Jenna (Nicola Posener) is an actress on a detective show called Echo Park. She is dating her co-star, Trevor (Trey Warner), even though they don’t have anything in common other than being actors on the same show. When Jenna finds out the show is being canceled, she accepts her agent’s offer to stay in the family cabin until she gets things sorted out and figures out what she wants to do next. When Jenna gets to the cabin, she finds out that it’s already being used by her agent’s son, Chris (Dan Fowlks), a nature photographer. At first, Jenna and Chris don’t get along but then they discover that they misjudged each other. Jenna actually is a good actress (and a great cook) and she wants to do work that she can be proud of. Chris really isn’t as arrogant as he seems at first. They fall in love. Meanwhile, Trevor is trying to track down Jenna with the help of Roxanne (Shona Kay) and it doesn’t take 20/20 vision to see that Trevor would be happier with her than with Jenna.
Love In Focus is totally predictable but I still liked it. The scenery was gorgeous and Nicole Posener and Dan Fowlks were a really appealing couple once they stopped fighting. (People who fall in love in movies always have to start out fighting each other over something.) There’s a really sweet scene where Chris’s parents talk about how they first met and fell in love and listening to their story made me smile. The best part of the film was Trey Warner. Even though Trevor was Chris’s romantic rival, he wasn’t portrayed as being a villain or a jerk or anything like that. Everyone in the film was so nice that you really hoped everything would work out for them.
Valentine’s Day is a big deal! It can have more than one song of the day, right?
I mean, how can I let this day go by without sharing my favorite Bond theme song? All Time High may have been written because there weren’t many words that rhymed with Octopussy but it’s still not only one of my favorite Bond themes but also one of my favorite love songs.
Plus, it’s one of the few songs that I used to absolutely kill with during karaoke night at Grandpa Tony’s.
(Grandpa Tony’s was a nice little restaurant. The owner was a former boxer who had a crush on my mom so he had no problem with her four daughters singing their hearts out every Friday! The older you get, the more you treasure memories like that.)
All I wanted was a sweet distraction for an hour or two Had no intention to do the things we’ve done Funny how it always goes with love, when you don’t look, you find But then we’re two of a kind, we move as one
We’re an all-time high We’ll change all that’s gone before Doing so much more than falling in love On an all-time high We’ll take on the world and win So hold on tight, let the flight begin
I don’t want to waste a waking moment, I don’t want to sleep I’m in so strong and so deep, and so are you In my time, I’ve said these words before, but now I realize My heart was telling me lies, for you, they’re true
We’re an all-time high We’ll change all that’s gone before Doing so much more than falling in love On an all-time high We’ll take on the world and win So hold on tight, let the flight begin
So hold on tight, let the flight begin We’re an all-time high
Hey, ladies! Take it from someone who has been there, if your family home is destroyed in a storm and someone offers to help you rebuild it so that you have a place to live with your adorable Siberian Husky, accept the help. I don’t care if you used to date him. I don’t care if you’re engaged to marry someone else. That person that you think you’re going to marry? Where is he? He’s not the one at your house offering to help your rebuild. The man who does show up, does he have a criminal record? Does he have a history of being an abuser? Is he a Nazi? If the answers to those three questions are all no then accept the help and be sure to say thank you every chance you get.
After the Storm is about Lauren (Madeleine Leon), who reconnects with her ex-boyfriend Colin (Bo Yokely) after a storm destroys her home. Lauren is a teacher, which is extremely cool. I like and respect teachers. And she owns an adorable dog! I liked that Lauren was as concerned about rebuilding the community as she was rebuilding her house. I could relate. Last year, our neighborhood got hit by one of the worst storms that I’ve ever seen and it took over a month for the city to clean up all the debris and ge everything back and running. I checked on my neighbors every day to see if they needed anything and a lot of very kind people helped us clean up the branches in the front and back yards. (One of them had fallen on our wooden swing, crushing it underneath.) Cleaning up wasn’t easy but we worked together and got it done and we were stronger as a community as a result.
But I got so frustrated watching this movie because Lauren kept getting upset whenever Colin tried to help her and I couldn’t understand why. She was still angry about how they broke up five years in the past but Colin had obviously grown up since then and he wanted to help both her and the community. The movie lost me whenever Lauren get angry with Colin. Her main excuse was that she was engaged but when her fiancé did show up, he turned out to be useless. Lauren’s stubbornness was hard to take.
I did like Bo Yokely as Colin. Colin was a good friend to have in a disaster and, when it came to Lauren, he had the patience of a saint. I got frustrated with Lauren but I did enjoy the scenes of her house being rebuilt once Laruen finally accepted the help and admitted that she was still in love with Colin. You’d have to have a heart of stone not to smile at Colin carrying Lauren over the threshold while that adorable dog. Love can overcome anything, even stubbornness.
I may write mostly about the film exploits of actors like Charles Bronson, Rutger Hauer, James Woods, Clint Eastwood, and Chow Yun-Fat, but there’s no doubt that I’m a sucker for a good romance. And my very favorite romantic films are based on the works of Jane Austen. I’ve watched the 1995 TV mini-series version of PRIDE AND PREJUDICE starring Colin Firth and Jennifer Ehle at least ten times in my life. It’s just so good. My favorite Austen “book-turned-film” just may be the 1995 version of PERSUASION starring Amanda Root and Ciaran Hinds. I’ve probably watched it at least twenty times in my life. I love to watch these movies when I need a pick me up, or when I need to relax. They have hard won “happy endings” and they always leave me with a tear in my eye.
Well, it’s obvious that 1995 was an amazing year for Jane Austen adaptations, because the year also featured the release of Ang Lee’s SENSE AND SENSIBILITY starring an incredible cast that included Emma Thompson, Kate Winslet, Hugh Grant and Alan Rickman. Emma Thompson would even win an Oscar for the screenplay that she adapted for the screen. If it was up to me, she would have also won an Oscar for her performance in this scene alone, and I still get happy tears every time I watch it. *(SPOILER ALERT)* If you’ve never seen the film, and you don’t want to see how it ends, do not watch this clip. However, if you love the movie, and the scene, as much as I do, enjoy. Happy Valentine’s Day, my friends!
Electric Dreams is a film about a love triangle between a man, his neighbor, and his personal computer.
Miles (Lenny Von Dohlen) is an architect who wants to develop a special brick that can withstand earthquakes. One of his colleagues suggests that he buy something called a — let me check my notes to make sure I got it right — com-put-er. Apparently, computers can do anything! Miles is skeptical but he decides to give it a try.
(In all fairness, this movie came out at a time when there were no iPhones or even laptops and personal computers were viewed as being strange and exotic. )
Miles get his computer and it’s basically one of those boxy computers that used to populate computer labs in high schools across the country. As soon as I saw the computer, I wanted to play Oregon Trail. After the computer overheats and Miles tries to cool it down by pouring champagne on it (!), the computer comes to life. Now voiced by Burt Cort, the computer develops a crush on Mile’s neighbor, a cellist named Madeleine (Virginia Madsen). The computer hears Madeleine playing her cello and composes its own music to play with her. Madeleine hears the music and assumes that Miles must be a great composer. Soon, Miles and Madeleine are falling in love and the computer is getting jealous. The computer composes more more music for Miles but grows angry when Miles doesn’t give the computer any credit. Even though the computer can’t move from the desk and has to be plugged in to work, it still manages to wreck havoc with Miles’s life. When this movie came out, the idea of someone’s entire life being electronically monitored and recorded probably seemed like an out-there idea. Today, that’s just a normal Tuesday for most people.
Electric Dreams is a mix of romance, comedy, and science fiction. The scenes of Miles and Madeleine falling in love are mixed with scenes of the computer basically having a nervous breakdown and conspiring to ruin Miles’s credit and even trap him in his apartment. Electric Dreams is probably the most good-natured film ever made about a computer run amuck. The computer doesn’t mean to hurt anyone, it’s just jealous and feeling neglected. It’s a weird mix but the movie is so dedicated to its premise and Lenny Von Dohlen and Virginia Madsen are so appealing as the romantic leads that it works. Electric Dreams proves that true love can conquer all, even in the Computer Age.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, things get dark.
Episode 1.12 “Release”
(Dir by Victor Lobl, originally aired on February 1st, 1983)
The gunshot victim (Tom Hulce) who was saved by Samuels last week has woken up but he has no idea who he is. He is labeled John Doe #12, meaning there’s at least eleven other people at St. Eligius who are suffering from amnesia! That’s a scary thought. There’s a lot of things that I don’t want to suffer from and amnesia is high on the list. I can’t imagine how frightening that would be, not having any idea who you are or where you belong.
Dr. Chandler tries to help John Doe #12 get his memory back but, in this episode at least, neither has any luck. Even an attempt at hypnosis reveals that John can’t remember anything before being rolled into the ER. At one point, an older couple step into the room to discover if John is their son, who has been missing for two years. He’s not, which leaves the couple in tears.
As serious and as heart-breaking as this all is (and both Washington and Hulce give outstanding performances in this episode), there is one moment where Dr. Westphall makes a reference to a “Lt. Gerard,” who is searching for John’s parents. It seems like a throw-away reference, unless you’re familiar with either the 1950s television show The Fugitive or the subsequent 1993 film adaptation. Lt. Gerard was the name of the detective who was hunting for that show’s main character, Dr. Richard Kimble. Ed Flanders delivers the line solemnly and it occurs at a serious moment. There’s no winking at the audience. Instead, it’s simply a reward for the pop culture-literate who might be watching the episode.
For the most part, this was a grim episode. After losing a patient to cancer, Dr. Peter White was ordered to talk his family into signing a release for an autopsy. The autopsy was largely to protect the hospital from getting sued. The family didn’t want an autopsy. Peter didn’t feel the autopsy was necessary. But, having been bullied by his superiors, Peter proceeded to bully and manipulate the dead man’s son into signing the release. In the end, it turned out that Peter was correct. The man did die of cancer. The autopsy was not necessary. Upset over the whole process, Peter said that he felt like he had “raped” a mourning family. The doctor who ordered Peter to get the release merely smiled and said he would see Peter at rounds the next day.
Meanwhile, Dr. Craig was shocked and angered when he discovered that his old friend (played by Andy Romano) had checked into the hospital for gender-affirming surgery. This led to the episode final scene, in which Craig talked about not liking the way the world had changed since he was a young man. The scene was well-acted by William Daniels, who was one of the best when it comes to giving a monologue of frustration.
And finally, Dr. Samuels and Dr. Paxson disagreed on how to treat a patient and this storyline would have been interesting if either Samuels or Paxson had been an interesting character. But they’re not. I don’t care about them. I don’t care about their boring relationship. And, knowing that neither is going to be around once this season ends, I really didn’t care that much about their storyline. With all of the interesting stuff that happened in this episode, I groaned whenever I realized I was going to waste a few minutes watching Samuels and Paxson argue.
This episode left me feeling pretty depressed. Between Peter bullying that family and John Doe searching for his identity, there wasn’t much hope to be found. Still, I have faith that John Doe will find his identity and maybe Peter will even become a better doctor. (He certainly can’t get much worse.) If Lt. Gerard could find Richard Kimble, then anything’s possible!
Based on a play by Somerset Maugham, 1929’s Charming Sinners takes place amongst the very rich.
Kathryn Miles (Ruth Chatterton) is married to Robert Miles (Clive Brook). Robert is wealthy and a respected businessman and, through her marriage, Kathryn is also wealthy and …. well, she’s not quite respected. The fact of the matter is that everyone is gossiping about the fact that Robert is cheating on Kathryn. Kathryn denies that Robert is being unfaithful but she knows that he is. She also knows that Robert is cheating with her best friend, Anne-Marie Whitley (Mary Nolan). Even when Anne-Marie’s husband, George (Montagu Love), comes to suspect that Anne-Marie is cheating with Robert, Kathryn tells George that it isn’t true and defends her cad of a husband.
Why is Kathryn doing this? As Kathryn explains it, she doesn’t feel that marriage necessarily means that you have to love someone. Kathryn married Robert for the money and the status and, as long as she has that, she’s willing to overlook Robert’s dalliances. Admitting that Robert is cheating would obligate her to go through a divorce and potentially lose everything that she has. If this film had been released just a few years later than it was, the Production Code would have insisted that Kathryn suffer for her less-than-reverent attitude towards the institution of marriage. Since this is a pre-code film, Kathryn is portrayed as being strong and determined. What the Production Code would have deemed a drama, the pre-code era considered to be a comedy.
Still, Kathryn does get revenge on her husband by openly flirting with a former lover, Karl Kraley (William Powell, handsome and suave as ever). Kathryn also makes some money on her own, proving to her husband that she could be a success even if she hadn’t married him. Kathryn informs Robert that she is going to be living her own life, even if they are married. And if Kathryn wants to take a lover, that’s her decision.
And good for Kathryn! Seriously, Robert is so smug and sure of himself that it’s deeply satisfying to watch as Kathryn reveals that Robert was never as clever as he thought it was. Though the film does not end with the dramatic divorce that some might expect, it does end with Kathryn taking control of her own life and making her own decisions about how she’s going to live it. That type of ending is rare enough today. One can only imagine how audiences in 1929 reacted to it.
But is the film itself any good, you may be asking. It’s an early sound picture and while the cast all proves their ability to handle dialogue, the largely stationary camera often makes the film feel like a filmed play (which is largely what it was). Like many pre-code films, the emphasis here is on how the rich have better clothes and better homes than the majority of the people watching the movie. That’s not a problem for me. I like looking at nice clothes and wonderfully decorated houses. Some others may dismiss this film as just being about the problems of the rich but my personal opinion is that everyone has problems. Wouldn’t you rather have problems as a wealthy person than a poor one? The most important thing is that the film features two of the best actors of Hollywood’s early Golden Age, Ruth Chatteron and William Powell, and they both give excellent and charming performances.
Charming Sinners is a bit of time capsule and probably not for everyone. If you’re not interested in the film’s era, it probably won’t hold your attention. But, to a fashionable history nerd like me, Charming Sinners definitely had its charms.
I love Richard Donner’s Ladyhawke . In the following scene, our hero Navarre (Rutger Hauer) has stormed a church, looking to reach the wicked Bishop (played by Wargames‘ John Wood). It’s in an effort to force the Bishop to break the curse that turns Navarre into a wolf by night and his love, Isabeau (Michelle Pfeiffer) into a Hawk by day. He’s reached the Bishop, but believes that Isabeau is surely gone, having asked a old friend to take her life should Navarre fail. I chose this part partially because I love the look on Navarre’s face on hearing Isabeau’s voice. He looks at her almost as if he’s seen her for the first time. He’s just so entranced, but then he quickly remembers what he needs to do, and his voice booms through the church. I wish this video wasn’t cut as short as it is.
In Romance on the Ranch, Suzanna Pereira plays Sara, who gets to live out one of my favorite fantasies.
Sara quits her job, sells her place, gets in a camper with her dog, and drives out west. She has another job waiting for her, as a doctor at a big-city hospital. But before she starts her new job, she just wants to see America and capture it with her camera. I knew exactly how Sara felt. There have been so many times that I’ve been tempted to just grab my camera, jump in my car, and just take off for parts unknown. It’s not very practical in the real world but that’s why we have movies like this one!
Sara’s camper breaks down outside of a ranch. Luckily, the ranchers invite her to stay with them while the camper gets fixed. Sara volunteers at the local assisted living facility and she rides a horse for the first time in years. She also meets two handsome brothers and she falls in love with both of them. Aidan (Chris Reid) is quiet and likes to spend his time working on the ranch and with the land. Porter (Brando White) is a rebel who gets his work done but at his own pace and who feels like Aidan looks down on him. Sara wants to stay at the ranch but she doesn’t want to cause trouble between the two brothers. The brothers, though, have issues to work on that go far beyond of them liking Sara. Who will Sara choose? The handsome rebel or the handsome cowboy who has a daughter who needs a stepmother?
I liked this movie, even though I knew everything that was going happen. It’s basically a Hallmark movie, even if it didn’t air on the network. Everyone in the movie is very pleasant and nice and the ranch was a really pretty location. I liked that the two brothers were both nice guys and loved each other deep down, no matter how much they fought. They had different ways of looking at the world but neither was necessarily wrong. There’s just something incredibly romantic about big strong men working in the Great Outdoors and learning to express their emotions. Mostly I liked the movie because I could relate to Sara. I looked at those beautiful mountains surrounding the ranch and I wanted to get out my camera and start snapping pictures too.
Today’s Valentine’s Day song of the day is my favorite song of all time, performed by the wonderful Yvonne Elliman.
I don’t know why I’m surviving every lonely day When there’s got to be no chance for me My life would end, and it doesn’t matter how I cry My tears of love are a waste of time
If I turn away, am I strong enough to see it through? Go crazy is what I will do
If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, oh If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah
Can’t let go, and it doesn’t matter how I try I gave it all so easily to you, my love To dreams that never will come true Am I strong enough to see it through? Go crazy is what I will do
If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, oh If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, oh
If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, oh If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah (I’m in love with nobody)
If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, oh If I can’t have you, I don’t want nobody, baby If I can’t have you, ah-ah-ah, no
(Lyrics by Maurice Ernest Gibb / Robin Hugh Gibb / Barry Alan Gibb)
Through the Shattered Lens 