As today is Terence Hill’s birthday, it seems only appropriate that our song of the day should come from Ennio Morricone’s score for My Name Is Nobody.
Tag Archives: Ennio Morricone
THE UNTOUCHABLES (1987) – Happy 70th Birthday, Kevin Costner!

There was a time in my life, before I could drive, when I would beg my parents to stop at the video store every time we went to the neighboring town of Conway, Arkansas. The town I grew up in was too small to have more than just a gas station, so this movie buff had to take advantage of every trip to town. One night when we were headed home, my parents relented to my repeated requests, so we stopped off at Budget Video. I wanted to choose all the movies, but unfortunately mom and dad would also let my brother and sister choose movies from time to time as well. On this particular night, my brother wanted to rent THE UNTOUCHABLES (1987). I don’t remember what I was wanting, but I do remember that it was not THE UNTOUCHABLES. I probably pouted a little bit, but we ended up taking THE UNTOUCHABLES home with us. We turned it on that night, and I’ll gladly admit that I was 100% wrong. THE UNTOUCHABLES immediately became one of my favorite films. Great job, bro!
It’s 1930 and Prohibition is the law of the land in the United States of America. Treasury agent Eliot Ness (Kevin Costner) has been given the seemingly impossible task of bringing down notorious gangster Al Capone (Robert De Niro), who supplies booze to nearly all of Chicago. Capone doesn’t just supply the booze, he rules Chicago with an iron fist; and if you’re a local business who doesn’t want to buy his product, he just may blow your ass up! Ness’ job is made especially difficult due to the rampant corruption in Chicago, where everyone from the Mayor, to the judges, lawyers, and law enforcement officers are all on Capone’s payroll, making it pretty much impossible to trust anyone. In a complete stroke of luck, Ness encounters the honest Irish American policeman James Malone (Sean Connery) and asks him to join him in bringing down Capone. With Malone, Ness has found that honest and badass cop who’s not afraid to go up against Capone and his goons. Knowing that most of the police force is already compromised, the two men head to the police academy to try to find another honest cop. This turns out to be another great move as they come upon an Italian American trainee named George Stone (Andy Garcia), who’s a prodigy with a gun. Their last, and greatest move in this humble CPA’s opinion, comes when they accept accountant Oscar Wallace (Charles Martin Smith) to their team. Wallace is convinced that the key to bringing down Capone is trying to build a tax evasion case against him. He’s initially laughed at, but it’s soon apparent that this accountant knows his debits and credits, and his expertise may be just what’s needed to end Capone’s reign of terror once and for all.

I’ve always considered THE UNTOUCHABLES to be a near perfect film. One of the main reasons I find the film so perfect is the direction of Brian De Palma. I’ve been a fan of his “style” for so long, with films like DRESSED TO KILL (1980) and BLOW OUT (1981), but I think he just nails the material here. There are so many great scenes, but the “Union Station” sequence has to be one of the most perfectly choreographed sequences of all time. The building of the tension, the slow-motion shootout when the bad guys arrive, and finally the badass resolution all prove what an absolute master De Palma could be with the right material. De Palma claims that he made up the series of shots as he was filming the scenes at the train station, making the final product that much more impressive. And this all plays out against the background of a “lullaby theme” composed by the legendary Ennio Morricone (THE GOOD, THE BAD, AND THE UGLY). This is what “cinema” is all about.
THE UNTOUCHABLES has an amazing cast of actors to bring its “based on real events” story to life. Kevin Costner was just beginning to emerge as a movie star when this movie was made back in 1987. Especially as a younger actor, Costner was good at projecting both a certain innocence, tempered with the willingness to do what it takes to get the job done once his family and friends are put in danger. And what can you say about actors like Sean Connery and Robert De Niro?!! Connery is so charismatic, wise, and tough as the beat cop who shows Eliot Ness how to beat Capone… ”he sends one of yours to the hospital, you send one of his to the morgue!” He’s a beat cop because he’s incorruptible, and Connery projects that stubborn honesty perfectly. I’m so glad that Connery won an Oscar for this performance, as it would be the only time he would ever be nominated for an Academy Award. He’s amazing in this role, even if his accent is Scottish rather than Irish (a notable controversy at the time). Connery may have won the Oscar, but Robert De Niro matches him scene for scene. His ability to make Capone both charismatic and evil in equal measure is an example of what makes De Niro special as an actor. So many actors phone in these types of broad performances, but not De Niro. I also just think it’s cool that De Niro admitted that his performance was heavily influenced by Rod Steiger’s in 1959’s AL CAPONE. I love Steiger and consider this a wonderful tribute. Throw in a young Andy Garcia, the always underrated Charles Martin Smith, and a creepy Billy Drago as Frank Nitti, and you have one of the better casts ever assembled. I especially became a fan of Garcia based on his performance in THE UNTOUCHABLES.
The last person I want to mention is the screenwriter, David Mamet. His screenplay is another perfect element of THE UNTOUCHABLES. The same man who has directed his own films like HOUSE OF GAMES (1987), HOMICIDE (1991), THE SPANISH PRISONER (1997), and SPARTAN (2004) knows how to write a great screenplay. There are so many amazing moments, from the “baseball bat” sequence to the “Stone recruitment” scene, and even Ness’ “he’s in the car” line about Frank Nitti, it’s a muscular screenplay full of big-time moments of audience satisfaction.
At the end of the day, THE UNTOUCHABLES is just a great movie. I still periodically thank my brother for picking it out that fateful day in the late 80’s, and it will always be one of my very favorites. It’s one of those movies that I recommend with zero reservations!
Check out the trailer below, and if you’re smart, you’ll watch one of the great movies of the 1980’s, Brian De Palma’s THE UNTOUCHABLES.
Song of the Day: The Good, The Bad, and the Ugly — Main Theme (composed by Ennio Morricone)
In honor of Sergio Leone’s birthday, today’s song of the day is the main theme from Leone’s best-known film, The Good, The Bad, and The Ugly.
Ennio Morricone’s score is as much of a character in this film as the ones played by Clint Eastwood, Eli Wallach, and Lee Van Cleef. It perfectly sets the moods, telling us that we’re about to see something that is truly epic. The opening notes, which have so often been parodied but which have never lost their power, truly capture the feel of Sergio Leone’s mythical vision of the old west.
10 Oscar Snubs From The 1960s
Ah, the 60s. Both the studio system and the production code collapsed as Hollywood struggled to remain relevant during a time of great social upheaval. The Academy alternated between nominating films that took chances and nominating films that cost a lot of money. It led to some odd best picture lineups and some notable snubs!
1960: Psycho Is Not Nominated For Best Picture and Anthony Perkins Is Not Nominated For Best Actor
To be honest, considering that the Academy has never really embraced horror as a genre and spent most of the 60s nominating big budget prestige pictures, it’s a bit surprising that Psycho was actually nominated for four Oscars. Along with being nominated for its production design and its cinematography, Psycho also won nominations for Alfred Hitchcock and Janet Leigh. However, Anthony Perkins was not nominated for Best Actor, despite giving one of the most memorable performances of all time. The film literally would not work without Perkins’s performance and, considering that Perkins pretty much spent the rest of his career in the shadow of Norman Bates, it’s a shame that he didn’t at least get a nomination for his trouble. Psycho was also not nominated for Best Picture, despite being better remembered and certainly more influential than most of the films that were.
1962: The Man Who Shot Liberty Valance Is Almost Totally Snubbed
The Man Who Shot Liberty Valance was not totally snubbed by the Academy. It received a nomination for Best Costume Design. But still, it deserved so much more! John Ford, James Stewart, John Wayne, Lee Marvin, Vera Miles, and the picture itself were all worthy of nominations. Admittedly, 1962 was a year full of great American films and there was a lot of competition when it came to the Oscars. Still, The Man Who Shot Liberty Valance definitely deserved a best picture nomination over the bloated remake of Mutiny on the Bounty. Today, if the first Mutiny on the Bounty remake is known for anything, it’s for Marlon Brando being difficult on the set. But The Man Who Shot Liberty Valance is still remembered for telling us to always print the legend.
1964: From Russia With Love Is Totally Snubbed
The same year that the Academy honored George Cukor’s creaky adaptation of My Fair Lady, it totally ignored my favorite James Bond film. From Russia With Love is a Bond film that works wonderfully as both a love story and a thriller. Sean Connery, Lotte Lenya, Robert Shaw, and Terence Young all deserved some award consideration. From Russia With Love was released in the UK in 1963. In a perfect world, it would have also been released concurrently in the U.S., allowing From Russia With Love to be the film that gave the the Academy the chance to recognize the British invasion. Instead, Tom Jones was named the Best Picture of 1963 and From Russia With Love had to wait until 1964 to premiere in the U.S. It was snubbed in favor of one of old Hollywood’s last grasps at relevance.
1964: Slim Pickens Is Not Nominated For Best Supporting Actor
Playing three separate roles, Peter Sellers dominates Dr. Strangelove: Or How I Learned To Stop Worrying And Love The Bomb. But, as good as Sellers is, the film’s most memorable image is definitely Slim Pickens whooping it up as he rides the bomb down to Earth. George C. Scott and Sterling Hyaden also undoubtedly deserved some award consideration but, in the end, Pickens is the one who brings the film to life even as he helps to bring society to an end.
1967: In Cold Blood Is Not Nominated For Best Picture
In Cold Blood, though not a perfect film, certainly deserved a nomination over Dr. Doolittle. In Cold Blood is a film that still has the power to disturb and haunt viewers today. Dr. Doolittle was a box office debacle that was nominated in an attempt to help 20th Century Fox make back some of their money.
1967: Sidney Poitier Is Not Nominated For Best Actor For In The Heat Of The Night
In 1967, Sidney Poitier starred in two of the films that were nominated for Best Picture but somehow, he did not pick up a nomination himself. His restrained but fiercely intelligent performance in In The Heat Of The Night provided a powerful contrast to Rod Steiger’s more blustery turn. That Poitier was not nominated for his performance as Virgil Tibbs truly is one of the stranger snubs in Academy history. (If I had to guess, I’d say that the Actors Branch was split on whether to honor him for In The Heat of the Night or Guess Who’s Coming To Dinner or even for To Sir With Love and, as a result, he ended up getting nominated for none of them.)
1968: 2001: A Space Odyssey and Planet of the Apes Are Not Nominated For Best Picture
Neither one of these classic science fiction films were nominated for Best Picture, despite the fact that both of them are far superior and far more influential than Oliver!, the film that won that year.
1968: The Good, The Bad, and the Ugly Is Totally Ignored
Not even Ennio Morricone’s score received a nomination!
1968: Petulia Is Totally Snubbed
Seriously, I don’t know what was going on with the Academy in 1968 but it seems they went out of their way to ignore the best films of the year. Richard Lester’s Petulia is usually cited as one of the definitive films of the 60s but it received not a single Oscar nomination. Not only did the film fail to receive a nomination for Best Picture but Richard Lester, George C. Scott, Julie Christie, Shirley Knight, Richard Chamberlain, and the film’s screenwriters were snubbed as well.
1969: Easy Rider Is Not Nominated For Best Picture
Yes, I know. Easy Rider is a flawed film and there are certain moments that are just incredibly pretentious. That said, Easy Rider defined an era and it also presented a portrait of everything that was and is good, bad, and timeless about America. The film may have been produced, directed, and acted in a drug-razed haze but it’s also an important historical document and it was also a film whose success permanently changed Hollywood. Certainly, Easy Rider’s legacy is superior to that of Hello, Dolly!
Agree? Disagree? Do you have an Oscar snub that you think is even worse than the 10 listed here? Let us know in the comments!
Up next: It’s the 70s!
Song of the Day: Final Theme From Cinema Paradiso by Ennio Morricone
Well, here we are. All things must come to an end and today, our month-long tribute to Morricone comes to a close with one final piece of music from the greatest composer of our age. I want to close things out with a piece from Morricone’s score for 1988’s Cinema Paradiso.
Here, from Cinema Paradiso, is the final theme:
Goodnight, Morricone.
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)
- Main Theme From For A Few Dollars More (For A Few Dollars More)
- Gui La Tesa (Duck, You Sucker!)
- Malena (Malena)
- Chi l’ha vista morire? (Who Saw Her Die?)
- Neve (The Hateful Eight)
Song of the Day: Neve by Ennio Morricone
After decades of soundtracks that established him as one of the greatest of our modern composers, Ennio Morricone would win his first (and, sad to say, only) competitive Oscar in 2016. (Morricone had previously been awarded an honorary Oscar for his overall body of work.) He won that Oscar for his score for Quentin Tarantino’s 8th film, 2015’s The Hateful Eight.
As we are now winding down our tribute to Morricone, it only seems appropriate to share a piece of the soundtrack. From the Hateful Eight, here is Neve:
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)
- Main Theme From For A Few Dollars More (For A Few Dollars More)
- Gui La Tesa (Duck, You Sucker!)
- Malena (Malena)
- Chi l’ha vista morire? (Who Saw Her Die?)
Song of the Day: Chi l’ha vista morire? by Ennio Morricone
Today’s song of the day comes to use Ennio Morricone’s score for the 1972 giallo, Who Saw Her Die? This may not be one Morricone’s best-known soundtracks but it’s still one of his best. The movie’s pretty good as well.
From Who Saw Her Die:
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)
- Main Theme From For A Few Dollars More (For A Few Dollars More)
- Gui La Tesa (Duck, You Sucker!)
- Malena (Malena)
Song of the Day: Malena by Ennio Moricone
Today’s song of the day comes from Ennio Morricone’s score for the 2000 Italian film, Malena!
Here, from a performance in Chile, is Morricone’s Malena:
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)
- Main Theme From For A Few Dollars More (For A Few Dollars More)
- Gui La Tesa (Duck, You Sucker!)
Song of the Day: Gui La Testa by Ennio Morricone
Today’s song of the day comes from Ennio Morricone’s score for Sergio Leone’s 1971 film, Duck, You Sucker! Also known as A Fistful of Dynamite, this is probably Leone’s most underrated film and Morricone’s excellent score seems to be a bit underrated as well.
Though it may have been dismissed when originally released, many critics have recently discovered that the film actually holds up surprisingly well. So does Morricone’s score.
From Duck, You Sucker!:
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)
- Main Theme From For A Few Dollars More (For A Few Dollars More)
Song of the Day: The Main Theme From For A Few Dollars More by Ennio Morricone
Continuing our tribute to Ennio Morricone, today’s song of the day is the main theme from 1965’s For A Few Dollars More. If Sergio Leone’s version of the old west was as a mythological landscape, Morricone’s music was always the perfect soundtrack.
https://www.youtube.com/watch?v=mLXQltR7vUQ
Previous Entries In Our Tribute To Morricone:
- Deborah’s Theme (Once Upon A Time In America)
- Violaznioe Violenza (Hitch-Hike)
- Come Un Madrigale (Four Flies on Grey Velvet)
- Il Grande Silenzio (The Great Silence)
- The Strength of the Righteous (The Untouchables)
- So Alone (What Have You Done To Solange?)
- The Main Theme From The Mission (The Mission)
- The Return (Days of Heaven)
- Man With A Harmonic (Once Upon A Time In The West)
- The Ecstasy of Gold (The Good, The Bad, and the Ugly)
- The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
- Regan’s Theme (The Exorcist II: The Heretic)
- Desolation (The Thing)
- The Legend of the Pianist (The Legend of 1900)
- Theme From Frantic (Frantic)
- La Lucertola (Lizard In A Woman’s Skin)
- Spasmodicamente (Spasmo)
- The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
- My Name Is Nobody (My Name Is Nobody)
- Piume di Cristallo (The Bird With The Crystal Plumage)
- For Love One Can Die (D’amore si muore)
- Chi Mai (various)
- La Resa (The Big Gundown)
- Main Title Theme (Red Sonja)
- The Main Theme From The Cat O’Nine Tails (The Cat O’Nine Tails)
- Deep Down (Danger Diabolik!)
- Main Theme From Autopsy (Autopsy)
- Main Theme From Investigation of a Citizen Above Suspicion (Investigation of a Citizen Above Suspicion)
- Main Theme From A Fistful of Dollars (A Fistful of Dollars)










