Retro Television Review: St. Elsewhere 2.9 “AIDS and Comfort”

Posted on August 1, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, St. Elsewhere makes history.

Episode 2.9 “AIDS and Comfort”

(Dir by Victor Lobl, originally aired on December 21st, 1983)

A city councilman named Anthony Gifford (Michael Brandon) has checked into St. Eligius under an assumed name. He’s complaining about fatigue. His lymph nodes are swollen. His immune system seems to be shutting down. Dr. White and Dr. Westphall look at the man’s x-rays and Dr. White says that it looks like Gifford might be suffering from a newly discovered disease that no one knows much about. The name of that disease is AIDS.

“Could he be …. gay?” Dr. White asks.

Westphall initially scoffs. He points out that Gifford is married and has two children. When Gifford is asked directly about his personal life, he admits to having affairs but is quick to say that they were all with women. Westphall later says that Gifford is either lying or they’ve discovered something entirely new about the virus and they need to call the CDC….

Today, with all we know about HIV and AIDS, it’s a bit jarring to hear some of the dialogue in this episode. Doing some research, I discovered that this was the first ever episode of network television to deal with the AIDS epidemic and that it aired at a time when there were still a lot of unanswered questions about how the disease was spread. (For instance, the episode aired shortly after the HIV virus has been discovered.)

When words get out that Gifford is a patient at the hospital and that he has AIDS, panic erupts. No one donates to the hospital’s blood drive because they’re scared the needles have somehow gotten infected. Even usually sympathetic characters — like Luther and Dr. Fiscus — refuse to be anywhere near the isolation ward. Gifford’s doctor, Peter White, requests that Gifford’s case be given to another doctor. Later, White asks everyone is Westphall is mad at him. Morrison replies that White acted unethically. White blames his wife and her fears of him contracting the disease by being in the same room as Gifford. (Not surprisingly, White is also the one who, because he won’t stop whining about his job, is responsible for word spreading about Gifford having AIDS.)

After spending nearly the entire episode denying it, Gifford finally admits to having had affairs with other men. As he leaves the isolation ward, he’s besieged by reporters. Getting in the elevator, he sees that someone has spray-painted “AIDS” on the wall. Before he leaves, he asks Westphall how long he has. Westphall grimly replies that most AIDS patients die within two years.

Later, while talking to Dr. Craig and Nurse Rosenthal, Westphall says, “Yeah, I know that’s how I felt about it at first. Then I started to think, Who am I? Why should any of us be penalized, fatally, for choosing a certain lifestyle, especially when you realize that it all boils down to chance anyway? And I tell you something I don’t give a damn for all this talk about morality and vengeful gods and all that. If you have AIDS, you’re sick, you need help. That’s all that matters. And that’s why we’re here, right?”

And yes, it’s a bit jarring to hear Westphall refer to being a gay as a “choosing a certain lifestyle,” but you again you have to consider when this episode aired and that it was also the first network television show to feature a storyline about AIDS. When this episode aired, saying that “If you have AIDS, you’re sick, you need help …. that’s all that matters,” took a certain amount of courage. For many viewers, this episode was probably the first they ever really heard about AIDS.

This episode dealt very honestly with AIDS. It actually helped that all of the character didn’t have the type of “perfect” reaction that television shows often present characters as having. Even Dr. Westphall, usually presented as being this show’s beacon of moral clarity, had to deal with his own prejudices. When it comes to a controversial topic, television shows too often portray their lead characters as being saints. This episode portrayed the staff of St. Elsewhere as being flawed and imperfect and, as such, it was a very effective and thought-provoking hour.

Film Review: Stay Hungry (dir by Bob Rafelson)

Posted on July 30, 2025 by Lisa Marie Bowman

In the 1976 film Stay Hungry, Jeff Bridges plays Craig Blake.

When we first meet Craig, he doesn’t have much of a personality, though we still like him because he’s played by Jeff Bridges. Living in Alabama, he’s a young rich kid who, after the death of his parents, divides his time between his nearly empty mansion and his country club. Craig suffers from a good deal of ennui and seems to spend a lot of time writing letters to his uncle in which he promises that he’s going to eventually get his life together. Craig eventually gets a job at a real estate firm that is managed by Jabo (Joe Spinell). We know that the real estate firm is shady because Joe Spinell works there.

Craig is assigned to handle the purchase of a small gym so that he can eventually close the place and allow it to be torn down to make room for an office building. However, Craig soon falls for the gang of colorful eccentrics whose lives revolve around the gym and bodybuilder Joe Santo (Arnold Schwarzenegger, who gets an “introducing” credit, even though this was his fourth film). The friendly Franklin (Robert Englund) is Santo’s “grease” man. Anita (Helena Kallianiotes) is tough and can kick anyone’s ass. The receptionist, Mary Tate (Sally Field), is a free spirit with whom Craig soon falls in love. In fact, the only less than likable person at the gym is the former owner, Thor Erickson (R.G. Armstrong), a heavy-drinking perv who has a hole in the floor of his office that he uses to peek down at the women’s locker room.

There’s not much of a plot here. Instead, the film plays out in a rather laid back manner, with Santo befriending Craig and showing him the joy of embracing life. Arnold Schwarzenegger actually won an award (well, a Golden Globe) for his performance here and it must be said that he’s very good as the gentle and easy-going Santo. Because he’s huge and he’s Schwarzenegger, we expect him to be intimidating. Instead, he’s a soft-spoken guy who is quick to smile and who doesn’t even get upset when he finds out that Mary Tate and Craig are now involved. There’s even a surprising scene where Joe Santo picks up a fiddle and starts playing with a bluegrass band. Schwarzenegger is so likable here that it’s easy to wonder where his career might have gone if he hadn’t become an action star. Even early in his career (and when he was still speaking with a very thick accent), Schwarzenegger shows off a natural comic timing. He’s fun to watch.

In fact, he’s so much fun that the rest of the film suffers whenever he’s not onscreen. The cast is full of talented people but the film’s loose, plotless structure keeps us from truly getting too invested in any of them. (Santo is training for Mr. Universe so at least he gets an actual storyline.) Sally Field and Jeff Bridges are cute together but their romance is never quite as enchanting as it seems like it should be. The main problem with the film is that, when it ends, one still feels like Craig will eventually get bored with the gym and return back to his mansion and his country club. One doesn’t get the feeling that Craig has been changed so much as Craig just seems to be slumming for the heck of it.

There are charming moments in Stay Hungry. I’m a Southern girl so I can attest that the film captured the feel of the South better than most films. If you’re a Schwarzenegger fan, you have to see this film because it really does feature Arnie at his most charming and natural. Unfortunately, despite all that, the film itself never really comes together.

Retro Television Review: St. Elsewhere 2.8 “All About Eve”

Posted on July 25, 2025 by Lisa Marie Bowman

This week, everyone’s got the blues.

Episode 2.8 “All About Eve”

(Dir by David Anspaugh, originally aired on December 14th, 1983)

What a depressing episode!

With tension rising between Boston’s Catholics and its Protestants, threats are being called into the hospital because young Protestant Eddie Carson (Eric Stoltz) is still a patient. (Last week, I assumed Eddie was Catholic but apparently, he’s supposed to be a Protestant. I also assumed his parents were blown up in the pub bombing. In this episode, it was made clear that the victims were his aunt and uncle.) A group of masked, IRA-style terrorists break into Joan Halloran’s home. Joan’s gone at the time but Bobby Caldwell is in the shower and he ends up getting beaten into unconsciousness.

(Wow, did someone on the writing staff have an issue with Irish Catholics?)

Meanwhile, Dr. Westphall has to explain to his several autistic son Tommy (Chad Allen) that their beloved housekeeper has quit and moved away. Westphall’s daughter says she’s going to skip college and stay home to help take care of her brother. While I’ve always known that the widowed Westphall had an autistic son, this was the first episode to actually show us Westphall interacting with Tommy. And, with no disrespect meant to the autistic community, I can understand why Westphall always seems so depressed. Tommy runs and hides in a corner. Tommy hits his father. Tommy demands to know if everyone is going to leave him. By the end of the episode, Westphall was exhausted and I was even more exhausted from watching him.

But Westphall’s angst was not the most depressing thing about this episode. On top of everything else, Eve Leighton died! She didn’t die as a result of the heart that Dr. Craig transplanted into her. The heart was working fine. Instead, the rest of Eve’s body gave out. Being in the hospital initially saved her life but it also shut her off from everything that inspired her to keep living. Dr. Craig was in surgery when Eve coded. By the time he was able to get to her room, she was already gone. And with Eve’s death, that also means that the heart that once belonged to Morrison’s wife is gone as well.

I mean, seriously …. GOOD LORD! It was a well-acted episode. Both William Daniels and Ed Flanders broke my heart. But I seriously had to rewatch Happy Gilmore after watching this show. That’s how depressed it left me!

But that’s life and death in a hospital. Every hospital is home to hundreds of different stories and the majority of them do not have happy endings.

Retro Television Review: St. Elsewhere 2.7 “Entrapment”

Posted on July 18, 2025 by Lisa Marie Bowman

This week, Peter’s in trouble …. again!

Episode 2.7 “Entrapment”

(Dir by Mark Tinker, originally aired on December 7th, 1983)

Oh, that Peter White! Always in trouble for something!

This week, a woman comes into the Emergency Room with her baby and begs for some Seconal, just to help her get some sleep. Peter says that Seconal might be too powerful a drug but he’s moved by the woman’s pleas. Finally, he gives her the drugs. The next morning, Dr. Craig and Dr. Westphall get a call. The woman was an undercover cop and now, Dr. White — a recovering drug addict himself — is under investigation.

Both Dr. Craig and Dr. Auschlander think that the solution is to just kick Peter out of the hospital. Westphall disagrees, saying that Peter has come a long way since he completed rehab. Westphall promises Peter that he and Auschlander will support him when his hearing comes up.

As for Dr. Craig, he finally found out that his secret admirer was Kathy Martin. This led to Ellen Craig (played by Bonnie Bartlett, William Daniels’s real-life wife) heading down to the morgue and politely telling Kathy to stay away from her man before then mentioning that, if politeness hadn’t worked, she was prepared to beat Kathy up. I love Ellen. She’s one of the best characters on the show.

Meanwhile, Irish kid Eddie Carson (Eric Stoltz), who was admitted to the hospital last week, is upset because he’s going to have a big ugly scar on his face. He’ll probably be even more upset when he discovers that a rival Irish teenager (a protestant, naturally) planted a bomb in his family’s restaurant and blew up his parents.

This was an okay episode. The highlight was definitely Ellen confronting Kathy Martin. As for the other storylines, Eddie Carson’s story felt a bit contrived while Peter White’s story was just getting started. I assume the hearing will be next week. It’s interesting to see Peter as the victim for once. Usually, it’s his own stupidity that screws things up for him. This week, he really was unfairly targeted.

We’ll see what happens next week.

Retro Television Review: St. Elsewhere 2.6 “Under Pressure”

Posted on July 11, 2025 by Lisa Marie Bowman

This week, the hospital staff is under pressure!

Episode 2.6 “Under Pressure”

(Dir by David Anspaugh, originally aired on November 30th, 1983)

What a depressing episode!

It’s another day at St. Eligius and almost everyone seems to be in a bad mood. Patients are complaining that Dr. Craig is so obsessed with his heart transplant that he’s ignoring them. Dr. Westphall wakes up in a bad mood and continue to be in a bad mood for the entire episode. Dr. Morrison is upset because he’s treating two Irish teens who nearly killed each other because one is Protestant and the other is Catholic. (One of the teens is played by a young Eric Stoltz.) Bobby Caldwell has to figure out how to put together the face of one of the Irish boys. Ehrlich is complaining nonstop. Morrison is missing his wife. Auschlander is dealing with his approaching mortality. (There’s a wonderful moment when Norman Lloyd rolls his eyes while Auschlander listens to Westphall whine.)

Finally, a man calling himself Mr. Entertainment (Austin Pendleton) took over one of the hospital’s elevators and sang to the patients. That cheered some people up. It would have annoyed the Hell out of me. Mr. Entertainment is checked into the psych ward, where he meets the new head psychiatrist, Michael Ridley (Paul Sand). (Hugh Beale apparently no longer works at the hospital. Both he and Dr. Samuels were dropped after the first season, with no onscreen explanation.) The episode ends with Mr. Entertainment singing for a collection of nurses and doctors and bringing some happiness to their lives.

Everyone in this episode is under pressure. That’s fine. That’s realistic. Being a doctor cannot be an easy job. But it just made for a rather melancholy episode and I have to admit that I couldn’t wait for the end credits and that meowing cat.

Perhaps next week will be better.

Brad reviews COCKFIGHTER (1974), starring Warren Oates!

Posted on July 5, 2025 by Bradley Crain

I read about the movie COCKFIGHTER many years ago, and I remember the review being very positive. I had never watched the film before, but with today being Warren Oates’ birthday and it being available on Amazon Prime, I decided I’d finally watch it.

Directed by Monte Hellman and based on Charles Willeford’s 1962 novel, COCKFIGHTER introduces us to Frank Mansfield (Warren Oates), a man completely obsessed with the southern “sport” of cockfighting. As we meet him, he’s in the process of losing a bet and a cockfight with Jack Burke (Harry Dean Stanton). The loss isn’t just a setback, it costs him all of his cash, his truck, his trailer, and his current girlfriend Dody White (Laurie Bird). We also notice in these early scenes that Frank only communicates through sign language and writing notes. It seems that he’s been living under a self-imposed vow of silence. Two years earlier, on the eve of the big, season-ending cockfighting grand finale, Frank’s big-mouthed braggadocio caused him to lose his prized cock, and the prestigious “Cockfighter of the Year” medal in a meaningless hotel bet, also against Jack Burke. Frank vows not to speak again until he wins that medal. Coming up with cash in the only way he can by selling his family’s home, Frank buys a new cock named White Lightning from Ed Middleton, played here by the film’s writer Charles Willeford. Armed with new fowl and a new, capital rich partner named Omar Baradansky (Richard B. Shull), Frank will not let anything stop him, including the love of his life Mary Elizabeth (Patricia Pearcy) or an axe wielding competitor (Ed Begley, Jr.), from being named “Cockfighter of the Year” and finally regaining his voice and the respect he desires!

COCKFIGHTER definitely has some things going for it. First and foremost, Warren Oates is so good in the lead role as the obsessed man who puts success in cockfighting above anything else in his life, including every other person. He literally sells the family home out from under his alcoholic brother Randall (Troy Donahue) in order to fund his next cock purchase after he’s gone bust. This sets up quite the sight gag for such a gritty and realistic film as a large truck and trailer drives away the family home taking up the entire state highway. When his long time fiancé asks him to give up cockfighting, he just gets up, leaves her shirtless and heads back out on the circuit. He writes her a letter from the road and tells her he loves her, but he also makes it clear that life without cockfighting is a life that he’s unwilling to live. Oates’ Frank Mansfield is not the kind of person you’d ever want to depend on in life, but he’s also an uncompromising individual who is determined to live life wholly on his own terms, accepting of the successes and failures that come with it. I watched the film because it features Warren Oates, and after having done so, I can say that his performance is truly special.

COCKFIGHTER is one of those movies that makes us feel like we’re watching real people, and that’s kind of fascinating even if they reside in a world that we don’t really want to live in. The primary credit for that has to go to director Monte Hellman and Oscar winning cinematographer Nestor Almendros (DAYS OF HEAVEN). The restraint that is shown in the storytelling, as well as the sweaty, ramshackle authenticity of the Georgia locations, brings the story to life. The supporting cast also does its part to create the world of COCKFIGHTER. Harry Dean Stanton as Jack Burke, Frank’s primary rival in the cockfighting game, is excellent as you might expect, and he seems a lot like a regular guy. I really like Richard B. Schull, who plays Frank’s outgoing and talkative partner Omar. His friendly and gregarious personality seems a little untrustworthy at first, but he turns out to be the most likable person in the film. And finally, I want to shoutout Charles Willeford. Not only did he write the source novel and screenplay for COCKFIGHTER, he also gives a solid performance as Ed Middleton, an old-timer in the game who treats Frank with honesty and decency when he’s hit rock bottom.

With all the positive things I’ve said above, I have to address the graphic depiction of cockfighting in COCKFIGHTER. This was the 70’s, and the scenes shown here are real and were very difficult for me to watch. It’s not fun to see animals fight and kill each other, and this is coming from a person who loves fried chicken and is not particularly an animal lover. The scenes are presented as matter of fact and in service of the story, but that still doesn’t make them easy to watch. Director Monte Hellman has gone on record to express his personal disgust at even filming these scenes. While a movie made in the 1970’s probably couldn’t have been made without these sequences, I just wanted to make it clear that this film is probably unwatchable for a lot of people.

Overall, COCKFIGHTER is a relic of the 1970’s. It’s a gritty and realistic film, featuring a great central performance from Warren Oates. It’s also an ethically troubling film that features real animal on animal violence. Based on that I don’t necessarily recommend the film. Rather, I just want to share my own thoughts, and you can determine if you want to watch it or not. That’s what I’ve tried to do above.

Retro Television Review: St. Elsewhere 2.5 “A Wing and A Prayer”

Posted on July 4, 2025 by Lisa Marie Bowman

This week, St. Elsewhere observes a holiday.

Episode 2.5 “A Wing and a Prayer”

(Dir by Bruce Paltrow, originally aired on November 23rd, 1983)

It’s Thanksgiving in Boston! While everyone else is watching the Patriots and celebrating with family, 15 residents are stuck at St. Eligius, working during the holiday. To make it even worse for them, Dr. Craig puts himself on the schedule to teach them a lesson about what it means to be a doctor. (It’s also subtly suggested that Craig is looking for an excuse to get out of visiting his in-laws.) When Craig learns that Ehrlich is planning on make a “California-style” turkey, Craig insists on making a turkey of his own.

Meanwhile, Dr. Auschlander is reading a book on “dying with dignity.” It’s a British book, one that makes the case for euthanasia. (Anglicans are so pessimistic!) Auschlander is convinced that this will be his last Thanksgiving. He becomes obsessed with the case of Joe Dempsey (Cory Yothers), a little boy who might have Hepatitis or who could just as easily be suffering from Leukemia. Neither option is great but Joe can recover from Hepatitis. Death-obsessed Auschlander spends the entire episode convincing himself that Joe is going to die. Fortunately, Auschlander is wrong. When the test results come back, it turns out that Joe does have Hepatitis. Auschlander’s hope is renewed. He tosses away his assisted suicide book. He tells his wife he’s looking forward to next Thanksgiving. It’s kind of predictable but Norman Lloyd’s performance sells it.

Did I cry during this episode? Yes, I did. Last year, at this time, I was fighting with an insurance company to keep my dad from getting kicked out of his rehab center. I knew, deep in my heart, that if he was sent home, he would die. The insurance company wanted to kick him out on the 4th of July. I successfully appealed their decision, just as I would appeal several more of their decisions. I won countless battles and I felt pretty proud of myself but ultimately, I lost the war. My Dad was eventually evicted from the rehab center and, as I feared would happen, he died a few weeks later. Every holiday since August of last year has been my first without my Dad. So, yeah, when I watched an episode of a hospital drama with Dr. Asuchlander obsessing on death while Dr. Morrison experienced his first holiday since the passing of his wife …. you better believe I cried.

Can I fairly judge this episode, all things considered? Probably not. Watching it, I could tell that this episode was shamelessly manipulative and there were a few moments that were a bit overwritten. There wasn’t much subtlety to be found. But, dammit, it got to me. The emotions got to me. It earned my tears and, to be honest, I felt a little better after I cried. Joe Dempsey’s going to live. Yay!

Retro Television Review: St. Elsewhere 2.4 “Qui Transtulit Sustinet”

Posted on June 27, 2025 by Lisa Marie Bowman

This week. Dr. Craig finally gets to perform his first heart transplant.

Episode 2.4 “Qui Transtulit Sustinet”

(Dir by Victor Lobl, originally aired on November 16th, 1983)

It’s a busy day at St. Eligius.

While Morrison struggles to come to terms with the death of his wife, her heart is transplanted into Eve Leighton. Morrison tells Westphall that he wants to keep working at the hospital and that he doesn’t need any time off. Westphall tells Morrison that he’s too distraught to be trusted with patients and that he has to take some time off. Westphall actually has a point, even if he does come across as being a bit cold when talking to Morrison. Even Peter White, that drug-addicted sleazebag, tells Morrison that he’s needs to take some time. Seriously, I think this is the first time that Dr. White’s been correct about anything since this show began.

Dr. Craig finally gets to perform a heart transplant but afterwards, in a wonderfully-acted scene, he tells Westphall that he feels a bit let down. After all the anticipation and the preparation, Craig isn’t sure what to do now that he’s actually performed the surgery. For once, he doesn’t want to talk to the press, regardless of how much the city of Boston expects him to. It’s a nicely human moment, one that we don’t often get from Dr. Craig.

Nurse Rosenthal attempted to console another breast cancer patient and met with Mark Harmon’s Dr. Caldwell to discuss getting breast reconstruction surgery. Nurse Rosenthal’s breast cancer storyline has consistently been well-acted and well-written and it has also been consistently difficult for me, as someone who lost her mother to cancer, to watch and write about. That was certainly the case for me with this episode.

Meanwhile, Fiscus and Luther pool their money to make an investment in silver but, at the last minute, Fiscus pulls out of their investment. His nerves get the better of him. Luther makes a lot of money. Fiscus doesn’t. Hey, guys — Morrison’s wife is dead. Show some respect and save the comedy for another episode.

This was an intense episode but it ended on a beautiful note, with Dr. Morrison listening to the sound of his wife’s heart beating in someone else’s body. A beautiful note but also a very sad one. I’m worried about Jack Morrison. I’m worried about the recipient of the heart. I’m worried about Helen Rosenthal. I’m worried about the entire hospital!

Here’s hoping for happier days ahead.

Retro Television Review: St. Elsewhere 2.3 “Newheart”

Posted on June 20, 2025 by Lisa Marie Bowman

This week, things get dark.

Episode 2.3 “Newheart”

(Dir by Mark Tinker, originally aired on November 9th, 1983)

What a depressing episode!

It doesn’t start out on a particularly depressing note. It opens with a bachelor part for Dr. Vijay Kochar, who is about marry a woman that he’s never actually met. (It’s an arranged marriage.) The bachelor party, which appears to have been held in Fiscus’s apartment, is a bust. Dr. White shows up with a sex doll. Victor Ehrlich shows up with a short film called “Sally Takes a Ride,” which turns out to be not the pornography he was expecting but instead, a short film about astronaut Sally Ride. Vijay mentions that he’s a virgin and soon, with the help Dr. White and Nurse Daniels, the news is all over the hospital. Kathy Martin decides to give Vijay an early wedding gift by having sex with him.

Since this episode aired in 1983, there’s a random aerobic class being held in the hospital, which leads to a lengthy scene of spandex and dancing. It’s a bit of a silly scene for what was, for the first half hour, shaping up to be a silly episode.

Fran and Jerry Singleton finally check out of the hospital. Fran has regained the ability to speak and can stiffly walk. Jerry has learned to stop being such an overbearing jerk. Dr. Morrison is not there to say goodbye to the Singletons because….

…. and here’s where things start to get dark….

….his wife is in another hospital! Jack Morrison’s wife has an offscreen cerebral hemorrhage and, as evidenced by Morrison’s tears at the end of the episode, she does not survive. At the same time that she’s dying, Dr. Craig gets a call telling him that there is finally a heart available for the transplant. And, though it wasn’t explicitly stated, it seems pretty obvious that the heart in question belonged to Morrison’s wife.

AGCK!

Seriously, how much more depressing can one episode get? And for all this to happen to Jack Morrison, who is probably the most decent character on the show, it’s just not fair! I mean, he was literally the only married intern who had a happy marriage. He has a newborn son. And now, he’s going to have to balance being a single father with being a resident.

Poor guy! I hope next week finds some sort of relief for him.

Retro Television Review: St. Elsewhere 2.2 “Lust Et Veritas”

Posted on June 13, 2025 by Lisa Marie Bowman

This week, St. Eligius gets a new plastic surgeon.

Episode 2.2 “Lust Et Veritas”

(Dir by Mark Tinker, originally aired on November 2nd, 1982)

This episode sees the addition of two new doctors to the hospital’s staff and they’re both played by familiar actors. Elliott Axlerod is played by Stephen Furst. He’s a new resident and obviously terrified of screwing up in the ER. He asks Ehrlich and Fiscus for advice. When told that he’s required to perform a rectal exam on every patient, he asks, “Is it too late to go to law school?” Ehrlich assures him that it is.

(It’s never too late!)

Secondly, Mark Harmon joins the cast as plastic surgeon Bobby Caldwell and not even a porn star mustache can obscure the fact that young Mark Harmon was amazingly hot. (Actually, old Mark Harmon isn’t that bad either. He aged well.) Bobby, we learn, was brought to St. Eligius by Dr. Craig. He’s cocky and confident and it’s obvious that he loves being lusted after by Dr. Armstrong and Nurse Daniels. However, he already has a secret lover as this episode finds him showering with Joan Halloran, the city hall bureaucrat who spends most of her time arguing with Dr. Craig about whether or not to shut down one of the hospital’s non-profit programs.

Dr. Craig is nervous because he’s waiting for a heart to become available so he can perform his first transplant on Eve Leighton (Marian Mercer), a teacher who wants to get back into her classroom as soon as possible. Ehrlich is nervous because Craig is taking all of his frustrations. and his nervousness out on him.

Meanwhile, Jerry Singleton (Alan Arkin), the demanding husband of stroke-victim Fran (Piper Laurie), continued to push his wife to recover until finally, at the end of the episode, she yelled that he was pushing her too hard. It was a heart-breaking moment. Jerry thinks that he’s helping his wife but, as this episode showed, he’s actually been torturing her with his overbearing demands that she hurry up and get better.

Finally, a former resident named Barry Dorn (Peter Horton) returns to the hospital to try to convince Dr. Cavanero to change her negative evaluation of his job performance. Everyone acts as if Barry was a character on the show during the previous season, even though he wasn’t. It’s even revealed that he is Wendy Armstrong’s former boyfriend. When Cavanero refuses to change her evaluation, Armstrong accuses her of not having any feelings. (Seriously, Armstrong is the worst!) Even worse, when Cavanero heads to the doctor’s lounge, she finds Barry waiting for her. Barry punches her, busting open her lower lip. Armstrong stitches up the cut and then says that Cavanero is lucky because now, she’ll have an excuse to meet Dr. Caldwell! Armstrong then offers a half-hearted apology for previously accusing Cavanero of being heartless. (Again, Armstrong is the worst!!!!)

This wasn’t a bad episode. Mark Harmon and Stephen Furst seem like they’ll be good additions to the show’s ensemble. The Barry story felt a bit odd, just because Barry was apparently present but 0ff-camera during the entire first season. It sounds like Barry went through a lot of the same things that Peter White went through during the first season and Peter was not present in this episode. There’s a part of me that suspects that Barry was originally meant to be Peter but the show’s producers obviously decided they wanted to keep Peter around for a bit longer.

Next week …. well, I have no idea how things are going to develop. There’s a lot going on in this hospital. We’ll see what happens.