probably shouldn’t even read the rest of this post, as the post itself is probably a spoiler as well.  There’s no way to truly talk about this film without talking about the ending.  10 to Midnight is a film that’s been on my mind a lot this year, largely because Charles Bronson plays a character who reminds me of my Dad.  Bronson’s relationship with his daughter (played by Lisa Eilbacher) also reminds me of my own relationship with my Dad.  I doubt there’s many people who get sentimental over a relatively unheralded vigilante horror film from 1983 but, as I’m still processing losing my Dad earlier this year, I am one of those people.

If you have seen the film, you know that this is one of the best endings that Charles Bronson ever filmed.  Indeed, in today’s chaotic world, there’s some very satisfying about both Bronson’s final line and his no-nonsense style of dealing with problems.  And indeed, with all the bad vibes that seem to have been unleashed on the world over the past few years, this scene feels like an exorcism of sorts.

Serial killer Warren Stacy (Gene Davis) thought he could game the system.  He thought he had everything figured out.  He smugly assumed no one could stop his reign of terror.

Well, Bronson disagrees.

And with that one wonderful final line, Charles Bronson brings this year’s Horrorthon to a close.

Here’s The Trailer For Presence


Here’s the trailer for Presence, another horror film that could have taken advantage of the scary season but which is instead being released later next year.  Add to that, this is a Steven Soderbergh film.  When Soderbergh’s good, he’s great.  When he’s bad, he’s painfully self-indulgent.

Lucy Liu is cool, though.

 

Here’s The Trailer For The Damned


The trailer for The Damned was dropped by Vertical Entertainment yesterday.

No, not the Visconti film!  This is a movie about ghost ships and sea creatures and fear in the arctic.  The trailer makes it look like the perfect film for the Halloween season so it’s kind of a shame that it’s instead being released in January of 2025.

Here’s the trailer:

Lisa Marie’s Early Oscar Predictions For October


It’s that time of the month again!

While the rest of us were watching horror movies, the Oscar race was finally starting to take shape.  It’s a race that still doesn’t have any frontrunners but which does now have some definite contenders.

Be sure to check out my predictions for April, May, June, July, August, and September!

Best Picture

Anora

Blitz

The Brutalist

Conclave

Dune Part II

Emilia Perez

Gladiator II

The Piano Lesson

Saturday Night

September 5

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbett for The Brutalist

Ridley Scott for Gladiator II

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Denzel Washington in Gladiator II

Best Supporting Actress

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Saoirse Ronan in Blitz

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

4 Shots From 4 Films: Special John Carpenter Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director is the man who put Halloween on the map and a personal favorite of everyone here at TSL, John Carpenter!

4 Shots From 4 John Carpenter Films

Halloween (1977, dir by John Carpenter, DP: Dean Cundey)

They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)

In The Mouth of Madness (1994, dir by John Carpenter, DP: Gary B. Kibbe)

The Ward (2010, dir by John Carpenter, DP: Yaron Orbach)