Here Are The 2025 Golden Globe Nominations


Does anyone care about the Golden Globes any more?  I remember that there was a feeling of relief when it looked like we would finally be free from having to worry about them.  Of course, the Globes are back and under new management.  They’re clawing their way back to relevancy, or at least they’re trying.

To be honest, I don’t trust the nominations below.  I think it’s all about getting people to watch their ceremony again.  Still, the Golden Globes are a thing and here are the film nominations for this year.  The winners will be revealed on January 11th.

BEST MOTION PICTURE, DRAMA
Frankenstein
Hamnet
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners

BEST MOTION PICTURE, MUSICAL OR COMEDY
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague
One Battle After Another

BEST DIRECTOR, MOTION PICTURE
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA
Jessie Buckley – Hamnet
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Julia Roberts – After the Hunt
Tessa Thompson – Hedda
Eva Victor – Sorry, Baby

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL, OR COMEDY
Rose Byrne – If I Had Legs I’d Kick You
Cynthia Erivo – Wicked: For Good
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA
Joel Edgerton – Train Dreams
Oscar Isaac – Frankenstein
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jeremy Allen White – Springsteen: Deliver Me from Nowhere

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL, OR COMEDY
Lee Byung-hun – No Other Choice
Timothee Chalamet – Marty Supreme
George Clooney – Jay Kelly
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Jesse Plemons – Bugonia

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

BEST SCREENPLAY, MOTION PICTURE
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BEST ORIGINAL SCORE, MOTION PICTURE
F1: The Movie
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirat

BEST ORIGINAL SONG, MOTION PICTURE
Avatar: Fire and Ash – “Dream as One”
KPop Demon Hunters – “Golden”
Sinners – “I Lied to You”
Train Dreams – “Train Dreams”
Wicked: For Good – “No Place Life Home”
Wicked: For Good – “The Girl in the Bubble”

BEST MOTION PICTURE, ANIMATED
Arco
Demon Slayer: Kimetsu No Yaiba The Movie
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

BEST MOTION PICTURE, FOREIGN LANGUAGE
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirat
The Voice of Hind Rajab

GOLDEN GLOBE FOR CINEMATIC & BOX OFFICE ACHIEVEMENT
Avatar: Fire and Ash
F1: The Movie
KPop Demon Hunters
Mission: Impossible — The Final Reckoning
Sinners
Weapons
Wicked: For Good
Zootopia 2

The Films of 2025: The Smashing Machine (dir by Benny Safdie)


As a film lover, there are three letters that strike fear in my heart.  U.  F.  C.

Seriously, directors — especially male directors — love the UFC and Mixed Martial Arts in general.  If I had to guess, I would say that in another few years, there will be no more boxing movies.  Sorry, Balboa.  Sorry, Creed.  You’re going to be replaced by movies that are exclusively about men kicking each other in a cage and then pounding on each other once they’re down.  I’m not even saying that’s a bad thing.  Obviously, the sport has a lot of fans.  In the future, when Conor McGregor is doing double duty as both the President of Ireland and the Pope, a lot it will be due to the popularity of MMA.  I have to say, though, that I almost always seem to find films about MMA and cage matches to be a little bit boring, unless they star Jean-Claude Van Damme or, in some cases, Lou Ferrigno.  I prefer boxing movies.  I guess I like my fights without the little kicks.

The Smashing Machine is a biopic of Mark Kerr (played by Dwayne Johnson), an MMA fighter who, the film tells us, was one of the early pioneers of the sport.  When he’s first seen in the film, he’s being interviewed about his success in the UFC.  We see a few clips of him fighting and watching his fists fly, we understand why he’s known as The Smashing Machine.  He’s known for his ability to end fights quickly.  He assures the interviewer that he doesn’t hate any of the men that he fights.  (“Is he okay?” Mark asks about an opponent after one particularly brutal beat down.)  Mark leaves the United States for Pride, which is Japan’s version of UFC.  Not long after arriving in Japan, he discovers that Pride has changed its ruled to disallow almost all of Mark’s techniques because Mark was ending the fights too quickly.

One thing that we notice about Mark is that he’s always smiling and that he seems to have a rather low-key personality for someone who makes his living as a fighter.  It’s easy to see that he’s holding back a lot of his emotions and that he gets those emotions out in the ring.  When he’s not fighting, he’s living in a nice home with his girlfriend, Dawn (Emily Blunt).  He’s a bit of a control freak, worrying about the cat getting on his couch, telling Dawn exactly how to make his protein shakes, and obsessing over the way a cactus is growing outside.  Mark may be a fighter but he also constantly worries about his “tummy,” which is apparently overly sensitive.  Mark is also a drug addict, popping painkillers like candy and shooting up in his bathroom.  When Mark and Dawn argue, his temper can flare and he can go from being soft-spoken Mark to the someone who can tear a door off of its hinges.  After Mark loses his first fight, he sinks deeper into depression and then tries to get clean.  Complicating things is that Dawn is still using and Mark is preparing for his next fight in Japan.

For all the anticipation and the hype that surrounded its release, The Smashing Machine is an uneven film.  It’s not necessarily a bad film but it is a film that leaves the viewer feeling somewhat detached from the action, on the outside looking in.  Dwayne Johnson gives a good performance as Mark and Emily Blunt gives a good performance as Dawn but they’re never quite believable as a couple.  (In fact, I would argue that Johnson’s best dramatic performance remains his nearly silent but physically powerful turn in the unfairly overlooked Faster.)  Because the film is based on a true story and, I imagine, also because the film was directed by Benny Safdie, The Smashing Machine avoids a lot of the traditional cliches of the sports film.  It’s very much an A24 film, wearing it’s indie aesthetic like a chip on its shoulder.  I have to admit though that, while watching the film, I missed a lot of those cliches.  There are some good scenes scattered throughout The Smashing Machine but there’s also not much narrative momentum.

That said, I do have to say that the film’s ending, which feature the real Mark Kerr shopping for groceries, did bring a smile to my face.  He’s someone who has been through a lot so seeing him smiling and debating which cut of beef to purchase was definitely something of a relief.

 

Lisa Marie’s Oscar Predictions For October


Really?  Oscar predictions on Halloween night?

Eh.  Why not?

Click here for my April and May and June and July and August and September predictions!

Best Picture

Hamnet

It Was Just An Accident

Jay Kelly

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

The Smashing Machine

Train Dreams

Wicked For Good

Best Director

Paul Thomas Anderson for One Battle After Another

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Timothee Chalamet in Marty Supreme

Joel Edgerton in Train Dreams

Ethan Hawke in Blue Moon

Dwayne Johnson in The Smashing Machine

Wagner Moura in The Secret Agent

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Kate Hudson in Song Sung Blue

Renate Reinsve in Sentimental Valure

Sydney Sweeney in Christy

Best Supporting Actor

Benicio del Toro in One Battle After Another

Jacob Elordi in Frankenstein

Paul Mescal in Hamnet

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Best Supporting Actress

Emily Blunt in The Smashing Machine

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Regina Hall in One Battle After Another

Amy Madigan in Weapons

Lisa Marie’s Oscar Predictions For September


As September comes to a close, the Oscar picture is clearing up a bit.  The early word on some films is very strong.  The new Paul Thomas Anderson film is being massively hyped online, though I get a Killers of the Flower Moon/Brutalist vibe from a lot of the coverage.  Meanwhile, films that were once seen as surefire contenders are falling to the wayside.

And, with that inspiring introduction out of the way, here are my predictions for September.

Click here for my April and May and June and July and August predictions!

Best Picture

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Springsteen: Deliver Me From Nowhere

Wicked For Good

Best Director

Paul Thomas Anderson for One Battle After Another

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Daniel Day-Lewis in Anemone

Leonard Di Caprio in One Battle After Another

Dwayne Johnson in The Smashing Machine

Wagner Moura in The Secret Agent

Jeremy Allen White in Springsteen: Deliver Me From Nowhere

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

Best Supporting Actor

Paul Mescal in Hamnet

Sean Penn in One Battle After Another

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Jeremy Strong in Springsteen: Deliver Me From Nowhere

Best Supporting Actress

Emily Blunt in The Smashing Machine

Zooey Deutch in Nouvelle Vague

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Emily Watson in Hamnet

Lisa Marie’s Way Too Early Oscar Predictions For August


As August comes to a close, the Oscar picture is clearing up a bit due to the festivals.  The early word on some films is very strong.  Meanwhile, films that were once seen as surefire contenders are falling to the wayside.

And, with that inspiring introduction out of the way, here are my predictions for August.

Click here for my April and May and June and July predictions!

Best Picture

After the Hunt

F1

Hamnet

Jay Kelly

Marty Supreme

Sentimental Value

Sinners

The Smashing Machine

Springsteen: Deliver Me From Nowhere

Wicked For Good

Best Director

Ryan Coogler for Sinners

Benny Safdie for The Smashing Machine

Josh Safdie for Marty Supreme

Joachim Trier for Sentimental Value

Chloe Zhao for Hamnet

Best Actor

Will Arnett in Is This Thing On?

Daniel Day-Lewis in Anemone

Ethan Hawke in Blue Moon

Dwayne Johnson in The Smashing Machine

Jeremy Allen White in Springsteen: Deliver Me From Nowhere

Best Actress

Jessie Buckley in Hamnet

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

Best Supporting Actor

Paul Mescal in Hamnet

Adam Sandler in Jay Kelly

Andrew Scott in Blue Moon

Stellan Skarsgard in Sentimental Value

Jeremy Strong in Springsteen: Deliver Me From Nowhere

Best Supporting Actress

Emily Blunt in The Smashing Machine

Zooey Deutch in Nouvelle Vague

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gwyneth Paltrow in Marty Supreme

Lisa Marie’s Way Too Early Oscar Predictions For July


As July comes to a close, the Oscar picture is still pretty fuzzy.  To be honest, it’s hard to get that excited about any of the contenders that have been mentioned.  It all pretty much sounds like more of the same, with the exception of Sinners.

Anyway, with that inspiring introduction out of the way, here are my predictions for July.

Click here for my April and May and June predictions!

Best Picture

F1

It Was Just An Accident

Jay Kelly

Nouvelle Vague

Nuremberg

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Richard Linklater for Nouvelle Vague

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

George Clooney in Jay Kelly

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Jennifer Lawrence in Die My Love

Renate Reinsve in Sentimental Valure

Julia Roberts in After The Hunt

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Russell Crowe in Nuremberg

Adam Sandler in Jay Kelly

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Emily Blunt in The Smashing Machine

Ayo Edebiri in After The Hunt

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Jennifer Lopez in Kiss of the Spider Woman

Lisa Marie’s Way Too Early Oscar Predictions For June


Click here for my April and May predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Lisa Marie’s Way Too Early Oscar Predictions For May


We’re taking just a short break from our Eastwood-a-thon so that I can share my Oscar predictions for May.

As I say every month, don’t read too much into anything this early in the year.  I do think Sinners has a decent chance of getting nominated, despite being released early in the year.  And since Cannes has now emerged as a semi-reliable precursor, you’ll find a lot of this year’s winners mentioned below.  That said, in all probability, the actual Oscar nominations will look completely different from what’s below.  That’s part of the fun of doing monthly predictions!

I should note that Clint Eastwood is apparently working on another film.  Given how quickly he directs, he might be directing this year’s next sudden contender.

Click here for my April predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Here Are The 2024 Nominations for the Black Reel Awards


The 2024 nominations for the Black Reel Awards were announced on December 19th.  The winners will be announced on February 10th.

OUTSTANDING FILM
“Challengers” | Luca Guadagnino, Rachel O’Connor, Amy Pascal & Zendaya, producers
“Exhibiting Forgiveness” | Stephanie Allain, Derek Cianfrance, Sean Cotton, Titus Kaphar & Jamie Patricof, producers
“Nickel Boys” | Joslyn Barnes, Dede Gardner, Jeremy Kleiner & David Levin, producers
“The Piano Lesson” | Todd Black & Denzel Washington, producers
“Sing Sing” | Clint Bentley, Greg Kwedar & Monique Walton, producers

OUTSTANDING LEAD PERFORMANCE
Naomi Ackie | “Blink Twice”
Ryan Destiny | “The Fire Inside”
Colman Domingo | “Sing Sing”
Cynthia Erivo | “Wicked”
Andre Holland | “Exhibiting Forgiveness”
Marianne Jean-Baptiste | “Hard Truths”
Regina King | “Shirley”
John David Washington | “The Piano Lesson”
Kerry Washington | “The Six Triple Eight”
Zendaya | “Challengers”

OUTSTANDING DIRECTOR
Titus Kaphar | “Exhibiting Forgiveness”
Zoë Kravitz | “Blink Twice”
Steve McQueen | “Blitz”
RaMell Moss | “Nickel Boys”
Malcolm Washington | “The Piano Lesson”

OUTSTANDING SUPPORTING PERFORMANCE
Danielle Deadwyler | “The Piano Lesson”
Aunjanue Ellis-Taylor | “Exhibiting Forgiveness”
Aunjanue Ellis-Taylor | “Nickel Boys”
Brian Tyree Henry | “The Fire Inside”
Clarence Maclin | “Sing Sing”
Lashana Lynch | “Bob Marley: One Love”
Zoe Saldaña | “Emilia Pérez”
Jurnee Smollett | “We Grown Now”
Denzel Washington | “Gladiator II”
Brandon Wilson | “Nickel Boys”

OUTSTANDING SCREENPLAY
“Blitz” | Steve McQueen
“Exhibiting Forgiveness” | Titus Kaphar
“The Fire Inside” | Barry Jenkins
“Nickel Boys” | RaMell Ross & Joslyn Barnes
“The Piano Lesson” | Malcolm Washington & Virgil Williams

OUTSTANDING DOCUMENTARY (awarded to the director)
“Dahomey” | Mati Diop, director
“Daughters” | Angela Patton & Natalie Rae, directors
“Luther: Never Too Much” | Dawn Porter, director
“Piece by Piece” | Morgan Neville, director
“Seeking Mavis Beacon” | Jazmin Renée Jones, director

OUTSTANDING INTERNATIONAL FILM (awarded to the country)
“Bird” | United Kingdom
“Emilia Pérez” | France
“Hard Truths” | United Kingdom
“Old Righteous Blues” | South Africa
“Nine” | South Africa

OUTSTANDING ENSEMBLE (awarded to the casting director)
“Exhibiting Forgiveness” | Kim Coleman, casting director
“Hard Truths” | Nina Gold, casting director
“Nickel Boys” | Victoria Thomas, casting director
“The Piano Lesson” | Lindsay Graham & Mary Vernieu, casting directors
“Sing Sing” | Greg Kwedar, casting director

OUTSTANDING VOICE PERFORMANCE
Ayo Edebiri | “Inside Out 2”
Brian Tyree Henry | “Transformers One”
Dwayne Johnson | “Moana 2”
Lupita Nyong’o | “The Wild Robot”
Aaron Pierre | “Mufasa: The Lion King”

OUTSTANDING INDEPENDENT FILM (awarded to the director)
“Albany Road” | Christine Swanson, director
“Blink Twice” | Zoë Kravitz, director
“Hard Truths” | Mike Leigh, director
“I Saw the TV Glow” | Jane Schoenbrun, director
“We Grown Now” | Minhal Baig, director

OUTSTANDING SHORT FILM (awarded to the director)
“Chocolate With Sprinkles” | Huriyyah Muhammad, director
“Mosiah” | Jirard, director
“On a Sunday at Eleven” | Alicia K. Harris, director
“Self” | Searit Kahsay Huluf, director
“Will I See You Again?” | Michael Perez-Lindsey, director

OUTSTANDING SCORE (awarded to the composer)
“Blink Twice” | Chandra Dancy, composer
“Bob Marley: One Love” | Kris Bowers, composer
“The Fire Inside” | Tamar-kali, composer
“Saturday Night” | Jon Batiste, composer
“The Wild Robot” | Kris Bowers, composer

OUTSTANDING ORIGINAL SONG (awarded to the performers & writers)
“Bricks” from “Exhibiting Forgiveness” | Andra Day, performer; Andra Day & Jherek Bischoff, writers
“El Mal” from “Emilia Pérez” | Zoe Saldaña, Karla Sofía Gascón & Camille, performers; Clément Ducol, Camille & Jacques Audiard, writers
“The Journey” from “The Six Triple Eight” | H.E.R., performer; Dianne Warren, writer
“Like a Bird” from “Sing Sing” | Adrian Quesada & Abraham Alexander, performers; Adrian Quesada, Abraham Alexander & Brandon Marcel, writers
“Piece by Piece” from “Piece by Piece” | Pharrell Williams and Princess Anne High School Fabulous Marching Cavaliers, performers; Pharrell Williams, writer

OUTSTANDING SOUNDTRACK
“Bob Marley: One Love” – Tuff Gong / Island
“Mufasa: The Lion King” – Walt Disney Records
“Piece by Piece” – Columbia / I AM Other
“Wicked” – Republic / Verve
“The Wild Robot” – Black Lot Music

OUTSTANDING EMERGING DIRECTOR
Titus Kaphar | “Exhibiting Forgiveness”
Zoë Kravitz | “Blink Twice”
RaMell Moss | “Nickel Boys”
Angela Patton | “Daughters”
Malcolm Washington | “The Piano Lesson”

OUTSTANDING BREAKTHROUGH PERFORMANCE
Naomi Ackie | “Blink Twice”
Ryan Destiny | “The Fire Inside”
Ray Fisher | “The Piano Lesson”
Elliot Heffernan | “Blitz”
Ethan Herisse | “Nickel Boys”
Blake Cameron James | “We Grown Now”
Jharrel Jerome | “Unstoppable”
Clarence Maclin | “Sing Sing”
Lamorne Morris | “Saturday Night”
Brandon Wilson | “Nickel Boys”

OUTSTANDING FIRST SCREENPLAY (awarded for the debut screenplay by a first-time writer)
“Blink Twice” | Zoë Kravitz
“Exhibiting Forgiveness” | Titus Kaphar
“Nickel Boys” | RaMell Moss
“Parallel” | Aldis & Edwin Hodge
“The Piano Lesson” | Malcolm Washington

OUTSTANDING CINEMATOGRAPHY
“Ernest Cole: Lost and Found” | Wolfgang Held & Moses Tau, cinematographers
“Luther: Never Too Much” | Bryan Gentry, cinematographer
“Nickel Boys” | Jomo Fray, cinematographer
“Rez Ball” | Kira Kelly, cinematographer
“Suncoast” | Bruce Francis Cole, cinematographer

OUTSTANDING COSTUME DESIGN
“The Book of Clarence” | Antoinette Messam, costume designer
“The Piano Lesson” | Francine Jamison-Tanchuck, costume designer
“Shirley” | Megan Coates, costume designer
“We Grown Now” | Courtney Wheeler, costume designer
“Wicked” | Paul Tazewell, costume designer

OUTSTANDING EDITING
“Daughters” | Adelina Bichis & Troy Lewis, editors
“Hard Truths” | Tania Reddin, editor
“Seeking Mavis Beacon” | Yeelen Nelson Cohen, Jon Fine & Jazmin Renée Jones, editors
“Twisters” | Terilyn A. Shropshire, editor
“We Grown Now” | Stephanie Filo, editor

OUTSTANDING HAIRSTYLING & MAKEUP
“Bob Marley: One Love” | Nadia Stacy & Carla Farmer
“The Book of Clarence” | Allison Lacour, Wayne Jolla Jr. & Yolanda Mercadel
“Nickel Boys” | Iganica Soto-Aguilar & Shandrea Williams
“The Piano Lesson” | Andrea ‘Mona’ Bowman & Para Shardé Malden
“Shirley” | Nakoya Yancey & Debi Young

OUTSTANDING PRODUCTION DESIGN
“Nickel Boys” | Nora Mendis (production designer), Elizabeth Herberg (art director) & Monique Champagne (set decorator)
“Nine” | Gilbert Ekow Ampah (production designer) & Edmund Johnson (set decorator)
“The Piano Lesson” | David J. Bomba (production designer), Chardae Adams (art director) & Patrick Cassidy (set decorator)

Set sail with the Moana 2 trailer!


(New York and the other TSL branches are covering for the Texas Division until power is restored. We wish the the best and hope for a speedy recovery. Coincidentally, my little brother’s just West of Dallas Ft. Worth, and I haven’t heard from him yet. Stay strong out there!)

It looks like Moana (Auli’i Cravalho) and Maui (Dwayne Johnson) are back for another adventure. While we aren’t given too many details as to what this entails, one major change will be the lack of Lin-Manuel Miranda’s involvement, musically. Fear not, as both Abigail Barlow and Emily Bear (known as Barlow & Bear, of course) have taken on musical duties. We’ll see where this takes us.

Moana 2 is due in theatres this November.