Brad’s “Scene of the Day” – from CURSE OF THE GOLDEN FLOWER (2006)


As I continue to celebrate Chow Yun-Fat, as he gets ready to turn 70 on May 18th, 2025, I thought I’d highlight his performance as the evil Emperor Ping in CURSE OF THE GOLDEN FLOWER. Chow doesn’t often play a bad guy, but he can do it extremely well, and he’s still the ultimate badass. Enjoy this scene between Chow Yun-Fat and Taiwanese superstar Jay Chou as Prince Jai. 

Dead Or Alive (1944, directed by Elmer Cifton)


In this Poverty Row western, the Texas Rangers, a trio of western do-gooders who appeared in a handful of films, are sent to a small town to stop the Yackey Gang, led by the town’s saloon keeper (Ray Bennett).

The Texas Rangers are led by Tex Haines (Tex Ritter), who is known as the Idaho Kid despite apparently being from Texas.  Tex goes undercover as a lawyer and tries to rally the community to stand up the Yackey Gang.  Tex also sings some songs because he’s a singing cowboy along with being a cowboy who can hold his own in bar brawl.  Maybe if he didn’t sing so much, there wouldn’t be as many brawls.  Dave Wyatt (Dave O’Brien) is the younger Ranger who goes undercover and joins that Yackey Gang.  Panhandle Perkins (Guy Wilkinson) is the comic relief, who loses a lot of money at Yackey’s casino but only to help Dave maintain his cover.  The film was an obvious rush job and the plot is far more difficult to follow than any 54-minute film should be.  The kids at the matinee probably enjoyed it, though.  It delivers exactly what fans of the old B-westerns expect, including Charles King as yet another villain.

Tex Ritter, who appeared in a lot of these films, was also the father of actor John Ritter.  In 1970, long after the days of the poverty row westerns, Tex Ritter ran for the Senate in Tennessee but he lost the primary.  If he had won, he would have been the Republican candidate against Al Gore’s father.  That would have been a battle for the ages.

Retro Television Review: St. Elsewhere 1.21 “Baron von Munchausen”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week’s episode is a much better Dr. Craig episode than last week’s.

Episode 1.21 “Baron von Munchausen”

(Dir by Victor Hsu, originally aired on April 19th, 1983)

Anthony Rizzo (Louis Giambalvo) seems like a nice guy.  He’s admitted to the hospital with complaints of stomach pain and a high fever.  Dr. Morrison can’t find anything wrong with him but he does notice that Rizzo has a lot of scars.  Rizzo explains that he’s had a lot of surgeries over the course of his life and he’s got a story to go with each one of them.  Morrison brings in Ehrlich for a consult.  Ehrlich, who loves to perform surgery, suggests opening Rizzo up and doing an exploratory.  Morrison thinks it’s too early for that,  Rizzo, however, loves the idea.  Rizzo then proceeds to die on the operating table.

Ehrlich is shaken.  Morrison is angry.  However, Westphall and Craig take one look at the case and deduce that Rizzo suffered from Munchausen’s Syndrome.  For whatever reason, he was addicted to going to the hospital and having surgery.  He knew all the tricks, from using a light blub to make it look like he had a fever to pricking his finger with a needle to convince the doctors that there was blood in his urine.  It turns out that he died because of the drugs that he had been taking to help him fake his symptoms.  Both Morrison and Ehrlich are relieved to learn that Rizzo’s death was not their fault.

“So, Ehrlich lost his first patient today,” Craig says to Westphall.  “It won’t be his last.”

This was a good episode for Dr. Craig, especially after all that nonsense last week.  When Westphall finds himself in need of a doctor to speak to a group of inner city medical students, he is horrified to discover that Mark Craig is the only one available.  Craig accepts, saying that Westphall should have asked him earlier.

Westphall’s concerns are justified.  Dr. Craig is opinionated, wealthy, and more than a little prejudiced against …. well, everyone.  “My ancestors came here on the Mayflower!” Craig is quick to say.  And yet, the students love him, specifically because he doesn’t pretend to be anything that he isn’t.  Unlike Westphall, who tries give an inspiring pep talk, Craig is open about the reality of practicing medicine in what this episode refers to as being “the ghetto.”  When asked if his medical student son will be working in a ghetto clinic, Craig replies, “Why would he?”  Craig gets a standing ovation from the students, which felt like a bit much but whatever.  It was nice, for once, to see the show admitting that Craig’s blunt honesty can sometimes be more effective than Westphall’s noncommittal style of encouragement.

Afterwards, in a wonderfully acted scene, Craig asked Westphall why people don’t seem to like him,  Westphall shrugs and then says that Craig can be arrogant, rude, prejudiced, intolerant of other worldviews …. “Thank you, Donald,” Craig cuts him off.

Meanwhile, back at the hospital, a crazy woman (Micole Mercurio) is sent to the psych ward after threatening to kill Nurse Daniels.  (No, leave Shirley alone!)  Dr. Wendy Armstrong, who is one of the worst characters on this show, promptly discharges the woman and lets her leave the hospital.  “She threatened to kill me!” Shirley says while Wendy shrugs, unconcerned.  Fiscus also proves to be of no help, as he is once again feeling attracted to Kathy Martin.

Finally, Dr. White goes to a drug addict support group and walks out when things get too emotional.  Booo!  Dr. White is even worse than Dr, Armstrong!

This was a good episode.  Next week, the season finale!

Live Tweet Alert: Join #FridayNightFlix for Street Fighter!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1995’s Street Fighter, with Jean-Claude Van Damme and friends!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Street Fighter is available on Prime!

See you there!

Scenes That I Love: Albert Finney Hates People In Scrooge


Today would have been the 89th birthday of the great British actor, Albert Finney!

And today’s scene that I love features Albert Finney in the role of history’s most famous miser.  In 1970’s Scrooge, Finney played the title role and, early on, his worldview was perfectly captured by a song called I Hate People.  Finny was only 34 when he played Ebenezer Scrooge but he does a wonderful job of bringing the character to life and he’s just as convincing when he’s being good as he is when he’s being bad.  Finney is the main reason why Scrooge is my personal favorite of all of the versions of A Christmas Carol.

4 Shots From 4 Films: Special J.A. Bayona Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to the great Spanish director, J.A. Bayona!  It’s time for….

4 Shots From 4 J.A. Bayona Films

The Orphanage (2007, dir by J.A. Bayona, DP: Oscar Faura)

The Impossible (2012, dir by J.A. Bayona, DP: Oscar Faura)

A Monster Calls (2016, dir by J.A. Bayona, DP: Oscar Faura)

Society of the Snow (2023, dir by J.A. Bayona, DP: Pedro Luque)

Music Video of the Day: Encore, Thank You, Goodnight by Sammy Hagar (2025, directed by ZZ Satriani)


When it comes to Van Halen, I will always prefer the music from the David Lee Roth days to what was produced by Sammy Hagar but that’s nothing against Hagar.  Sammy may not have had Diamond Dave’s showmanship (which was as important to Van Halen’s early success as Eddie’s virtuosity) but he was still a good front man who brought his own style to the band.  Sammy was and is one of the best in the business and, at 77 years old, he still rocks.

With Encore, Thank You, Goodnight, Sammy Hagar pays tribute to Eddie Van Halen and his time with the band.  Performing with Hagar are almost all of the members of Chickenfoot, including former Van Halen bassist Michael Anthony, making this video both a tribute to one of Hagar’s bands and a reunion of another.  (Of the Chickenfoot lineup, only drummer Chad Smith is missing.)

Enjoy!

Late Night Retro Television Review: Highway to Heaven 3.22 “A Father’s Faith”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week brings us a touching episode.

Episode 3.22 “A Father’s Faith”

(Dir by Michael Landon, originally aired on March 4th, 1987)

Jonathan and Mark visit an old friend of Mark’s, a fisherman named Gene Malloy (Eli Wallach).  The Malloy family has been struggling ever since Gene’s son slipped into a coma after risking his life to save Gene’s daughter, Michele (Katherine Wallach), from drowning.  Gene neglects his business and his family to spend all of his time visiting his comatose son.  Gene’s wife (Anne Jackson) is feeling neglected and, because she blames herself for the accident, Michele has never visited her brother.  Everyone tells Gene that his son is never going to wake up but Gene has faith.

This was a simple but effective episode, one that worked largely because of the cast.  Eli Wallach and Anne Jackson were married in real life and Katherine Wallach was their daughter.  Watching this family drama being played out by a real family made it all the more touching.  In the end, Gene’s faith is rewarded.  It’s a little bit implausible but it doesn’t matter.  I still teared up a little.  For that matter, so did Michael Landon and Victor French and I’m pretty sure those tears were real.  Eli Wallach really poured his emotions into his performance as Gene.  This was a very heart-felt episode where the sincerity of the emotions carried the viewer over any rough spots in the narrative.

As I watched this episode, it occurred to me that, if it was made today, the story would probably be used to promote assisted suicide or euthanasia.  For whatever reason, there’s a lot of people who have really fallen in love with the idea of killing people who are sick or disabled.  Personally, I prefer this episode’s approach.  Sometimes, good things do happen.