A Movie A Day #90: Red Rock West (1992, directed by John Dahl)

Posted on April 7, 2017 by Jedadiah Leland

The place is Red Rock, a little town located in the middle of nowhere Wyoming. When a man from Texas (played by Nicolas Cage) wanders into his bar, the owner, Wayne (J.T. Walsh), assumes that the man is Lyle From Dallas, the semi-legendary hit man who Wayne has hired to kill his wife, Suzanne (Lara Flynn Boyle). Wayne gives the man half of his payment in advance and promises the other half after Suzanne is dead. What Wayne doesn’t realize is that Lyle From Dallas is not actually Lyle From Dallas. Instead, he is a drifter named Michael who has just recently lost his job. Michael takes Wayne’s money but, when he sees Suzanne, he tells her that Wayne wants her dead. Suzanne responds by offering to pay Michael to kill Wayne. Michael mostly just wants to leave town but his every effort is thwarted, with him continually only managing to get a mile or two out of town just to then find circumstances forcing him to once again pass the Red Rock welcome sign. Meanwhile, the real Lyle From Dallas (Dennis Hopper) has shown up and he is pissed.

Red Rock West is a clever and energetic neo noir that plays out like the child of a marriage between the Coen Brothers and David Lynch. Like the Coens’ Blood Simple, Red Rock West is a violent movie that is full of twist and turns and features characters who are often confused and rarely understand what is actually going on. From David Lynch, it borrows both Twin Peaks‘s Lara Flynn Boyle and Blue Velvet‘s Dennis Hopper. Red Rock West was made when Nicolas Cage still gave a damn and it also shows why, during his short career, J.T. Walsh was everyone’s favorite duplicitous character actor. Hopper is his usual crazy self and Boyle is a sultry and sexy fatale. Red Rock West is one of the best neo noirs of the 1990s.

4 Shots From 4 Films: The Elephant Man, Blue Velvet, Twin Peaks: Fire Walk With Me, Mulholland Drive

Posted on January 20, 2016 by Jedadiah Leland

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy birthday, David Lynch!

4 Shots From 4 Films

The Elephant Man (1980, directed by David Lynch)

Blue Velvet (1986, directed by David Lynch)

Twin Peaks: Fire Walk With Me (1992, directed by David Lynch)

Mulholland Drive (2000, directed by David Lynch)

Let’s Second Guess The Academy: Best Picture 1986

Posted on June 4, 2013 by Lisa Marie Bowman

Dean Stockwell in Blue Velvet

Last week, we considered whether or not Out of Africa deserved the title of best picture of 1985. As of this writing, the votes would seem to indicate that most of you feel that it did not.

For this week, let’s jump ahead one year to 1986. According to the Academy, the five best films of the year were:

1) Children of a Lesser God, an adaptation of play about an angry deaf girl and the teacher who falls in love with her,

2) Hannah and Her Sisters, a Woody Allen film about three sisters and the neurotic people they know,

3) The Mission, a film about Jesuit missionaries in South America that also won the Palme d’Or at Cannes,

4) Room With A View, James Ivory’s super romantic adaptation of E.M. Forster’s novel,

and finally, the winner,

5) Platoon, Oliver Stone’s autobiographical film about the Viet Nam war.

Unlike Out of Africa, Platoon has remained a fairly respected winner. Still, was Platoon actually the best film of 1986? If I had been a member of the Academy back in 1986, I would have been torn between A Room With A View and Hannah and Her Sisters with my final vote going to Room With A View. How about you?

Now, here comes the fun part. Let’s say that Platoon turned out to be a disaster. Let’s say that Room With A View never made it over to American theaters and maybe Woody Allen decided to retire early. Let’s say that none of the best picture nominees had been eligible to be nominated. Which five films would have nominated in their place?

You can vote for up to five films and yes, write-ins are accepted!

(I voted for Blue Velvet, Ferris Bueller’s Day Off, Pretty In Pink, Betty Blue, and Something Wild.)

Scenes I Love: Blue Velvet (dir. by David Lynch)

Posted on July 7, 2011 by Lisa Marie Bowman

From David Lynch’s 1986 “mystery” Blue Velvet comes this scene. Frank Booth (Dennis Hopper) visits Ben (Dean Stockwell), who, we’ve been told previously, is “one suave fucker.” Ben proceeds to prove it by “performing” In Dreams. On just the basis of sheer perversity, this is one of the greatest scenes in film history. Also appearing in this scene — the daughter of Ingrid Bergman (Isabella Rossellini), an actor who would play bad husbands on not only Sex and the City but Desperate Housewives as well (Kyle MacLachlan), an actor who had previously appeared in One Flew Over the Cuckoo’s Nest and would later show up in The Two Towers (Brad Dourif), and my very distant cousin, the late, great Jack Nance.

(Jack is the little man with the mustache and the hat. He had the title role in Lynch’s first film, Eraserhead.)

Dino De Laurentiis, R.I.P.

Posted on November 11, 2010 by Lisa Marie Bowman

I read earlier that film producer Dino De Laurentiis died on Wednesday. He was 91 years old and he either produced or helped to finance over a 150 movies. He started his career with Federico Fellini and went on to produce two of the iconic pop art films of the 60s, Roger Vadim’s Barbarella and Mario Bava’s Danger: Diabolik. Then in the 70s he went through the most infamous stage of his career when he produced several overblown “event” films like the 1976 remake of King Kong. However, even while De Laurentiis was devoting his time and effort to critically reviled attempts at spectacle, he was also supporting the visions of independent directors like David Lynch. In the 21st Century, De Laurentiis was probably best known for producing the Hannibal Lecter films.

De Laurentiis, born in Naples, was a Southern Italian and, not surprisingly, was one of those legendary, larger-than-life moguls who built his career walking on the thin line between the Mainstream and the Grindhouse. Hollywood is run by people who try to be De Laurentiis but De Laurentiis was the real thing.

Dino De Laurentiis, R.I.P.

(On a personal note, De Laurentiis produced one of my favorite films of all time, Bound. And I’m a fourth-Southern Italian myself. Southern Italians are the best.)