Song of the Day: Whipping Post (The Allman Brothers Band)


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If there was ever song which perfectly fused the two into the music genre commonly as blues rock it would The Allman Brothers Band’s iconic song from their 1969 self-titled album, “Whipping Post”.

I consider “Whipping Post” one of the greatest rock songs ever created. It’s blues origins could be heard throughout the song from the near-perfect slide-guitar playing by one of rock’s greatest guitarists in Duane Allman. The lyrics to the song is classic existential blues of an evil woman the cause of one’s ruination and of the metaphorical whipping post the song’s subject is put through.

While brother Greg’s vocalizing has been a highlight for some the true highlight of the song comes from the band’s two lead guitarists. The song manages to showcase both player’s skills in two separate guitar solos that come after the songs two verses and choruses. We get Duane Allman performing magic with the first guitar solo in slide-guitar fashion with Dickey Betts joining in on the tail end on rhythm guitar. The second guitar solo has the two performers switching roles with Duane augmenting Bett’s electric guitar work with some slide work on acoustic guitar.

The song’s lyrics were written by Duane’s brother Greg who is also the band’s lead singer. His vocals in this song comes out as if coming from the very depths of perdition. There’s genuine, fierce emotion in the singing by Greg Allman and everyone else who has covered the song never seem to replicate the very same emotion which made “Whipping Post” so great the moment it was first heard in 1969 and continues to be great as a new generation in the 21st century gets introduced to the band.

The studio version of the song is powerful in it’s own right…

…but it’s the 22-minute long live recording At Fillmore East that the song has attained mythical status.

Whipping Post

I’ve been run down
I’ve been lied to
I don’t know why,
I let that mean woman make me a fool
She took all my money
Wrecks my new car
Now she’s with one of my good time buddies
They’re drinkin’ in some cross town bar

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

My friends tell me
That I’ve been such a fool
And I have to stand down and take it babe,
All for lovin’ you
I drown myself in sorrow
As I look at what you’ve done
Nothin’ seems to change
Bad times stay the same
And I can’t run

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

(guitar solo)

Sometimes I feel
Sometimes I feel
Like I’ve been tied
To the whipping post
Tied to the whipping post
Tied to the whipping post
Good lord I feel like I’m dyin’

Great Guitar Solos Series

Song of the Day: Róisín Dubh (by Thin Lizzy)


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Even though it’s a day late I should still include as the latest “Song of the Day” an epic song from the greatest rock band to come out of the Emerald Isle.

The band is Thin Lizzy. The song is “Róisín Dubh (Black Rose)”.

I would’ve added this song somewhere down in the future even if it didn’t have an awesome guitar solo that segues into dueling guitars during the middle section. Why you ask would I have added it well it’s because it’s Thin Lizzy and was a great marriage of traditional Celtic music with that very American folksy blues rock that was huge during the 1970’s.

Phil Lynott (R.I.P.) does an amazing job on bass and with the vocals (one of the best there ever was on the mic). Yet, the song soars once Gary Moore and Scott Gorham start battling it out in the middle section with an opening guitar solo and then both going at it.

So, yes it is a great addition to our ongoing “Greatest Guitar Solos” series within the “Song of the Day” feature.

Róisín Dubh

Tell me the legends of long ago
When the kings and queens would dance in the realm of the Black Rose
Play me their melodies I want to know
So I can teach my children, oh

Pray tell me the story of young Cuchulainn
How his eyes were dark his expression sullen
And how he’d fight and always won
And how they cried when he was fallen

Oh tell me the story of the Queen of this land
And how her sons died at her own hand
And how fools obey commands
Oh tell me the legends of long ago

Where the mountains of Mourne come down to the sea
Will she no come back to me
Will she no come back to me

Oh Shenandoah I hear you calling
Far away you rolling river
All down the mountain side
All around the green heather
go lassie go

(dueling guitar solos)

Oh Tell me the legends of long ago
When the kings and queens would dance in the realms of the Black Rose
Play me their melodies so I might know
So I can tell my children, oh

My Roisin Dubh is my one and only true love
It was a joy that Joyce brought to me
While William Butler waits
And Oscar, he’s going Wilde

Ah sure, Brendan where have you Behan?
Looking for a girl with green eyes
My dark Rosaleen is my only colleen
That Georgie knows Best

But Van is the man
Starvation once again
Drinking whiskey in the jar-o
Synge’s Playboy of the Western World

As Shaw, Sean I was born and reared there
Where the Mountains of Mourne come down to the sea
It’s such a long, long way from Tipperary

Great Guitar Solos Series

Song of the Day: Texas Flood (by Stevie Ray Vaughan)


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It’s difficult to do any sort of greatest ever guitar solo list and not include this latest entry for our “Song of the Day” series.

Stevie Ray Vaughan was a musical talent who was taken too soon. Stardom was finally his after years and years of toiling as a sessions guitarist for other bands and singers. His guitar playing brought back memories of other greats of the past like Jimi Hendrix, Albert King and Muddy Waters. He was both a god in the two worlds of rock and blues.

“Texas Flood” will be SRV at his best and no matter how much others try to cover and replicate what he did with a Fender Stratocaster he will always and forever be king.

Texas Flood

Well theres floodin down in texas….all of the telephone lines are down
Well theres floodin down in texas….all of the telephone lines are down
And Ive been tryin to call my baby….lord and I cant get a single sound

Well dark clouds are rollin in….man Im standin out in the rain
Well dark clouds are rollin in….man Im standin out in the rain
Yeah flood water keep a rollin….man its about to drive poor me insane

Well Im leavin you baby….lord and Im goin back home to stay
Well Im leavin you baby….lord and Im goin back home to stay
Well back home I know floods and tornados….baby the sun shines every day

Great Guitar Solos Series

Song of the Day: Stairway to Heaven (by Led Zeppelin)


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The latest in the Song of the Day for the greatest guitar solo series is the power rock ballad of power ballads. Straight from their untitled fourth album, Stairway to Heaven is a mixture of acoustic-folk music and anthemic hard rock. The fact that this power ballads of all power ballads have stood the test of time, ridicule and countless covers (both serious and comedic) says much about the power that Led Zeppelin had over rock music. Even 30 years since they broke up the band still influences musicians to this day.

Stairway to Heaven to me best exemplifies the gradual shift of the band from a down and dirty blues-based hard rock band to the proto-metal/progressive rock which would dominate the band’s sound from the mid-70’s until the band’s break-up after the untimely death of drummer John Bonham in 1980. The song puts to light Jimmy Page’s growing attraction for the esoteric as the song’s lyrics conjures up images of the fairy folk of the Welsh countryside. The acoustic guitar arpeggios which begins the song soothingly brings the listener in. Each section brings in more of the modern to the Renaissance-like intro. This build-up reaches a crescendo at the mid 5-minute mark when Jimmy Page begins a guitar solo which finally leads to a climactic hard rock finish to the song.

The song was the most requested and played track over the radio and became a staple of the band’s sets on their many tours during the 70’s. Like any piece of artistic work extremely popular with the masses the song reached such a popularity that a backlash just as extreme followed as the band broke up in 1980. The fact that this backlash didn’t diminish the song’s appeal to future generations of fans and to the legions before them shows just how important this song has become to rock music history.

While other epic power ballads have come and gone since Stairway to Heaven they will never supplant Led Zeppelin’s epic mystical anthem of fairy folk, magical lands with progressive hard rock. Led Zeppelin’s Stairway to Heaven was first and to many will always be First and The One.

Stairway to Heaven

There’s a lady whose sure all that glitters is gold
And she’s buying a stairway to heaven.
When she gets there, she knows if the stores are all closed
With a word she can get what she came for.

Ooh, ooh, and she’s buying a stairway to heaven.

There’s a sign on the wall but she wants to be sure
’Cause you know sometimes words have two meanings.
In a tree by the brook, there is a songbird who sings:
Sometimes all of our thoughts are misgiven.

Ooh, it makes me wonder,
Ooh, it makes me wonder.

Theres a feeling I get when I look to the west,
And my spirit is crying for leaving.
In my thoughts I have seen rings of smoke through the trees,
And the voices of those who standing looking.

Ooh, it makes me wonder,
Ooh, really makes me wonder.

And it’s whispered that soon if we all call the tune
Then the piper will lead us to reason.
And a new day will dawn for those who stand long
And the forests will echo with laughter.

If there’s a bustle in your hedgerow,
Don’t be alarmed now,
Its just a spring clean for the May queen.
Yes, there are two paths you can go by but in the long run
Theres still time to change the road you’re on.

And it makes me wonder.
Ooooooh…

Your head is humming and it won’t go,
In case you don’t know:
The pipers calling you to join him.

Dear lady, can you hear the wind blow,
And did you know:
Your stairway lies on the whispering wind.

(guitar solo)

And as we wind on down the road,
Our shadows taller than our soul,
There walks a lady we all know.
Who shines white light and wants to show…
How everything still turns to gold.
And if you listen very hard the tune will come to you at last.
When all are one and one is all, yeah, to be a rock and not to roll.

And she’s buying a stairway… to heaven.

Great Guitar Solos Series

27 Days of Old School: #25 “Voodoo Child” (by Stevie Ray Vaughan)


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“Well, I’m standing next to a mountain, chop it down with the edge of my hand”

To close out the night we have Stevie Ray Vaughan at #25 with his excellent cover of the classic Hendrix track, “Voodoo Chile (Slight Return)”.

The blues wasn’t a genre of music that I had much experience growing up during the 80’s. It was during a senior retreat that I was introduced to one of the blues rising stars during that era of my life. He was Stevie Ray Vaughan and I only got to know him after he had already passed into legend after he died in a helicopter crash.

Since then I’ve become not just a major listener of blues and blues rock music, but I would say I’ve become a connoisseur.

While I’ve since listened to Jimi Hendrix’s original of the song and consider it the best version, I will always have a special place in my musical library for the one and only SRV.

27 Days of Old School: #16 “Gimme All Your Lovin'” (by ZZ Top)


 

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“Gimme all your lovin’
All your hugs and kisses too,
Gimme all your lovin’
Don’t let up until we’re through.”

I didn’t know what blues and blues rock was when I first heard it on the radio and then watched it on MTV. I did know that they had a real unique sound that was very much like rock, but also had a sort of country vibe to it.

One of the first bands of blues rock that I really ended up being a fan of was ZZ Top and it was mainly due to their three videos for three singles off of their Eliminator album. The first one that I saw was for the track “Gimme All Your Lovin’“.

The video itself was just very cool. It had everything a young boy was curious about. Cars, girls and rock and roll. Well, mostly it was the girls and the video to this song introduced the “Three ZZ Girls”.

It was much, much later in high school that I went back to listening to ZZ Top and their songs and realize that they were pretty much singing about sex, sex and more sex to the tune of Texas boogie blues. I ended up loving the band even more then.

Guilty Pleasure No. 17: Girls, Girls, Girls (by Mötley Crüe)


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“Long legs and burgundy lips.”

For some this is the height of hair metal at it’s raunchy. Some even call this song one of the best metal songs out there (though that’s stretching the term metal like it was Plastic-Man). I, for one, call this one of the guiltiest pleasures to come out of the hair metal scene of the 1980’s.

I’ll just let the lyrics speak to the cheesetastic and raunchirific pleasure this song was and remains (especially in strip clubs) to this very day.

Girls, Girls, Girls

Friday night and I need a fight
My motorcycle and a switchblade knife
Handful of grease in my hair feels right
But what I need to make me tight are those

Girls, girls, girls
Long legs and burgundy lips
Girls, girls, girls
Dancin’ down on Sunset Strip
Girls, girls, girls
Red lips, fingertips

Trick or treat, sweet to eat
On Halloween and New Year’s Eve
Yankee girls, you just can’t be beat
But you’re the best when you’re off your feet

Girls, girls, girls
At the Dollhouse in Fort Lauderdale
Girls, girls, girls
Rocking in Atlanta at Tattletails
Girls, girls, girls
Raising hell at the Seventh Veil

Have you read the news
In the Soho Tribune?
Ya know she did me
Well, then she broke my heart

I’m such a good good boy
I just need a new toy
I tell you what, girl
Dance for me
I’ll keep you overemployed
Just tell me a story
You know the one I mean

Crazy Horse, Paris, France
Forgot the names, remember romance
I got the photos, a ménage à trois
Musta broke those French’s laws with those

Girls, girls, girls
At the Body Shop and the Marble Arch
Girls, girls, girls
Tropicana’s where I lost my heart
Girls, girls, girls

Vince: Hey Tommy, check that out, man!
Tommy: What Vince? Where?
Vince: Right there, man! Hey baby, you wanna go somewhere?

Girls, girls, girls
Girls, girls, girls
Girls, girls, girls

Girls, girls, girls

UNCENSORED

Previous Guilty Pleasures:

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass

Song of the Day: Whole Lotta Love (by Led Zeppelin)


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I missed a couple of nights with a post leading up to Valentine’s Day. So, I shall make it up with a quickie, but definitely a classic choice for latest “Song of the Day”.

In what has to be one of the sexiest and raunchiest songs to explode from that little supergroup called Led Zeppelin in late 1969. Everything about this song oozes sex from Robert Plant’s performance to the silky riffs by Jimmy Page right up to the rhythmic pounding by Bonham on drums.

The song I speak of “Whole Lotta Love” and considered a favorite amongst fans of the group. Enough talk and just listen. I’m pretty sure there’s a sizable number of people who visit this site and go on the many social media outlets that owe their existence to their parents having this song on.

Whole Lotta Love

You need coolin’, baby, I’m not foolin’
I’m gonna send ya back to schoolin’
Way down inside, a-honey, you need it
I’m gonna give you my love
I’m gonna give you my love, oh

Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love

You’ve been learnin’
And baby, I been learnin’
All them good times
Baby, baby, I’ve been a-yearnin’, ah
A-way, way down inside
A-honey, you need-a
I’m gonna give you my love, ah
I’m gonna give you my love, ah

Oh, whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
I don’t want more

Ooh, just a little bit
Ah, ah, ah, ah
Ah, hah, hah
Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah
No, no, no, no, ah
Love, low-ow-ow-ow-ove
Oh, my, my, my

You’ve been coolin’
And baby, I’ve been droolin’
All the good times, baby, I’ve been misusin’
A-way, way down inside
I’m gonna give ya my love
I’m gonna give ya every inch of my love (Ah)
I’m gonna give you my love
Yeah, alright, let’s go

Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love
Wanna whole lotta love

(Way down inside) Way down inside
(Way down inside, woman, you) Woman
(Woman, you) You need it
(Need) Love

My, my, my, my
My, my, my, my, oh
Shake for me, girl
I wanna be your backdoor man
Hey, oh, hey, oh
Hey, oh, ooh
Oh, oh, oh, oh
Hoo-ma, ma, hey
Keep a-coolin’, baby
A-keep a-coolin’, baby
A-keep a-coolin’, baby
Ah, keep a-coolin’, baby, ah, ah-hah, oh-oh

Song of the Day: Lead Me Home (by Jamie N. Commons)


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Whoever has been in charge of choosing the songs that make up the soundtrack for AMC’s The Walking Dead I must salute you. With Bear McCreary’s Southern gothic-influenced score this show has been flush with some excellent songs to end particularly strong episodes. Last week’s strong episode of The Walking Dead saw a favorite character from season 1 make an emotional and heartbreaking return. It also helped refocus the show’s main lead to forging past his own psychological and emotional problems to take on the looming war about to begin.

The song which ended this episode is my choice for “Song of the Day” and it’s from British songwriter-musician Jamie N. Commons.

“Lead Me Home” doesn’t just end the episode but also helps put a spotlight on this show’s third season and it’s many themes concerning not just the zombie apocalypse the survivors must exist and survive in, but how they go about this task. The song’s lyrics takes on the show’s very Southern gothic roots as Rick, Michonne and Carl drive away from Rick’s hometown passing by wrecked vehicles, bodies both freshly killed and decaying.

The song really hit home when they pass by the mauled remains of the backpacker they ignored and passed by earlier in the episode whow as begging to be picked up and saved. It’s this scene which brings to light how much cynicism and distrust as entered these survivors. Faith in the goodness of people has been abandoned for the sake of survival and the roadside remains of their inaction to save this backpacker when he most needed it was shown in gory detail. It’s not the Lord that’s inside them now, but darkness and it will be a long way back before Rick and his people can lead themselves back “home”.

Lead Me Home

Oh lord live inside me, lead me on my way
Oh lord live inside me, lead me on my way
Lead me home
Lead me home

Oh lord in the darkness, lead me on my way
Oh lord in the darkness, lead me on my way
Lead me home
Lead me home

Hmmmmm
Hmmmmm

Oh lord heaven’s waiting, open up your door
Oh lord heaven’s waiting, open up your door
Lead me home
Lead me home

Lead me home
Lead me home

Lead me home
Lead me home

Song of the Day: House of the Rising Sun (by The Animals)


The night is growing late and to close it out I’ve chosen a new “Song of the Day” and it’s an all-time blues-rock classic from the 60’s.

Even if one wasn’t a fan of rock from the 1960’s they still would recognize the biggest hit ever released by the British blues-rock band The Animals with their 1964 hit, “House of the Rising Sun”. The weren’t the first band or musicians to have sung the song. No one truly knows the origin of the song, but music luminaries such as Bob Dylan, Woody Guthrie, Lead Belly, Joan Baez and Nina Simone were just a few to have covered it. It would be The Animals version which would live on as the one best remembered.

The song doesn’t just have the soulful cadence of classic blues, but has lyrics that show’s the band’s folk rock influences. It became part of the British Invasion of the United States during the 60’s when rock bands from them to The Beatles, The Rolling Stones right up to The Yardbirds would dominate American airwaves. The Animals would cement their place amongst these giants with this single. One thing which really powered this song through the juggernaut that was The Beatles would be the powerful vocals by frontman Eric Burdon matched with the keyboard playing of Alan Price.

“House of the Rising Sun” by The Animals continues to entertain fans old and new and still one of the best songs to come out during the 1960’s.

House of the Rising Sun

There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one

My mother was a tailor
She sewed my new bluejeans
My father was a gamblin’ man
Down in New Orleans

Now the only thing a gambler needs
Is a suitcase and trunk
And the only time he’s satisfied
Is when he’s on a drunk

[Organ Solo]

Oh mother tell your children
Not to do what I have done
Spend your lives in sin and misery
In the House of the Rising Sun

Well, I got one foot on the platform
The other foot on the train
I’m goin’ back to New Orleans
To wear that ball and chain

Well, there is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one