Actor/writer/director John Cassavetes was born on this day in 1929. While he had an amazing career, I first saw him in his Oscar nominated performance as doomed military convict Victor Franko in THE DIRTY DOZEN. In celebration of what would have been his 96th birthday, enjoy this scene from Director Robert Aldrich’s classic World War II film! All I can say is, if you’re going to get your ass kicked in a movie, you might as well get it kicked by Charles Bronson, Jim Brown and Clint Walker!
Tag Archives: Clint Walker
Killdozer (1974, directed by Jerry London)
Six construction workers (played by Clint Walker, Carl Betz, Neville Brand, James Wainwright, James A. Watson, and Robert Urich) are boated to an isolated island off the coast of Africa. An oil company has assigned them to build an airstrip on the island. On the first day of work, they come across a meteorite buried in the ground. When one of the men tries to pick up the meteorite with the bulldozer, a blue light envelops the bulldozer and, at the same time, fatally injures Robert Urich. Possessed by the meteorite, the bulldozer starts to track the remaining workers down, killing them one-at-a-time. It’s a killdozer!
Based on a short story by Theodore Surgeon and made-for-television, Killdozer asks the question, “Have you ever seen a big, bulky bulldozer attempt to sneak up on someone?” Given that Killdozer is not fast and it’s not very agile, it should be easy to escape it but the construction keep doing dumb things, like getting drunk or trying to hide inside a copper tube instead of just running away. The surviving men wonder how they are going to make it until help eventually arrives. Maybe if you hear Killdozer coming, you should could just step to the side or maybe you could even run behind Killdozer. Instead, the construction workers keep trying to fight it head-on. Every time Killdozer pauses from noisily rolling across the island and sits still because it senses one of the workers might be nearby, I’m reminded that Killdozer is an absolutely ludicrous film but that it’s also wonderfully strange and that it’s also impossible to enjoy it on some level.
The cast is good and, for the most part, so is the straight-forward, waste-no-time direction. The Killdozer deserved an Emmy and maybe its own series but instead, it just had to settle for cult stardom.
Horror On The Lens: Scream of the Wolf (dir by Dan Curtis)
For today’s horror on the lens, how about a little werwolf action?
In the 1974 made-for-TV movie, Scream of the Wolf, Peter Graves is a writer who is asked to help solve a series of mysterious murders. The fact that both human footprints and wolf tracks have been found at each murder scene has led some people to assume that the killer must be a werewolf! Will Graves be able to prove them wrong or will it turn out that they are right? Graves calls in a famous hunter (Clint Walker) to help track down the killer but it turns out that the hunter has secrets of his own.
Scream of the Wolf features a screenplay from Richard Matheson and it was directed by television horror specialist, Dan Curtis. It feels like it was probably meant to be a pilot in which Peter Graves would deal with a supernatural mystery on a weekly basis. Even if the movie didn’t lead to a series, it’s still enjoyably atmospheric.
Retro Television Review: Scream of the Wolf (dir by Dan Curtis)
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1974’s Scream of the Wolf. It can be viewed on YouTube!
A small town in California is shocked when a series of brutal murders occur within the city limits. Someone or something is killing people whenever the moon is full. The only clue are the footprints that the killer leaves behind at every scene. Strangely, there are time when the kill seems to walking on all fours, suggesting that it’s a wild animal. But then, suddenly, there are only two footprints, indicating that the killer is a man. Is the killer a beast or a human?
Maybe it’s both.
That’s the question that John Weatherby (Peter Graves) attempts to answer in Scream of the Wolf. John is a former hunter who is now working on a book about his life. He looks at the footprints and the savagery of the attacks and he says that the killer is obviously a wolf because no human could be capable of doing such a thing. However, many people in town are convinced that the killer is a werewolf. That includes John’s girlfriend, Sandy (Jo Ann Pflug).
In fact, Sandy thinks that she knows exactly who the werewolf is. She thinks that Bryon Douglas (Clint Walker) is responsible for the murders. Byron is an old friend of John’s. They used to hunt together. John eventually turned his back on hunting but Byron continues to insist that people are never more alive than when they are hunting another creature. In fact, Byron claims that the murders are actually a good thing. According to Byron, the murders have woken up the survival instinct in the spoiled inhabitants of the town. And indeed, the citizens of the town do appear to be getting progressively more and more paranoid.
Okay, so Byron obviously has some issues. But does that make him a werewolf? John insists that there are no werewolves and that Byron is just a somewhat eccentric blowhard. John better hope that he’s right because Byron has announced that he’s going to hunt down the werewolf and he’s invited John to join him on the hunt.
Running a brisk 78 minutes and not wasting a single one of them, Scream of the Wolf is an enjoyable and atmospheric werewolf film. I don’t think I actually heard a wolf scream over the course of the film but I did hear plenty of people scream. For a made for TV movie, Scream of the Wolf doesn’t shy away from showing the horror of being stalked by an unseen creature in the middle of the night. Needless to say, any film featuring Peter Graves as a former big game hunter is going to have a bit of camp appeal but, in the end, Graves’s somewhat stolid acting style works well for the character that he is playing. Clint Walker, who towers over everyone else in the film, gives an intimidating and creepy performance as Byron. The film’s central mystery isn’t particularly complex but the story is told well. Scream of the Wolf is a simple but entertaining film, one that’s ideal for October viewing.
Live Tweet Alert: Watch Snowbeast with #ScarySocial
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1977’s SNOWBEAST!
In SNOWBEAST, Bo Svenson and Clint Walker team up to try to stop a monster that is threatening to disrupt the winter carnival! It’s a surprisingly bloody made-for-TV movie. You will be Team Snowbeast all the way!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime, Tubi, YouTube, and a few other streaming sites. I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Yuma (1971, directed by Ted Post)
At the start of this made-for-TV western, experienced lawman Dave Harmon (Clint Walker) has just been appointed the new marshal of Yuma. He’s served as the marshal of several towns, all of which were near rowdy army bases. He’s a laconic, no-nonsense lawman who is quick with a gun and smart enough to negotiate with the local Indian tribes.
As soon as Harmon rides into town, he comes across the King Brothers (Bruce Glover and Bing Russell) making trouble. He kills one of the brothers in a saloon and then takes the other one to jail, where he’s mysteriously gunned down during a midnight jailbreak. It turns out that there’s a third Harmon brother, cattle baron Arch King (Morgan Woodward), and he rides into town looking for revenge. He gives Harmon a set amount of time to find and arrest his brother’s killer or Arch and his men are going to return to town and kill Harmon.
Fortunately, Harmon has a witness to the jailbreak murder. Andres (Miguel Alejandro) is a young, Mexican orphan who sleeps at the jail. He witnessed the murder but he only saw that the killer was wearing what appeared to be army boots. Harmon’s investigation brings him into conflict with the local army base’s commandant (Peter Mark Richman) and also leads to the discovery of a plot to defraud the local Indians.
The main problem with Yuma is that it was clearly designed to be a pilot for a weekly television series and, as a result, it introduces a lot of characters who don’t get much to do. There’s a lot of talk about how Harmon is searching for the men who earlier killed his family but that subplot is never resolved. (If Yuma had been picked up as a weekly show, maybe it would have been.) Yuma has to set up the premise for a potential show and tell a complete story in just 70 minutes. That’s a lot to handle and Yuma ends up feeling rushed and incomplete.
As a B-western for undemanding fans of the genre, it’s acceptable. Clint Walker was a convincing lawman and the film was directed by Ted Post, who knew how to stage a gunfight. But it’s not really a western that you’re going to remember for long after you watch it.
The Bounty Man (1972, directed by John Llewellyn Moxey)
Kinkaid (Clint Walker) is a bounty hunter in the old west who doesn’t have time for sentiment or friendship. All he cares about is the money that his next bounty is going to bring in. When he captures outlaw Billy Riddle (John Ericson), it should be a cool $5,000 payday. The only problem is that Billy’s girlfriend, a prostitute named Mae (Margot Kidder), insists on accompanying Kinkaid while he takes Billy to jail. Though she initially conspires to help Billy escape, Mae soon starts to fall for the outwardly unemotional Kinkaid, especially when she discovers the details of his tragic backstory. (Every bounty hunter has one!)
However, the three of them soon run into another problem. Angus Keogh (Richard Basehart) and his gang have decided that they want to collect the bounty for themselves. Kinkaid, Billy, and Mae find themselves trapped in a canyon, under siege and with no food or water. The three of them will have to work together to survive but can they trust one another?
The Bounty Man was a made-for-TV western and it feels like it was originally mean to be a pilot. There’s not really much to the story, beyond establishing Kinkaid and Mae as characters who could potentially have a new adventure every week. I did like the performance of Richard Basehart, especially in the scene where he taunts the trapped Kinkaid by demonstrating that he has so much water that he can pour it out of his canteen without having to worry about running out. Basehart was a good villain and Walker was a believable hero, even if the character wasn’t very interesting. Margot Kidder, not surprisingly, is the best thing about the film. Mae is stock role, the prostitute with a heart of gold, but Kidder brings a lot of life to the part.
The Bounty Man was one of many TV movies directed by John Llewelleyn Moxey. He does a good job moving the action along. The Bounty Man is a quick, 70-minute diversion for undemanding western fans.
Off-Brand Spaghetti: MORE DEAD THAN ALIVE (United Artists 1969)
It’s hanging day at a remote Arizona prison outpost, and four men are scheduled to swing from the gallows. After they’re executed, the four pine boxes pop open, and outlaw Luke Santee and his gang commence firing, their six-guns blazing, as they try to free Luke’s baby brother. The escape attempt is an epic fail as ‘Killer’ Cain, a prisoner for 18 years now up for parole, stops the brother from leaving his cell and getting slaughtered, with Luke vowing revenge…
That opening scene, a violent, gory bloodbath, makes one think MORE DEAD THAN ALIVE is going to be a Sergio Leone-inspired American Spaghetti Western. It even stars a former TV Western hero named Clint – big Clint (CHEYENNE) Walker ! But the episodic nature of George Schenck’s script kills that idea, as the film doesn’t quite know what it wants to be. Spaghetti or Traditional Western? Character study, comedy…
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Remembering Cheyenne: RIP Clint Walker
At six-foot-six, Clint Walker certainly rode tall in the saddle. The actor, who died yesterday at age 90, was television’s first cowboy hero developed for the medium, and his popularity opened the floodgates for a slew of TV Westerns to follow. Walker also fared well on the big screen, and while not in the same stratosphere of John Wayne or Clint Eastwood, his movie career deserves a second look.
As Cheyenne Bodie (1955-63)
Born in Illinois in 1927, the seventeen year old Norman Walker joined the Merchant Marines for a spell, then worked a series of blue-collar jobs before being discovered by talent agent Henry Willson, who got him a small part in the 1954 Bowery Boys comedy JUNGLE GENTS, playing an ersatz Tarzan. Bit parts followed, until his burly presence and rugged good looks landed him the lead in a new TV series called CHEYENNE. Cheyenne Bodie was television’s…
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Horror on the Lens: Scream of the Wolf (dir by Dan Curtis)
For today’s horror on the lens, how about a little werwolf action?
In the 1974 made-for-TV movie, Scream of the Wolf, Peter Graves is a writer who is asked to help solve a series of mysterious murders. The fact that both human footprints and wolf tracks have been found at each murder scene has led some people to assume that the killer must be a werewolf! Will Graves be able to prove them wrong or will it turn out that they are right? Graves calls in a famous hunter (Clint Walker) to help track down the killer but it turns out that the hunter has secrets of his own.
I’m going to guess that, like Baffled!, Scream of the Wolf was a pilot disguised a movie. I assume that the hope was that the movie would lead to a series where Peter Graves would solve a different paranormal mystery every week.
Well, that series never materialized by Scream of the Wolf is still an enjoyable film. The screenplay was by none other than Richard Matheson while made-for-TV horror specialist Dan Curtis sat in the director’s chair.
In the end, Scream of the Wolf is only 72 minutes long and I know for a fact that you don’t have anything better to do right now. I watched this movie two months ago with Patrick Smith and the Late Night Movie Gang and we had a blast.
Have fun!
Through the Shattered Lens 