Retro Television Review: St. Elsewhere 3.2 “Playing God: Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, the hospital is a depressing place.

Episode 3.2 “Playing God: Part Two”

(Dir by Bruce Paltrow, originally aired on September 26th, 1984)

There was a lot going on in this episode.

Sister Domenica demanded that Sister Theresa be taken off of life support and she threatened to sue the hospital if it didn’t happen.  This led to Dr. Westphall telling another long and depressing story about his dead wife.  I don’t mean to be flippant about anyone’s tragedies but it’s hard not to notice that almost everything seems to lead to Westphall telling a depressing story.  Westphall is one of the most saddest television characters that I’ve ever come across.

The nurses are closer to striking.  A labor negotiator named Richard Clarendon (Herb Edelman) is brought in by the nurses and it’s hard not to notice that he looks a lot like Helen Rosenthal’s ex-husband.  I think I can already guess where this is heading.

A sick child was brought in by a woman (Tammy Grimes) who claimed to be his fairy godmother.  This gave Fiscus an excuse to get a consultation from Kathy Martin, who has abandoned the morgue for psychiatry and who is no longer dressing exclusively in black.

At home, Dr. Craig struggled with impotence.  At the hospital, Dr. Ehrlich gave an awkward lecture about whether or not one can have sex after heart surgery.

The firefighters are still recovering from their burns.

Clancy got an abortion, despite Morrison’s objections.

And yet, all that drama was overshadowed by the fact that the Dr. Peter White — the drug-addicted rapist who nearly killed more than a few patients due to his own incompetence — is once again walking the halls of St. Eligius.  White won his lawsuit.  I’m not really sure that I understand what the basis of his lawsuit was.  St. Eligius could only ask a select number of residents to return and, even if you overlook the fact that White was accused of rape, it’s not as if Dr. White was ever an especially competent doctor.  It would seem that just his struggle with drug addiction would be enough to justify not asking him to return.  And yet, somehow, Dr. Peter White is once again a resident at St. Eligius.  (The ruling was probably handed down by a Carter judge.)

“You just can’t admit that you were wrong about me!” White snaps at Westphall.

Westphall replies that White is a terrible human being and not worthy of being a doctor and that he will not be allowed to work with any patients at the hospital.  And, for once, I wanted to cheer Dr. Westphall.  He may be depressing but he understands exactly who and what Peter White is.

Whatever the future may hold for the hospital, I have a feeling that it’s not going to be happy.  Two episodes in and the third season has already settled into a pit of melancholy.  That said, melancholy is perhaps the right mood for a medical show.  When it comes to hospitals, there aren’t many happy endings.

Retro Television Review: St. Elsewhere 3.1 “Playing God, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Today, we start the third season of St. Elsewhere with some new opening credits!

Episode 3.1 “Playing God, Part One”

(Dir by Bruce Paltrow, originally aired on September 19th, 1984)

The opening of the third season finds that St. Eligius is just as depressing as it’s ever been.

Fiscus leads a group of new residents, including Dr. Elliott Axelrod (played by new series regular Stephen Furst), through the hospital.  Fiscus comes across as being an arrogant jackass.  I guess that’s the appeal of being a second-year resident.  You get to look down on all of the first-years.

Jack is still dating Clancy (young Helen Hunt).  When Clancy tells Jack that she’s pregnant, he’s shocked when she says she’s planning on getting an abortion.  Jack proposes to her.  Clancy says she’s not ready to get married and she’s not ready to have a baby.

Dr. Craig is still yelling at Dr. Ehrlich.  Dr. Ehrlich is still annoying the nurses.

Speaking of the nurses, they’re going on strike!

Three firefighters (one of whom is played by Erin Hudson) are injured while on the job and are rushed to St. Eligius with severe burns.  Luckily, plastic surgeon Bobby Caldwell (Mark Harmon, without that terrible mustache he wore during season two) is on call.

Dr. Peter White is working in a shady clinic and is still suing for his right to be a resident.

A traffic accident leaves one nun in a coma and apparently brain-dead.  Sister Doemnica (Michael Learned) wants to take her off life-support.  Westphall (Ed Flanders), who seems even more depressed than usual, disagrees.  It looks like there’s going to be some conflict about this.  For once, I’m on Westphall’s side.  I’m believer in hope.

Auschlander is still battling his cancer.

In other words, it’s another day at St. Eligius.  The third season premiere did a good job of re-introducing viewers to the hospital.  The snarkiness of Fiscus’s tour nicely balanced all of the more dramatic moments in the episode.  If anything has me worried, it’s the possible return of the loathsome Peter White.  How is the hospital going to deal with the return of a man who they all know is a rapist, even if he was somehow acquitted?  I guess we’ll find out.

Retro Television Review: St. Elsewhere 2.19 “The Women”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, St. Elsewhere tries something different.

Episode 2.19 “The Women”

(Dir by Bruce Paltrow, originally aired on March 28th, 1984)

Four women share a room at St. Eligius.

Evelyn Milbourne (Eva La Galliene) is elderly, headstrong, and rich.  She’s also about to lose her independence as it’s clear that she can no longer live on her own.

Rose Orso (Brenda Vacarro) is only in her 40s but is already showing signs of dementia.  She struggles to remember who she is.  Her husband is becoming a stranger.  At one point, she grabs some scissors.  At first, it seems like she might be planning on attacking one of the other women.  Instead, she cuts her hair and doesn’t do a very good job of it.

Paige (Blythe Danner) is in for a nose job and she tells a lot of stories about her glamorous life outside of the hospital.  Towards the end of the episode, she confesses that she’s actually a pathological liar who got her nose job because she didn’t have anything better to do.

The fourth woman never speaks.  She’s in a coma.  She dies in the middle of the night and is rolled out of the room with disturbing efficiency.

This episode was basically a play.  A few of the regulars got scenes of their own but, for the most part, the action stayed in that one hotel room and it focused on the four women.  When I first realized what this episode was going to be like, I really thought I was going to hate it.  It seemed like the sort of thing that would bring out the worst in the show’s writers.  Instead, it turned out to be a very well-done and extremely well-acted episode, one that reminded the viewer that every patient has their own story.  After spending most of this season focusing on the doctors, The Women announced that the patients matter too.

Retro Television Review: St. Elsewhere 2.5 “A Wing and A Prayer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, St. Elsewhere observes a holiday.

Episode 2.5 “A Wing and a Prayer”

(Dir by Bruce Paltrow, originally aired on November 23rd, 1983)

It’s Thanksgiving in Boston!  While everyone else is watching the Patriots and celebrating with family, 15 residents are stuck at St. Eligius, working during the holiday.  To make it even worse for them, Dr. Craig puts himself on the schedule to teach them a lesson about what it means to be a doctor.  (It’s also subtly suggested that Craig is looking for an excuse to get out of visiting his in-laws.)  When Craig learns that Ehrlich is planning on make a “California-style” turkey, Craig insists on making a turkey of his own.

Meanwhile, Dr. Auschlander is reading a book on “dying with dignity.”  It’s a British book, one that makes the case for euthanasia.  (Anglicans are so pessimistic!)  Auschlander is convinced that this will be his last Thanksgiving.  He becomes obsessed with the case of Joe Dempsey (Cory Yothers), a little boy who might have Hepatitis or who could just as easily be suffering from Leukemia.  Neither option is great but Joe can recover from Hepatitis.  Death-obsessed Auschlander spends the entire episode convincing himself that Joe is going to die.  Fortunately, Auschlander is wrong.  When the test results come back, it turns out that Joe does have Hepatitis.  Auschlander’s hope is renewed.  He tosses away his assisted suicide book.  He tells his wife he’s looking forward to next Thanksgiving.  It’s kind of predictable but Norman Lloyd’s performance sells it.

Did I cry during this episode?  Yes, I did.  Last year, at this time, I was fighting with an insurance company to keep my dad from getting kicked out of his rehab center.  I knew, deep in my heart, that if he was sent home, he would die.  The insurance company wanted to kick him out on the 4th of July.  I successfully appealed their decision, just as I would appeal several more of their decisions.  I won countless battles and I felt pretty proud of myself but ultimately, I lost the war.  My Dad was eventually evicted from the rehab center and, as I feared would happen, he died a few weeks later.  Every holiday since August of last year has been my first without my Dad.  So, yeah, when I watched an episode of a hospital drama with Dr. Asuchlander obsessing on death while Dr. Morrison experienced his first holiday since the passing of his wife …. you better believe I cried.

Can I fairly judge this episode, all things considered?  Probably not.  Watching it, I could tell that this episode was shamelessly manipulative and there were a few moments that were a bit overwritten.  There wasn’t much subtlety to be found.  But, dammit, it got to me.  The emotions got to me.  It earned my tears and, to be honest, I felt a little better after I cried.  Joe Dempsey’s going to live.  Yay!

Retro Television Review: St. Elsewhere 2.1 “Ties That Bind”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, we start season 2!

Episode 2.1 “Ties That Bind”

(Dir by Bruce Paltrow, originally aired on October 26th, 1983)

The second season is here and there are changes to be found in the opening credits.

David Birney and G.W. Bailey are no longer listed in the opening credits.  I’m not sorry to see Birney go as Dr. Samuels was never that interesting of a character.  I will miss Bailey’s performance as Dr. Beale.

Norman Lloyd is now listed in the credits, appearing right after Ed Flanders.  Ellen Bry, Kim Miyori, and Eric Laneuville are also now listed in the opening credits.  That’s good.  Last season, Shirley Daniels (played by Ellen Bry) was one of the most important characters on the show and it always seemed strange that she was left out of the opening.  Mark Harmon, sporting a mustache, appears in the credits, though he didn’t appear in this episode.  The final addition to the opening credits is Nancy Stafford, who does appear in this episode.

Stafford plays Joan Halloran, the new city budget advisor who has been assigned to cut St. Eligius’s budget.  She tells Westphall and Auschlander that St. Eligius is not popular downtown.  “They call you St. Elsewhere,” she says.  Joan wants to do away with the animal research lab, which is a part of the hospital that has never been mentioned before.  (And with good reason.  Boo, animal research, boo!)  Westphall finally agrees, on the condition that the city fund Dr. Craig’s attempt to perform a heart transplant on teacher Eve Leighton (Marian Mercer).

Wisely, Dr. Craig gets a lot of screentime in this episode.  If the first season seemed to often be unsure of just how abrasive the show should allow Craig to be, the second season premiere would seem to suggest that the show’s writers realized that the more abrasive Craig is, the better.  Of course, Dr. Craig has good reason to be in a bad mood.  As he confesses to Nurse Rosenthal, he caught his son doing drugs.  Craig explains he kicked him out of the house and now, he wants nothing to do with him.

Speaking of drugs, orderly Luther (played by Eric Laneuville) finally manages to capture the thief who has been stealing all the drugs from the hospital.  Dr. White is no longer under suspicion!  Yay, I guess.  I don’t know.  Dr. White wasn’t in much of this episode but he still cames across as being a jerk.  I have to admit that I groaned a little when I saw he was still on the show.  A part of me is hoping he’ll get a redemption arc this season but, from his behavior during rounds, he still seems to be a jackass.

Speaking of jackasses, when Jerry Singleton (Alan Arkin) discovers that his wife, Fran (Piper Laurie), has had a stroke, he responds by crashing his car into the ER and then refusing to leave the doctors along while they try to save his wife’s life.  Jerry is convincing that he knows everything and he’s very demanding.  Naturally, Fran’s doctor is Jack Morrison because Morrison always gets the really depressing cases.  Fran does wake up from her coma but she neither speaks no seems to hear anything anyone says to her.  I can’t imagine this is going to end well, mostly because she’s Morrison’s patient and things never seem to go well when Morrison is involved.  (What’s really sad is that Morrison, unlike Peter White, is a good doctor!  He just has rotten luck.)

Shirley Daniels finds out that Fiscus is cheating on her with Kathy Martin, who spends most of this episode promoting cryogenics.  Shirley responds by dumping Fiscus and telling him that he’s a pig.  Fiscus tells Kathy that they no longer have to sneak around, just for Kathy to say that the sneaking around was the whole point.  She promptly dumps Ficus.

Finally, Dr. Ehrlich meets a woman, Bobbi (Jean Bruce Scott) at the laundromat.  They go back to her apartment.  She strips down to her underwear.  She has Ehrlich tie her to the bed.  Ehrlich realizes that he has to get something from his car so he runs outside and …. gets locked out.  And then he nearly gets arrested while trying to use his credit card to open the building’s door.  However, the next day, Bobbi shows up at the hospital for her “encounter group,” and the two of them are reunited.  Again, I have a feeling this is not going to end well, just because it involves Dr. Ehrlich.

Hey, this episode was pretty good!  It moved quickly, it reintroduced us to the cast, and all of the stories were actually fairly interesting.  It’s obvious that show’s producers paid attention with what didn’t work during season one and they made an effort to improve things with season two.  Compared to the majority of this first season’s episodes, the pace was quicker, the humor was sharper, and just about everyone got a moment or two to shine.  I’m looking forward to next week!

Retro Television Review: St. Elsewhere 1.19 “Working”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, someone’s getting sued!

Episode 1.19 “Working”

(Dir by Bruce Paltrow, originally aired on April 5th, 1983)

Dr. Morrison becomes upset when he deduces that a patient (Ed Lauter) is trying to drink himself to death so that his family can collect his life insurance.  Dr. Chandler becomes upset when one of his patients dies while being admitted to the hospital and the family ends up suing for malpractice.  For once, Dr. Craig is not upset because he’s been charmed by a visiting surgeon (Rita Zohar) from Hungary.  And, finally, Dr. White continues to be Dr. White as he obsesses over his separation, pops pills, and screws up even the simplest of medical tasks.

It’s just another day at St. Eligius!

This was a pretty good episode.  Dr. Craig’s storyline was probably the weakest but William Daniels is such a good actor and Dr. Craig was such an interesting character that even a weak Craig storyline is still better than average.  (That said, the visiting surgeon’s amazement at visiting at actual McDonald’s was a bit heavy handed.)

What really made this episode stand out is that Denzel Washington finally got to do something more than just stand in the background and nod.  For most of the first season, Dr. Chandler has been portrayed as being perhaps the most perfect and ultra-competent resident in the history of medical residences so it was interesting to see him not having all the answers for once.  Washington did a wonderful job portraying Chandler’s transformation from being almost cocky to being worried that he actually was, in some way, responsible for his patient’s death.  (The fact that the other doctors just shrugged off the man’s death made Chandler even more determined to figure things out.)  In the past, Chandler has always been quick to call out other people’s errors and this episode actually features him nearly coming to blows with White over White’s terrible job performance. Seeing Chandler having to critically examine his own job performance brought a bit more depth to the character.

Speaking of Dr. White …. WHAT A JERK!  The first season is nearly over and it seems like the show is building up to something terrible happening to Dr. White.  Whatever it may be, it’s hard not to feel that he brought it on himself.  In a hospital full of dedicated doctors, Dr. White is the guy you never want to see come in your room.  I have no idea what’s going to happen with this doctor but I can’t imagine it will be a good thing.

Finally, Morrison’s storyline left me wondering why Morrison always ends up with the most melodramatic patients.  That said, Ed Lauter was one of the best and his scenes with Norman Lloyd’s Dr. Auschlander were wonderfully acted by both men.

This was a good episode.  We’re approaching the end of season one and I can’t wait to see how things are going to wrap up with the doctors at Boston’s most underrated hospital.

Retro Television Review: Homicide: Life On The Street 1.5 “A Shot In The Dark”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the murders continue and two detectives continue to obsess.

Episode 1.5 “A Shot In The Dark”

(Dir by Bruce Paltrow, originally aired on February 24th, 1993)

As I watched this week’s episode of Homicide, it occurred to me that I really don’t care about Stanley Bolander’s relationship with Dr. Carol Blythe.

Seriously, I really did try to give this storyline a chance.  Bolander is played by the great character actor Ned Beatty.  Dr.  Blythe is played by Wendy Hughes.  Both Beatty and Hughes are no longer with us but they were both very good actors and I’m always in favor of giving good actors a plotline.  But, my God — Bolander is so whiny!  I mean, I get it.  He’s newly divorced and he’s unsure of himself and he’s a lot more comfortable investigating death than actually living life.  However, Dr. Blythe obviously likes him and Bolander had a fairly good date with her during the previous episode so why did he spend this episode afraid to talk to her on the phone?  During this episode, Bolander and Munch were investigating the murder of a drug dealer.  The only witness was a high-class prostitute who ended up hitting on Bolander, largely because she wanted him to buy her some food.  It was an interesting-enough case but instead of focusing on that, the whole thing was Munch telling Bolander to call Blythe and Bolander getting mad as a result.  It got old.

While Bolander whined about his relationship issues, Lewis and Crosetti continued to investigate the shooting of Officer Thormann.  Crosetti was convinced that Thormann had been shot by Alfred Smith (Mojo Gentry), largely because a man named Charles Flavin (Larry Hull) fingered Smith as being the shooter.  Lewis thought that Flavin was a more likely suspect, especially after Flavin failed a lie detector.  In the end, it was not superior police work that led to the arrest of Charles Flavin but instead his girlfriend telling Crosetti and Lewis that Flavin shot Thormann because he had a headache.  When confronted, Flavin immediately confessed and then started complaining about his migraine.

(As for Officer Thormann, he survives being shot in the head but he is now blind.)

Everyone is happy that Thormann’s shooter has been arrested but Crosetti finds himself wracked with guilt and self-doubt over the fact that he nearly arrested the wrong man.  In a wonderfully-acted moment, Crosetti tells Lewis that Giardello was right.  Crosetti was too close to Thormann to work the case.

Speaking of getting too involved in a case, Bayliss continues to obsess over the Adena Watson case.  After the incompetent Captain Barnfather (Clayton LeBouef) goes to a community meeting and reveals that a pipe was used to kill Adeena (and, in the process, ruins Bayliss’s plan to interrogate the man who he suspects is the murderer), Bayliss calls Barnfather and calls him a — cover your ears, if you’re young — “butthead.”  Barnfather is so offended that he comes to the station to demand that Bayliss be taken off the case.  Giardello tells Bayliss that he can either apologize or he can find another job.  Giardello also acknowledges that Barnfather’s an idiot and Bayliss has every reason to be upset.  Bayliss, who has a cold and is running a fever, apologizes and then tells Giardello that he’s willing to step down as primary and let Pembleton have the case.  Giardello, who really is the perfect boss, tells Bayliss to go home and get some sleep.

While Bayliss is losing his temper, Felton and Pembleton are investigating a man who lived in the neighborhood where Adeena’s body was found.  Felton’s theory is that the man killed Adeena and then kept her body in the trunk of his car before dumping her in the back yard where she was found.  The man’s car has subsequently been repossessed and Pembleton and Felton spend a night searching for the car on various impound lots.  When they finally find the car, they also find no evidence linking it to the Watson murder.  The focus of these scenes was less on the search for the car and more on listening to Pembleton and Felton bicker.  The two men sincerely dislike each other and Homicide deserves a lot of credit for acknowledging that working with someone is not the same thing as respecting them.  Pembleton views Felton as being a racist.  Felton views Pembleton as being a snob.  As they look for the car, they argue about everything, from the renaming of a street after Martin Luther King to Felton’s belief that Pembleton takes everything too personally.  Their argument is fascinating to listen to, largely because of the obvious disdain that each man has for the other.  Neither man is portrayed as having a monopoly on the truth.  Pembleton may be right about Felton’s prejudices but Felton is equally correct when he suggests that Pembleon is more concerned with showing up Bayliss than with investigating the case.  It’s the type of thing that you would never hear on television today.

In the end, the neighbor and his car prove to be a dead end.  But lab results come in that suggest that Bayliss’s suspicion that Adeena was killed by the local arabber may be correct.  While the rest of the squad celebrates the arrest of Charles Flavin, Pembleton and Bayliss prepare to bring in the arabber.

(According to Wikipedia, an arabber is a street vendor who sells fruits and vegetables from a horse-drawn cart.  Apparently, they’re a Northeastern thing and specifically a Baltimore thing.  Having grown up in the Southwest, I have to admit that I had never even heard the term before watching Homicide.)

All of the Bolander nonsense aside, this was a good episode that took a look at the mental strain involved in being a homicide detective.  Crosetti allowed himself to become so obsessed that he nearly arrested the wrong guy.  Bayliss allowed himself to become so obsessed that he nearly lost his job as a result.  Interestingly enough, Thormann’s shooter is captured because his girlfriend turned him in and not because of any superior policework.  Meanwhile, it’s easy to laugh at Pembleton and Felton spending an entire day chasing down a false lead but, in doing so, they eliminate the neighbor as a viable suspect and help to make the case against the arabber even stronger.  In the end, it’s a thankless job but this episode makes the viewer glad that someone’s doing it.

Next week, we finally meet the arabber!

Music Video of the Day: Cruisin’, covered by Huey Lewis and Gwyneth Paltrow (2000, dir by Bruce Paltrow)


Does anyone remember that film Duets?

It came out in 2000 and it was a film about the cutthroat world of karaoke competitions.  If you don’t remember it, that’s okay.  It’s not like it’s some sort of lost classic or something.  I saw it a few years ago and my main impression was that whoever made it was so fascinated by the world of karaoke that he never considered that not everyone else would be.

Anyway, when the movie came out, the main thing that everyone knew about it was that it featured a scene where Gwyneth Paltrow and Huey Lewis sang a song together.  That song was a cover of Smokey Robinson’s Cruisin‘ and even though the movie was never a big hit, the song was on the radio all through 2000 and 2001.  Some people thought it was weird that they were singing a somewhat romantic song when they were playing father and daughter.  Well, maybe so.  But let me tell you something about karaoke — you go with whatever song you can sing.  My sisters and I used to sing karaoke all the time.  We would embarrass the Hell out of my mom and we once had a DJ yell at us because one of us very dramatically dropped the microphone on the stage after we finished our song.  (Yes, it was me.)  Now, my sisters all have good singing voice.  Me, I can barely carry a tune.  I can dance but I can’t sing.  However, I did discover that I could sing backup on Love Shack so every time my sisters and I hit karaoke night at Grandpa Tony’s, the first thing that we would do would be find some guy drunk enough to sing Love Shack while Erin and I provided backup.  As long as I got to yell “Rusted!” after Erin said, “Tin roof!,” I was happy.  Grandpa Tony’s, by the way, was a nice little restaurant that was near the airport.  It was owned by an ex-boxer who always came out to flirt with mom.  They had the best chips and queso and, every Friday night, there would be a lot of drunk pilots and flight attendants singing Love Shack along with us.  Unfortunately, the place has since closed down.

Where as I?  Oh yeah, today’s music video of the day is Gwyneth Paltrow and Huey Lewis covering Crusin.  Enjoy!

Baby, let’s cruise away from here
Don’t be confused, the way is clear
And if you want it, you got it forever
This is not a one-night stand, baby, yeah
So, let the music take your mind
Ooh, just release and you will find

You gonna fly away, glad you’re goin’ my way
I love it when we’re cruisin’ together
The music is played for love, cruisin’ is made for love
I love it when we’re cruisin’ together

Baby, tonight belongs to us
Everything’s right, do what you must
And inch by inch we get closer and closer
To every little part of each other
Let the music take your mind
Just release and you will find, baby

You gonna fly away, glad you’re goin’ my way
I love it when we’re cruising together
The music is played for love, cruisin’ is made for love
I love it when we’re cruisin’ together

Cruise with me, baby
Cruise with me, baby

Cruise
Ooh, ooh, baby, yeah
Oh, baby
Oh, oh, ah, baby
So good to cruise with you, baby
So good to cruise with you, baby
Ooh, yeah, you and me, baby

Oh, baby, let’s cruise
Let’s flow, let’s glide
Ooh, let’s open up, and go inside
And if you want, it you got it forever
I can just stay there inside you
And love you, baby, oh…
Let the music take your mind
Just release and you will find, baby

You gonna fly away, glad you’re goin’ my way
I love it when we’re cruising together
The music is played for love, cruisin’ is made for love
I love it when we’re cruisin’ together

You gonna fly away, glad you’re goin’ my way
I love it when we’re cruising together
The music is played for love, cruisin’ is made for love
I love it, I love it, I love it, I love it…