I review BLOOD WORK (2002) – starring Clint Eastwood and Jeff Daniels!


Here at The Shattered Lens, we’re celebrating Clint Eastwood’s 95th birthday on May 31st. As part of that celebration, I decided to revisit his 2002 film, BLOOD WORK. 

BLOOD WORK finds Clint Eastwood as retired FBI profiler, Terry McCaleb (Clint Eastwood), a man who has recently had a heart transplant. Despite the wishes of his doctor Bonnie Fox (Angelica Huston), the beautiful Graciella Rivers (Wanda De Jesus) is able to guilt McCaleb into investigating the death of her sister, Gloria, when she reveals to him that it’s her sister’s heart that is now beating in his chest. Unable to drive due to his heart condition, McCaleb hires his goofy next-boat neighbor Buddy (Jeff Daniels) as his driver. The two set out to find any clue or follow any lead they come across. Eventually McCaleb is able to uncover that Gloria’s killer may be the “Code Killer,” the very same killer that he was after when his heart gave out on him, forcing his retirement. He’s going to do everything he can to catch the killer this time, even if it kills him in the process! 

BLOOD WORK puts Clint Eastwood smack dab in the middle of one of my favorite genres, the serial killer film, and the result is somewhat of a mixed bag. On the positive side, it contains a really good performance from a 72 year old Clint Eastwood as the retired FBI guy and recent heart transplant recipient. This character trait strips away Eastwood’s ability to be a Superman as he has been so many times before in his career. As a matter of fact, we feel his pain when a big Russian throws him down, or when he has to dive out of the way of a car trying to run him over. We worry for him when he gets a fever, which could actually kill him. But even in his fragile state, every so often he’ll grab a shotgun and start blasting away at the inhabitant of a car he sees watching him. His character has to rely on his intellect more than his strength and Eastwood is fun to watch in the role, with his performance the highlight of the movie. Of the other performances, I really like Angelica Huston in the relatively small role of his doctor. You believe that she really wants him to get better, and she’s pissed off that he’s gotten himself involved in this murder investigation. I’m not that impressed with Jeff Daniels here. I normally like his work, so I think the problem is that his character isn’t written that well. Wanda De Jesus is a lovely woman, and she has some good moments, but there are a couple of times that she’s way over dramatic, and I couldn’t help but roll my eyes. 

As I mentioned earlier, I usually enjoy serial killer movies, and I did enjoy BLOOD WORK. It hits most of the expected notes of the genre… the serial killer taunting the lawman, the visits to the family members of the victims, the sudden discovery of clues / evidence, the eleventh hour reveal of the killer, etc. With Eastwood at the center of it all as both actor and director, you can’t really go wrong even if the movie does drag some during its middle portion. And even though it’s presented as a whodunit, there’s not a lot of mystery to the identity of the killer. I suspect most filmgoers will figure it out before the final reveal. But at the end of the day, BLOOD WORK is definitely worth a viewing for fans of Clint Eastwood and fans of serial killer movies. Not his best work, but still better than most! 

I’ve included the trailer for BLOOD WORK below:

Final Voyage (1999, directed by Jim Wynorski)


Aaron (Dylan Walsh) has been hired to sever as a bodyguard for spoiled heiress Gloria (Erika Eleniak) while she takes a cruise.  Things go wrong when Josef (Ice-T) and Max (Claudia Christian) hijack the cruise.  They think that they’ll make a fortune by taking everyone hostage and searching the boat.  Little do they know that the boat is very slowly sinking.  (They would known except they killed the engineers when they first took over.)  Aaron and Gloria have to defeat the terrorists before the boat sinks.

Imagine Die Hard or Under Siege made not with expensive special effects but instead with a healthy supply of stock footage and built not around proven action stars like Bruce Willis and Steven Seagal but instead around the charisma-free Dylan Walsh and you have a pretty good idea why Final Voyage is one of the more forgettable movies to be ripped off from either one of those two films.  At least Dylan Walsh has the excuse of being miscast.  Erika Eleniak actually was in Under Siege and still seems clueless as to what she’s supposed to be doing during Final Voyage.  Ice-T is an amusing villain and the movie opens with a gunfight on an airplane that is so poorly choreographed and improbable that it becomes entertaining to watch.  Otherwise, Final Voyage is a cruise best not taken.

This is a Jim Wynorski film so there’s plenty of gratuitous bra and cleavage shots for those who are specifically looking for that.  Jim Wynorski definitely has a style and he manages to bring it to every film that he makes, even when it doesn’t really make sense for the story being told.  Give Wynorski this, he understands why people are watching his movies.

SECRETARIAT (2010) – The greatest racehorse of all time?


I’ll admit that I’m not a huge fan of horse racing, although I will periodically go to the Oaklawn Racetrack in Hot Springs, AR, and watch them run. I did enjoy the horse racing movie SEABISCUIT (2003) when I saw it a decade or so ago, and I always enjoy driving past the beautiful horse farms in Lexington, KY, when I’m on my way to see my wife’s family in West Virginia. This weekend was the Kentucky Derby, and I saw a stat that every horse running is a descendant of the 1973 triple-crown winner, Secretariat. I thought that was pretty cool stuff. I told my wife about it, so we decided to watch the movie SECRETARIAT (2010) this morning. 

The film centers on Penny Chenery Tweedy (Diane Lane), a Boulder, CO housewife who takes over the management of her dad’s horse stables in Virginia when his health gets so bad that he can no longer handle it himself. The business is facing a lot of financial problems, and her husband just wants her to sell everything and come on back home. But Penny doesn’t want to sell, especially when the stable acquires a young colt that just may have to the right combination of speed and stamina to become a great racehorse. Wanting to see her horse get a chance to run, she hires eccentric trainer Lucien Laurin (John Malkovich) and the aggressive jockey Ron Turcotte (Otto Thorwarth) in order to give “Secretariat” a chance to reach his potential. And boy does he ever, ultimately becoming the first “Triple Crown” winner in 25 years. 

I’ll go ahead and say that I pretty much got exactly what I was expecting with SECRETARIAT. It’s a “feel-good” movie that made me happy at the end. Outside of him being a triple crown winner, I didn’t know much about Secretariat’s story, so it was fun just seeing how dominant he truly was during his legendary run in 1973. And the performances from the leads are very good. Diane Lane is beautiful and convincing as the housewife determined to give every thing she has to make Secretariat a winner. John Malkovich’s eccentric horse trainer is the kind of role he excels in, and he’s both funny and emotionally engaging. I liked Otto Thorwarth and Nelson Ellis as Secretariat’s jockey and groomer, respectively. Each of them had their individual moments to shine. I also wanted to mention how impressive the camerawork is during the racing sequences. For a film like this to be exciting, the races have to be exciting and director Randall Wallace and cinematographer Dean Semler deliver in spades. If I had any complaint about the film, it would probably be the oversimplification of some of the supporting characters. For a film based on a true story, it was odd to see the owner of Secretariat’s primary competition reduced to almost a comic book villain in his behavior. That aside, I enjoyed the film and I’m glad I watched it. 

I’ve include the trailer for SECRETARIAT below:

Days of Paranoia: Edmond (dir by Stuart Gordon)


Based on a one-act play by David Mamet, 2005’s Edmond tells the story of Edmond Burke (William H. Macy).

Edmond shares his name (if not the actual spelling) with the philosopher Edmund Burke.  Edmund Burke was a strong believer that society had to put value in good manners to survive and that religious and moral institutions played an important role in promoting the idea of people treating each other with respect and decency.  Edmund Burke knew what he believes and his writings continue to influence thinks to this day.  Edmond Burke, on the other hand, doesn’t know what he believes.  He doesn’t know who he wants to be.  All he knows is that he doesn’t feel like he’s accomplished anything with his life.  “I don’t feel like a man,” he says at one point to a racist bar patron (played by Joe Mantegna) who replies that Edmond needs to get laid.

On a whim, Edmond steps into the shop of a fortune teller (Frances Bay), who flips a few Tarot cards and then tells Edmond that “You’re not where you’re supposed to be.”  Edmond takes her words to heart.  He starts the night by telling his wife (played by Mamet’s wife, Rebecca Pidgeon) that he’s leaving their apartment and he won’t be coming back.  He goes to the bar, where he discusses his marriage with Mantegna.  He goes to a strip club where he’s kicked out after he refuses to pay $100 for a drink.  He goes to a peep show where he’s frustrated by the glass between him and the stripper and the stripper’s constant demand that he expose himself.  He gets beaten in an alley by three men who were running a three-card monte scam.  Edmond’s problem is that he left home without much cash and each encounter leads to him having less and less money.  If he can’t pay, no one wants to help him, regardless of how much Edmond argues for a little kindness.  He pawns his wedding ring for $120 but apparently, he just turns around and uses that money to buy a knife.  An alley-way fight with a pimp leads to Edmond committing his first murder.  A one-night stand with a waitress (a heart-breaking Julia Stiles) leads to a second murder after a conversation about whether or not the waitress is actually an actress leads to a sudden burst of violence.  Edmond ends up eventually in prison, getting raped by his cellmate (Bookem Woodbine) and being told, “It happens.”  Unable to accept that his actions have, in one night, led him from being a businessman to a prisoner, Edmond says, “I’m ready to go home now.”  By the end of the film, Edmond realizes that perhaps he is now where he was meant to be.

It’s a disturbing film, all the more so because Edmond is played by the likable William H. Macy and watching Macy go from being a somewhat frustrated but mild-mannered businessman to becoming a blood-drenched, racial slur-shouting murderer is not a pleasant experience.  Both the play and the film have generated a lot of controversy due to just how far Edmond goes.  I don’t see either production as being an endorsement of Edmond or his actions.  Instead, I see Edmond as a portrait of someone who, after a lifetime of being willfully blind to the world around him, ends up embracing all of the ugliness that he suddenly discovers around him.  He’s driven mad by discovering, over the course of one night, that the world that is not as kind and well-mannered as he assumed that it was and it all hits him so suddenly that he can’t handle it.  He discovers that he’s not special and that the world is largely indifferent to his feelings.  He gets overwhelmed and, until he gets his hands on that knife, he feels powerless and emasculated.  (The knife is an obvious phallic symbol.)  It’s not until the film’s final scene that Edmond truly understands what he’s done and who he has become.

Edmond is not always an easy film to watch.  The second murder scene is truly nightmarish, all the more so because the camera remains on Edmond as he’s drenched in blood.  This is one of William H. Macy’s best performances and also one of his most disturbing characters.  That said, it’s a play and a film that continues to be relevant today.  There’s undoubtedly a lot of Edmonds out there.