Back to School Part II #31: Empire Records (dir by Allan Moyle)


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The 1995 film, Empire Records takes place in a fictional record store.  The store is located in a state called Delaware, which I’m pretty sure is fictional as well.  (Have you ever actually met anyone from Delaware?  And don’t say Joe Biden because we all know he’s just a hologram…)  Empire Records is a beloved institution, an independent record shop that’s as well-known for its lively employees as its amazing selection of music!

However, things are not perfect in the world of Empire Records.  The store is owned by a heartless businessman named Mitchell (Ben Bode).  Mitchell hates Empire Records and usually just lets the store manager, former drummer and Scott Stapp-lookalike Joe (Anthony LaPaglia), run the place.  However, Mitchell has decided to sell Empire Records to the soulless and corporate Music Town franchise.  Oh my God!  If Empire Records becomes a Music Town, the employees will have to wear orange aprons!  They won’t be allowed to wear anything too revealing or have any visible piercings!  And nobody will be allowed to dance in the aisles!

Over the course of just one day, can the staff of Empire Records find a way to save their store!?

It would be easier if not for the fact that a hundred other things happen over the course of that same day.  A shoplifter (Brendan Sexton III, who co-starred in the very different Welcome to the Dollhouse the same year that he appeared here) keeps trying to steal stuff and, at one point, he even shows up at the store with a gun!  Is it possible that he just wants to join the Empire Records family and is just hoping that he’ll be offered a job?

And then there’s Rex Manning!  That’s right — it’s Rex Manning Day!  Who is Rex Manning?  Well, he used to star on a show called The Family Way and his nickname is Sexy Rexy.  He has truly memorable hair.  Middle-aged people love him but most young people think that he’s a joke.  Rex is going to signing copies of his latest album at Empire Records and you better believe that he’s brought blue cheese salad dressing with him.  There’s a reason they call him Sexy Rexy and it’s not just that Rex Harrison is no longer around to object.  Rex is played by Maxwell Caulfield.  Caulfield steals every scene that he appears in and it’s hard not to feel that he’s playing a version of who he could have become if Grease 2 hadn’t bombed at the box office.

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And, of course, all the members of Empire Records staff have their own personal problems to deal with.  Fortunately, since this is a breezy and comedic movie, nobody has problem that can’t be solved within ten to fifteen minutes.

For instance, Debra (Robin Tunney) is suicidal and shows up for work with a big bandage on her wrist.  After clocking in, she promptly shaves her head.  Debra is depressed and troubled but guess what?  All she needs is for her friends to hold a mock funeral in the break room.  (And who is taking care of the customers while everyone else is eulogizing Debra?  Probably Andre but we’ll talk more about him in a moment…)

Berko (Coyote Shivers) appears to be Debra’s boyfriend but he doesn’t seem to be that good of a boyfriend.  Berko’s a musician and he wants to make it big.  Solution to his problem: an impromptu concert on the roof of Empire Records!  And you know what?  Coyote Shivers was not the world’s best actor but the song he performs, Sugar High, will stay in your head long after you hear it.

Eddie (James ‘Kimo’ Williams) has no problems, probably because he also works at a pizza place and he makes the best brownies in the world.  Except, they’re not ordinary brownies … hint hint hint….

Mark (Ethan Embry) only has one problem: his character, as written, is pretty much interchangeable with Eddie’s.  But, fortunately, Embry gives such a totally weird performance that you never forget who he is.

Lucas (Rory Cochrane) tried to help Joe out by taking the previous night’s cash receipts to Atlantic City.  Lucas, however, is not a very good gambler and ends up losing all of the money at the result of one roll of the dice.  Lucas’s problem is that Joe is going to kill him.  The solution is to spend almost the entire movie sitting on the break room couch and making snarky comments.

Gina’s problem is that everyone thinks that she’s a slut, mostly because that’s how the character is written.  Fortunately, Gina is played by Renee Zellweger and she brings a lot of depth to an otherwise underwritten role.  One of the film’s best moments is when Gina and Berko perform together because Zellweger really throws herself into the song.  Watching that scene always makes me want to sing along with them.  It’s funny that Zellweger has even a stronger Texas accent than I do and yet, she can really sing while I mostly certainly cannot.

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Then there’s Andre!  Andre’s problem is that he ends up getting cut out of the film.  However, he’s still listed in the credits, which is how we know that he was played by Tobey Maguire.

A.J. (Johnny Whitworth) is an artist.  How can you not love a struggling artist?  His problem is that he’s in love with Corey (Liv Tyler) but Corey is obsessed with losing her virginity to Rex Manning.

Actually, that’s not the only problem that Corey has.  Corey, who is in high school but has recently been accepted to Harvard, is a driven overachiever.  Occasionally, we see her popping a pill.  Oh my God, is she using speed!?  Of course. she is.  How else is she going to be able to both study late and maintain her figure?  If I don’t seem too concerned about Corey’s pills, it’s because I pretty much take the same thing to keep my ADD under control.  They’ve worked wonders for me!

But not so much for Corey.  In fact, they cause Corey to kinda freak out and attack a cut-out of Rex Manning.  Fortunately, the solution to her drug problem is pretty simple.  She just has to splash some water on her face.

As for her virginity problem, well … it is Rex Manning Day!  Judging from this film and Stealing Beauty, it would appear that film goers in the mid-90s were obsessed with Liv Tyler losing her virginity.

Anyway, there are like a hundred overly critical things that I could say about Empire Records.  I’ve seen this film a number of time and there are certain scenes that always make cringe — like Debra’s funeral or when Joe starts banging away on his drum set.  A lot of the dialogue is overwritten and the whole things occasionally seems to be trying too hard.

And yet, I can’t dislike Empire Records.  In fact, I actually really like it a lot.  It’s just such an earnest and sincere movie that you can’t help but enjoy it.  Meanwhile, the cast has so much energy and chemistry that they’re just fun to watch.  This is one of those films where it’s best just to shut off your mind, say “Damn the man!,” and enjoy what you’re watching for what it is.

Add to that, I love that ending.  Everyone dancing on top of the store?  Perfect.

Horror on TV: Freakylinks 1.7 “Still I Rise”


Up until Friday, I had either never heard of a show called Freakylinks.  According to Wikipedia, it aired on the Fox Network back in the year 2000 and it deal with a guy named Derek (Ethan Embry) who took over an occult-themed web site after the death of his twin brother Adam.  The name of that website: Freakylinks.com.  (Incidentally, the real Freakylinks.com is currently for sale if anyone wants to buy the domain name.  To be honest, Freakylinks.com sounds like it should be a cheap porn site instead of a paranormal site.)  With the help of his friends, Derek would spend each week investigating paranormal stuff and then I guess posting it to his site.  I’m assuming that there was no YouTube back in 2000.  (And according to Wikipedia, I am correct!  YouTube did not start until 2005.)

Anyway, Friday night, I watched an episode of Freakylinks with my friends Janeen, Holly, Ven, Tammy, Elway, Kurt, Amber, Myrna, and Bec over at SyFyDesigns.com.  As you might guess from that list, Freakylinks appears to be one of those shows that works better if you watch it as a part of a group.  The episode we watched was called Still I Rise and it had a zombie theme to it.  Towards the end of the episode, Ethan Embry goes a little crazy.

And you can watch it below!

Back to School #53: Dancer, Texas Pop. 81 (dir by Tim McCanlies)


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Dancer, Texas Pop. 81 is a 1998 film about a small town in West Texas that only has a population of 81 citizens.  Just from my own experience of telling people about how much I happen to like this movie, I get the feeling that only 81 people may have actually seen it.  But no matter!  Regardless of how many people have actually seen it, Dancer, Texas is one of my favorite films about my home state.

Dancer starts out with a scene that is so quintessentially Texan that it might as well appear next to Texas in the dictionary.  Four teenagers — all of whom are scheduled to soon graduate from high school — sit out in the middle of the highway.  The road seems to stretch on forever.  The land around them is empty.  If you’ve ever been to West Texas, you know what type of land I’m talking about.  It’s the type of land where you feel like you can see forever.  In the far distance, we see a pair of headlights.

“Car’s comin'” one of them drawls, knowing that they’ve got at least another 15 minutes before that car ever gets anywhere near the tiny town of Dancer, Texas.

These four teenage boys make up 80% of the graduating class of Dancer’s high school and all four of them are planning on leaving town and heading for Los Angeles.  Keller (Breckin Meyer) is their leader, the big dreamer who can’t wait to get out of the state.  Terrell Lee (Peter Facinelli) is the son of the only rich man in town and he’s being pressured by his mother to stay in Dancer and to learn the oil business.  John (Eddie Mills) is the simplest of the four and also the most reluctant about leaving.  He simply wants to be a farmer and he can’t understand why his taciturn father refuses to say anything to keep him from leaving town.  And finally, there’s Squirrel (Ethan Embry), who is the weird one.  Every group needs a weird one and Squirrel is weird even by the usual standards of small town oddness.

Not much happens in Dancer, Texas.  That goes for both the film and the town.  Over the course of two days, all four of the boys are forced to decide whether they really want to leave or if they actually want to stay.  Adding an extra poignancy to their decision is the fact that there literally is no chance that life in Dancer is ever going to change.  Dancer is as it has always been and always will be.  Deciding to stay means staying forever.  And, as the film shows, that’s okay for some people and terrible for others.

I really like Dancer, Texas.  Yes, it does move at its own deliberate pace and yes, a few scenes do tend to get a bit too obvious in their sentimentality (just to name two of the complaints that I saw from some commenters over at the imdb).  Meyer, Facinelli, and Mills all give such wonderfully natural performances that it makes you all the more aware that Embry seems a bit out-of-place.  But, ultimately, none of that matters.  Dancer, Texas is one of the most honest and sincere films that I’ve ever seen and it’s a film that does my home state proud.

Lisa’s Rating: 8 out of 10

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