The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)


2001’s Strange Frequency is an anthology film.  Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones.  As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors.  Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else.  The results often feel thematically shallow.

Well, guess what?  I liked Strange Frequency.  It was a lot of fun.  Each of the four stories mixed horror with music.  The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop.  For them, it’s Hell.  For me, it sounds like a fun afterlife.  (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.)  The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music.  However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted.  It turns out that this hitchhiker targets old people who won’t shut up about Woodstock.  They then meet an older man who has never forgiven the baby boomers for rejecting big band music.  In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess.  (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.)  Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever.  My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza.  The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations.  As you get older, you really do come to hate whatever music came after the artists you grew up listening to.  Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001.  How come I don’t remember this show?  The pilot was actually really good!  Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube!  Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Wolves of Wall Street (2002)
  19. Border Blues (2004)
  20. Mr. Brightside (2004)
  21. Six: The Mark Unleased (2004)
  22. We Belong Together (2005)
  23. Hey You (2006)
  24. Depth Charge (2008)
  25. Amazing Racer (2009)
  26. In The Blink of an Eye (2009)
  27. Bed & Breakfast (2010)
  28. Enemies Among Us (2010)
  29. The Expendables (2010) 
  30. Sharktopus (2010)
  31. Beyond The Trophy (2012)
  32. The Dead Want Women (2012)
  33. Deadline (2012)
  34. The Mark (2012)
  35. Miss Atomic Bomb (2012)
  36. Assault on Wall Street (2013)
  37. Bonnie And Clyde: Justified (2013)
  38. Lovelace (2013)
  39. The Mark: Redemption (2013)
  40. The Perfect Summer (2013)
  41. Self-Storage (2013)
  42. A Talking Cat!?! (2013)
  43. This Is Our Time (2013)
  44. Inherent Vice (2014)
  45. Road to the Open (2014)
  46. Rumors of War (2014)
  47. Amityville Death House (2015)
  48. Deadly Sanctuary (2015)
  49. A Fatal Obsession (2015)
  50. Las Vegas Story (2015)
  51. Stalked By My Doctor (2015)
  52. Enemy Within (2016)
  53. Joker’s Poltergeist (2016)
  54. Prayer Never Fails (2016)
  55. Stalked By My Doctor: The Return (2016)
  56. The Wrong Roommate (2016)
  57. Dark Image (2017)
  58. Black Wake (2018)
  59. Frank and Ava (2018)
  60. Stalked By My Doctor: Patient’s Revenge (2018)
  61. Clinton Island (2019)
  62. Monster Island (2019)
  63. The Reliant (2019)
  64. The Savant (2019)
  65. Seven Deadly Sins (2019)
  66. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  67. The Wrong Mommy (2019)
  68. Exodus of a Prodigal Son (2020)
  69. Free Lunch Express (2020)
  70. Her Deadly Groom (2020)
  71. Top Gunner (2020)
  72. Deadly Nightshade (2021)
  73. The Elevator (2021)
  74. Just What The Doctor Ordered (2021)
  75. Killer Advice (2021)
  76. Night Night (2021)
  77. The Poltergeist Diaries (2021)
  78. The Rebels of PT-218 (2021)
  79. A Town Called Parable (2021)
  80. Bleach (2022)
  81. My Dinner With Eric (2022)
  82. 69 Parts (2022)
  83. D.C. Down (2023)
  84. Aftermath (2024)
  85. Bad Substitute (2024)
  86. Devil’s Knight (2024)
  87. The Wrong Life Coach (2024)
  88. When It Rains In L.A. (2025

Lisa Marie’s Week In Review: 4/14/25 — 4/20/25


Happy Easter!  Here is my latest week in review!

Films I Watched:

  1. The Anderson Tapes (1971)
  2. Baffled! (1972)
  3. Best of the Best (1989)
  4. Best of the Best 2 (1993)
  5. Border Blues (2004)
  6. The Client List (2010)
  7. Dallas Cowboy Cheerleaders (1979)
  8. Depth Charge (2008)
  9. Harry’s War (1981)
  10. Heat (1995)
  11. Jesus Christ Superstar (1973)
  12. Kansas City Bomber (1972)
  13. Outer and Inner Space (1966)
  14. Patriots Day (2016)
  15. Point of Entry (2007)
  16. 69 Parts (2022)
  17. Something Wild (1986)

Television Shows I Watched:

  1. America’s Most Wanted
  2. CHiPs
  3. Fantasy Island
  4. King of the Hill
  5. The Love Boat
  6. Miami Vice
  7. Pacific Blue
  8. Unsolved Mysteries

News and Links From Last Week:

  1. Singer Clodagh Rogers Dies At 78
  2. Happy Easter!
  3. These Park Avenue Statues Are “Stalled Mid-Step!” It’s Stunning Half-Art With Baggage!
  4. Espresso

Links From The Site:

  1. Leonard reviewed Sinners!
  2. Arleigh shared a scene from Apocalypse Now and the new Fantastic Four trailer!
  3. Jeff reviewed California Straight Ahead, Knute Rockne — All American, Hellcats of the Navy, and Somewhere in Sonora!
  4. Brad wrote about Freedom and shared four shots of James Woods.  He reviewed The Big Bullet, Rudy, Indictment: The McMartin Trial, and God of Gamblers!
  5. Erin shared Hornblower, Clouds Above, A New Day, and FaithShe welcomed back the Easter Beagle!

Click here for the previous week!

Brad’s Scene of the Day – Lau Ching-Wan solves a case in THE BIG BULLET!


THE BIG BULLET is known for a handful of awesome action sequences, but one of the reasons I enjoy the film is the way the Hong Kong “Emergency Unit” works together to solve some fairly simple cases as well. Enjoy this scene where Sergeant Bill Chu (Lau Ching-Wan) sees right through the lies of a bitter employee.

The Hong Kong Film Corner: THE BIG BULLET (1996), starring Lau Ching-Wan!


The first time I ever remember seeing Hong Kong actor “Sean” Lau Ching-Wan on the screen was in the Jet Li film, BLACK MASK. I was watching the film because of Jet Li, who had recently hit it big in America as a bad guy in LETHAL WEAPON 4, but I remember thinking that Lau’s cop character was pretty darn cool too. I didn’t think of him again for awhile, but then I bought a book about Hong Kong movies called “Hollywood East: Hong Kong Movies and the People who Make Them,” from author Stefan Hammond. This book was Hammond’s follow up to “Sex and Zen and a Bullet in the Head,” one of the books that truly educated me on the cinema of Hong Kong. “Hollywood East” spent a whole bunch of pages discussing Lau Ching-Wan and his movies. I connected the dots between this very interesting actor I was reading about and that cool cop in BLACK MASK. So I did what I do. I bought one of his movies, and then another, and then another. Soon I was obsessed with watching all of his movies. One of those first movies I remember reading about in “Hollywood East” was THE BIG BULLET. 

In THE BIG BULLET, Lau Ching-Wan is the badass cop-with-an-attitude, Sergeant Bill Chu, who doesn’t take crap off of anyone, including his superiors on the force. After belting one of his so-called superiors following a botched raid, Chu finds himself transferred to the Hong Kong police force’s “Emergency Unit,” a clear demotion for a man of his experience and arrest record. Here, the loner must work as part of a team to answer the various calls that come their way on a daily basis. This isn’t always easy, as one of the fellow cops on the unit is the extremely by-the-book Inspector Jeff Chiu (Jordan Chan). They clash immediately. Other members include the spunky Apple (Theresa Lee), the nerdy gun nut (Cheung Tat-Ming), and the old guy (Spencer Lam). This somewhat ragtag group finds themselves in the uneviable position of trying to stop an extremely dangerous group of thieves, led by The Professor (Yu Ronguang) and Bird (Anthony Wong). We’ve seen their willingness to kill at the drop of the hat, and the Emergency Unit doesn’t seem to be a proper match for these criminals. Or are they?? 

If you’re looking for a strong action film, and you’ve never seen it before, I present THE BIG BULLET. Director Benny Chan was emerging as a top notch Hong Kong film director, and THE BIG BULLET seemed to announce that he was throwing his hat into the ring as an action specialist when some of Hong Kong’s best action directors were taking their talents out west. There’s a sequence about 25 minutes into the film where our heroes find themselves in a shootout with the main villains that will leave your heart racing in the same manner as some of John Woo’s or Ringo Lam’s best work. And the actors are the very best that Hong Kong has to offer. Lau Ching-Wan, while not a dashing star in the mold of Chow Yun-Fat, easily carries the film on his shoulders with his natural charisma and tremendous screen presence. Even now, almost 30 years later, Lau Ching-Wan continues to dominate the Hong Kong film industry from an acting standpoint. He is nominated in 2025 for the Hong Film Award for Best Actor for his role in the film PAPA (2024). The excellent Francis Ng has a small, but pivotal role as Chu’s friend and colleague on the police force who helps him save his job at the beginning of the film. I also like Jordan Chan as the by-the-books member of the team who comes to realize that there are times when you may have to bend the rules to stop dangerous criminals. In a role that starts out extremely unlikable, he wins us over as the film progresses. As far as the criminals go, it would be hard to get much better actors for the parts than Yu Rongguang (IRON MONKEY) and Anthony Wong (BEAST COPS, THE MISSION). These excellent actors are cool and evil and we definitely want to see them get their comeuppance before the credits roll. 

Overall, THE BIG BULLET may lose a little bit of steam in its second half, but it’s still a great example of how strong Hong Kong action films were in the late 90’s. It’s also an example of the excellent talent in Hong Kong films even as Jackie Chan, Chow Yun-Fat, Jet Li, and John Woo had already moved on to Hollywood. THE BIG BULLET has a special place in my heart since it was one of those formative Lau Ching-Wan films in my life. But nostalgia aside, it’s still a damn good action film, and I recommend it without any reservations! 

A Blast From The Past: Outer and Inner Space (dir by Andy Warhol)


Today’s blast from the past comes from 1966.

In this 33-minute short film, we watch as Edie Sedgwick appears to have a conversation with herself.  She’s not, of course.  Instead, she’s sitting next to a television monitor that is showing a video of Edie having a conversation with an off-screen someone who was to the right of her.  Meanwhile, the “live” Edie is having a conversation with an unseen person who is sitting to the left of her.  This creates the illusion of the two Edies having a disjointed conversation with each other whereas, in reality, we’re really not sure who either Edie is talking to or what they’re even talking about.  As was typical with Andy Warhol’s Factory films, the soundtrack is notably muddy.  As well, the video below is actually a film of the film, which I think Warhol perhaps would have appreciated as long as he got paid.

Okay, it’s not for everyone.  Obviously, if you’re not a fan of Warhol’s films, this experimental piece is not going to change your mind.  In fact, it’ll probably make you a little bit angry.  But, for me, it’s a fascinating time capsule, a true product of the era from which it came.  Warhol’s experiments might not seem spectacular today but that’s because we’ve grown use to experimentation.  Experimentation has become a mainstream concept.  Warhol, on the other hand, was making his underground films at a time when the term “underground” actually meant something.

As well, this film features Edie at the height of her fame.  It’s a bit sad to watch now, knowing how fleeting her obvious happiness would be.  Warhol’s films always framed Edie as being just slightly out of reach, from both the viewers and the filmmaker.  With the muddy soundtrack, one watches the multiple Edies in this film and wonders what is going through their mind,  This is a film that embraces the enigma of existence and image.

 

Song of the Day: Femme Fatale by Nico and the Velvet Underground


Today’s song of the day comes from Lou Reed.  Andy Warhol reportedly asked Lou Reed to write a song about how Edie Sedgwick was a femme fatale.  It’s a song that captures the fascination that Edie inspired amongst artists in the 60s and beyond.  It may not be the most positive portrait of Edie as a person but at least it’s not quite as bitter as Bob Dylan’s Like A Rolling Stone.

Here she comes,
You’d better watch your step,
She’s going to break your heart in two,
It’s true.

It’s not hard to realize,
Just look into her false colored eyes,
She’ll build you up to just put you down,
What a clown.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks
Hear the way she talks.

You’re written in her book,
You’re number thirty-seven, have a look.
She’s going to smile to make you frown,
What a clown.

Little boy, she’s from the street.
Before you start you’re already beat.
She’s going to play you for a fool,
Yes, it’s true.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks,
Hear the way she talks.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale

It’s about a hundred years old that song …

Songwriters: Lou Reed

Scenes that I Love: Edie Sedgwick and Gerard Malanga Dance in Andy Warhol’s Vinyl


Today’s scene that I love comes to use from an underground 1965 film called Vinyl!  This film, believe it or not, was actually an adaptation of the novel A Clockwork Orange, one that was filmed six years before the better-known Stanley Kubrick version.

In this scene below, Gerard Malanga and Edie Sedgwick dance to Nowhere to Run by Martha and The Vandellas.  Malanga is playing the role that would later be made famous by Malcom McDowell.  Edie is playing …. well, Edie is basically playing herself.  No one smoked a cigarette with as much style as Edie Sedgwick.

Watching her in this scene, it’s sad to think that, in just six years (and at the same time that Stanley Kubrick was releasing his version of A Clockwork Orange), Edie Sedgwick would die at the age of 28.  Like all of us, she deserved much better than what the world was willing to give her.

4 Shots From 4 Films: Special Edie Sedgwick Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Edie Sedgwick’s 82bd birthday.  Unfortunately, she died under tragic circumstances in 1971, after having briefly found fame as a model, a “youthquaker” (as some in the media called her), an actress, and Andy Warhol’s muse.  Her tragic life is often held up as a cautionary tale and perhaps it is.  For all of her talent and her appeal (not to mention that sharp wit that made her an outsider in the 60 but which would have made her a fascinating interview subject in 2025), Edie was far too often exploited by those who should have been protecting her.  She was too beautiful not to be famous but, at the same time, too sensitive not be hurt by the experience.  She’s truly a tragic figure but, because she also epitomizes everything that the New York underground art scene in the 60s represents in the popular imagination, she’s also an inspiring one.  Edie lives forever as a symbol and a muse.  Personally, I’ve been fascinated by her life for as long as I can remember.

In honor of Edie’s birthday, here are:

4 Shots From 4 Edie Sedgwick Films

Vinyl (1965, dir by Andy Warhol)

Beauty No. 2 (1965, dir by Andy Warhol)

Poor Little Rich Girl (1965, dir by Andy Warhol)

Lupe (1966, dir by Andy Warhol)