20 Films For The Week (10/19/25)


A Few Classics

The original The Omen (1976) can currently be viewed on Tubi.  The Omen is still the best of all of the 1970s apocalypse movies.  Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie.  The scene with David Warner and that plate of glass …. agck!  Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain.  Unfortunately, it doesn’t appear that the sequels are available to stream for free.  I have a soft spot for the mess that is Damien: Omen II.  The Omen can be viewed here.

Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979).  John Huston — yes, the director — plays a Polish angel who lives on a plant far away.  Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist.  Lance Henriksen plays a Satanist who also owns a basketball team.  Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles.  Franco Nero plays Jesus!  This is a visually stunning and narratively berserk film.  The Visitor is on Tubi.

The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people.  After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted.  It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas.  Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen.  The Changeling is on Tubi.

If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite.  It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie.  Poor Bette Davis is wasted in one of her final roles.  You’ll cheer when the chimney collapses.  Burnt Offerings is on Tubi.

John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal.  That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film.  Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be.  Cannibal Apocalypse can be viewed on Tubi.

The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films.  An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives.  The Black Cat can be viewed on Shudder.

I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright.  Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand.  Suddenly, murders start to occur that seem to match the murders in the books.  Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain.  I, Madman can be viewed on Tubi.

Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul.  McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age.  Wells pursues him.  Time After Time is as much a love story as it is a thriller.  (McDowell married his co-star Mary Steenburgen.)  McDowell, Warner, and Steenburgen all give excellent performances.  Time after Time is on Tubi.

Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People.  Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence.  It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say.  That said, it’s also an atmospheric and stylish film and it has a killer soundtrack.  The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out.  Cat People can be viewed on Prime.

Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside.  This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie.  This film also actually manages to effectively use slow motion.  The Blind Dead are pure nightmare fuel.  Tombs of the Blind Dead can be viewed on Tubi.

Hack and Slash

Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized.  As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is.  Is it the handsome and hunky Gary?  Or is it his brother, Mervo?  Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer.  This is one of those odd films that everyone simply has to see once.  It can be viewed on Tubi.

Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film.  The gore effects were provided by Tom Savini.  Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening.  The Prowler can be viewed on Tubi.

Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise.  The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film.  Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked.  Ben Johnson is wonderful as a conductor.  Even magician David Copperfield is put to good use.  Terror Train can be viewed on Tubi.

Prom Night (1980) is another Canadian classic.  This is film the mixes disco with slasher thrills.  Jamie Lee Curtis rallies the school with her dance moves.  Leslie Nielsen gives one of his final “serious” performances at the principal of the school.  The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad.  The twist ending works a hundred times better than it should.  Prom Night!  Everything is alright!  I love this movie.  It can be viewed on Tubi.

The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong.  One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her.  The next minute, you’re getting tossed in a shallow grave.  The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together.  Director Mark Rosman comes up with some truly inspired visuals.  Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder.  It can be viewed on Tubi.

Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares.  It’s a good example of the rural slasher.  It can be viewed on Tubi.

Odds and Ends

Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West.  The zombie is played a heavy metal musician named Jon-Mikl Thor.  It’s a film so ludicrous that it becomes entertaining.  It can be viewed on Tubi.

Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death.  Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men.  Alice Krige is the ghost.  Patricia Neal is Astaire’s wife.  Craig Wasson plays twins.  It’s a bit of an uneven film but it still has its moments.  It can be viewed on Prime.

Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus.  Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus.  It can be viewed on Prime.

Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own.  The true monster in this film is played, quite memorably, by Martin Sheen.  It can be viewed on Prime.

Blood Harvest (2023, directed by Danny LeGare)


“You have no idea the sacrifice I have made for this land!” Uncle Ollie (Greg Nutcher) yells when his family complain about life on the farm.  They’re about to find out, though.

The audience will figure it out before Neil (Troy Escoda) and his clairovoyant son, Jake (Ian Hernandez-Oropeza).  As soon as they arrive at the farm, Jake starts having visions of sacrifices and women having their tongues cut out.  It’s easy to figure out what the farmers in the town due to ensure that they’ll have a good crop but no one in the movie is as smart as those of us watching at home.

The movie probably would have been scarier if I could have actually heard or understood half the dialogue.  The film’s sound quality is terrible.  I even checked my hearing aid to make sure that it wasn’t a problem on my end.  Some of the dialogue has been obviously dubbed.  Some scenes are too loud.  Some scenes you can’t hear anything at all.

There’s not much of a story here so everything gets dragged out.  “Have you wondered why there are no children her!?” Uncle Ollie yells while swinging around an axe.  Nah, Ollie, we figure it out a while ago.

Guilty Pleasure: Blood Harvest (dir by Bill Rebane)


In 1987’s Blood Harvest, college student Jill Robinson (Itonia Salochek) returns to her hometown in rural Wisconsin and discovers that there have been some changes.

For one thing, the local farmers are struggling and the bank is foreclosing on their land.  Since Jill’s father is the president of the bank, people are not particularly happy to see her in town.  (One farmer spits at her.)  When Jill arrives at her parents home, she discovers insulting graffiti on the exterior and a strawman hanging in the front corridor.  Even more upsetting, her parents are nowhere to be found!

Jill goes to see Sheriff Buckley (Frank Benson) about the graffiti but when they go back out to Jill’s house, both the graffiti and the strawman have vanished.  The sheriff tells Jill not both him anymore and then leaves her alone at her home.  Most people would probably panic about this but not Jill!  Instead, Jill hangs out with her childhood friend, Gary (Dean West).

Gary’s has had a tough time of it recently.  His parents recently died mysteriously and he now takes care of his brother, Mervon (played by 60s folk singer Tiny Tim).  Gary and Mervon are an oddly matched pair of siblings.  For one thing, Gary appears to be no older than 20 while Mervon is in his late 60s.  Gary looks like a fresh-faced jock.  Mervon has long stringy hair, speaks in a falsetto voice, and always wears clown makeup.  Mervon, who prefers to be called The Magnificent Merv, also likes to sing about how Gary and Jill went up the hill to fetch a pail of water.  As for Gary, he is disappointed to hear that Jill not only has a boyfriend at college but that she’s also engaged to him.  It doesn’t help that Jill keeps saying stuff like, “If my father hadn’t caught us that time, it could have been you and me getting married!”

While Jill’s parents remain missing, she is visited by her boyfriend (Peter Krause, making his film debut) and her best friend, Sarah (Lori Minnetti).  Because Jill isn’t particularly smart, she doesn’t notice when both her boyfriend and her BFF are dragged over to her family’s barn and brutally killed.  (Jill does eventually start to worry about the whereabouts of her boyfriend but it’s not like Sheriff Buckley is going to help her….)  Who is the person who is not only murdering Jill’s friend but also frequently drugging her and undressing her so he can take pictures?  Well, there’s only two suspects and the scare scenes are so clumsily staged that you’ll see the killer’s face long before you were probably meant to.

Blood Harvest was directed by Bill Rebane, the Wisconsin-based filmmaker behind The Giant Spider Invasion and The Demons of Ludlow.  (Ludlow even gets a shout-out.)  It’s a typical Rebane film, with all of the inconsistent acting and incoherent plotting that he is typically known for.  At the same time, it’s also a film that’s a bit more interesting that one might expect just from the plot description.  There’s an interesting political subtext to Jill’s father being the banker who is responsible for the decline of Jill’s hometown and one gets the feeling that Rebane shared the anger of the film’s famers when it came to banks foreclosing on people’s land.  One could never doubt Rebane’s love of rural Wisconsin and, even though the film itself is a bit grainy, the countryside looks lovely.  Finally, I have to admit that I could actually relate to Jill, both in her desire to escape country living and her dislike of wearing pants while at home.

That said, the main attraction for most people will be the very odd screen presence of Tiny Tim, who gives a surprisingly earnest performance as poor old Mervo.  Everyone may think Mervo’s crazy because of the makeup he wears but he is a clown who is definitely crying on the inside.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 

Halloween Havoc!: BLOOD HARVEST (Titan International 1987)


gary loggins's avatarcracked rear viewer

Wisconsin-based auteur Bill Rebane has made some interesting movies: THE GIANT SPIDER INVASION, THE CAPTURE OF BIGFOOT, THE DEMONS OF LUDLOW. I’m not necessarily saying they were good films, just interesting! Rebane entered the slasher film sweepstakes with 1987’s BLOOD HARVEST, a lunatic entry starring falsetto singing wonder Tiny Tim (“Tip Toe Through the Tulips”) as a delightfully demented clown named Marvelous Mervo!

I’ll try to give you a brief description of the madness going on here: so there’s this girl Jill (Itonia Salchek) who returns home from college to find her parents gone and her house painted with the words ‘Scum!’, ‘Thief!’,  and ‘Bastard!”. Welcome home, Jill! It seems dad worked for the bank that’s been foreclosing on all the local family farms, including Jill’s ex-boyfriend Gary’s (Dean West) parents, who were murdered, leaving Gary in charge of his loony brother Mervyn (Tiny Tim), who spends his time dressed in clown make-up.

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