Retro Television Review: St. Elsewhere 3.9 “Up On The Roof”

Posted on February 13, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.

This week, an arrest is made.

Episode 3.9 “Up On The Roof”

(Dir by Eric Laneuville, originally aired on November 21st, 1984)

It’s another busy day at St. Eligius.

The last of the firemen (Stephen Elliott) is finally sent home. At first, he’s bitter about all of the skin grafts and all the other work that Dr. Caldwell did on him. But then his grandkids come in the hospital and room and shout, “Grandpa!” And then he steps outside and is greeted by all the other firemen. He leaves in a fire truck and Dr. Caldwell — the only angst-free doctor at St. Eligius — smiles and waves. Finally, someone on this show gets a happy ending.
Ms. Hufnagel continues to get on everyone’s nerves with her constant complaints. Dr. Fiscus dumps her on Dr. Axelrod. While the show seems to want us to be as annoyed with Ms. Hufnagel as everyone else, I have to admit that I feel sorry for her. Does she complain a lot? Yes, she does. But being in a hospital can really be scary. I complained a lot whenever I was rushed to the ER because of my asthma. I complained a lot when my mom was in the hospital. I complained a lot when my dad was in the hospital. I complained a lot when my aunt was in the hospital. Sometimes, complaining is the only comfort you have.
Dr. Morrison is upset when a friend (John Schuck) is told that his daughter cannot be treated with an experimental dialysis machine.
Nurse Rosenthal continues to have an affair with Richard Clarendon, the labor negotiator.
Dr. Christine Holz (Caroline McWilliams) comes to the hospital to perform a bone marrow transplant. Dr. Annie Cavanero invites Dr. Holz to come to her place for dinner. Cavanero is shocked when Dr. Holz reveals that she’s a lesbian and the viewer is once again reminded that this show aired in the mid-80s.
According to what I’ve read online, the original plan was for Dr. Holz to become Cavanero’s romantic partner but Cynthia Sikes refused to kiss another woman onscreen. This led to the storyline being hastily rewritten and it apparently also led to Sikes being fired from the show at the end of the third season.
Kathy Martin is still in the psych ward. When Detective Alex MacGallen (Charles Lanyer) attempts to question her about where she was when Peter White was shot, he is informed by Kathy’s doctor that Kathy has an alibi. Later, Shirley comes to the psych ward and slips Kathy a letter.
Shirley has been hiding the gun that she used to shoot Peter all over the hospital. However, when the detective finally confronts her and reveals that he knows that she killed Peter, Shirley pulls the gun on him and then run up to the rooftop.
On the roof, Dr. Westphall and Jack take their turns trying to convince Shirley to surrender to the police. After Shirley confesses and then demands to know why Jack didn’t make more of an effort to stop Peter, Shirley drops her gun and is taken into custody.

This was a depressing episode, even by the standards of St. Elsewhere. Shirley has always been one of my favorite characters and I hate the idea that she’s now going to go to prison for killing Dr. White. From a narrative point of view, someone had to shoot Peter. That was really the only way his story could end. Personally, I think it would have made more sense for Dr. Cavanero to be the shooter that Shirley. I mean, if Cavanero was going to be written off the show anyway, killing Dr. White would have given her a decent exit.

Next week, I’m sure something else depressing will happen. We’ll see!

Retro Television Review: St. Elsewhere 3.8 “Sweet Dreams”

Posted on February 6, 2026 by Lisa Marie Bowman

I miss when this show on Hulu and available to rent on Prime. The Daily Motion uploads are not the best (especially where sound quality is concerned) but, for now at least, that’s what I’m having to go with.

Episode 3.8 “Sweet Dreams”

(Dir by Mark Tinker, originally aired on November 14th, 1984)

This week’s episode was all about sleep and the dreams that might come with sleep.

Westphall, as usual, gets the most depressing storyline. He can’t sleep. He has insomnia. Of course, he does. Anything depressing that doesn’t happen to Dr. Morrison will inevitably happen to Dr. Westphall instead.

Dr. Craig tries to figure out why one of his patients died in his sleep with a terrified look on his face. Can a nightmare cause someone to have a heart attack?

Dr. Cavanero diagnoses a man with sleep apnea.

Meanwhile, we get a peek at the dreams of three members of the St. Elsewhere staff.

Luther dreams of being kicked out of the hospital by two security guards. Fortunately, ZZ Top is standing outside of the hospital and they order three women to kidnap Luther in a big red car and turn him into a sharp-dressed man. Luther and his new friends invade the hospital, toss out the security guards, and invite Warren Coolidge to come hang out with them. ZZ Top performs Legs, which seems odd since the song is about a woman who has legs and knows how to use them but Luther is the one getting the makeover. Well, whatever. It’s a cute dream and a nice break from Dr. Westphall looking depressed.

Both Victor and Jack agree to take part in a sleep study. Victor is yanked out of the study by Dr. Craig but, before that happens, we do get to see Victor’s dream of washing up on an island that is ruled by Amazons.

As for Jack Morrison’s recurring dream, it’s just about as dark as you would expect when it comes to the only character who has suffered more heartache than Dr. Westphall. In Morrison’s dream, he finds himself wandering around the deserted hospital. He hears someone playing Led Zeppelin in the morgue. He goes down there and discovers Peter White waiting for him.

Morrison and White speak. Even in death, White is whiny and defensive. Morrison repeatedly asks whether or not White was the ski mask rapist and, every time, White refuses to give a direct answer. However, when Morrison is about to leave the morgue, White is suddenly wearing a blue ski mask. Morrison wakes up from each dream with a jolt, terrified to face the truth about the man who he defended against his better judgment.

(I have to admit that, if I was a nurse or a doctor at St. Eligius, I would have mixed feelings about Morrison. Yes, he seems to be well-meaning and he’s suffered his share of tragedy. But the fact that he continued to be a friend — albeit with a certain ambivalence — to Dr. White would make me very uncomfortable. I know that Morrison would probably point out that Dr. White was acquitted but everyone at the hospital knew he was guilty. Everyone but Morrison, apparently.)

This was a good episode and a bit of a reset after all the drama of the Peter White storyline. Well-directed, well-acted, and very atmospheric, this was St. Elsewhere at its best.

Here Are The 2025 Black Reel Award Nominations!

Posted on December 18, 2025 by Lisa Marie Bowman

Here are the 2025 Black Reel Award nominations! The winners will be announced on February 16th.

Outstanding Film (Award given to producers)
Hedda – Dede Gardner, Jeremy Kleiner, Gabrielle Nadig, Nia DaCosta, Tessa Thompson, producers
Highest 2 Lowest – Todd Black, Jason Michael Berman, producers
One of Them Days – Issa Rae, Deniese Davis, Sara Rastogi, James Lopez, Poppy Hank, producers
Sinners – Zinzi Coogler, Sev Ohanian, Ryan Coogler, producers
Wicked: For Good – Marc Platt, David Stone, producers

Outstanding Director
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Spike Lee – Highest 2 Lowest
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Lead Performance
Danielle Deadwyler – 40 Acres
Cynthia Erivo – Wicked: For Good
André Holland – Love, Brooklyn
Chase Infiniti – One Battle After Another
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Jonathan Majors – Magazine Dreams
Keke Palmer – One of Them Days
Tessa Thompson – Hedda
Denzel Washington – Highest 2 Lowest

Outstanding Supporting Performance
Miles Caton – Sinners
Regina Hall – One Battle After Another
Damson Idris – F1
David Jonsson – The Long Walk
Delroy Lindo – Sinners
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
A$AP Rocky – Highest 2 Lowest
Teyana Taylor – One Battle After Another
Jeffrey Wright – Highest 2 Lowest

Outstanding Screenplay
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Documentary (Award given to director)
Being Eddie – Angus Wall, director
In Whose Name? – Nico Ballesteros, director
Orwell: 2+2=5 – Raoul Peck, director
Songs From the Hole – Contessa Gayles, director
The Perfect Neighbor – Geeta Gandbhir, director

Outstanding Ensemble (Award given to casting director)
40 Acres – Stephanie Gorin, casting director
Highest 2 Lowest – Kim Coleman, casting director
On Becoming a Guinea Fowl – Isabella Odoffin, casting director
One of Them Days – Nicole Abellera, Jeanne McCarthy, casting directors
Sinners – Francine Maisler, casting director

Outstanding International Film (Award given to director)
My Father’s Shadow – United Kingdom
Night Call – Belgium
On Becoming a Guinea Fowl – Zambia, United Kingdom, Ireland
Souleymane’s Story – France
We Were Here: The Untold History of Black Africans in Renaissance Europe – Germany

Outstanding Voice Performance
Danielle Brooks – The Bad Guys 2
Quinta Brunson – Zootopia 2
Idris Elba – Zootopia 2
Anthony Ramos – The Bad Guys 2
Zoe Saldana – Avatar: Fire and Ash

Outstanding Score
Freaky Tales – Raphael Saadiq, composer
Hedda – Hildur Guðnadóttir, composer
Highest 2 Lowest – Howard Drossin, composer
Sinners – Ludwig Göransson, composer
The Eyes of Ghana – Kris Bowers, composer

Outstanding Original Song (Award given to performer and writer)
“Highest 2 Lowest” from Highest 2 Lowest – Aiyana-Lee Anderson, performer; Aiyana-Lee Anderson, Nicole Daciana Anderson, writers
“I Lied to You” from Sinners – Miles Caton, performer; Raphael Saadiq, Ludwig Göransson, writers
“Last Time (I Seen the Sun)” from Sinners – Miles Caton, Alice Smith, performers; Miles Caton, Alice Smith, Ludwig Göransson, writers
“Pale, Pale Moon” from Sinners – Brittany Howard, performer; Brittany Howard, Ludwig Göransson, writers
“Sinners” from Sinners – Rod Wave, performer; Darius Povillunas, Kyris D’Asia, Rod Wave, Tarkan Kozluklu, writers

Outstanding Soundtrack
Freaky Tales
Highest 2 Lowest
One of Them Days
Sinners
Wicked: For Good

Outstanding Independent Film (Award given to director)
40 Acres – R.T. Thorne, director
Love, Brooklyn – Rachael Holder, director
Magazine Dreams – Elijah Bynum, director
My Father’s Shadow – Akinola Davies Jr., director
On Becoming a Guinea Fowl – Rungano Nyoni, director

Outstanding Independent Documentary (Award given to director)
BLKNWS: Terms & Conditions – Kahlil Joseph, director
The Eyes of Ghana – Ben Proudfoot, director
Fatherless No More – Kayla Johnson, director
Seeds – Brittany Shyne, director
We Were Here: The Untold History of Black Africans in Renaissance Europe – Fred Kudjo Kuwornu, director

Outstanding Short Film (Award given to director)
The Devil Is Busy – Geeta Gandbhir, Christalyn Hampton, directors
JULES – Tiffany Abney, director
Walk in the Light – Princella Smith, director

Outstanding Emerging Director
Akinola Davies Jr. – My Father’s Shadow
Rachael Holder – Love, Brooklyn
Kahlil Joseph – BLKNWS: Terms & Conditions
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Breakthrough Performance
Miles Caton – Sinners
Susan Chardy – On Becoming a Guinea Fowl
Naya Desir-Johnson – Sarah’s Oil
Damson Idris – F1
Chase Infiniti – One Battle After Another
Jayme Lawson – Sinners
A$AP Rocky – Highest 2 Lowest
Abou Sangaré – Souleymane’s Story
SZA – One of Them Days
Tyriq Withers – HIM

Outstanding First Screenplay
Nnamdi Asmougha – The Knife
Akinola Davies Jr., Wale Davies – My Father’s Shadow
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Cinematography
Autumn Durald Arkapaw – Sinners
Jermaine Canute, Bradley Edwards – My Father’s Shadow
Kira Kelly – HIM
Malik Hassan Sayeed – After the Hunt
Brittany Shyne – Seeds

Outstanding Costume Design
Charlene Akuamoah – 40 Acres
Estelle Don Banda – On Becoming a Guinea Fowl
Ruth E. Carter – Sinners
Francine Jamison-Tanchuck – Highest 2 Lowest
Paul Tazewell – Wicked: For Good

Outstanding Editing
Ronald Bronstein, Benny Safdie – The Smashing Machine
Kahlil Joseph, Luke Lynch, Paul Rogers – BLKNWS: Terms & Conditions
Taylor Joy Mason – HIM
Michael P. Shawver – Sinners
Malika Zouhali-Worrall – Seeds

Outstanding Hair & Makeup
Amber Aprin, Mele Egbe – My Dead Friend Zoe
Ken Diaz, Mike Fontaine, Sian Richards, Shunika Terry – Sinners
Antonio Hines, Chancelle Mulela – 40 Acres
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine
Vonda K. Morris, Nikki Wright – One of Them Days

Outstanding Production Design (Award given to production designer and set decorator)
Ramsey Avery, Rosemary Brandenburg – Captain America: Brave New World
Hannah Beachler, Monique Champagne – Sinners
Cara Brower, Stella Fox – Hedda
James Chinlund, Marcia Calosio, Mike Keel, Frank Okay – The Smashing Machine
Nathan Crowley, Lee Sanders – Wicked: For Good

Retro Television Review: St. Elsewhere 3.2 “Playing God: Part Two”

Posted on November 28, 2025 by Lisa Marie Bowman

This week, the hospital is a depressing place.

Episode 3.2 “Playing God: Part Two”

(Dir by Bruce Paltrow, originally aired on September 26th, 1984)

There was a lot going on in this episode.

Sister Domenica demanded that Sister Theresa be taken off of life support and she threatened to sue the hospital if it didn’t happen. This led to Dr. Westphall telling another long and depressing story about his dead wife. I don’t mean to be flippant about anyone’s tragedies but it’s hard not to notice that almost everything seems to lead to Westphall telling a depressing story. Westphall is one of the most saddest television characters that I’ve ever come across.

The nurses are closer to striking. A labor negotiator named Richard Clarendon (Herb Edelman) is brought in by the nurses and it’s hard not to notice that he looks a lot like Helen Rosenthal’s ex-husband. I think I can already guess where this is heading.

A sick child was brought in by a woman (Tammy Grimes) who claimed to be his fairy godmother. This gave Fiscus an excuse to get a consultation from Kathy Martin, who has abandoned the morgue for psychiatry and who is no longer dressing exclusively in black.

At home, Dr. Craig struggled with impotence. At the hospital, Dr. Ehrlich gave an awkward lecture about whether or not one can have sex after heart surgery.

The firefighters are still recovering from their burns.

Clancy got an abortion, despite Morrison’s objections.

And yet, all that drama was overshadowed by the fact that the Dr. Peter White — the drug-addicted rapist who nearly killed more than a few patients due to his own incompetence — is once again walking the halls of St. Eligius. White won his lawsuit. I’m not really sure that I understand what the basis of his lawsuit was. St. Eligius could only ask a select number of residents to return and, even if you overlook the fact that White was accused of rape, it’s not as if Dr. White was ever an especially competent doctor. It would seem that just his struggle with drug addiction would be enough to justify not asking him to return. And yet, somehow, Dr. Peter White is once again a resident at St. Eligius. (The ruling was probably handed down by a Carter judge.)

“You just can’t admit that you were wrong about me!” White snaps at Westphall.

Westphall replies that White is a terrible human being and not worthy of being a doctor and that he will not be allowed to work with any patients at the hospital. And, for once, I wanted to cheer Dr. Westphall. He may be depressing but he understands exactly who and what Peter White is.

Whatever the future may hold for the hospital, I have a feeling that it’s not going to be happy. Two episodes in and the third season has already settled into a pit of melancholy. That said, melancholy is perhaps the right mood for a medical show. When it comes to hospitals, there aren’t many happy endings.

Retro Television Review: St. Elsewhere 3.1 “Playing God, Part One”

Posted on November 21, 2025 by Lisa Marie Bowman

Today, we start the third season of St. Elsewhere with some new opening credits!

Episode 3.1 “Playing God, Part One”

(Dir by Bruce Paltrow, originally aired on September 19th, 1984)

The opening of the third season finds that St. Eligius is just as depressing as it’s ever been.

Fiscus leads a group of new residents, including Dr. Elliott Axelrod (played by new series regular Stephen Furst), through the hospital. Fiscus comes across as being an arrogant jackass. I guess that’s the appeal of being a second-year resident. You get to look down on all of the first-years.

Jack is still dating Clancy (young Helen Hunt). When Clancy tells Jack that she’s pregnant, he’s shocked when she says she’s planning on getting an abortion. Jack proposes to her. Clancy says she’s not ready to get married and she’s not ready to have a baby.

Dr. Craig is still yelling at Dr. Ehrlich. Dr. Ehrlich is still annoying the nurses.

Speaking of the nurses, they’re going on strike!

Three firefighters (one of whom is played by Erin Hudson) are injured while on the job and are rushed to St. Eligius with severe burns. Luckily, plastic surgeon Bobby Caldwell (Mark Harmon, without that terrible mustache he wore during season two) is on call.

Dr. Peter White is working in a shady clinic and is still suing for his right to be a resident.

A traffic accident leaves one nun in a coma and apparently brain-dead. Sister Doemnica (Michael Learned) wants to take her off life-support. Westphall (Ed Flanders), who seems even more depressed than usual, disagrees. It looks like there’s going to be some conflict about this. For once, I’m on Westphall’s side. I’m believer in hope.

Auschlander is still battling his cancer.

In other words, it’s another day at St. Eligius. The third season premiere did a good job of re-introducing viewers to the hospital. The snarkiness of Fiscus’s tour nicely balanced all of the more dramatic moments in the episode. If anything has me worried, it’s the possible return of the loathsome Peter White. How is the hospital going to deal with the return of a man who they all know is a rapist, even if he was somehow acquitted? I guess we’ll find out.

Retro Television Review: St. Elsewhere 2.21 “Rough Cut”

Posted on October 24, 2025 by Lisa Marie Bowman

This week, St. Eligius loses a resident.

Episode 2.21 “Rough Cut”

(Dir by Eric Laneuville, originally aired on May 9th, 1984)

Bobby Caldwell and Joan Halloran decide to stop being Boston’s most boring couple by taking an impromptu trip to Paris. But then Bobby catches himself in his zipper while trying to put on his pants sans underwear and the trip is cancelled. Bobby spends the rest of the episode walking very carefully.

Fiscus agrees to pose for a story on eligible Boston bachelors and soon finds himself being photographed wearing only a bow-tie and a pair of black briefs. That’s more of Howie Mandel than I’ve ever wanted to see. Potential suitors start to call the hospital. Fiscus is excited until his discovers that they’re all men.

Dr. Wendy Armstrong commits suicide.

St. Elsewhere was a show that frequently mixed comedy and drama but it was still undeniably jarring how this episode went from Howie Mandel getting half-naked and Mark Harmon stiffly moving down a hospital corridor to Dr. Armstrong downing a bunch of pills and dying in the OR. Wendy killed herself after she was told that she would be invited back to do the second year of her residency. (The first two seasons of St. Elsewhere represented a year in the life of its characters.) Bulimic, feeling guilty about a patient who miscarried, and traumatized by her assault at the hands of Peter White, Wendy ended things.

Before Wendy’s suicide, Westphall, Auschlander, and Craig had decided to cut Morrison from the program. While Craig and Auschlander respected Morrison as a person, they felt that he was still struggling as a doctor. Seriously, Dr. Craig? You took his dead wife’s heart but you won’t find him a place at the hospital? However, with Wendy dead, Morrison is invited to take her spot. Morrison accepts. So, I guess that worked out for him.

To the surprise of no one, Dr. White is also cut from the program. He loudly announces that he’s going to sue for his right to continue as a resident. “I’ll be back,” he shouts, sounding like Warren Stacy at the end of 10 To Midnight. Remember how that turned out?

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

This was a good episode. Even though I never really cared much for Wendy’s character, her death was still handled well and it was emotionally effecting. Next week, the second season of St. Elsewhere comes to a close.

Retro Television Review: St. Elsewhere 2.20 “Cramming”

Posted on October 17, 2025 by Lisa Marie Bowman

This week, Peter White goes on trial.

Episode 2.20 “Cramming”

(Dir by Tim Matheson, originally aired on May 2nd, 1984)

Dr. Peter White finally goes on trial, charged with raping Kathy Martin and assaulting Wendy Armstrong. For his attorney, he hires the same lawyer (Conrad Janis) who previously made the case against him at his disciplinary hearing. The lawyer asks Kathy Martin about her own reputation at St. Eligius. (“How many times have you had sex in the morgue?”) Peter himself manages to pass a lie detector test. (Sociopaths don’t have the same physical reactions to telling a lie as normal people.) In the end, Peter is acquitted.

Shirley Daniels blames Kathy for the acquittal, saying that she should have come forward earlier. As for Wendy, she deals with the trauma by binging and then purging. When one of her patients miscarries after being admitted to the hospital, it’s determined that Wendy carelessly missed a heart murmur. When Wendy argues that she’s been under pressure due to the trial, Dr. Craig points out that Wendy missed the heart murmur before the trial even started. Wendy breaks down into tears.

I have to admit that Wendy Armstrong has never been one of my favorite characters on this show. She’s the type of doctor who most people would dread having to deal with. She knows all of the technical stuff but she has absolutely no idea how to relate to patients and she gets defensive whenever anyone disagrees with her. Even if she hadn’t been attacked by Peter White, it seems like it was inevitable that she would eventually end up overlooking something with one of her patients. That said, my heart still broke for her in this episode. One gets the feeling that she’s one bad day away from breaking.

This episode ends with all of the residents taking their National Board exams. The residents know that five of them will be cut from the program. Having been acquitted, Dr. White approaches Westphall and Auschlander and announces that he doesn’t have any hard feelings towards them and he hopes that they’ll give him a fair shot. “I’m innocent,” he lies.

Dr. Ehrlich is also nervous about his exams, cramming everything he can into his last minute study sessions. His Aunt Cherise (Louise Lasser) comes to visit and help him deal with the end of his marraige to Roberta but Ehrlich is able to dump her off on Dr. Westphall. After having an awkward dinner with the eccentric Cherise, Westphall realizes that he’s not ready to start dating again.

This episode left me reeling, to be honest. The acquittal of Peter White was a gut punch. I know he’s guilty. Everyone in the hospital knows that he’s guilty. But he’s acquitted. Kathy Martin’s name is drugged through the mud. Wendy Armstrong has gone from being determined to self-destructive. But Peter White has not only gotten away with his crimes but he’s now apparently convinced that he can go back to being a doctor at St. Eligius. And who knows? He probably can. It’s a messed up world. It was messed up in 1984 and it’s messed up today.

Next week, we’ll find out which residents made the cut!

Retro Television Review: St. Elsewhere 2.19 “The Women”

Posted on October 10, 2025 by Lisa Marie Bowman

This week, St. Elsewhere tries something different.

Episode 2.19 “The Women”

(Dir by Bruce Paltrow, originally aired on March 28th, 1984)

Four women share a room at St. Eligius.

Evelyn Milbourne (Eva La Galliene) is elderly, headstrong, and rich. She’s also about to lose her independence as it’s clear that she can no longer live on her own.

Rose Orso (Brenda Vacarro) is only in her 40s but is already showing signs of dementia. She struggles to remember who she is. Her husband is becoming a stranger. At one point, she grabs some scissors. At first, it seems like she might be planning on attacking one of the other women. Instead, she cuts her hair and doesn’t do a very good job of it.

Paige (Blythe Danner) is in for a nose job and she tells a lot of stories about her glamorous life outside of the hospital. Towards the end of the episode, she confesses that she’s actually a pathological liar who got her nose job because she didn’t have anything better to do.

The fourth woman never speaks. She’s in a coma. She dies in the middle of the night and is rolled out of the room with disturbing efficiency.

This episode was basically a play. A few of the regulars got scenes of their own but, for the most part, the action stayed in that one hotel room and it focused on the four women. When I first realized what this episode was going to be like, I really thought I was going to hate it. It seemed like the sort of thing that would bring out the worst in the show’s writers. Instead, it turned out to be a very well-done and extremely well-acted episode, one that reminded the viewer that every patient has their own story. After spending most of this season focusing on the doctors, The Women announced that the patients matter too.

Retro Television Review: St. Elsewhere 2.18 “Equinox”

Posted on October 3, 2025 by Lisa Marie Bowman

This week, Peter White returns to the hospital.

Episode 2.18 “Equinox”

(Dir by David Anspaugh, originally aired on March 14th, 1984)

A college student (Thomas Byrd) comes in after taking a hit to the groin during a touch football game. It turns out that he might have testicular cancer and it falls to Dr. Cavanero to let him know that he will soon be down a ball.

Dr. Chandler is upset when his new girlfriend prefers to hang out with Luther. Chandler accuses Luther of “shuckin’ and jivin’.” Chandler’s girlfriend dumps him for being “mean.” In a well-acted scene, Chandler talks to Morrison about how he’s expected to act one way as a black man and another way as a black doctor.

Fiscus makes the mistake of giving Elliott Axlerod (Stephen Furst) his lucky baseball cap. Axelrod spills a urine sample on it and then accidentally sets the hat on fire while attempting to dry it. Axlerod is having a terrible day until a man dressed like Paul Revere brings his horse into the ER for treatment. It turns out that Axlerod’s father was veterinarian. Axlerod cures the horse but he still has to get Fiscus a new hat.

Finally, Dr. White returns. His charges have been reduced from attempted rape to assault. Wendy Armstrong is not happy and starts to binge eat. (And yet, as several nurses point out, she doesn’t gain a pound. We all know what that means….) When Kathy Martin sees Peter in the cafeteria, she yells that he raped her. “You’re crazy,” Peter lies.

The episode ends with Dr. Chandler going for a run outside, stopping, and screaming into the air.

This episode was a bit uneven. The Axlerod story worked because of the likability of Stephen Furst and not because the story itself was particularly clever. The Philip Chandler/Jack Morrison conversation was the highlight of the episode, though the ending with Chandler screaming into the void was a bit overdone.

As for Dr. White, I’ve reached the point where I can’t even stand to look at him and I feel foolish for having any sympathy for him earlier in the season. Hopefully, this season will end with Dr. White going to prison for life because I’m not sure how many more episodes I can handle of him wandering around the hospital with that smug look on his face.

Seriously, St. Elsewhere, take care of this guy soon….

Retro Television Review: St. Elsewhere 2.17 “Vanity”

Posted on September 26, 2025 by Lisa Marie Bowman

This week’s episode was available on neither Hulu nor Prime. I had to watch a really terrible upload that I found on Daily Motion. Bleh.

Episode 2.17 “Vanity”

(Dir by Mark Tinker, originally aired on March 7th, 1984)

I was relieved to see that this episode featured Kathy Martin returning to the hospital. I was seriously worried that Peter White had killed her. With Peter in jail for attacking Wendy Armstrong, Kathy doesn’t tell anyone that Peter raped her. From the minute we first see her, it’s clear that Kathy is suffering from severe PTSD. As a character, Kathy Martin was not always treated well by this show. During the first season, she was often portrayed as being a caricature, the quirky pathologist who liked to have sex in strange places. This episode finally allowed Kathy to emerge as a fully-developed character and Barbara Whinnery gave a strong performance in the role.

Peter is in jail. Despite Wendy’s anger, Dr. Morrison regularly visits him. Morrison says that Peter is obviously sick and needs help but, at the same time, he hasn’t accepted that Peter is also the Ski Mask Rapist. (Peter wasn’t wearing his mask when he attacked Wendy.) As for Peter, he continues to feel sorry for himself.

Dr. Craig is upset when he receives a cop of the documentary about him and he discovers that he comes across like an arrogant martinet. Dr. Craig threatens to sue the director (played, again, by Michael Richards) though one gets the feeling that Craig is mainly angry because he knows the documentary is true.

Nurse Rosenthal gets reconstructive breast surgery. Joseph, the construction worker who has been having attacks of blindness, is successfully operated on. Sometimes, things work out well at the hospital. Not often, but sometimes.

Finally. Mr. Entertainment (Austin Pendleton) returns, singing to patients and upsetting his supervisor. (Mr. Entertainment now works as a janitor at the hospital.) To be honest, the majority of this episode was devoted to Mr. Entertainment and it was a bit too much. Austin Pendleton is a good actor but Mr. Entertainment is such a cartoonish character that I mentally checked out of his story.

This was an odd episode. There was a lot to work but it was almost all overshadowed by Mr. Entertainment. Sometimes, you can tell a writer has fallen so in love with a minor character that they’ve forgotten about what the audience is actually interested in. The episode felt like an example of that.