Australia’s Channel 7 and our own glorious Fox News both featured a man flounder pounding on live television over the past day or two. Can you tell which is literal and which is figurative? I’m still not sure.
(Compliments to BBC World News for bringing the first to my attention. I’ve been reading them daily for a good many years now.)
You know, it would only be fitting to make Miranda Kerr the next hottie of the day…
I am definitely on Conan’s side of the recent NBC-Leno-Conan late-night debacle. I pretty much spent most of my post high school nights watching Conan’s late-night show. I never got into Leno, but I can understand why many people did. He’s a safe comedian whose reputation for treating guests with kid gloves made him a favorite for stars to drop by his show. Stars on the show make people watch Leno’s show.
Leno’s reputation has hit a major low during the last month as he’s become the punching bag for fans of Conan and Letterman. Even Jimmy Kimmel and his followers have jumped on the beat on the Chin bandwagon. Kimmel’s surprise appearance on Leno’s 10 @ 10 show a couple weeks ago was one of the best things to come on late-night in decades. To say that Kimmel emasculated Leno would be the understatement of this young decade.
It’s now been a week since Conan aired his final Tonight Show episode and during that week we saw Jay Leno try to repair his battered image and reputation by going on The Oprah Winfrey Show. Oprah’s daytime show has become the place to go to for people who either have been brought low by other people and need a place to find comfort and support or people who need to apologize about something bad they did. Leno’s appearance could’ve been the latter, but instead he tried to be the former. In choosing this path he might have damaged his image even more than he already has.
Leno doesn’t even make a serious attempt to place some of the blame on himself for what had occurred. Instead he tries to come off as being the biggest victim in the whole shenanigans of a debacle. While not mentioning Conan’s name he even takes a shot at “the other show” which he says was failing (despite numbers showing that after a slow and low ratings early on Conan’s show was steadily rising in ratings). Leno comes off even more fake and disingenious through the whole interview. There were times as if he expected Oprah to be more supportive and throw him softball questions, but instead got something tougher and more probing. He even goes so far as to try and joke about the whole ordeal which just ends up looking awkward at best and pathetic at worst.
I hope Middle America who think Leno was the better host enjoy their bland, battered and bullshit of a Tonight Show host, because it definitely won’t be anything funny, engaging and surprising.
The end of an era just occurred at 12:35am on January 23, 2010. An era of Conan O’Brien on NBC late-night. First 16 years hosting The Late Night Show after the departure of David Letterman for his own late-night talk show on CBS. 2009 marked Conan’s inheriting the coveted Tonight Show from a “retiring” Jay Leno. This next stage of Conan’s career was suppose to last a long time, but instead a major blunder of immense proportions by NBC head honcho Jeff Zucker has ended Conan’s tenure as the Tonight Show host after only 7 months.
Much has been said, argued and screamed about the circumstances which has led to Conan O’Brien’s leaving the Tonight Show. People can find most of those easily on the net. This shall be my brief farewell and see you soon to someone who has made late night fun to watch. Wherever he lands (FOX, Comedy Central, internet show, etc.) here’s to hoping he does so to continue what he did best those 17 years as an NBC late-night talk show host: be funny, irreverent and, most importantly, down-to-earth.
7 months to wait til we find out where Conan shall land.
AMC greenlights “Walking Dead”
Just in from Variety is the news that cable channel AMC has greenlit the pilot for the Frank Darabont and Gale Anne Hurd produced adaptation of Robert Kirkman’s critically-acclaimed and popular zombie comic book series, The Walking Dead. The news in early 2009 that Darabont, Hurd and Kirkman have come to an agreement to pitch the series adaptation to AMC (home of Mad Men and Breaking Bad) was one of the big news for comic book fans and the industry.
The Walking Dead is about a band of survivors in a world which has undergone and succumbed to a zombie apocalypse. Police Officer Rick Grimes leads this band of people in search of a safe haven from the uncounted zombies which now roam the devastated American landscape. Author Robert Kirkman has written just under 70 issues of this on-going series, so far. Cast for the series have changed on a regular basis to illustrate the extreme danger of this new post-apocalyptic landscape. The danger doesn’t just come from the roaming undead but from other survivors as well as rules of civilization and society have crumbled away to be replaced by rules of survival.
The series is known for some exceptional writing with heavy emphasis on character dynamics and interactions. While the series does have zombies in it the highlight of every issue for fans and critics alike is Kirkman’s ability to posit moral situations on the survivors which sometimes doesn’t get the kind of answer we’re used to in our protagonists. I think this is what has drawn Frank Darabont and Gale Anne Hurd to the property. Kirkman has taken the societal commentaries inherent in all the great zombie films and stories and has created a series around it. As one guest commentator for one of the trade paperbacks have said about The Walking Dead, “The series picks up after the end credits have started in a George Romero zombie movie.”
With the pilot now greenlit by AMC the inevitable casting call rumors will start to ramp up. Fans of the series are some of the most loyal and have been talking of dream casting the series for years. I’m sure those dream castings will get brought back out into the light with fans arguing if actors chosen for the role are the right ones or not. The one thing this news doesn’t say is how much will AMC allow in terms of violence shown. The Walking Dead is not a superhero series with over-the-top violence. It’s violence is similar to Romero’s zombie films in that they’re brutal and extremely gory. While I can understand that some of the more extreme scenes in the film could be shortened and inferred, I do hope that AMC will allow for most of the brutality in the series to remain intact since they help in creating the tone for the series.
Now, all that’s left is the waiting game and wonderings of when the pilot will air on AMC.
Source Gateway: Horror-Movies.ca
It looks like Conan O’Brien doesn’t want to make it easy for NBC’s plan to try and salvage it’s late-night line-up. With the Jay Leno Show now being removed from it’s primetime 10pm time slot NBC trying to compound it’s multimillion-dollar mistake with a plan to move it to 11:35pm with Conan’s The Tonight Show pushed back an extra half hour to12:05am. Jimmy Fallon’s show gets pushed back the same amount of time. This is like someone living in an apartment complex where their room is on fire and instead of calling the fire department they decide the solution it to move to the room next door.
I don’t seem to be the only who thinks this way as Conan O’Brien has decided this is a plan that’s retarded on so many levels no matter how one looked at it. He’s pretty much giving the plan two thumbs down. Will he resign and bolt from The Tonight Show in protest to how he has been treated? As the article below states he has 60 million reasons to stay one and force NBC’s hand. NBC should either just scap any plan to prop up Jay Leno on any show and support O’Brien’s show 100 percent while at the same time uncuffing him to actually do things his way. Or they could remove O’Brien from his hosting duties, put Leno back in there and give O’Brien the penalty fee and wave bye-bye to him as he bolts with those many reasons mentioned above to another network.
I think it’s unfair that O’Brien has been treated the way he has been. He’s not getting the chance to prove he can do The Tonight Show. Leno wasn’t such a big hit when he first took over as host from Johnny Carson, but in time he got into his groove and succeeded. I’m really hoping O’Brien sticks to his guns no matter what happens. If he gets let go then I am sure he’ll get calls from many networks thinking of doing it’s own late-night talk show and giving him free reign. I say HBO should pick him up and just let him go crazy on his own late-night show. O’Brien may not get the same sort of contract from HBO he got from NBC, but by then he’d have gotten a 60million severance check from the Dodo Network so money won’t be an issue. Who knows, I may even get HBO again if that happened.
Source: http://www.deadline.com/hollywood/conan-obrien-resigning-tonight-show/
HBO’s 10-part mini-series in 2001 adapting historian Stephen Ambrose’s best-selling book, Band of Brothers, was a hit and success with both critics and the general audiences. The book and the series detailed the life of members of Easy Company of the 2nd Battalion, 506th Regiment of the 101st Airborne Division during it’s campaign. A campaign which first began during training in Toccoa, Georgia then moving on to the Allied training in the UK before participating in some of the bloodiest battles of the Allied Western Front Campaign: Normandy, Operation Market Garden, Battle of Bastogne and finally the taking of Berchtesgarden and Hitler’s Eagle’s Nest.
The mini-series was known for it’s historical accuracy and attention to battlefield detail. Band of Brothers owes much of its visual and film-style to Stephen Spielberg’s (he was one of it’s exec. producers with Tom Hanks being another) WWII epic, Saving Private Ryan. The heavily washed-out color stock gave the series an almost black-and-white quality with just the sudden splashes of color like red and orange to highlight blood and fire. When it came to the battles the series set the bar quite high with Ridley Scott’s Black Hawk Down and Spielberg’s Saving Private Ryan being the only two to match it in technical mastery.
The series has become a yearly staple comes Memorial and Veteran’s Day in the US. I could always wake-up on those two holidays, turn on The History Channel and see a Band of Brothers marathon. Easter has it’s DeMille The Ten Commandments and these two holidays celebrating the sacrifices of soldiers, living and dead, have their BoB.
It’s now 2010, HBO Steven Spielberg and Tom Hanks go for round two with another 10-part WW2 mini-series simply titled, The Pacific. This second series will move from the European Theater of Operations over to the Pacific. Like the first mini-series, The Pacific will tell the story of the war from the eyes of a couple men on the ground. This time the men are Marines of the 1st Marine Division and through the eyes of some of these men we see WW2 fought in the Pacific and despite being fought in the same war it distinguishes itself for it’s sheer brutality. Audiences will learn such hallowed names such as Guadalcanal, Peleliu and Okinawa.
So, March 2010 people who enjoyed Band of Brothers should definitely tune in to HBO and watch it’s bookend series: The Pacific.
The Pacific Trailer
The Pacific Trailer 2
The Pacific On-Set Featurette
The beginning of the new millenium brought to tv something which was relegated to MTV for most of the 1990’s. I speak of the so-called “reality tv” shows like The Real World and Road Rules. They were a nice enough diversion from the usualy network and cable fare. They drew great ratings for a cable show and with each successive season for both series becoming more and more like car-wrecks with their beautiful and quite fake cast members the other networks began to take notice. In comes from nowhere Mark Burnett and his pitch to the CBS network of a survival show where ordinary citizens picked to play were to try and survive the season until only one is left to win the million dollar cash prize. Thus was born the reality-tv show, Survivor.
Soon other networks began to greenlight their own reality-tv shows (which were as real as some of the boobs on the cast of later Real World cast members). Fox gave us American Idol. NBC would introduce The Biggest Loser and Donald Trump’s The Apprentice. ABC got into the act with Who Wants to be A Millionaire then with The Bachelor (and to show they were not sexist, The Bachelorette). Even cable channels like The Food Network, Bravo and AMC got into the reality-tv show. Hell, even The Discovery Channel started their own which actually delivered on the label of “reality-tv” with their very popular series, Deadliest Catch.
While the decade from 2000-thru-2009 seemed to be dominated by these cheap to produce “reality shows” the decade had their bonafide hits of every kind. Every type of show were ably represented from comedies, dramas, police procedurals to pop-level shows. The Writer’s Strike of 2007-2008 ended some very good shows just when they were about to breakout. While of some these shows were able to get a second-chance either with a follow-up full season (many series had seasons cut short due to the strike) others got picked up by cable networks like USA or TNT.
Below is the list of the 20 of my favorite tv shows of the past decade. I decided against doing a “Best of…” list since some shows that many would say should be on the list won’t be since I never really watched them or got into them. So, as a list of favorites I’m able to decide on picking shows I’ve actually spent time watching at least halfway into the first season, if not all of the episodes shown.
Through the Shattered Lens