Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
For a few years now, first Prime and now Tubi have been recommending that I watch a sitcom called 1st & Ten.
My initial reaction, upon looking the show up online and discovering that it was about a football team that was owned by a woman and coached (from the second season on) by OJ Simpson, was to say, “Why would I want to watch this?” And, to be honest, that’s still kind of my reaction. Football is not my thing. The only thing that is less my thing than football is soccer.
(“But in the rest of the world, soccer is called….” Yeah, yeah, I know. I don’t care.)
But then I read on and discovered that this is actually a historically significant show in that it was HBO’s first attempt to produce an original sitcom. It was later sold into syndication, with all of the cursing and nudity edited out. (Apparently, most of the episodes that are currently on Tubi are the edited syndication versions.) That piqued my interest. I may not care about football but I love historical footnotes.
So, without further ado, let’s get things started.
Episode 1.1 “By The Bulls”
(Dir by Rod Daniel, originally aired on December 2nd, 1984)
The show begins as wealthy Diane Barrow (Delta Burke) comes home to her mansion and discovers her husband, naked in their bedroom with another man. “This is Ty Tylor,” her husband says, “he’s a tight end.”
“I bet he is!” Diane replies.
Later, while talking to her divorce lawyer (Earl Boen), Diane announces, “I want his Bulls!”
“You want his….?” the lawyer replies, glancing down at his crotch.
No, Diane doesn’t want his balls She wants the Los Angeles Bulls, the football team that he owns. When the lawyer replies that Diane’s husband loves the Bulls, Diane announces that if she doesn’t get the football team, she’ll let the world know that her husband’s gay.
(It’s the 1980s, folks.)
Diane gets the Bulls and she also gets a lot of attention due to being apparently the only woman to ever own a football team. Everyone doubts her but Diane is determined to prove herself. However, her sniveling general manager (and her husband’s nephew), Roger Barrow (Clayton Landey), tries to end her ownership before the season even begins by planting cocaine in her mansion, His plan is that, during the pre-season party, one of the players will snort the cocaine and …. I don’t know. I guess he’s hoping some will call the police or something. It doesn’t seem like much of a plan, to be honest.
Fortunately, veteran Coach Ernie Denardo (Reid Scott) hears about the plan from a friend of his so he rushes over to the party and gets rid of the cocaine, though not before letting Diane know that she has powerful enemies. That was nice of him since Diane previously fired him for being incompetent. Needless to say, Denardo gets his job back.
And that’s it! We did get to see a few snippets of the players, who all seem to be wild and wacky. Carl Witherspoon (Sam Scarber) shows up at the party with his lawyer and demands a lot of money. Another player, Kyle Brody (Robert Logan), tries to hit on Diane. I checked with the imdb and this is Logan’s only appearance on the show so I’m not really sure what the point of him being at the party was. It’s a pilot so I imagine that a lot of the background people in this episode will never be seen again.
Overall, my feeling about the pilot was that it …. well, it sucked. The humor fell flat. The acting was terrible. Delta Burke showed some potential as Diane but I didn’t like how, after demanding, “I want his Bulls!,” Diane suddenly became this passive character who needed Denardo to tell her about the cocaine in her mansion. But you know what? It’s always unfair to judge a show by it’s pilot. The Office, for instance, had a terrible pilot. In the end, this particular pilot did what it was supposed to do — it introduced us to the main character and it set up the premise of the show.
We’ll see if things get better in the weeks to come.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
It’s time to go back to the Island. Smiles, everyone, smiles!
Episode 6.18 “The Devil Stick/Touch and Go”
(Dir by George McCowan, originally aired on March 19th, 1983)
I had mixed feelings about this episode.
On the one hand, we do learn a little bit about Tattoo’s past in this episode. We discover that he lived in Paris before coming to Fantasy Island and becoming Roarke’s assistant and we learn that he may have been a taxi driver. At one point, his life was saved by a woman named Susan Henderson (Georgia Engel). To repay her, Tattoo arranges for Susan to come to the Island so that she can pursue her fantasy of getting concert pianist Carter Ransome (Bernie Kopell — who I love on TheLoveBoat but who is just plain miscast here) to fall in love with her. Even though Roarke says it will only be for the weekend, Susan is okay with that. Of course, things get complicated. Roarke also asks Tattoo how he plans to pay for the fantasy. Since when does Roarke care about money? Seriously, after all of the free fantasies that he’s handed out!? Give Tattoo a break, Roarke!
On the other hand, this fantasy featured Georgia Engel. Georgia Engel was an actress who specialized in playing very nice women who rarely spoke above a whisper. Ever since I’ve started doing these retro television reviews, I’ve watched countless episodes featuring Georgia Engel as quirky women who refuse to speak above a whisper. At first, it didn’t bother me. Then I watched Jennifer Slept Here, a short-lived sitcom co-starring Georgia Engel. It was while watching Jennifer Slept Here that I found myself yelling, “SPEAK UP!” whenever Georgia Engel appeared onscreen.
I feel bad because Georgia Engel, in every role that I’ve seen her play, came across as being a genuinely kind soul but the whispering thing …. oh my God, it just annoys the Hell out of me. And that was certainly the case with this episode. It was nice to learn more about Tattoo’s life and I’m glad that everyone found love but I’m sick of having to strain to understand or even hear the dialogue whenever Georgia Engel guest stars on one of these shows.
The other fantasy, I liked a bit more. Carl Peters (Dean Butler) comes to Fantasy Island to meet a woman who has loved for afar, Hallie Miller (Crystal Bernard). It turns out that Hallie lives on a village on the other side of the Island. Roarke warns that it’s a weird village that’s never gotten over the execution of a witch several centuries earlier. At first, I was like, “Since when is there a town on the other side of the Island?” but then I remembered that, during the first season, there was a whole fantasy that took place in fishing village that happened to be on the Island. Anyway, this fantasy is supernatural-themed and I always like it when Fantasy Island embraces its supernatural origins.
It was an uneven trip to the Island this week but what can I say? I like island trips!
When two employees of an all-female courier service are murdered, Private Investigator Mike Hammer (Stacy Keach) is on the case. The service was owned by his ex-girlfriend, Chris (Michelle Phillips), and she wants him to protect her while she testifies in front of a grand jury. It turns out that her courier service has gotten involved in some shady business, transporting deliveries between a helicopter company and a South American dictator. Chris fears that she’ll be murdered to keep her from testifying. Hammer agrees to protect her and she tells him that he has a 19 year-old daughter who he’s never met.
While Chris is testifying, she suddenly dies on the stand. The doctors say that it was a heart attack but Hammer knows that it was murder. Hammer sets out to not only get revenge for Chris but also to find his daughter, who has disappeared into the world of underground pornography. It’s all connected though, as is traditional with Mike Hammer, it can sometimes be difficult to keep up with how.
Murder Me, Murder You was a pilot film for a brief-lived but fondly-remembered Mike Hammer TV series that aired in the 80s. Murder Me, Murder You takes Mickey Spillane’s famous detective into what was then the modern age but it allows him to remain a man of the hard-boiled noir era. Hammer’s narration is tougher than leather, he’s more interested in listening to swing music than new wave, and he still dresses like an old-fashioned private eye, complete with a fedora on his head. As played by Stacy Keach, he’s also just as dangerous and quick to kill as Hammer was in Spillane’s original novels. In the novels, Hammer was an unapologetic brute who often bragged about how much he enjoyed killing criminals and communist spies and whose closest associate was his gun, which he nicknamed Betsy. When Spillane’s novels were filmed, the violence of Hammer’s character was often downplayed. (A notable exception was Robert Aldrich’s Kiss Me Deadly, which suggested that Hammer was such a fascist that he would eventually be responsible for the end of the world. The Mike Hammer of Spillane’s novels would probably dismiss Kiss Me Deadly as being red propaganda and set out to deliver American justice to the Hollywood communists who wrote it.) In Murder Me, Murder You, Mike Hammer is just as brutal an avenger as Spillane originally imagined him to be. With his hulking frame, grim eyes, and his surly manner, Stacy Keach is the perfect Mike Hammer.
Murder Me, Murder You is a convoluted and often difficult-to-follow murder mystery but with Keach’s bravura lead performance, a strong supporting cast (including notable tough guys Tom Atkins and Jonathan Banks) and good direction from TV movie vet Gary Nelson, this movie comes about as close as any to capturing the feel of Mickey Spillane’s original novels. Murder Me, Murder You was released on DVD fourteen years ago. Though it is now out-of-print, copies are still available on Amazon.
Unfortunately, there is no cowbell in this movie. Okay, this one is about a lady named Gwen Green (Andrea Roth). She works as an assistant editor. Delta Burke plays Dahlia Marchand who writes romance novels, but is going to pen an autobiography. Turning down more experienced editors, she picks Green to be her editor as soon as she sees her. I honestly had to watch this twice because the first time around I missed a few things so I was rather confused as to what Burke’s obsession with this woman was. Honestly, I thought she was a lesbian for a minute there and this shot near the end of the movie didn’t help.
The movie begins with one of Green’s friends getting married. Then her friend catches the bridal fever and becomes obsessed with getting married. She drags Green into her nuttiness. So we go speed blind dating. I have seen this scene done in numerous movies, but I think it’s the first time I’ve seen this in one of these montages.
Didn’t work for me no matter how much of a resemblance he might bare to Jeffrey Combs. Green doesn’t find her man here. Instead, she is passing by a bookstore and decides to go in and replace the window display with books by Dahlia Marchand. Sadly, this didn’t feel contrived because I can remember my Dad buying things from his business clients to support them. It doesn’t surprise me that now since she is editing one of Marchand’s books, she would do this. Of course a little slip and fall in the store, and she meets the guy she will end up with. He works at the store.
Sorry, I really didn’t mean to catch him with his “you’re gonna die now” look on his face. The rest of the film plays out like this. Marchand is going to launch her book at his store. Marchand oddly avoids the store. Green works with this guy getting closer and closer. Since her friend has poisoned Green’s mind and since the guy didn’t propose to her on the spot, she gets engaged to the wrong guy. Then we find out that Marchand picked her because she wanted someone who wouldn’t do their job and thus wouldn’t ask her about gaps in her biography. The big gap being her years working at that bookstore. Turns out it’s the guy’s uncle who owns the store that once had a thing with her. It wraps up like you think.
This was okay. Very cliched and it’s one of those ones I like to say sleepwalks through the formulaic plot, but the actors were likable enough, including Delta Burke. I did like that they borrowed the comparing scars scene from Lethal Weapon 3.
You can do worse, but you can also do better.
Audrey’s Rain (2003) – Where the hell did this Hallmark movie come from? It’s got cursing, people who act like real people (kids included), suicide, a mentally challenged or at least mentally cracked in some fashion character, sexual references, direct reference to breasts as “buzzards”, making out, use of the word horny, the kid tries to say Audrey’s sandwiches taste like shit, fart jokes, a fart joke directed at a reverend who just asked Audrey to consider returning to the church, and more.
Seriously, is this the kind of movie Hallmark initially made? Cause this is a far far far cry from the kind of stuff they make today and have for many years. I actually thought I was watching a real movie here. The only things I saw in common with other Hallmark movies were that Larry Levinson was involved. Well, I guess I should talk a little bit about it.
It starts off with Audrey (Jean Smart) trying to blow away a rodent with a rifle. Yay! That scene is the one time this film censors itself. Despite the word “bastard” showing up in the close captioning, the sound falls silent on that word. Funny they did that considering this follows shortly afterwards.
Sure, the sister got her hand on his mouth before he got the full word out, but still. I’ve seen Hallmark censor the word “butt”.
So, you’ve got Audrey, two kids from a sister who killed herself, and another sister who has mental issues. I’m pretty sure she’s supposed to be mentally challenged, but I don’t remember there being enough details to tell you any more than that. And that’s where this film’s real issue is. While you really don’t care too much about this sister, the film does feel like it jumps over sections that were once there or should be there telling us more.
A man from Audrey’s past gets close to her and they do end up together. There’s a quirky friend. There are flashbacks. The kids have problems with the memories of their dead mother. There’s a pretty gut wrenching scene where we think the little girl might have hung herself like her mom did. It all works quite well, but it feels like it should have been a mini-series rather than just a movie. Maybe it was, and then was edited down.
At the end of the day, if you like Hallmark, see it. It’s like no other Hallmark movie out of the 106 I’ve seen so far. Just know that it will feel like it was chopped up.
Love On The Air (2015) – I kind of felt bad watching this when it premiered cause some guy who claimed to have worked on the film tweeted me twice saying he was glad I was enjoying it. I felt bad because the majority of my tweets were complaints about the movie. I don’t think I even mentioned the problems with the actors. Oh, well.
Love On The Air begins with our two leads doing their radio shows on the same network. I don’t remember what the name of their shows were, if they had any, but a modern equivalent would be tweets with #NotAllMen attached for hers and #YesAllWomen for his. It’s that kind of stuff being slung at the beginning of this movie. The largely writing off the other gender based on bad experiences thing. Only it’s far tamer than the stuff you hear online and not as complex. Thank goodness. But it does have that isolationist/separatist rhetoric to it that people cry foul over when it’s skin color, but not as much with gender. She even says “be an island”. I honestly could have done without this as the setup seeing as it’s stuff like this that makes places like Twitter depressing, but that’s the setup.
Our leading lady is Sonia (Alison Sweeney). Our leading man is Nick (Jonathan Scarfe). The two of them end up going at it on the air for a few minutes and that leads to them doing it on a regular basis. You can guess where this goes.
A day for night shot, along with shots that were under lit or shot on cloudy days.
Odd choices of things to focus on or I swear at times the camera just going out of focus.
This blinding light that keeps shining at you during this scene.
And random obstructions in front of the camera for reasons beyond me.
What? You thought they were going to fall in love? Well, that happens too, which is another problem. They have both been burned by certain experiences in their past. Problem is, I think they needed to even out the two of them out a little more. He is noticeably easier to get along with than she is. I know it makes for a little more of a traditional romance of him winning her over, but it would have been nice for them to have dialed down Sonia a little bit. I also know that it begins with her engagement being called off so she’s fresh off a recent bad experience, but I still wanted them to be on more even ground.
However, if you can get past the odd cinematography and the characters starting out on uneven footing, I know I sure didn’t feel they had any chemistry together. Scarfe is kind of warm and a little likable. Sweeney not as much. I understand how spending time with each other reminds them that no matter how many or intensity of experiences you have with a section of the population, you can’t right the whole lot off. However, I didn’t really buy that they should end up together as anything but good friends who do a show together.
I guess this is the kind I say won’t kill ya!
A little personal side note. I think I have mentioned it before, but Sweeney also does a series called Murder, She Baked on Hallmark. I wish that had her killing people with her cooking. She really comes across to me as someone who could play a villain well. I never saw her on Days Of Our Lives so maybe she did there.
All Of My Heart (2015) – This is another one of those Hallmark movies that borrows a screwball plot that you’d find in the 1940’s. It begins with Jenny Fintley (Lacey Chabert) and Brian Howell (Brennan Elliott), I kid you not, each inheriting half of the same house in the country. Being a cook, she sees it as business opportunity to open a bed and breakfast. Being a stockbroker, he sees it as an asset that needs to be liquidated. Hilarity ensues? Not really. This isn’t like Growing The Big One, which is a Hallmark movie and not one of those late night cable movies I’ve reviewed. I still don’t know how Hallmark lucked out on that name.
It’s just them falling in love by spending time with each other. She’s there cause she wants to open a business. He gets stranded there after his job slips out from underneath him. Oddly, the film teases that it’s going to do something humorous like Funny Farm (1988), but doesn’t follow through.
That’s Ed Asner who you probably know as the guy who shoots people in the back on Hawaii Five-O. The other guy is Daniel Cudmore who is probably best known as Jaffa #1 from the Homecoming episode of Stargate SG-1. Asner sits on the bench in front of the General Store and makes humorous comments as well as some important ones at the end of the movie. Cudmore is the colossus who runs the store and is the local plumber. They are both funny in this movie. I wanted more quirky characters. Sure, hoping for the crazy mailman from Funny Farm would be asking too much, but I could have done with more of these two. I would have preferred Chabert and Elliott coming together dealing with the odd, but lovable town rather than just coming together because it’s Hallmark.
My only other complaint has to do with Lacey Chabert. I didn’t watch Party Of Five back when I was kid and have very limited exposure to her work. Largely just Hallmark, but I really want more personality out of her here. Along with looking like she’s wearing more makeup then I care for, she seems to act like she is a kid who just entered her first planetarium. He has some more personality, but I really wanted something like what Shannen Doherty and Kavan Smith had in Growing The Big One.
So, which one of these does this poor dog from one of the commercials on Hallmark say you should see? Audrey’s Rain. Despite it’s problems, it’s so different. If you like Hallmark, you should see it. I’m a little biased though, cause I like Jean Smart.
Through the Shattered Lens 