Retro Television Reviews: In Search of America (by Paul Bogart)

Posted on June 11, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1971’s In Search of America! It can be viewed on YouTube!

College student Mike Olson (young Jeff Bridges) returns home and informs his mother (Vera Miles) and his father (Carl Betz) and his annoyingly quirky grandmother (Ruth McDevitt) that he’s dropped out of college. He apologizes for wasting all the money that they spent on tuition but hey, maybe he can make it up to them by taking them on a journey as he drives across America in an old bus.

Uhmmm….

Now, let me just repeat this so that there is no confusion. This absolutely schmuck took his parents’ money, wasted it, dropped out of college, and now he expects everyone to travel with him across America because he’s decided that he’s a part of the counterculture.

And, instead of telling him to go to Hell and get a job, his family agrees.

Oh sure, Mom is a little bit hesitant about Mike’s idea. But Dad is really enthusiastic. He understands the kids and he wants a chance to relive his own youth, before he got tied down with things like paying bills and being a responsible human being. And, of course, if the Hippies were famous for anything, it was their love of upper class, middle-aged people. Just ask the LaBiancas.

And, of course, grandma is totally excited about it because she’s an old person in a made-for-TV movie.

So, they all board the bus and Mike takes them to a music festival so that they can meet some of his friends. For instance, there’s Nick (Sal Mineo), a drop-out who says that he’s more burned out than turned on. There’s Annie (Tyne Daly), who is going to need someone to help deliver her baby. There’s Bodhi (Glynn Turman), who is some sort of doctor. He and grandma bond of their shared quirkiness. And then there’s Kathy (Renne Jarrett), who is at the music festival despite the fact that she’s really sick and on the verge of dying. When Kathy’s parents (Howard Duff and Kim Hunter) show up looking for her, Mike has to decide whether to save her life or respect her wish to do her own thing.

This was obviously meant to be a pilot for a show where the family would travel around the country and I guess get involved in different adventures each week. The main problem is that, while Jeff Bridges seems to be a bit of a hippie in real life, he’s not particularly convincing in this film. He’s way too clean-cut and his family’s decision to follow him across the country never makes the least bit of sense. As for the hippies themselves, they come across as being so shallow that I found myself wanting to donate money to the Nixon campaign.

City of Bad Men (1953, directed by Harmon Jones)

Posted on September 28, 2022 by Jedadiah Leland

In the year 1897, an outlaw gang led by brothers Brett (Dale Robertson) and Gar (Lloyd Bridges) ride into the frontier town of Carson City, Nevada. Brett and Gar remember Carson City as being a sleepy town where not much happens but, when they arrive, they discover that a carnival-like atmosphere has broken out in the streets. A heavyweight fight between “Gentleman Jim” Corbett and Bob Fitzsimmons is scheduled to take place in Carson City and the once sleepy little town has become the center of the old west.

Sheriff Bill Gifford (Hugh Sanders) already knows that he’s going to have his hands full with all of the people coming to town for the fight so he’s not happy to see that Brett and Gar have returned. When the notorious outlaw Johnny Ringo (Richard Boone) also shows up for the fight, Gifford realizes that he’s going to have to do something unheard of. He deputizes the three outlaws, assigning them to keep the peace.

Even as deputies, the outlaws scheme to steal the money that’s raised by the fight. However, Brett is actually more interested in getting back together with his former girlfriend, Linda (Jeanne Crain). When Gar and Ringo realize that Brett might be backing away from the plan, it leads to a climatic showdown in Carson City.

This B-western tells a semi-true story. Corbett and Fitzsimmons did fight a match in Carson City in 1897. The fight lasted for over 90 minutes and ended with an upset victory for Fitzsimmons. It was the first boxing match to be filmed and it was later released into cinemas as The Corbett-Fitzsimmons Fight. It was the first film to last over an hour and it is considered to be the first feature film. It’s also considered to be the first pay-per-view event because the film of the fight made the boxers more money than the fight itself. The rest of the film is pure fiction. (The infamous outlaw Johnny Ringo had been dead for five years by the time of the Corbett/Fitzsimmons fight.) But even if there wasn’t an attempt to rob the Corbett/Fitzsimmons Fight, the use of the actual fight and the publicity surrounding it serves to remind the audience that the modern world is coming to the frontier.

For most, the main appeal of this film will be to see Dale Robertson, Richard Boone, and Lloyd Bridges acting opposite each other. All three are well known to western fans. Boone would later star in Have Gun Will Travel while Robertson appeared in Tales of Wells Fargo, Iron Horse, and Death Valley Days. Lloyd Bridges previously played the resentful deputy in High Noon. The three of them are in top form in City of Bad Men, with Bridges especially making an impression as the less honest of the two outlaw brothers. The three of them play outlaws who know that the era of the lawless west is coming to an end and all three of them have to decide whether they want to go straight or if they want to go out with a bang (some more literally than others). With the fast-paced script and a dedicated cast, City of Bad Men is a film that will be appreciated by anyone who likes a good western tale.

TV Review: Night Gallery 1.1 “The Dead Man/The Housekeeper” (dir by Douglas Heyes and John Meredyth Lucas)

Posted on May 26, 2020 by Lisa Marie Bowman

As I wrote yesterday, I recently decided to sit down and watch every episode of the horror anthology series, Night Gallery. Yesterday, I watched and reviewed the pilot movie. Tonight, I watched the first episode of the weekly series.

Though the pilot originally aired in 1969, Night Gallery did not start to air as a regular series until December of 1970. The first episode of season one was broadcast on December 16th, 1970. As all of the episodes did, it stated with Rod Serling walking through a dimly lit museum and inviting the audience to look at a macabre painting. Each painting was inspired by a different story. Or were the stories inspired by the paintings? To be honest, I don’t think the show ever made that clear.

The first episode featured two stories, both of which dealt with mad scientists.

The Dead Man (written and directed by Douglas Heyes)

The first segment was The Dead Man, an enjoyably atmospheric if somewhat difficult-to-follow story about a scientist, a young man with an amazing ability, and the woman who is torn between the two of them.

Carl Betz plays Max Redford, a doctor who has discovered that, under hypnotic suggestion, John Michael Fearing (Michael Blodgett) can simulate any medical condition, no matter how severe. When Max reveals his discovery to his associate, Dr. Talmadge (Jeff Corey), Talmadge is concerned that Fearing will suffer permanent damage as a result of Max’s experiments. Nonsense! Max explains. All he has to do is give Fearing the proper signal and he’ll pop right out of his condition, as good as new.

Max decides to put Fearing to the ultimate test by having him simulate death. However, when Fearing goes under, he dies for real. Was it just an accident or did Max — who suspects that Fearing was having an affair with his wife (Louise Sorel) — secretly mean for Fearing to die?

The Dead Man raises some intriguing questions about life, death, and medical ethics. It also has a quartet of good performances with Carl Betz doing an especially good job as Max. Michael Blodgett showed up in a lot of early 70s films and TV shows and he was always convincing as a decadent hedonist. The entire segment is full of creepy atmosphere but the ending is a bit of a let down. After a great set-up, the segment just kind of fizzles out.

The Housekeeper (written by Heyes, directed by John Meredyth Lucas)

In the second segment, our mad scientist is named Cedric Acton (Larry Hagman). Whereas Max Redford, in the previous segment, was misguided, Cedric Acton is just crazy. Through the use of black magic (it involves a frog), Cedric has been experimenting with soul and brain transference. (There’s an oinking chicken and a clucking pig in his laboratory, just in case anyone’s wondering how the experiments are going.)

Because Cedric loves his wife’s body but hates her personality, he wants to put the soul of his kindly housekeeper (Jeanette Nolan) into the body of his wife, Carlotta (Suzy Parker). At first, the experiment is a success but things get complicated and …. well, I’m not really sure what it all leads to because this is one of those stories that just kind of ends without really offering up any type of resolution.

The Housekeeper is meant to be a comedy but it’s a bit too mean-spirited to really work. This segment really calls out for karma to intervene and for Cedric’s soul to end up in something else’s body but instead it just ends with Cedric continuing his experiments. It’s more than a little dissatisfying. Larry Hagman does a good job playing Cedric, though. He’s convincingly crazy.

Especially after the pilot, it’s hard not to be disappointed by the first episode of Night Gallery. Both stories had potential but they were let down by weak endings. Oh well. Hopefully, tomorrow’s episode will be an improvement!

Horror On The Lens: Killdozer (dir by Jerry London)

Posted on October 22, 2013 by Lisa Marie Bowman

A bunch of manly men are building an airstrip on an island off the coast of Africa. Two of them come across an oddly glowing meteorite and they make the mistake of trying to move it with a bulldozer. Needless to say, the bulldozer gets possessed by an alien presence and soon, the men are all being pursued by the … Killdozer!

My boyfriend and I recently sat down and watched this 1974 made-for-TV movie. Jeff enjoyed it while I thought Killdozer was perhaps one of the silliest films I have ever seen in my life. That’s not surprising, however. Killdozer is a guy film all the way, celebrating both the destructive power of machinery and the ability of men to tame that power.

Killdozer may not be a great film but it’s a film that feels rather appropriate for October.