Spring Break on the Lens: Laserblast (dir by Michael Rae)


Before I say anything else, I should admit that I fully understand why some of you are going to say that the 1978 science fiction film, Laserblast, is not a spring break film.

First off, it takes place not on the beach but in the desert.  There is a scene that takes place at a pool but it’s one of those cheap pools that all of the desert towns have.

Secondly, the film itself doesn’t take place during the spring.  It takes place during the summer, when the sun is bright and harsh.  The teenagers in the film might not be in school but that’s just because it’s their summer vacation.

I get it.

But, as far as I’m concerned, Laserblast is spiritually a spring break film, even if it isn’t technically one.  I mean, just look at the film’s hero, Billy.  As played by the very handsome Kim Milford, Billy is a mellow guy with blonde hair, stoned eyes, and the attitude of someone who can say, “Right on!” and make you believe that everything will be right and on.  Billy even drives a totally 70s van.  Everything about Billy and his girlfriend, Kathy Farley (Rainbeaux Smith), screams Malibu.  Even in the desert and in the summer, they are the ideal spring break couple.

Billy, of course, gets in some trouble over the course of the film.  He stumbles across a space gun in the desert.  Billy doesn’t know what we know, that the space gun was accidentally left there by two adorable claymation aliens who previously visited Earth so that they could kill the gun’s owner.  Billy just thinks it’s a cool gun.  Soon, Billy is blowing up the town and turning into a green-skinned monster.  Billy even blows up a sign that’s advertising Star Wars, which is made doubly interesting by how much Kim Milford resembles Mark Hamill.  (The same year that Laserblast came out, Hamill and Milford acted opposite each other in Corvette Summer, with Milford’s mellow confidence providing a nice counter to Hamill’s somewhat hyperactive earnestness.)  Much like a drunk spring breaker who ends up vomiting into the ocean, Billy has found something that he enjoys and he’s allowing it to take over his life.  The space gun represents every vice and addiction that’s out there to tempt people into risking their lives and their sanity and their totally 70s van.  (We don’t see much of the inside of the van but I’m willing to bet that it has shag carpeting and a strobe light.)  The spring breakers in The Real Cancun spent their week drinking themselves into a stupor.  Billy, on the other hand, spends a week blowing stuff up and turning into a monster.  Of course, that’s the great thing about spring break.  How you spend your time is your business.

Laserblast is a low-budget film, one that is often listed as being one of the worst films ever made.  Myself, I love the film because I think the aliens are cute and I enjoy Kim Milford’s performance as Billy.  Actually, for a film that didn’t cost much to make, Laserblast has a surprisingly impressive cast.  Technically, it’s not a shock to see Roddy McDowall in the film, since McDowall apparently accepted every role that he was offered in the 70s.  But Roddy’s trademark neurotic eccentricity is still welcome in the small role of Billy’s doctor.  The great character actor Dennis Burkley shows up as a fascist deputy.  Gianni Russo, who played Carlo Rizzi in The Godfather, plays a government agent who shows up from out of nowhere and who wears a cream-colored suit that makes him look like a wedding DJ.  Keenan Wynn, who also apparently accepted any role he was offered in the 70s, plays Rainbeaux Smith’s drunk grandfather.  Best of all, Eddie Deezen, who was best known for playing stereotypical nerd characters in films like Grease, shows up as a bully named Froggy!  After getting bullied by Eddie Deezen, who wouldn’t pick up the first space gun they found and start blasting rocks?

Laserblast is fun, just like spring break.  I like it, just like spring break.  So does Arleigh so be sure to check out his review, as well!

A Movie A Day #169: Malone (1987, directed by Harley Cokeliss)


It’s Burt Reynolds vs. Cliff Robertson.  Cliff has got the money but Burt’s got the mustache and the toupee.

Robertson plays Charles Delaney, a wealthy businessman who, with the help of a mercenary army, has bought nearly all the land in a small Oregon town.  Only the owner of a local gas station, Paul Barlow (Scott Wilson), has refused to sell.  Delaney and his men think that they can intimidate Paul into selling but what they do not realize is that Paul has a houseguest.  Richard Malone (Burt Reynolds) was driving through town when his car broke down.  While waiting for it to get fixed, he has been staying with Paul and his teenage daughter, Jo (Cynthia Gibb).  What no one knows is that Malone used to be an assassin for the CIA.

If ever there was a film that demanded the talents of Charles Bronson, it is Malone.  The tough and ruthless title character would have been a perfect Bronson role, especially if Malone had been made twenty years earlier.  Instead, the role went to Burt Reynolds, who was on the downside of his career as an action hero.  Sometimes, Burt tries to play the role as serious and emotionally guarded.  Then, in other scenes, Burt will suddenly smile and wink at the camera as he briefly turns back into the Bandit.  This is not one of Burt’s better performances.  He gets good support from the entire cast, including Lauren Hutton as his CIA handler, but, in most of his scenes, Burt comes across as being tired and his toupee makes him look like The Brady Bunch‘s Robert Reed.  Burt was 51 when he made Malone and he looked like he was at least ten years older, making the scenes where Jo comes onto him even more improbable.

Where Malone succeeds is in the action scenes.  Along with Burt’s final assault on Delaney’s compound, there is also a classic showdown in a barbershop.  Malone had a budget of ten million dollars.  How many blood squibs did that buy?  Pay close attention to the scene where two hitmen attempt to surprise Malone in his room and find out.

Malone is may not feature Burt at his best but it is still a damn sight better than some of the other films that awaited Burt once his starpower started to diminish.  Mad Dog Time, anyone?

Insomnia File #12: Beyond The Law (dir by Larry Ferguson)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

Beyond_the_Law_(1992_film)_poster

Last night, if you were awake at one in the morning, you could have turned on FLIX and watched the 1993 film Beyond The Law.

Now, you may look at the title and think to yourself, “That movie sounds way too generic for anyone to watch.”  And, to a certain extent, you’re right.  Based, so the narrated epilogue insists, on a true story, Beyond The Law is about a troubled cop who goes undercover and joins a biker gang.  After gaining the trust and friendship of the gang’s ruthless leader, the cop struggles to maintain a between order and chaos.  Sometimes, he succeeds.  Sometimes, he doesn’t.  Largely, his success is dependent on whatever the narrative requires at the moment.

It’s totally predictable but, at the same time, it’s hard not to watch.  When a film starts with an Indian shaman telling Charlie Sheen that his dark side is going to destroy him, how can you not keep watching?

That’s right … the undercover cop is played by Charlie Sheen.  Fortunately, since Beyond the Law was made in 1993, we’re talking about the sexy and dangerous Charlie Sheen who showed up at the end of Ferris Bueller’s Day Off and not the sad and bloated Charlie Sheen who co-starred on Two And A Half Men.

Charlie’s a deputy in Arizona who, as a result of his traumatic childhood, has a violent temper.  After he gets into a fist fight with another deputy (played by Rip Torn), he is told that he can either quit the force or he can go undercover.  He chooses to go undercover.  Fortunately, he knows an informant (Leon Rippy) who can teach him how to pass for a biker.  The informant’s nickname is Dildo (no, really) but later, we find out that his given name is Virgil.  And he’s Charlie’s guide through the Hell of the Arizona underworld, just as another Virgil led Dante through another Hell…

Yes, it’s totally heavy-handed but somehow, it’s appropriate.  The title may be generic but, within the first 30 minutes of the film, Beyond the Law gives us Indian wisdom, strange flashbacks, references to Dante, a guy named Dildo, and Charlie Sheen.  But that’s not all!  Beyond the Law also has Michael Madsen!

Michael Madsen plays Blood, the leader of the biker gang that Charlie has to infiltrate. And he gives a classic Michael Madsen performance, full of random squints, arched eyebrows, menacing pauses in the middle of dialogue, and that famous Michael Madsen half-smirk.  Predictable as its plot may be, Beyond The Law is your only chance to see Charlie Sheen and Michael Madsen compete to see who can chew the most scenery.  Charlie does his crazy eyes.  Madsen does his half-smirk.  In the end, I would say that Madsen wins.

Charlie also ends up having a relationship with an photojournalist (Linda Fiorentino).  Before going undercover, he gave her a speeding ticket and, when they later meet at a biker gathering, she immediately recognizes him but keeps his secret.  She doesn’t really get to do much in the film but I still liked the character because she was tough and she was the only person in the film who could outsmirk Michael Madsen.

Beyond The Law is nothing special but it’s worth watching just for the chance to see Michael Madsen and Charlie Sheen acting opposite each other.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch

 

 

The Daily Grindhouse: Laserblast (dir. by Michael Rae)


The latest pick from Grindhouse of the Day will be from the sci-fi genre and this one I remember clearly as I saw it several times on one of those UHF channels that showed cheap sci-fi and horror flicks. This particular grindhouse pick made a major impression in my preteen mind due to the awesome laserblast weapon which gave the flick its title. Yes, the latest grindhouse pick is literally titled, Laserblast.

It was released in 1978 and I’d hazard a guess and say it was part of the cheap, B-movie craze that tried to capitalize on the megasuccess of Star Wars. This sci-fi grindhouse was awesome when I first saw it as an 8-year old but now I look at it and think to myself, “This thing is so awful that it’s gone beyond any level of awfulness and come out the other side as some sort of classic.” It’s still quite awful, but even now it still entertains even if not the same reasons as when it was first seen. I can understand why the MST3K guys over at Comedy Central picked on it.

The flick had a late 70’s, San Fernando Valley porn sheen to it, but minus all the stuff which made those flicks must-see. The special effects were rudimentary, though I will say that the stop-motion animation for the aliens who hunted down the people who got corrupted by the laserblaster were quite good for such a low-budget. If I had to tell someone two reasons why this should be seen at least once its for the aliens and the awesome cheesiness of the laserblaster.

This flick has the distinction of being director Michael Rae’s only film. He hasn’t made a film since. It would seem he gave it all to this single one. It’s also notable for being the first major work for composer Joel Goldsmith (son of renowned film composer Jerry Goldsmith) who would continue later in his career to composing the soundtrack to sci-fi tv series and major videogame franchises.